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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 219 103 it is the complementary color RGB 245 36 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 219 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 219 103 shade: RGB 15 219 98, RGB 32 237 117, RGB 49 255 136, RGB 66 255 155 and RGB 83 255 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 219 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 219 103 shade: RGB 10 219 103, RGB 0 201 84, RGB 0 183 65, RGB 0 165 46 and RGB 0 147 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 219 103 shade: RGB 10 219 103, RGB 10 219 47, RGB 30 219 10, RGB 86 219 10 and RGB 143 219 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 219 103 shade: RGB 10 219 103, RGB 10 219 160, RGB 10 219 216, RGB 10 166 219 and RGB 10 110 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 219 103 shade matches the following richer shades: RGB 10 219 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 219 103 shade: RGB 10 219 103, RGB 29 201 105, RGB 47 182 107, RGB 66 163 109 and RGB 85 145 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 219 103 shade: RGB 31 219 10, RGB 10 219 45, RGB 10 219 101, RGB 10 219 157 and RGB 10 219 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 219 103 shade: RGB 7 140 66, RGB 8 180 85, RGB 10 219 103, RGB 27 244 123 and RGB 66 246 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 219 103 shade: RGB 10 219 103, RGB 10 87 219 and RGB 219 17 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 219 103 shade: RGB 10 219 103, RGB 101 10 219 and RGB 219 101 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 219 103 shade: RGB 10 219 103, RGB 10 87 219, RGB 219 10 129 and RGB 219 143 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 219 103 shade: RGB 10 219 103, RGB 10 24 219, RGB 219 10 129 and RGB 219 205 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 53 / 14

HEX #0ADB67

RGB 10 219 103

HSL 146.7, 0.91%, 0.45%

LAB 77.11, -69, 44.35

 

Complementary color

CMYK 0 / 85 / 38 / 4

HEX #F52498

RGB 245 36 152

HSL 326.7, 0.91%, 0.55%

LAB 55.01, 80.57, -10.28

 

CMYK 93 / 0 / 55 / 14

HEX #0FDB62

RGB 15 219 98

HSL 144.41, 0.87%, 0.46%

LAB 77.07, -69.53, 46.66

 

CMYK 86 / 0 / 51 / 7

HEX #20ED75

RGB 32 237 117

HSL 144.88, 0.85%, 0.53%

LAB 83, -71.47, 44.99

 

CMYK 81 / 0 / 47 / 0

HEX #31FF88

RGB 49 255 136

HSL 145.34, 1%, 0.6%

LAB 88.9, -72.92, 43.36

 

CMYK 74 / 0 / 39 / 0

HEX #42FF9B

RGB 66 255 155

HSL 148.25, 1%, 0.63%

LAB 89.41, -67.81, 34.81

 

CMYK 67 / 0 / 32 / 0

HEX #53FFAE

RGB 83 255 174

HSL 151.74, 1%, 0.66%

LAB 90.05, -61.82, 26.2

 

CMYK 95 / 0 / 53 / 14

HEX #0ADB67

RGB 10 219 103

HSL 146.7, 0.91%, 0.45%

LAB 77.11, -69, 44.35

 

CMYK 100 / 0 / 58 / 21

HEX #00C954

RGB 0 201 84

HSL 145.07, 1%, 0.39%

LAB 71.15, -66.42, 46.09

 

CMYK 100 / 0 / 64 / 28

HEX #00B741

RGB 0 183 65

HSL 141.31, 1%, 0.36%

LAB 65.16, -63.29, 47.73

 

CMYK 100 / 0 / 72 / 35

HEX #00A52E

RGB 0 165 46

HSL 136.73, 1%, 0.32%

LAB 59.07, -59.86, 49.01

 

CMYK 100 / 0 / 82 / 42

HEX #00931B

RGB 0 147 27

HSL 131.02, 1%, 0.29%

LAB 52.89, -56.03, 49.53

 

