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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 199 158 it is the complementary color RGB 245 56 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 199 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 199 158 shade: RGB 15 199 153, RGB 32 217 172, RGB 49 235 191, RGB 66 253 210 and RGB 83 255 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 199 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 199 158 shade: RGB 10 199 158, RGB 0 181 139, RGB 0 163 120, RGB 0 145 101 and RGB 0 127 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 199 158 shade: RGB 10 199 158, RGB 10 199 107, RGB 10 199 56, RGB 15 199 10 and RGB 66 199 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 199 158 shade: RGB 10 199 158, RGB 10 189 199, RGB 10 138 199, RGB 10 87 199 and RGB 10 36 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 199 158 shade matches the following richer shades: RGB 10 199 158

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 199 158 shade: RGB 10 199 158, RGB 27 182 148, RGB 44 165 139, RGB 61 148 129 and RGB 78 131 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 199 158 shade: RGB 10 199 54, RGB 10 199 105, RGB 10 199 155, RGB 10 192 199 and RGB 10 142 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 199 158 shade: RGB 6 120 96, RGB 8 159 127, RGB 10 199 158, RGB 13 238 189 and RGB 48 244 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 199 158 shade: RGB 10 199 158, RGB 10 17 199 and RGB 199 79 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 199 158 shade: RGB 10 199 158, RGB 155 10 199 and RGB 199 155 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 199 158 shade: RGB 10 199 158, RGB 10 17 199, RGB 199 10 54 and RGB 199 192 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 199 158 shade: RGB 10 199 158, RGB 61 10 199, RGB 199 10 54 and RGB 148 199 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 21 / 22

HEX #0AC79E

RGB 10 199 158

HSL 166.98, 0.9%, 0.41%

LAB 71.81, -50.96, 8.99

 

Complementary color

CMYK 0 / 77 / 60 / 4

HEX #F53861

RGB 245 56 97

HSL 346.98, 0.9%, 0.59%

LAB 55.18, 71.68, 22.76

 

CMYK 92 / 0 / 23 / 22

HEX #0FC799

RGB 15 199 153

HSL 165, 0.86%, 0.42%

LAB 71.72, -52.01, 11.56

 

CMYK 85 / 0 / 21 / 15

HEX #20D9AC

RGB 32 217 172

HSL 165.41, 0.74%, 0.49%

LAB 77.82, -53.5, 10.07

 

CMYK 79 / 0 / 19 / 8

HEX #31EBBF

RGB 49 235 191

HSL 165.81, 0.82%, 0.56%

LAB 83.88, -54.63, 8.71

 

CMYK 74 / 0 / 17 / 1

HEX #42FDD2

RGB 66 253 210

HSL 166.2, 0.98%, 0.63%

LAB 89.89, -55.48, 7.46

 

CMYK 67 / 0 / 10 / 0

HEX #53FFE5

RGB 83 255 229

HSL 170.93, 1%, 0.66%

LAB 91.24, -49.49, -0.38

 

CMYK 95 / 0 / 21 / 22

HEX #0AC79E

RGB 10 199 158

HSL 166.98, 0.9%, 0.41%

LAB 71.81, -50.96, 8.99

 

CMYK 100 / 0 / 23 / 29

HEX #00B58B

RGB 0 181 139

HSL 166.08, 1%, 0.35%

LAB 65.68, -48.92, 10.62

 

CMYK 100 / 0 / 26 / 36

HEX #00A378

RGB 0 163 120

HSL 164.17, 1%, 0.32%

LAB 59.48, -46.49, 12.39

 

CMYK 100 / 0 / 30 / 43

HEX #009165

RGB 0 145 101

HSL 161.79, 1%, 0.28%

LAB 53.16, -44, 14.26

 

CMYK 100 / 0 / 35 / 50

HEX #007F52

RGB 0 127 82

HSL 158.74, 1%, 0.25%

LAB 46.7, -41.4, 16.24

 

