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Color name
RGB 10 158 169

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 158 169 it is the complementary color RGB 245 97 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 158 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 158 169 shade: RGB 15 158 164, RGB 32 176 183, RGB 49 194 202, RGB 66 212 221 and RGB 83 230 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 158 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 158 169 shade: RGB 10 158 169, RGB 0 140 150, RGB 0 122 131, RGB 0 104 112 and RGB 0 86 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 158 169 shade: RGB 10 158 169, RGB 10 115 169, RGB 10 72 169, RGB 10 29 169 and RGB 33 10 169

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 158 169 shade: RGB 10 158 169, RGB 10 115 169, RGB 10 72 169, RGB 10 29 169 and RGB 10 10 169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 158 169 shade matches the following richer shades: RGB 10 158 169

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 158 169 shade: RGB 10 158 169, RGB 24 145 154, RGB 39 133 140, RGB 53 120 125 and RGB 68 108 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 158 169 shade: RGB 10 169 95, RGB 10 169 137, RGB 10 158 169, RGB 10 116 169 and RGB 10 73 169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 158 169 shade: RGB 5 85 91, RGB 8 121 130, RGB 10 158 169, RGB 12 194 208 and RGB 20 226 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 158 169 shade: RGB 10 158 169, RGB 52 10 169 and RGB 169 116 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 158 169 shade: RGB 10 158 169, RGB 169 10 158 and RGB 158 169 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 158 169 shade: RGB 10 158 169, RGB 52 10 169, RGB 169 20 10 and RGB 126 169 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 158 169 shade: RGB 10 158 169, RGB 100 10 169, RGB 169 20 10 and RGB 79 169 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 7 / 0 / 34

HEX #0A9EA9

RGB 10 158 169

HSL 184.15, 0.89%, 0.35%

LAB 59.33, -29.72, -15.47

 

Complementary color

CMYK 0 / 60 / 65 / 4

HEX #F56156

RGB 245 97 86

HSL 4.15, 0.89%, 0.65%

LAB 60.46, 56.09, 35.85

 

CMYK 91 / 4 / 0 / 36

HEX #0F9EA4

RGB 15 158 164

HSL 182.42, 0.83%, 0.35%

LAB 59.19, -31.11, -12.84

 

CMYK 83 / 4 / 0 / 28

HEX #20B0B7

RGB 32 176 183

HSL 182.78, 0.7%, 0.42%

LAB 65.57, -32.68, -13.87

 

CMYK 76 / 4 / 0 / 21

HEX #31C2CA

RGB 49 194 202

HSL 183.14, 0.61%, 0.49%

LAB 71.89, -33.87, -14.79

 

CMYK 70 / 4 / 0 / 13

HEX #42D4DD

RGB 66 212 221

HSL 183.48, 0.7%, 0.56%

LAB 78.15, -34.77, -15.61

 

CMYK 65 / 4 / 0 / 6

HEX #53E6F0

RGB 83 230 240

HSL 183.82, 0.84%, 0.63%

LAB 84.34, -35.46, -16.36

 

CMYK 94 / 7 / 0 / 34

HEX #0A9EA9

RGB 10 158 169

HSL 184.15, 0.89%, 0.35%

LAB 59.33, -29.72, -15.47

 

CMYK 100 / 7 / 0 / 41

HEX #008C96

RGB 0 140 150

HSL 184, 1%, 0.29%

LAB 52.9, -27.5, -14.33

 

CMYK 100 / 7 / 0 / 49

HEX #007A83

RGB 0 122 131

HSL 184.12, 1%, 0.26%

LAB 46.39, -24.84, -13.07

 

CMYK 100 / 7 / 0 / 56

HEX #006870

RGB 0 104 112

HSL 184.29, 1%, 0.22%

LAB 39.7, -22.11, -11.77

 

CMYK 100 / 8 / 0 / 64

HEX #00565D

RGB 0 86 93

HSL 184.52, 1%, 0.18%

LAB 32.8, -19.29, -10.44

 

