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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 20 162 it is the complementary color RGB 245 235 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 20 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 20 162 shade: RGB 15 20 157, RGB 32 38 176, RGB 49 56 195, RGB 66 74 214 and RGB 83 92 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 20 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 20 162 shade: RGB 10 20 162, RGB 0 2 143, RGB 0 0 124, RGB 0 0 105 and RGB 0 0 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 20 162 shade: RGB 10 20 163, RGB 42 10 163, RGB 83 10 163, RGB 124 10 163 and RGB 163 10 161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 20 162 shade: RGB 10 20 163 and RGB 10 10 163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 20 162 shade matches the following richer shades: RGB 10 20 163

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 20 162 shade: RGB 10 20 163, RGB 24 33 149, RGB 38 45 135, RGB 52 57 121 and RGB 67 69 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 20 162 shade: RGB 10 102 163, RGB 10 61 163, RGB 10 21 163, RGB 41 10 163 and RGB 82 10 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 20 162 shade: RGB 5 11 85, RGB 8 16 124, RGB 10 20 163, RGB 13 25 202 and RGB 16 31 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 20 162 shade: RGB 10 20 162, RGB 163 10 143 and RGB 82 163 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 20 162 shade: RGB 10 20 162, RGB 163 10 21 and RGB 21 163 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 20 162 shade: RGB 10 20 162, RGB 163 10 143, RGB 163 153 10 and RGB 10 163 31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 20 162 shade: RGB 10 20 162, RGB 163 10 97, RGB 163 153 10 and RGB 10 163 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 88 / 0 / 36

HEX #0A14A2

RGB 10 20 162

HSL 236.05, 0.88%, 0.34%

LAB 20.73, 50.25, -72.94

 

Complementary color

CMYK 0 / 4 / 62 / 4

HEX #F5EB5D

RGB 245 235 93

HSL 56.05, 0.88%, 0.66%

LAB 91.51, -13.31, 67.89

 

CMYK 90 / 87 / 0 / 38

HEX #0F149D

RGB 15 20 157

HSL 237.89, 0.83%, 0.34%

LAB 20.19, 48.83, -70.77

 

CMYK 82 / 78 / 0 / 31

HEX #2026B0

RGB 32 38 176

HSL 237.5, 0.69%, 0.41%

LAB 26.24, 46.89, -72.21

 

CMYK 75 / 71 / 0 / 24

HEX #3138C3

RGB 49 56 195

HSL 237.12, 0.6%, 0.48%

LAB 32.75, 44.36, -72.68

 

CMYK 69 / 65 / 0 / 16

HEX #424AD6

RGB 66 74 214

HSL 236.76, 0.64%, 0.55%

LAB 39.43, 41.87, -72.69

 

CMYK 64 / 61 / 0 / 9

HEX #535CE9

RGB 83 92 233

HSL 236.4, 0.77%, 0.62%

LAB 46.15, 39.6, -72.49

 

CMYK 94 / 88 / 0 / 36

HEX #0A14A2

RGB 10 20 162

HSL 236.05, 0.88%, 0.34%

LAB 20.73, 50.25, -72.94

 

CMYK 100 / 99 / 0 / 44

HEX #00028F

RGB 0 2 143

HSL 239.16, 1%, 0.28%

LAB 15.63, 50.77, -69.74

 

CMYK 100 / 100 / 0 / 51

HEX #00007C

RGB 0 0 124

HSL 240, 1%, 0.24%

LAB 12.32, 46.43, -63.24

 

CMYK 100 / 100 / 0 / 59

HEX #000069

RGB 0 0 105

HSL 240, 1%, 0.21%

LAB 9.16, 41.25, -56.18

 

CMYK 100 / 100 / 0 / 66

HEX #000056

RGB 0 0 86

HSL 240, 1%, 0.17%

LAB 6.07, 35.11, -48.57

 

CMYK 94 / 88 / 0 / 36

HEX #0A14A3

RGB 10 20 163

HSL 236.08, 0.88%, 0.34%

LAB 20.86, 50.55, -73.32

 

CMYK 74 / 94 / 0 / 36

HEX #2A0AA3

RGB 42 10 163

HSL 252.55, 0.88%, 0.34%

LAB 21.41, 54.87, -72.37

 

CMYK 49 / 94 / 0 / 36

HEX #530AA3

RGB 83 10 163

HSL 268.63, 0.88%, 0.34%

LAB 25.86, 57.83, -64.85

 

CMYK 24 / 94 / 0 / 36

HEX #7C0AA3

RGB 124 10 163

HSL 284.71, 0.88%, 0.34%

LAB 32.14, 62.9, -54.32

 

CMYK 0 / 94 / 1 / 36

HEX #A30AA1

RGB 163 10 161

HSL 300.78, 0.88%, 0.34%

LAB 38.86, 68.88, -41.92

 

CMYK 94 / 88 / 0 / 36

HEX #0A14A3

RGB 10 20 163

HSL 236.08, 0.88%, 0.34%

LAB 20.86, 50.55, -73.32

 

CMYK 94 / 94 / 0 / 36

HEX #0A0AA3

RGB 10 10 163

HSL 240, 0.88%, 0.34%

LAB 19.74, 53.95, -75.18

 

CMYK 94 / 88 / 0 / 36

HEX #0A14A3

RGB 10 20 163

HSL 236.08, 0.88%, 0.34%

LAB 20.86, 50.55, -73.32

 

CMYK 94 / 88 / 0 / 36

HEX #0A14A3

RGB 10 20 163

HSL 236.08, 0.88%, 0.34%

LAB 20.86, 50.55, -73.32

 