CMYK 95 / 0 / 21 / 22

HEX #0AC79E

RGB 10 199 158

HSL 166.98, 0.9%, 0.41%

LAB 71.81, -50.96, 8.99

 

CMYK 95 / 0 / 46 / 22

HEX #0AC76B

RGB 10 199 107

HSL 150.79, 0.9%, 0.41%

LAB 70.85, -61.87, 34.58

 

CMYK 95 / 0 / 72 / 22

HEX #0AC738

RGB 10 199 56

HSL 134.6, 0.9%, 0.41%

LAB 70.31, -68.52, 56.89

 

CMYK 92 / 0 / 95 / 22

HEX #0FC70A

RGB 15 199 10

HSL 118.41, 0.9%, 0.41%

LAB 70.16, -70.65, 68.02

 

CMYK 67 / 0 / 95 / 22

HEX #42C70A

RGB 66 199 10

HSL 102.22, 0.9%, 0.41%

LAB 70.89, -64.19, 68.93

 

CMYK 95 / 0 / 21 / 22

HEX #0AC79E

RGB 10 199 158

HSL 166.98, 0.9%, 0.41%

LAB 71.81, -50.96, 8.99

 

CMYK 95 / 5 / 0 / 22

HEX #0ABDC7

RGB 10 189 199

HSL 183.17, 0.9%, 0.41%

LAB 69.88, -35.01, -16.22

 

CMYK 95 / 31 / 0 / 22

HEX #0A8AC7

RGB 10 138 199

HSL 199.37, 0.9%, 0.41%

LAB 54.41, -8.49, -40.09

 

CMYK 95 / 56 / 0 / 22

HEX #0A57C7

RGB 10 87 199

HSL 215.56, 0.9%, 0.41%

LAB 39.59, 23.46, -63.85

 

CMYK 95 / 82 / 0 / 22

HEX #0A24C7

RGB 10 36 199

HSL 231.75, 0.9%, 0.41%

LAB 27.98, 54.57, -82.97

 

CMYK 95 / 0 / 21 / 22

HEX #0AC79E

RGB 10 199 158

HSL 166.98, 0.9%, 0.41%

LAB 71.81, -50.96, 8.99

 

CMYK 95 / 0 / 21 / 22

HEX #0AC79E

RGB 10 199 158

HSL 166.98, 0.9%, 0.41%

LAB 71.81, -50.96, 8.99

 

CMYK 85 / 0 / 19 / 29

HEX #1BB694

RGB 27 182 148

HSL 166.84, 0.74%, 0.41%

LAB 66.39, -45.7, 6.7

 

CMYK 73 / 0 / 16 / 35

HEX #2CA58B

RGB 44 165 139

HSL 167.11, 0.58%, 0.41%

LAB 61.05, -38.99, 4.06

 

CMYK 59 / 0 / 13 / 42

HEX #3D9481

RGB 61 148 129

HSL 166.9, 0.42%, 0.41%

LAB 55.84, -30.88, 2.25

 

CMYK 40 / 0 / 8 / 49

HEX #4E8378

RGB 78 131 120

HSL 167.55, 0.25%, 0.41%

LAB 50.93, -20.42, 0.39

 

CMYK 95 / 0 / 73 / 22

HEX #0AC736

RGB 10 199 54

HSL 133.97, 0.9%, 0.41%

LAB 70.3, -68.69, 57.61

 

CMYK 95 / 0 / 47 / 22

HEX #0AC769

RGB 10 199 105

HSL 150.16, 0.9%, 0.41%

LAB 70.82, -62.22, 35.55

 

CMYK 95 / 0 / 22 / 22

HEX #0AC79B

RGB 10 199 155

HSL 166.03, 0.9%, 0.41%

LAB 71.74, -51.71, 10.51

 

CMYK 95 / 4 / 0 / 22

HEX #0AC0C7

RGB 10 192 199

HSL 182.22, 0.9%, 0.41%

LAB 70.79, -36.41, -14.85

 

CMYK 95 / 29 / 0 / 22

HEX #0A8EC7

RGB 10 142 199

HSL 198.1, 0.9%, 0.41%

LAB 55.62, -10.77, -38.19

 