CMYK 94 / 7 / 0 / 34

HEX #0A9EA9

RGB 10 158 169

HSL 184.15, 0.89%, 0.35%

LAB 59.33, -29.72, -15.47

 

CMYK 94 / 32 / 0 / 34

HEX #0A73A9

RGB 10 115 169

HSL 200.38, 0.89%, 0.35%

LAB 45.89, -6.44, -36.24

 

CMYK 94 / 57 / 0 / 34

HEX #0A48A9

RGB 10 72 169

HSL 216.6, 0.89%, 0.35%

LAB 33.06, 21.43, -56.83

 

CMYK 94 / 83 / 0 / 34

HEX #0A1DA9

RGB 10 29 169

HSL 232.83, 0.89%, 0.35%

LAB 23.03, 48.38, -73.36

 

CMYK 80 / 94 / 0 / 34

HEX #210AA9

RGB 33 10 169

HSL 248.68, 0.89%, 0.35%

LAB 21.6, 56.12, -75.71

 

CMYK 94 / 7 / 0 / 34

HEX #0A9EA9

RGB 10 158 169

HSL 184.15, 0.89%, 0.35%

LAB 59.33, -29.72, -15.47

 

CMYK 94 / 32 / 0 / 34

HEX #0A73A9

RGB 10 115 169

HSL 200.38, 0.89%, 0.35%

LAB 45.89, -6.44, -36.24

 

CMYK 94 / 57 / 0 / 34

HEX #0A48A9

RGB 10 72 169

HSL 216.6, 0.89%, 0.35%

LAB 33.06, 21.43, -56.83

 

CMYK 94 / 83 / 0 / 34

HEX #0A1DA9

RGB 10 29 169

HSL 232.83, 0.89%, 0.35%

LAB 23.03, 48.38, -73.36

 

CMYK 94 / 94 / 0 / 34

HEX #0A0AA9

RGB 10 10 169

HSL 240, 0.89%, 0.35%

LAB 20.62, 55.61, -77.37

 

CMYK 94 / 7 / 0 / 34

HEX #0A9EA9

RGB 10 158 169

HSL 184.15, 0.89%, 0.35%

LAB 59.33, -29.72, -15.47

 

CMYK 94 / 7 / 0 / 34

HEX #0A9EA9

RGB 10 158 169

HSL 184.15, 0.89%, 0.35%

LAB 59.33, -29.72, -15.47

 

CMYK 84 / 6 / 0 / 40

HEX #18919A

RGB 24 145 154

HSL 184.15, 0.73%, 0.35%

LAB 54.84, -27.37, -13.69

 

CMYK 72 / 5 / 0 / 45

HEX #27858C

RGB 39 133 140

HSL 184.16, 0.56%, 0.35%

LAB 50.8, -24.15, -11.64

 

CMYK 58 / 4 / 0 / 51

HEX #35787D

RGB 53 120 125

HSL 184.17, 0.4%, 0.35%

LAB 46.54, -19.53, -9.18

 

CMYK 39 / 3 / 0 / 56

HEX #446C6F

RGB 68 108 111

HSL 184.19, 0.24%, 0.35%

LAB 42.92, -13.16, -6.13

 

CMYK 94 / 0 / 44 / 34

HEX #0AA95F

RGB 10 169 95

HSL 152.08, 0.89%, 0.35%

LAB 61.02, -53.73, 28.11

 

CMYK 94 / 0 / 19 / 34

HEX #0AA989

RGB 10 169 137

HSL 167.92, 0.89%, 0.35%

LAB 61.87, -44.16, 6.3

 

CMYK 94 / 7 / 0 / 34

HEX #0A9EA9

RGB 10 158 169

HSL 184.15, 0.89%, 0.35%

LAB 59.33, -29.72, -15.47

 

CMYK 94 / 31 / 0 / 34

HEX #0A74A9

RGB 10 116 169

HSL 200, 0.89%, 0.35%

LAB 46.2, -7.04, -35.75

 

CMYK 94 / 57 / 0 / 34

HEX #0A49A9

RGB 10 73 169

HSL 216.23, 0.89%, 0.35%

LAB 33.34, 20.75, -56.38

 

