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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 213 213 it is the complementary color RGB 245 42 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 213 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 213 213 shade: RGB 15 213 208, RGB 32 231 227, RGB 49 249 246, RGB 66 255 255 and RGB 83 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 213 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 213 213 shade: RGB 10 213 213, RGB 0 195 194, RGB 0 177 175, RGB 0 159 156 and RGB 0 141 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 213 213 shade: RGB 10 214 214, RGB 10 214 159, RGB 10 214 104, RGB 10 214 49 and RGB 26 214 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 213 213 shade: RGB 10 214 214, RGB 10 159 214, RGB 10 104 214, RGB 10 49 214 and RGB 10 10 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 213 213 shade matches the following richer shades: RGB 10 214 214

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 213 213 shade: RGB 10 214 214, RGB 28 196 196, RGB 46 177 177, RGB 64 159 159 and RGB 82 141 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 213 213 shade: RGB 10 214 105, RGB 10 214 159, RGB 10 214 214, RGB 10 159 214 and RGB 10 105 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 213 213 shade: RGB 6 135 135, RGB 8 174 174, RGB 10 214 214, RGB 21 244 244 and RGB 61 245 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 213 213 shade: RGB 10 213 213, RGB 50 10 214 and RGB 214 132 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 213 213 shade: RGB 10 213 213, RGB 214 10 214 and RGB 214 214 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 213 213 shade: RGB 10 213 213, RGB 50 10 214, RGB 214 10 10 and RGB 173 214 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 213 213 shade: RGB 10 213 213, RGB 112 10 214, RGB 214 10 10 and RGB 112 214 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 0 / 16

HEX #0AD5D5

RGB 10 213 213

HSL 180, 0.91%, 0.44%

LAB 77.55, -41.72, -12.28

 

Complementary color

CMYK 0 / 83 / 83 / 4

HEX #F52A2A

RGB 245 42 42

HSL 0, 0.91%, 0.56%

LAB 53.21, 72.93, 51.54

 

CMYK 93 / 0 / 2 / 16

HEX #0FD5D0

RGB 15 213 208

HSL 178.48, 0.87%, 0.45%

LAB 77.43, -43.04, -9.79

 

CMYK 86 / 0 / 2 / 9

HEX #20E7E3

RGB 32 231 227

HSL 178.79, 0.81%, 0.52%

LAB 83.44, -44.7, -10.92

 

CMYK 80 / 0 / 1 / 2

HEX #31F9F6

RGB 49 249 246

HSL 179.1, 0.94%, 0.58%

LAB 89.42, -46.04, -11.96

 

CMYK 74 / 0 / 0 / 0

HEX #42FFFF

RGB 66 255 255

HSL 180, 1%, 0.63%

LAB 91.64, -44.65, -13.3

 

CMYK 67 / 0 / 0 / 0

HEX #53FFFF

RGB 83 255 255

HSL 180, 1%, 0.66%

LAB 91.94, -42.7, -12.81

 

CMYK 95 / 0 / 0 / 16

HEX #0AD5D5

RGB 10 213 213

HSL 180, 0.91%, 0.44%

LAB 77.55, -41.72, -12.28

 

CMYK 100 / 0 / 1 / 24

HEX #00C3C2

RGB 0 195 194

HSL 179.69, 1%, 0.38%

LAB 71.5, -39.59, -11.05

 

CMYK 100 / 0 / 1 / 31

HEX #00B1AF

RGB 0 177 175

HSL 179.32, 1%, 0.35%

LAB 65.39, -37.17, -9.73

 

CMYK 100 / 0 / 2 / 38

HEX #009F9C

RGB 0 159 156

HSL 178.87, 1%, 0.31%

LAB 59.16, -34.71, -8.37

 

CMYK 100 / 0 / 3 / 45

HEX #008D89

RGB 0 141 137

HSL 178.3, 1%, 0.28%

LAB 52.79, -32.2, -6.97

 