CMYK 95 / 0 / 20 / 53

HEX #067860

RGB 6 120 96

HSL 167.37, 0.9%, 0.25%

LAB 44.68, -34.49, 5.24

 

CMYK 95 / 0 / 20 / 38

HEX #089F7F

RGB 8 159 127

HSL 167.28, 0.9%, 0.33%

LAB 58.4, -42.72, 6.94

 

CMYK 95 / 0 / 21 / 22

HEX #0AC79E

RGB 10 199 158

HSL 166.98, 0.9%, 0.41%

LAB 71.81, -50.96, 8.99

 

CMYK 95 / 0 / 21 / 7

HEX #0DEEBD

RGB 13 238 189

HSL 166.93, 0.9%, 0.49%

LAB 84.44, -58.45, 10.51

 

CMYK 80 / 0 / 18 / 4

HEX #30F4C9

RGB 48 244 201

HSL 166.84, 0.9%, 0.57%

LAB 86.77, -55.87, 7.63

 

CMYK 95 / 0 / 21 / 22

HEX #0AC79E

RGB 10 199 158

HSL 166.98, 0.9%, 0.41%

LAB 71.81, -50.96, 8.99

 

CMYK 95 / 91 / 0 / 22

HEX #0A11C7

RGB 10 17 199

HSL 237.78, 0.9%, 0.41%

LAB 25.53, 61.92, -87.06

 

CMYK 0 / 60 / 95 / 22

HEX #C74F0A

RGB 199 79 10

HSL 21.9, 0.9%, 0.41%

LAB 49.2, 45.22, 56.94

 

CMYK 95 / 0 / 21 / 22

HEX #0AC79E

RGB 10 199 158

HSL 166.98, 0.9%, 0.41%

LAB 71.81, -50.96, 8.99

 

CMYK 22 / 95 / 0 / 22

HEX #9B0AC7

RGB 155 10 199

HSL 286.03, 0.9%, 0.41%

LAB 40.1, 73.95, -62.52

 

CMYK 0 / 22 / 95 / 22

HEX #C79B0A

RGB 199 155 10

HSL 46.03, 0.9%, 0.41%

LAB 66.22, 5.11, 68.74

 

CMYK 95 / 0 / 21 / 22

HEX #0AC79E

RGB 10 199 158

HSL 166.98, 0.9%, 0.41%

LAB 71.81, -50.96, 8.99

 

CMYK 95 / 91 / 0 / 22

HEX #0A11C7

RGB 10 17 199

HSL 237.78, 0.9%, 0.41%

LAB 25.53, 61.92, -87.06

 

CMYK 0 / 95 / 73 / 22

HEX #C70A36

RGB 199 10 54

HSL 346.03, 0.9%, 0.41%

LAB 42.19, 66.63, 30.45

 

CMYK 0 / 4 / 95 / 22

HEX #C7C00A

RGB 199 192 10

HSL 57.78, 0.9%, 0.41%

LAB 75.99, -14.27, 75.98

 

CMYK 95 / 0 / 21 / 22

HEX #0AC79E

RGB 10 199 158

HSL 166.98, 0.9%, 0.41%

LAB 71.81, -50.96, 8.99

 

CMYK 69 / 95 / 0 / 22

HEX #3D0AC7

RGB 61 10 199

HSL 256.19, 0.9%, 0.41%

LAB 27.66, 64.99, -83.43

 

CMYK 0 / 95 / 73 / 22

HEX #C70A36

RGB 199 10 54

HSL 346.03, 0.9%, 0.41%

LAB 42.19, 66.63, 30.45

 

CMYK 26 / 0 / 95 / 22

HEX #94C70A

RGB 148 199 10

HSL 76.19, 0.9%, 0.41%

LAB 74.29, -38.88, 73.09

 

Description

Color code: RGB 10 199 158 | qconv.com Color code: RGB 10 199 158 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 199 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 199 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 21 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 21% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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