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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 19 215 it is the complementary color RGB 145 236 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 19 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 110 19 215 shade: RGB 115 19 210, RGB 132 37 229, RGB 149 55 248, RGB 166 73 255 and RGB 183 91 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 19 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 110 19 215 shade: RGB 110 19 215, RGB 93 1 196, RGB 76 0 177, RGB 59 0 158 and RGB 42 0 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 110 19 215 shade: RGB 110 18 215, RGB 163 18 215, RGB 215 18 215, RGB 215 18 161 and RGB 215 18 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 110 19 215 shade: RGB 110 18 215, RGB 57 18 215 and RGB 18 18 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 110 19 215 shade matches the following richer shades: RGB 110 18 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 110 19 215 shade: RGB 110 18 215, RGB 111 37 196, RGB 112 56 177, RGB 114 75 158 and RGB 115 94 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 110 19 215 shade: RGB 18 35 215, RGB 54 18 215, RGB 107 18 215, RGB 159 18 215 and RGB 212 18 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 110 19 215 shade: RGB 71 12 139, RGB 90 15 177, RGB 110 18 215, RGB 130 39 236 and RGB 152 77 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 110 19 215 shade: RGB 110 19 215, RGB 215 18 87 and RGB 18 215 28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 110 19 215 shade: RGB 110 19 215, RGB 215 107 18 and RGB 18 215 107

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 110 19 215 shade: RGB 110 19 215, RGB 215 18 87, RGB 127 215 18 and RGB 18 215 146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 110 19 215 shade: RGB 110 19 215, RGB 215 18 28, RGB 127 215 18 and RGB 18 215 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 91 / 0 / 16

HEX #6E13D7

RGB 110 19 215

HSL 267.86, 0.84%, 0.46%

LAB 35.37, 70.55, -79.8

 

Complementary color

CMYK 39 / 0 / 83 / 7

HEX #91EC28

RGB 145 236 40

HSL 87.86, 0.84%, 0.54%

LAB 85.08, -54.68, 76.91

 

CMYK 45 / 91 / 0 / 18

HEX #7313D2

RGB 115 19 210

HSL 270.16, 0.83%, 0.45%

LAB 35.53, 69.93, -76.64

 

CMYK 42 / 84 / 0 / 10

HEX #8425E5

RGB 132 37 229

HSL 269.69, 0.79%, 0.52%

LAB 41.03, 71.59, -78.41

 

CMYK 40 / 78 / 0 / 3

HEX #9537F8

RGB 149 55 248

HSL 269.22, 0.93%, 0.59%

LAB 46.84, 72.2, -79.53

 

CMYK 35 / 71 / 0 / 0

HEX #A649FF

RGB 166 73 255

HSL 270.66, 1%, 0.64%

LAB 51.94, 69.44, -75.02

 

CMYK 28 / 64 / 0 / 0

HEX #B75BFF

RGB 183 91 255

HSL 273.66, 1%, 0.68%

LAB 56.85, 64.76, -66.98

 

CMYK 49 / 91 / 0 / 16

HEX #6E13D7

RGB 110 19 215

HSL 267.86, 0.84%, 0.46%

LAB 35.37, 70.55, -79.8

 

CMYK 53 / 99 / 0 / 23

HEX #5D01C4

RGB 93 1 196

HSL 268.31, 0.99%, 0.39%

LAB 30.24, 67.78, -77.29

 

CMYK 57 / 100 / 0 / 31

HEX #4C00B1

RGB 76 0 177

HSL 265.76, 1%, 0.35%

LAB 25.89, 62.46, -73.27

 

CMYK 63 / 100 / 0 / 38

HEX #3B009E

RGB 59 0 158

HSL 262.41, 1%, 0.31%

LAB 21.57, 56.94, -68.99

 

CMYK 70 / 100 / 0 / 45

HEX #2A008B

RGB 42 0 139

HSL 258.13, 1%, 0.27%

LAB 17.26, 51.39, -64.45

 

CMYK 49 / 92 / 0 / 16

HEX #6E12D7

RGB 110 18 215

HSL 268.02, 0.85%, 0.46%

LAB 35.31, 70.74, -79.91

 

CMYK 24 / 92 / 0 / 16

HEX #A312D7

RGB 163 18 215

HSL 284.16, 0.85%, 0.46%

LAB 42.95, 76.94, -67.08

 

CMYK 0 / 92 / 0 / 16

HEX #D712D7

RGB 215 18 215

HSL 300, 0.85%, 0.46%

LAB 51.59, 84.91, -52.7

 

CMYK 0 / 92 / 25 / 16

HEX #D712A1

RGB 215 18 161

HSL 316.45, 0.85%, 0.46%

LAB 48.83, 77.84, -25.57

 

CMYK 0 / 92 / 50 / 16

HEX #D7126C

RGB 215 18 108

HSL 332.59, 0.85%, 0.46%

LAB 46.93, 72.75, 3.76

 

CMYK 49 / 92 / 0 / 16

HEX #6E12D7

RGB 110 18 215

HSL 268.02, 0.85%, 0.46%

LAB 35.31, 70.74, -79.91

 

CMYK 73 / 92 / 0 / 16

HEX #3912D7

RGB 57 18 215

HSL 251.88, 0.85%, 0.46%

LAB 29.93, 67.13, -88.98

 

CMYK 92 / 92 / 0 / 16

HEX #1212D7

RGB 18 18 215

HSL 240, 0.85%, 0.46%

LAB 28.03, 66.06, -92.21

 

CMYK 49 / 92 / 0 / 16

HEX #6E12D7

RGB 110 18 215

HSL 268.02, 0.85%, 0.46%

LAB 35.31, 70.74, -79.91

 

