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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 199 41 it is the complementary color RGB 245 56 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 199 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 199 41 shade: RGB 15 199 36, RGB 32 217 55, RGB 49 235 74, RGB 66 253 93 and RGB 83 255 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 199 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 199 41 shade: RGB 10 199 41, RGB 0 181 22, RGB 0 163 3, RGB 0 145 0 and RGB 0 127 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 199 41 shade: RGB 10 199 41, RGB 30 199 10, RGB 81 199 10, RGB 132 199 10 and RGB 183 199 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 199 41 shade: RGB 10 199 41, RGB 10 199 92, RGB 10 199 143, RGB 10 199 194 and RGB 10 153 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 199 41 shade matches the following richer shades: RGB 10 199 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 199 41 shade: RGB 10 199 41, RGB 27 182 53, RGB 44 165 64, RGB 61 148 75 and RGB 78 131 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 199 41 shade: RGB 83 199 10, RGB 32 199 10, RGB 10 199 39, RGB 10 199 89 and RGB 10 199 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 199 41 shade: RGB 6 120 25, RGB 8 159 33, RGB 10 199 41, RGB 13 238 49 and RGB 48 244 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 199 41 shade: RGB 10 199 41, RGB 10 133 199 and RGB 199 10 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 199 41 shade: RGB 10 199 41, RGB 39 10 199 and RGB 199 39 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 199 41 shade: RGB 10 199 41, RGB 10 133 199, RGB 199 10 170 and RGB 199 76 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 199 41 shade: RGB 10 199 41, RGB 10 76 199, RGB 199 10 170 and RGB 199 133 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 79 / 22

HEX #0AC729

RGB 10 199 41

HSL 129.84, 0.9%, 0.41%

LAB 70.23, -69.64, 61.8

 

Complementary color

CMYK 0 / 77 / 13 / 4

HEX #F538D6

RGB 245 56 214

HSL 309.84, 0.9%, 0.59%

LAB 59.06, 83.3, -39.97

 

CMYK 92 / 0 / 82 / 22

HEX #0FC724

RGB 15 199 36

HSL 126.85, 0.86%, 0.42%

LAB 70.23, -69.7, 63.21

 

CMYK 85 / 0 / 75 / 15

HEX #20D937

RGB 32 217 55

HSL 127.46, 0.74%, 0.49%

LAB 76.2, -72.42, 63.26

 

CMYK 79 / 0 / 69 / 8

HEX #31EB4A

RGB 49 235 74

HSL 128.06, 0.82%, 0.56%

LAB 82.14, -74.44, 62.65

 

CMYK 74 / 0 / 63 / 1

HEX #42FD5D

RGB 66 253 93

HSL 128.66, 0.98%, 0.63%

LAB 88.06, -75.91, 61.68

 

CMYK 67 / 0 / 56 / 0

HEX #53FF70

RGB 83 255 112

HSL 130.12, 1%, 0.66%

LAB 89.17, -71.73, 54.93

 

CMYK 95 / 0 / 79 / 22

HEX #0AC729

RGB 10 199 41

HSL 129.84, 0.9%, 0.41%

LAB 70.23, -69.64, 61.8

 

CMYK 100 / 0 / 88 / 29

HEX #00B516

RGB 0 181 22

HSL 127.29, 1%, 0.35%

LAB 64.25, -66.02, 61.12

 

CMYK 100 / 0 / 98 / 36

HEX #00A303

RGB 0 163 3

HSL 121.1, 1%, 0.32%

LAB 58.23, -61.58, 59.08

 

CMYK 100 / 0 / 100 / 43

HEX #009100

RGB 0 145 0

HSL 120, 1%, 0.28%

LAB 52.12, -56.59, 54.62

 

CMYK 100 / 0 / 100 / 50

HEX #007F00

RGB 0 127 0

HSL 120, 1%, 0.25%

LAB 45.88, -51.41, 49.62

 