CMYK 95 / 0 / 53 / 14

HEX #0ADB67

RGB 10 219 103

HSL 146.7, 0.91%, 0.45%

LAB 77.11, -69, 44.35

 

CMYK 95 / 0 / 79 / 14

HEX #0ADB2F

RGB 10 219 47

HSL 130.62, 0.91%, 0.45%

LAB 76.64, -74.85, 66.15

 

CMYK 86 / 0 / 95 / 14

HEX #1EDB0A

RGB 30 219 10

HSL 114.26, 0.91%, 0.45%

LAB 76.66, -75.13, 73.42

 

CMYK 61 / 0 / 95 / 14

HEX #56DB0A

RGB 86 219 10

HSL 98.18, 0.91%, 0.45%

LAB 77.68, -66.3, 74.67

 

CMYK 35 / 0 / 95 / 14

HEX #8FDB0A

RGB 143 219 10

HSL 81.82, 0.91%, 0.45%

LAB 79.91, -49.27, 77.4

 

CMYK 95 / 0 / 53 / 14

HEX #0ADB67

RGB 10 219 103

HSL 146.7, 0.91%, 0.45%

LAB 77.11, -69, 44.35

 

CMYK 95 / 0 / 27 / 14

HEX #0ADBA0

RGB 10 219 160

HSL 163.06, 0.91%, 0.45%

LAB 78.03, -58.19, 16.69

 

CMYK 95 / 0 / 1 / 14

HEX #0ADBD8

RGB 10 219 216

HSL 179.14, 0.91%, 0.45%

LAB 79.43, -43.49, -11.08

 

CMYK 95 / 24 / 0 / 14

HEX #0AA6DB

RGB 10 166 219

HSL 195.22, 0.91%, 0.45%

LAB 63.71, -16.76, -36.71

 

CMYK 95 / 50 / 0 / 14

HEX #0A6EDB

RGB 10 110 219

HSL 211.29, 0.91%, 0.45%

LAB 47.41, 16.4, -62.63

 

CMYK 95 / 0 / 53 / 14

HEX #0ADB67

RGB 10 219 103

HSL 146.7, 0.91%, 0.45%

LAB 77.11, -69, 44.35

 

CMYK 95 / 0 / 53 / 14

HEX #0ADB67

RGB 10 219 103

HSL 146.7, 0.91%, 0.45%

LAB 77.11, -69, 44.35

 

CMYK 86 / 0 / 48 / 21

HEX #1DC969

RGB 29 201 105

HSL 146.51, 0.75%, 0.45%

LAB 71.59, -61.77, 36.55

 

CMYK 74 / 0 / 41 / 29

HEX #2FB66B

RGB 47 182 107

HSL 146.67, 0.59%, 0.45%

LAB 65.84, -52.66, 28.17

 

CMYK 60 / 0 / 33 / 36

HEX #42A36D

RGB 66 163 109

HSL 146.6, 0.42%, 0.45%

LAB 60.3, -41.19, 19.78

 

CMYK 41 / 0 / 23 / 43

HEX #55916F

RGB 85 145 111

HSL 146, 0.26%, 0.45%

LAB 55.41, -27.53, 12.03

 

CMYK 86 / 0 / 95 / 14

HEX #1FDB0A

RGB 31 219 10

HSL 113.97, 0.91%, 0.45%

LAB 76.66, -75.04, 73.43

 

CMYK 95 / 0 / 79 / 14

HEX #0ADB2D

RGB 10 219 45

HSL 130.05, 0.91%, 0.45%

LAB 76.63, -74.98, 66.72

 

CMYK 95 / 0 / 54 / 14

HEX #0ADB65

RGB 10 219 101

HSL 146.12, 0.91%, 0.45%

LAB 77.08, -69.29, 45.26

 

CMYK 95 / 0 / 28 / 14

HEX #0ADB9D

RGB 10 219 157

HSL 162.2, 0.91%, 0.45%

LAB 77.97, -58.88, 18.19

 