CMYK 49 / 92 / 0 / 16

HEX #6E12D7

RGB 110 18 215

HSL 268.02, 0.85%, 0.46%

LAB 35.31, 70.74, -79.91

 

CMYK 43 / 81 / 0 / 23

HEX #6F25C4

RGB 111 37 196

HSL 267.92, 0.68%, 0.46%

LAB 35.38, 61.26, -68.74

 

CMYK 37 / 68 / 0 / 31

HEX #7038B1

RGB 112 56 177

HSL 267.77, 0.52%, 0.46%

LAB 36.83, 48.54, -55.16

 

CMYK 28 / 53 / 0 / 38

HEX #724B9E

RGB 114 75 158

HSL 268.19, 0.36%, 0.46%

LAB 39.71, 33.78, -39.18

 

CMYK 17 / 32 / 0 / 45

HEX #735E8B

RGB 115 94 139

HSL 268, 0.19%, 0.46%

LAB 43.53, 17.95, -21.77

 

CMYK 92 / 84 / 0 / 16

HEX #1223D7

RGB 18 35 215

HSL 234.82, 0.85%, 0.46%

LAB 30, 60.09, -88.92

 

CMYK 75 / 92 / 0 / 16

HEX #3612D7

RGB 54 18 215

HSL 250.96, 0.85%, 0.46%

LAB 29.72, 67.01, -89.34

 

CMYK 50 / 92 / 0 / 16

HEX #6B12D7

RGB 107 18 215

HSL 267.11, 0.85%, 0.46%

LAB 34.93, 70.47, -80.54

 

CMYK 26 / 92 / 0 / 16

HEX #9F12D7

RGB 159 18 215

HSL 282.94, 0.85%, 0.46%

LAB 42.32, 76.4, -68.13

 

CMYK 1 / 92 / 0 / 16

HEX #D412D7

RGB 212 18 215

HSL 299.09, 0.85%, 0.46%

LAB 51.08, 84.42, -53.55

 

CMYK 49 / 91 / 0 / 45

HEX #470C8B

RGB 71 12 139

HSL 267.87, 0.84%, 0.3%

LAB 21.82, 50.38, -56.77

 

CMYK 49 / 92 / 0 / 31

HEX #5A0FB1

RGB 90 15 177

HSL 267.78, 0.84%, 0.38%

LAB 28.62, 60.76, -68.72

 

CMYK 49 / 92 / 0 / 16

HEX #6E12D7

RGB 110 18 215

HSL 268.02, 0.85%, 0.46%

LAB 35.31, 70.74, -79.91

 

CMYK 45 / 83 / 0 / 7

HEX #8227EC

RGB 130 39 236

HSL 267.72, 0.84%, 0.54%

LAB 41.62, 72.32, -81.43

 

CMYK 36 / 68 / 0 / 6

HEX #984DEF

RGB 152 77 239

HSL 267.78, 0.84%, 0.62%

LAB 49.76, 61.42, -69.72

 

CMYK 49 / 91 / 0 / 16

HEX #6E13D7

RGB 110 19 215

HSL 267.86, 0.84%, 0.46%

LAB 35.37, 70.55, -79.8

 

CMYK 0 / 92 / 60 / 16

HEX #D71257

RGB 215 18 87

HSL 338.98, 0.85%, 0.46%

LAB 46.4, 71.31, 16.04

 

CMYK 92 / 0 / 87 / 16

HEX #12D71C

RGB 18 215 28

HSL 123.05, 0.85%, 0.46%

LAB 75.34, -74.36, 69.66

 

CMYK 49 / 91 / 0 / 16

HEX #6E13D7

RGB 110 19 215

HSL 267.86, 0.84%, 0.46%

LAB 35.37, 70.55, -79.8

 

CMYK 0 / 50 / 92 / 16

HEX #D76B12

RGB 215 107 18

HSL 27.11, 0.85%, 0.46%

LAB 57.08, 37.8, 61.58

 

CMYK 92 / 0 / 50 / 16

HEX #12D76B

RGB 18 215 107

HSL 147.11, 0.85%, 0.46%

LAB 75.94, -66.79, 41.01

 

CMYK 49 / 91 / 0 / 16

HEX #6E13D7

RGB 110 19 215

HSL 267.86, 0.84%, 0.46%

LAB 35.37, 70.55, -79.8

 

CMYK 0 / 92 / 60 / 16

HEX #D71257

RGB 215 18 87

HSL 338.98, 0.85%, 0.46%

LAB 46.4, 71.31, 16.04

 

CMYK 41 / 0 / 92 / 16

HEX #7FD712

RGB 127 215 18

HSL 86.8, 0.85%, 0.46%

LAB 77.97, -53.04, 74.62

 

CMYK 92 / 0 / 32 / 16

HEX #12D792

RGB 18 215 146

HSL 158.98, 0.85%, 0.46%

LAB 76.56, -59.53, 22.02

 

CMYK 49 / 91 / 0 / 16

HEX #6E13D7

RGB 110 19 215

HSL 267.86, 0.84%, 0.46%

LAB 35.37, 70.55, -79.8

 

CMYK 0 / 92 / 87 / 16

HEX #D7121C

RGB 215 18 28

HSL 356.95, 0.85%, 0.46%

LAB 45.58, 69.02, 49.43

 

CMYK 41 / 0 / 92 / 16

HEX #7FD712

RGB 127 215 18

HSL 86.8, 0.85%, 0.46%

LAB 77.97, -53.04, 74.62

 

CMYK 92 / 0 / 5 / 16

HEX #12D7CD

RGB 18 215 205

HSL 176.95, 0.85%, 0.46%

LAB 77.96, -44.67, -7.39

 

Description

Color code: RGB 110 19 215 | qconv.com Color code: RGB 110 19 215 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 19 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 19 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 91 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 91% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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