CMYK 95 / 0 / 79 / 22

HEX #0AC729

RGB 10 199 41

HSL 129.84, 0.9%, 0.41%

LAB 70.23, -69.64, 61.8

 

CMYK 85 / 0 / 95 / 22

HEX #1EC70A

RGB 30 199 10

HSL 113.65, 0.9%, 0.41%

LAB 70.28, -69.55, 68.17

 

CMYK 59 / 0 / 95 / 22

HEX #51C70A

RGB 81 199 10

HSL 97.46, 0.9%, 0.41%

LAB 71.29, -60.81, 69.43

 

CMYK 34 / 0 / 95 / 22

HEX #84C70A

RGB 132 199 10

HSL 81.27, 0.9%, 0.41%

LAB 73.4, -44.93, 72

 

CMYK 8 / 0 / 95 / 22

HEX #B7C70A

RGB 183 199 10

HSL 65.08, 0.9%, 0.41%

LAB 76.64, -24.6, 75.92

 

CMYK 95 / 0 / 79 / 22

HEX #0AC729

RGB 10 199 41

HSL 129.84, 0.9%, 0.41%

LAB 70.23, -69.64, 61.8

 

CMYK 95 / 0 / 54 / 22

HEX #0AC75C

RGB 10 199 92

HSL 146.03, 0.9%, 0.41%

LAB 70.65, -64.29, 41.74

 

CMYK 95 / 0 / 28 / 22

HEX #0AC78F

RGB 10 199 143

HSL 162.22, 0.9%, 0.41%

LAB 71.48, -54.58, 16.6

 

CMYK 95 / 0 / 3 / 22

HEX #0AC7C2

RGB 10 199 194

HSL 178.41, 0.9%, 0.41%

LAB 72.76, -41.09, -9.17

 

CMYK 95 / 23 / 0 / 22

HEX #0A99C7

RGB 10 153 199

HSL 194.6, 0.9%, 0.41%

LAB 58.95, -16.87, -32.99

 

CMYK 95 / 0 / 79 / 22

HEX #0AC729

RGB 10 199 41

HSL 129.84, 0.9%, 0.41%

LAB 70.23, -69.64, 61.8

 

CMYK 95 / 0 / 79 / 22

HEX #0AC729

RGB 10 199 41

HSL 129.84, 0.9%, 0.41%

LAB 70.23, -69.64, 61.8

 

CMYK 85 / 0 / 71 / 29

HEX #1BB635

RGB 27 182 53

HSL 130.06, 0.74%, 0.41%

LAB 64.92, -62.61, 52.46

 

CMYK 73 / 0 / 61 / 35

HEX #2CA540

RGB 44 165 64

HSL 129.92, 0.58%, 0.41%

LAB 59.72, -53.69, 42.14

 

CMYK 59 / 0 / 49 / 42

HEX #3D944B

RGB 61 148 75

HSL 129.66, 0.42%, 0.41%

LAB 54.74, -42.22, 30.82

 

CMYK 40 / 0 / 34 / 49

HEX #4E8357

RGB 78 131 87

HSL 130.19, 0.25%, 0.41%

LAB 50.15, -27.64, 18.39

 

CMYK 58 / 0 / 95 / 22

HEX #53C70A

RGB 83 199 10

HSL 96.83, 0.9%, 0.41%

LAB 71.36, -60.31, 69.5

 

CMYK 84 / 0 / 95 / 22

HEX #20C70A

RGB 32 199 10

HSL 113.02, 0.9%, 0.41%

LAB 70.3, -69.35, 68.2

 

CMYK 95 / 0 / 80 / 22

HEX #0AC727

RGB 10 199 39

HSL 129.21, 0.9%, 0.41%

LAB 70.22, -69.76, 62.37

 

CMYK 95 / 0 / 55 / 22

HEX #0AC759

RGB 10 199 89

HSL 145.08, 0.9%, 0.41%

LAB 70.62, -64.73, 43.12

 

CMYK 95 / 0 / 30 / 22

HEX #0AC78B

RGB 10 199 139

HSL 160.95, 0.9%, 0.41%

LAB 71.4, -55.49, 18.62

 