CMYK 95 / 0 / 0 / 16

HEX #0AD6D6

RGB 10 214 214

HSL 180, 0.91%, 0.44%

LAB 77.88, -41.87, -12.33

 

CMYK 95 / 0 / 26 / 16

HEX #0AD69F

RGB 10 214 159

HSL 163.82, 0.91%, 0.44%

LAB 76.47, -56.54, 15.04

 

CMYK 95 / 0 / 51 / 16

HEX #0AD668

RGB 10 214 104

HSL 147.65, 0.91%, 0.44%

LAB 75.55, -67.27, 41.96

 

CMYK 95 / 0 / 77 / 16

HEX #0AD631

RGB 10 214 49

HSL 131.47, 0.91%, 0.44%

LAB 75.06, -73.33, 64.03

 

CMYK 88 / 0 / 95 / 16

HEX #1AD60A

RGB 26 214 10

HSL 115.29, 0.91%, 0.44%

LAB 75.04, -74.07, 72.07

 

CMYK 95 / 0 / 0 / 16

HEX #0AD6D6

RGB 10 214 214

HSL 180, 0.91%, 0.44%

LAB 77.88, -41.87, -12.33

 

CMYK 95 / 26 / 0 / 16

HEX #0A9FD6

RGB 10 159 214

HSL 196.18, 0.91%, 0.44%

LAB 61.41, -14.75, -37.54

 

CMYK 95 / 51 / 0 / 16

HEX #0A68D6

RGB 10 104 214

HSL 212.35, 0.91%, 0.44%

LAB 45.39, 18.29, -63.05

 

CMYK 95 / 77 / 0 / 16

HEX #0A31D6

RGB 10 49 214

HSL 228.53, 0.91%, 0.44%

LAB 32.07, 52.78, -84.91

 

CMYK 95 / 95 / 0 / 16

HEX #0A0AD6

RGB 10 10 214

HSL 240, 0.91%, 0.44%

LAB 27.12, 67.53, -93.15

 

CMYK 95 / 0 / 0 / 16

HEX #0AD6D6

RGB 10 214 214

HSL 180, 0.91%, 0.44%

LAB 77.88, -41.87, -12.33

 

CMYK 95 / 0 / 0 / 16

HEX #0AD6D6

RGB 10 214 214

HSL 180, 0.91%, 0.44%

LAB 77.88, -41.87, -12.33

 

CMYK 86 / 0 / 0 / 23

HEX #1CC4C4

RGB 28 196 196

HSL 180, 0.75%, 0.44%

LAB 72.04, -38.34, -11.33

 

CMYK 74 / 0 / 0 / 31

HEX #2EB1B1

RGB 46 177 177

HSL 180, 0.59%, 0.44%

LAB 65.9, -33.6, -10.03

 

CMYK 60 / 0 / 0 / 38

HEX #409F9F

RGB 64 159 159

HSL 180, 0.43%, 0.44%

LAB 60.24, -27.45, -8.35

 

CMYK 42 / 0 / 0 / 45

HEX #528D8D

RGB 82 141 141

HSL 180, 0.26%, 0.44%

LAB 54.83, -19.18, -6.04

 

CMYK 95 / 0 / 51 / 16

HEX #0AD669

RGB 10 214 105

HSL 147.94, 0.91%, 0.44%

LAB 75.56, -67.11, 41.49

 

CMYK 95 / 0 / 26 / 16

HEX #0AD69F

RGB 10 214 159

HSL 163.82, 0.91%, 0.44%

LAB 76.47, -56.54, 15.04

 

CMYK 95 / 0 / 0 / 16

HEX #0AD6D6

RGB 10 214 214

HSL 180, 0.91%, 0.44%

LAB 77.88, -41.87, -12.33

 

CMYK 95 / 26 / 0 / 16

HEX #0A9FD6

RGB 10 159 214

HSL 196.18, 0.91%, 0.44%

LAB 61.41, -14.75, -37.54

 