CMYK 95 / 0 / 3 / 14

HEX #0ADBD4

RGB 10 219 212

HSL 177.99, 0.91%, 0.45%

LAB 79.32, -44.65, -9.11

 

CMYK 95 / 0 / 53 / 45

HEX #078C42

RGB 7 140 66

HSL 146.62, 0.9%, 0.29%

LAB 50.91, -48.9, 30.54

 

CMYK 96 / 0 / 53 / 29

HEX #08B455

RGB 8 180 85

HSL 146.86, 0.91%, 0.37%

LAB 64.44, -59.28, 37.56

 

CMYK 95 / 0 / 53 / 14

HEX #0ADB67

RGB 10 219 103

HSL 146.7, 0.91%, 0.45%

LAB 77.11, -69, 44.35

 

CMYK 89 / 0 / 50 / 4

HEX #1BF47B

RGB 27 244 123

HSL 146.54, 0.91%, 0.53%

LAB 85.18, -73.1, 44.85

 

CMYK 73 / 0 / 41 / 4

HEX #42F692

RGB 66 246 146

HSL 146.67, 0.91%, 0.61%

LAB 86.58, -66.23, 35.54

 

CMYK 95 / 0 / 53 / 14

HEX #0ADB67

RGB 10 219 103

HSL 146.7, 0.91%, 0.45%

LAB 77.11, -69, 44.35

 

CMYK 95 / 60 / 0 / 14

HEX #0A57DB

RGB 10 87 219

HSL 217.89, 0.91%, 0.45%

LAB 41.21, 31.31, -72.71

 

CMYK 0 / 92 / 95 / 14

HEX #DB110A

RGB 219 17 10

HSL 2.01, 0.91%, 0.45%

LAB 46.29, 69.93, 57.19

 

CMYK 95 / 0 / 53 / 14

HEX #0ADB67

RGB 10 219 103

HSL 146.7, 0.91%, 0.45%

LAB 77.11, -69, 44.35

 

CMYK 54 / 95 / 0 / 14

HEX #650ADB

RGB 101 10 219

HSL 266.12, 0.91%, 0.45%

LAB 34.19, 72.19, -84.11

 

CMYK 0 / 54 / 95 / 14

HEX #DB650A

RGB 219 101 10

HSL 26.12, 0.91%, 0.45%

LAB 56.48, 42.27, 63.19

 

CMYK 95 / 0 / 53 / 14

HEX #0ADB67

RGB 10 219 103

HSL 146.7, 0.91%, 0.45%

LAB 77.11, -69, 44.35

 

CMYK 95 / 60 / 0 / 14

HEX #0A57DB

RGB 10 87 219

HSL 217.89, 0.91%, 0.45%

LAB 41.21, 31.31, -72.71

 

CMYK 0 / 95 / 41 / 14

HEX #DB0A81

RGB 219 10 129

HSL 325.84, 0.91%, 0.45%

LAB 48.09, 76.2, -7.34

 

CMYK 0 / 35 / 95 / 14

HEX #DB8F0A

RGB 219 143 10

HSL 38.18, 0.91%, 0.45%

LAB 65.54, 20.39, 69.3

 

CMYK 95 / 0 / 53 / 14

HEX #0ADB67

RGB 10 219 103

HSL 146.7, 0.91%, 0.45%

LAB 77.11, -69, 44.35

 

CMYK 95 / 89 / 0 / 14

HEX #0A18DB

RGB 10 24 219

HSL 235.98, 0.91%, 0.45%

LAB 28.99, 65.28, -92.93

 

CMYK 0 / 95 / 41 / 14

HEX #DB0A81

RGB 219 10 129

HSL 325.84, 0.91%, 0.45%

LAB 48.09, 76.2, -7.34

 

CMYK 0 / 6 / 95 / 14

HEX #DBCD0A

RGB 219 205 10

HSL 55.98, 0.91%, 0.45%

LAB 81.15, -12.19, 80.6

 

Description

Color code: RGB 10 219 103 | qconv.com Color code: RGB 10 219 103 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 219 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 219 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 53 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 53% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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