CMYK 95 / 7 / 0 / 64

HEX #05555B

RGB 5 85 91

HSL 184.19, 0.9%, 0.19%

LAB 32.45, -19.01, -9.7

 

CMYK 94 / 7 / 0 / 49

HEX #087982

RGB 8 121 130

HSL 184.43, 0.88%, 0.27%

LAB 46.09, -24.23, -12.91

 

CMYK 94 / 7 / 0 / 34

HEX #0A9EA9

RGB 10 158 169

HSL 184.15, 0.89%, 0.35%

LAB 59.33, -29.72, -15.47

 

CMYK 94 / 7 / 0 / 18

HEX #0CC2D0

RGB 12 194 208

HSL 184.29, 0.89%, 0.43%

LAB 71.7, -34.48, -18.39

 

CMYK 92 / 6 / 0 / 5

HEX #14E2F1

RGB 20 226 241

HSL 184.07, 0.89%, 0.51%

LAB 82.32, -38.89, -20.03

 

CMYK 94 / 7 / 0 / 34

HEX #0A9EA9

RGB 10 158 169

HSL 184.15, 0.89%, 0.35%

LAB 59.33, -29.72, -15.47

 

CMYK 69 / 94 / 0 / 34

HEX #340AA9

RGB 52 10 169

HSL 255.85, 0.89%, 0.35%

LAB 23.04, 56.94, -73.27

 

CMYK 0 / 31 / 94 / 34

HEX #A9740A

RGB 169 116 10

HSL 40, 0.89%, 0.35%

LAB 52.89, 13.1, 57.47

 

CMYK 94 / 7 / 0 / 34

HEX #0A9EA9

RGB 10 158 169

HSL 184.15, 0.89%, 0.35%

LAB 59.33, -29.72, -15.47

 

CMYK 0 / 94 / 7 / 34

HEX #A90A9E

RGB 169 10 158

HSL 304.15, 0.89%, 0.35%

LAB 39.78, 69.51, -38.57

 

CMYK 7 / 0 / 94 / 34

HEX #9EA90A

RGB 158 169 10

HSL 64.15, 0.89%, 0.35%

LAB 66.26, -20.54, 67.12

 

CMYK 94 / 7 / 0 / 34

HEX #0A9EA9

RGB 10 158 169

HSL 184.15, 0.89%, 0.35%

LAB 59.33, -29.72, -15.47

 

CMYK 69 / 94 / 0 / 34

HEX #340AA9

RGB 52 10 169

HSL 255.85, 0.89%, 0.35%

LAB 23.04, 56.94, -73.27

 

CMYK 0 / 88 / 94 / 34

HEX #A9140A

RGB 169 20 10

HSL 3.77, 0.89%, 0.35%

LAB 35.9, 56.15, 45.76

 

CMYK 25 / 0 / 94 / 34

HEX #7EA90A

RGB 126 169 10

HSL 76.23, 0.89%, 0.35%

LAB 64.03, -34.05, 64.4

 

CMYK 94 / 7 / 0 / 34

HEX #0A9EA9

RGB 10 158 169

HSL 184.15, 0.89%, 0.35%

LAB 59.33, -29.72, -15.47

 

CMYK 41 / 94 / 0 / 34

HEX #640AA9

RGB 100 10 169

HSL 273.96, 0.89%, 0.35%

LAB 28.88, 61, -63.43

 

CMYK 0 / 88 / 94 / 34

HEX #A9140A

RGB 169 20 10

HSL 3.77, 0.89%, 0.35%

LAB 35.9, 56.15, 45.76

 

CMYK 53 / 0 / 94 / 34

HEX #4FA90A

RGB 79 169 10

HSL 93.96, 0.89%, 0.35%

LAB 61.71, -50.67, 61.56

 

Description

Color code: RGB 10 158 169 | qconv.com Color code: RGB 10 158 169 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 158 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 158 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 7 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 7% 0% 34% C M Y K

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Provide designers and agencies with accurate color values.

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