CMYK 95 / 51 / 0 / 16

HEX #0A69D6

RGB 10 105 214

HSL 212.06, 0.91%, 0.44%

LAB 45.67, 17.64, -62.6

 

CMYK 96 / 0 / 0 / 47

HEX #068787

RGB 6 135 135

HSL 180, 0.91%, 0.28%

LAB 50.82, -29.67, -8.74

 

CMYK 95 / 0 / 0 / 32

HEX #08AEAE

RGB 8 174 174

HSL 180, 0.91%, 0.36%

LAB 64.47, -35.82, -10.55

 

CMYK 95 / 0 / 0 / 16

HEX #0AD6D6

RGB 10 214 214

HSL 180, 0.91%, 0.44%

LAB 77.88, -41.87, -12.33

 

CMYK 91 / 0 / 0 / 4

HEX #15F4F4

RGB 21 244 244

HSL 180, 0.91%, 0.52%

LAB 87.68, -45.99, -13.55

 

CMYK 75 / 0 / 0 / 4

HEX #3DF5F5

RGB 61 245 245

HSL 180, 0.9%, 0.6%

LAB 88.39, -43.52, -12.96

 

CMYK 95 / 0 / 0 / 16

HEX #0AD5D5

RGB 10 213 213

HSL 180, 0.91%, 0.44%

LAB 77.55, -41.72, -12.28

 

CMYK 77 / 95 / 0 / 16

HEX #320AD6

RGB 50 10 214

HSL 251.76, 0.91%, 0.44%

LAB 28.77, 68.28, -90.35

 

CMYK 0 / 38 / 95 / 16

HEX #D6840A

RGB 214 132 10

HSL 35.88, 0.91%, 0.44%

LAB 62.36, 24.15, 66.79

 

CMYK 95 / 0 / 0 / 16

HEX #0AD5D5

RGB 10 213 213

HSL 180, 0.91%, 0.44%

LAB 77.55, -41.72, -12.28

 

CMYK 0 / 95 / 0 / 16

HEX #D60AD6

RGB 214 10 214

HSL 300, 0.91%, 0.44%

LAB 51.12, 85.33, -52.9

 

CMYK 0 / 0 / 95 / 16

HEX #D6D60A

RGB 214 214 10

HSL 60, 0.91%, 0.44%

LAB 83.13, -18.79, 81.9

 

CMYK 95 / 0 / 0 / 16

HEX #0AD5D5

RGB 10 213 213

HSL 180, 0.91%, 0.44%

LAB 77.55, -41.72, -12.28

 

CMYK 77 / 95 / 0 / 16

HEX #320AD6

RGB 50 10 214

HSL 251.76, 0.91%, 0.44%

LAB 28.77, 68.28, -90.35

 

CMYK 0 / 95 / 95 / 16

HEX #D60A0A

RGB 214 10 10

HSL 0, 0.91%, 0.44%

LAB 44.99, 69.38, 55.94

 

CMYK 19 / 0 / 95 / 16

HEX #ADD60A

RGB 173 214 10

HSL 72.06, 0.91%, 0.44%

LAB 80.18, -35.75, 78.35

 

CMYK 95 / 0 / 0 / 16

HEX #0AD5D5

RGB 10 213 213

HSL 180, 0.91%, 0.44%

LAB 77.55, -41.72, -12.28

 

CMYK 48 / 95 / 0 / 16

HEX #700AD6

RGB 112 10 214

HSL 270, 0.91%, 0.44%

LAB 35.04, 72, -79.77

 

CMYK 0 / 95 / 95 / 16

HEX #D60A0A

RGB 214 10 10

HSL 0, 0.91%, 0.44%

LAB 44.99, 69.38, 55.94

 

CMYK 48 / 0 / 95 / 16

HEX #70D60A

RGB 112 214 10

HSL 90, 0.91%, 0.44%

LAB 77.02, -57.56, 74.51

 

Description

Color code: RGB 10 213 213 | qconv.com Color code: RGB 10 213 213 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 213 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 213 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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