CMYK 95 / 0 / 79 / 53

HEX #067819

RGB 6 120 25

HSL 130, 0.9%, 0.25%

LAB 43.57, -47.51, 41.2

 

CMYK 95 / 0 / 79 / 38

HEX #089F21

RGB 8 159 33

HSL 129.93, 0.9%, 0.33%

LAB 57.03, -58.7, 51.62

 

CMYK 95 / 0 / 79 / 22

HEX #0AC729

RGB 10 199 41

HSL 129.84, 0.9%, 0.41%

LAB 70.23, -69.64, 61.8

 

CMYK 95 / 0 / 79 / 7

HEX #0DEE31

RGB 13 238 49

HSL 129.6, 0.9%, 0.49%

LAB 82.62, -79.84, 71.26

 

CMYK 80 / 0 / 67 / 4

HEX #30F450

RGB 48 244 80

HSL 129.8, 0.9%, 0.57%

LAB 84.95, -76.69, 63.35

 

CMYK 95 / 0 / 79 / 22

HEX #0AC729

RGB 10 199 41

HSL 129.84, 0.9%, 0.41%

LAB 70.23, -69.64, 61.8

 

CMYK 95 / 33 / 0 / 22

HEX #0A85C7

RGB 10 133 199

HSL 200.95, 0.9%, 0.41%

LAB 52.91, -5.59, -42.46

 

CMYK 0 / 95 / 71 / 22

HEX #C70A3A

RGB 199 10 58

HSL 344.76, 0.9%, 0.41%

LAB 42.25, 66.79, 28.06

 

CMYK 95 / 0 / 79 / 22

HEX #0AC729

RGB 10 199 41

HSL 129.84, 0.9%, 0.41%

LAB 70.23, -69.64, 61.8

 

CMYK 80 / 95 / 0 / 22

HEX #270AC7

RGB 39 10 199

HSL 249.21, 0.9%, 0.41%

LAB 26.07, 64.17, -86.12

 

CMYK 0 / 80 / 95 / 22

HEX #C7270A

RGB 199 39 10

HSL 9.21, 0.9%, 0.41%

LAB 43.68, 60.26, 53.57

 

CMYK 95 / 0 / 79 / 22

HEX #0AC729

RGB 10 199 41

HSL 129.84, 0.9%, 0.41%

LAB 70.23, -69.64, 61.8

 

CMYK 95 / 33 / 0 / 22

HEX #0A85C7

RGB 10 133 199

HSL 200.95, 0.9%, 0.41%

LAB 52.91, -5.59, -42.46

 

CMYK 0 / 95 / 15 / 22

HEX #C70AAA

RGB 199 10 170

HSL 309.21, 0.9%, 0.41%

LAB 45.99, 76.67, -35.58

 

CMYK 0 / 62 / 95 / 22

HEX #C74C0A

RGB 199 76 10

HSL 20.95, 0.9%, 0.41%

LAB 48.68, 46.59, 56.61

 

CMYK 95 / 0 / 79 / 22

HEX #0AC729

RGB 10 199 41

HSL 129.84, 0.9%, 0.41%

LAB 70.23, -69.64, 61.8

 

CMYK 95 / 62 / 0 / 22

HEX #0A4CC7

RGB 10 76 199

HSL 219.05, 0.9%, 0.41%

LAB 36.66, 30.74, -68.63

 

CMYK 0 / 95 / 15 / 22

HEX #C70AAA

RGB 199 10 170

HSL 309.21, 0.9%, 0.41%

LAB 45.99, 76.67, -35.58

 

CMYK 0 / 33 / 95 / 22

HEX #C7850A

RGB 199 133 10

HSL 39.05, 0.9%, 0.41%

LAB 60.73, 17.1, 64.79

 

Description

Color code: RGB 10 199 41 | qconv.com Color code: RGB 10 199 41 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 199 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 199 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 79 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 79% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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