CMYK 84 / 78 / 0 / 42

HEX #182195

RGB 24 33 149

HSL 235.68, 0.72%, 0.34%

LAB 21.77, 40.04, -63.21

 

CMYK 72 / 67 / 0 / 47

HEX #262D87

RGB 38 45 135

HSL 235.67, 0.56%, 0.34%

LAB 23.8, 28.77, -51.15

 

CMYK 57 / 53 / 0 / 53

HEX #343979

RGB 52 57 121

HSL 235.65, 0.4%, 0.34%

LAB 26.84, 18.02, -37.36

 

CMYK 37 / 36 / 0 / 58

HEX #43456B

RGB 67 69 107

HSL 237, 0.23%, 0.34%

LAB 30.67, 9.39, -22.36

 

CMYK 94 / 37 / 0 / 36

HEX #0A66A3

RGB 10 102 163

HSL 203.92, 0.88%, 0.34%

LAB 41.55, -0.85, -39.58

 

CMYK 94 / 63 / 0 / 36

HEX #0A3DA3

RGB 10 61 163

HSL 220, 0.88%, 0.34%

LAB 29.53, 26.51, -58.99

 

CMYK 94 / 87 / 0 / 36

HEX #0A15A3

RGB 10 21 163

HSL 235.69, 0.88%, 0.34%

LAB 21, 50.14, -73.09

 

CMYK 75 / 94 / 0 / 36

HEX #290AA3

RGB 41 10 163

HSL 252.16, 0.88%, 0.34%

LAB 21.33, 54.82, -72.5

 

CMYK 50 / 94 / 0 / 36

HEX #520AA3

RGB 82 10 163

HSL 268.24, 0.88%, 0.34%

LAB 25.73, 57.73, -65.07

 

CMYK 94 / 87 / 0 / 67

HEX #050B55

RGB 5 11 85

HSL 235.5, 0.89%, 0.18%

LAB 8.37, 28.76, -44.05

 

CMYK 94 / 87 / 0 / 51

HEX #08107C

RGB 8 16 124

HSL 235.86, 0.88%, 0.26%

LAB 14.83, 39.91, -59.04

 

CMYK 94 / 88 / 0 / 36

HEX #0A14A3

RGB 10 20 163

HSL 236.08, 0.88%, 0.34%

LAB 20.86, 50.55, -73.32

 

CMYK 94 / 88 / 0 / 21

HEX #0D19CA

RGB 13 25 202

HSL 236.19, 0.88%, 0.42%

LAB 26.86, 60.19, -86.59

 

CMYK 93 / 87 / 0 / 6

HEX #101FF0

RGB 16 31 240

HSL 235.98, 0.88%, 0.5%

LAB 32.66, 68.8, -98.8

 

CMYK 94 / 88 / 0 / 36

HEX #0A14A2

RGB 10 20 162

HSL 236.05, 0.88%, 0.34%

LAB 20.73, 50.25, -72.94

 

CMYK 0 / 94 / 12 / 36

HEX #A30A8F

RGB 163 10 143

HSL 307.84, 0.88%, 0.34%

LAB 37.82, 66.26, -32.63

 

CMYK 50 / 0 / 94 / 36

HEX #52A30A

RGB 82 163 10

HSL 91.76, 0.88%, 0.34%

LAB 59.9, -47.48, 60.12

 

CMYK 94 / 88 / 0 / 36

HEX #0A14A2

RGB 10 20 162

HSL 236.05, 0.88%, 0.34%

LAB 20.73, 50.25, -72.94

 

CMYK 0 / 94 / 87 / 36

HEX #A30A15

RGB 163 10 21

HSL 355.69, 0.88%, 0.34%

LAB 34.1, 56.32, 38.91

 

CMYK 87 / 0 / 94 / 36

HEX #15A30A

RGB 21 163 10

HSL 115.69, 0.88%, 0.34%

LAB 58.39, -60.03, 58.26

 

CMYK 94 / 88 / 0 / 36

HEX #0A14A2

RGB 10 20 162

HSL 236.05, 0.88%, 0.34%

LAB 20.73, 50.25, -72.94

 

CMYK 0 / 94 / 12 / 36

HEX #A30A8F

RGB 163 10 143

HSL 307.84, 0.88%, 0.34%

LAB 37.82, 66.26, -32.63

 

CMYK 0 / 6 / 94 / 36

HEX #A3990A

RGB 163 153 10

HSL 56.08, 0.88%, 0.34%

LAB 62.16, -10.05, 64.15

 

CMYK 94 / 0 / 81 / 36

HEX #0AA31F

RGB 10 163 31

HSL 128.24, 0.88%, 0.34%

LAB 58.38, -59.9, 53.53

 

CMYK 94 / 88 / 0 / 36

HEX #0A14A2

RGB 10 20 162

HSL 236.05, 0.88%, 0.34%

LAB 20.73, 50.25, -72.94

 

CMYK 0 / 94 / 40 / 36

HEX #A30A61

RGB 163 10 97

HSL 325.88, 0.88%, 0.34%

LAB 35.73, 60.79, -6.99

 

CMYK 0 / 6 / 94 / 36

HEX #A3990A

RGB 163 153 10

HSL 56.08, 0.88%, 0.34%

LAB 62.16, -10.05, 64.15

 

CMYK 94 / 0 / 53 / 36

HEX #0AA34D

RGB 10 163 77

HSL 146.27, 0.88%, 0.34%

LAB 58.78, -54.8, 34.6

 

Description

Color code: RGB 10 20 162 | qconv.com Color code: RGB 10 20 162 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 20 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 20 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 88 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 88% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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