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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 110 103 144 it is the complementary color RGB 145 152 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 110 103 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 110 103 144 shade: RGB 115 103 139, RGB 132 121 158, RGB 149 139 177, RGB 166 157 196 and RGB 183 175 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 110 103 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 110 103 144 shade: RGB 110 103 144, RGB 93 85 125, RGB 76 67 106, RGB 59 49 87 and RGB 42 31 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 110 103 144 shade: RGB 109 102 143, RGB 120 102 143, RGB 131 102 143, RGB 142 102 143 and RGB 143 102 133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 110 103 144 shade: RGB 109 102 143 and RGB 102 102 143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 110 103 144 shade matches the following richer shades: RGB 109 102 143, RGB 96 82 163, RGB 83 62 183, RGB 70 42 203 and RGB 57 22 222

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 110 103 144 shade: RGB 109 102 143, RGB 122 121 123, RGB 135 141 104, RGB 148 161 84 and RGB 161 181 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 110 103 144 shade: RGB 102 117 143, RGB 102 106 143, RGB 109 102 143, RGB 120 102 143 and RGB 131 102 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 110 103 144 shade: RGB 72 67 95, RGB 90 84 119, RGB 109 102 143, RGB 130 124 162 and RGB 153 148 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 110 103 144 shade: RGB 110 103 144, RGB 143 102 128 and RGB 111 143 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 110 103 144 shade: RGB 110 103 144, RGB 143 109 102 and RGB 102 143 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 110 103 144 shade: RGB 110 103 144, RGB 143 102 128, RGB 136 143 102 and RGB 102 143 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 110 103 144 shade: RGB 110 103 144, RGB 143 102 115, RGB 136 143 102 and RGB 102 143 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 28 / 0 / 44

HEX #6E6790

RGB 110 103 144

HSL 250.24, 0.17%, 0.48%

LAB 45.67, 12.04, -21.49

 

Complementary color

CMYK 5 / 0 / 27 / 40

HEX #91986F

RGB 145 152 111

HSL 70.24, 0.17%, 0.52%

LAB 61.33, -9.68, 20.79

 

CMYK 17 / 26 / 0 / 45

HEX #73678B

RGB 115 103 139

HSL 260, 0.15%, 0.47%

LAB 45.92, 12.48, -18.09

 

CMYK 16 / 23 / 0 / 38

HEX #84799E

RGB 132 121 158

HSL 257.84, 0.16%, 0.55%

LAB 53, 11.99, -18.32

 

CMYK 16 / 21 / 0 / 31

HEX #958BB1

RGB 149 139 177

HSL 255.79, 0.2%, 0.62%

LAB 59.92, 11.55, -18.58

 

CMYK 15 / 20 / 0 / 23

HEX #A69DC4

RGB 166 157 196

HSL 253.85, 0.25%, 0.69%

LAB 66.68, 11.15, -18.85

 

CMYK 15 / 19 / 0 / 16

HEX #B7AFD7

RGB 183 175 215

HSL 252, 0.33%, 0.76%

LAB 73.31, 10.79, -19.14

 

CMYK 24 / 28 / 0 / 44

HEX #6E6790

RGB 110 103 144

HSL 250.24, 0.17%, 0.48%

LAB 45.67, 12.04, -21.49

 

CMYK 26 / 32 / 0 / 51

HEX #5D557D

RGB 93 85 125

HSL 252, 0.19%, 0.41%

LAB 38.38, 12.63, -21.4

 

CMYK 28 / 37 / 0 / 58

HEX #4C436A

RGB 76 67 106

HSL 253.85, 0.23%, 0.34%

LAB 30.86, 13.33, -21.36

 

CMYK 32 / 44 / 0 / 66

HEX #3B3157

RGB 59 49 87

HSL 255.79, 0.28%, 0.27%

LAB 23.05, 14.19, -21.41

 

CMYK 38 / 54 / 0 / 73

HEX #2A1F44

RGB 42 31 68

HSL 257.84, 0.37%, 0.19%

LAB 14.9, 15.29, -21.56

 

CMYK 24 / 29 / 0 / 44

HEX #6D668F

RGB 109 102 143

HSL 250.24, 0.17%, 0.48%

LAB 45.27, 12.07, -21.52

 

CMYK 16 / 29 / 0 / 44

HEX #78668F

RGB 120 102 143

HSL 266.34, 0.17%, 0.48%

LAB 46.28, 15.74, -19.88

 

CMYK 8 / 29 / 0 / 44

HEX #83668F

RGB 131 102 143

HSL 282.44, 0.17%, 0.48%

LAB 47.38, 19.52, -18.1

 

CMYK 1 / 29 / 0 / 44

HEX #8E668F

RGB 142 102 143

HSL 298.54, 0.17%, 0.48%

LAB 48.56, 23.36, -16.2

 

CMYK 0 / 29 / 7 / 44

HEX #8F6685

RGB 143 102 133

HSL 314.63, 0.17%, 0.48%

LAB 48.31, 21.76, -10.62

 

CMYK 24 / 29 / 0 / 44

HEX #6D668F

RGB 109 102 143

HSL 250.24, 0.17%, 0.48%

LAB 45.27, 12.07, -21.52

 

CMYK 29 / 29 / 0 / 44

HEX #66668F

RGB 102 102 143

HSL 240, 0.17%, 0.48%

LAB 44.68, 9.8, -22.49

 

CMYK 24 / 29 / 0 / 44

HEX #6D668F

RGB 109 102 143

HSL 250.24, 0.17%, 0.48%

LAB 45.27, 12.07, -21.52

 

CMYK 41 / 50 / 0 / 36

HEX #6052A3

RGB 96 82 163

HSL 250.37, 0.33%, 0.48%

LAB 39.86, 26.1, -42.05

 

CMYK 55 / 66 / 0 / 28

HEX #533EB7

RGB 83 62 183

HSL 250.41, 0.49%, 0.48%

LAB 35.41, 41.45, -61.17

 

CMYK 66 / 79 / 0 / 20

HEX #462ACB

RGB 70 42 203

HSL 250.43, 0.66%, 0.48%

LAB 32.41, 56.21, -77.87

 

CMYK 74 / 90 / 0 / 13

HEX #3916DE

RGB 57 22 222

HSL 250.5, 0.82%, 0.48%

LAB 31.16, 67.9, -90.99

 

CMYK 24 / 29 / 0 / 44

HEX #6D668F

RGB 109 102 143

HSL 250.24, 0.17%, 0.48%

LAB 45.27, 12.07, -21.52

 

CMYK 1 / 2 / 0 / 52

HEX #7A797B

RGB 122 121 123

HSL 270, 0.01%, 0.48%

LAB 50.97, 0.78, -0.96

 

CMYK 4 / 0 / 26 / 45

HEX #878D68

RGB 135 141 104

HSL 69.73, 0.15%, 0.48%

LAB 57.27, -8.75, 19.06

 

CMYK 8 / 0 / 48 / 37

HEX #94A154

RGB 148 161 84

HSL 70.13, 0.31%, 0.48%

LAB 63.69, -16.63, 38.3

 

CMYK 11 / 0 / 65 / 29

HEX #A1B540

RGB 161 181 64

HSL 70.26, 0.48%, 0.48%

LAB 70.17, -23.06, 55.23

 

CMYK 29 / 18 / 0 / 44

HEX #66758F

RGB 102 117 143

HSL 218.05, 0.17%, 0.48%

LAB 48.92, 0.76, -15.98

 

CMYK 29 / 26 / 0 / 44

HEX #666A8F

RGB 102 106 143

HSL 234.15, 0.17%, 0.48%

LAB 45.79, 7.36, -20.77

 

CMYK 24 / 29 / 0 / 44

HEX #6D668F

RGB 109 102 143

HSL 250.24, 0.17%, 0.48%

LAB 45.27, 12.07, -21.52

 

CMYK 16 / 29 / 0 / 44

HEX #78668F

RGB 120 102 143

HSL 266.34, 0.17%, 0.48%

LAB 46.28, 15.74, -19.88

 

CMYK 8 / 29 / 0 / 44

HEX #83668F

RGB 131 102 143

HSL 282.44, 0.17%, 0.48%

LAB 47.38, 19.52, -18.1

 

CMYK 24 / 29 / 0 / 63

HEX #48435F

RGB 72 67 95

HSL 250.71, 0.17%, 0.32%

LAB 29.96, 8.92, -15.77

 

CMYK 24 / 29 / 0 / 53

HEX #5A5477

RGB 90 84 119

HSL 250.29, 0.17%, 0.4%

LAB 37.57, 10.67, -18.99

 

CMYK 24 / 29 / 0 / 44

HEX #6D668F

RGB 109 102 143

HSL 250.24, 0.17%, 0.48%

LAB 45.27, 12.07, -21.52

 

CMYK 20 / 23 / 0 / 36

HEX #827CA2

RGB 130 124 162

HSL 249.47, 0.17%, 0.56%

LAB 53.78, 10.5, -19.47

 

CMYK 15 / 17 / 0 / 30

HEX #9994B3

RGB 153 148 179

HSL 249.68, 0.17%, 0.64%

LAB 62.68, 8.19, -15.48

 

CMYK 24 / 28 / 0 / 44

HEX #6E6790

RGB 110 103 144

HSL 250.24, 0.17%, 0.48%

LAB 45.67, 12.04, -21.49

 

CMYK 0 / 29 / 10 / 44

HEX #8F6680

RGB 143 102 128

HSL 321.95, 0.17%, 0.48%

LAB 48.13, 20.83, -7.89

 

CMYK 22 / 0 / 29 / 44

HEX #6F8F66

RGB 111 143 102

HSL 106.83, 0.17%, 0.48%

LAB 56.07, -19.45, 18.26

 

CMYK 24 / 28 / 0 / 44

HEX #6E6790

RGB 110 103 144

HSL 250.24, 0.17%, 0.48%

LAB 45.67, 12.04, -21.49

 

CMYK 0 / 24 / 29 / 44

HEX #8F6D66

RGB 143 109 102

HSL 10.24, 0.17%, 0.48%

LAB 49.17, 12.42, 9.12

 

CMYK 29 / 0 / 24 / 44

HEX #668F6D

RGB 102 143 109

HSL 130.24, 0.17%, 0.48%

LAB 55.66, -21.41, 13.65

 

CMYK 24 / 28 / 0 / 44

HEX #6E6790

RGB 110 103 144

HSL 250.24, 0.17%, 0.48%

LAB 45.67, 12.04, -21.49

 

CMYK 0 / 29 / 10 / 44

HEX #8F6680

RGB 143 102 128

HSL 321.95, 0.17%, 0.48%

LAB 48.13, 20.83, -7.89

 

CMYK 5 / 0 / 29 / 44

HEX #888F66

RGB 136 143 102

HSL 70.24, 0.17%, 0.48%

LAB 57.88, -9.74, 21.02

 

CMYK 29 / 0 / 18 / 44

HEX #668F75

RGB 102 143 117

HSL 141.95, 0.17%, 0.48%

LAB 55.84, -19.82, 9.35

 

CMYK 24 / 28 / 0 / 44

HEX #6E6790

RGB 110 103 144

HSL 250.24, 0.17%, 0.48%

LAB 45.67, 12.04, -21.49

 

CMYK 0 / 29 / 20 / 44

HEX #8F6673

RGB 143 102 115

HSL 340.98, 0.17%, 0.48%

LAB 47.73, 18.56, -0.72

 

CMYK 5 / 0 / 29 / 44

HEX #888F66

RGB 136 143 102

HSL 70.24, 0.17%, 0.48%

LAB 57.88, -9.74, 21.02

 

CMYK 29 / 0 / 10 / 44

HEX #668F81

RGB 102 143 129

HSL 159.51, 0.17%, 0.48%

LAB 56.14, -17.26, 2.91

 

Description

Color code: RGB 110 103 144 | qconv.com Color code: RGB 110 103 144 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 110 red, 103 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
110 103 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 28 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 28% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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