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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 134 193 it is the complementary color RGB 245 121 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 134 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 134 193 shade: RGB 15 134 188, RGB 32 152 207, RGB 49 170 226, RGB 66 188 245 and RGB 83 206 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 134 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 134 193 shade: RGB 10 134 193, RGB 0 116 174, RGB 0 98 155, RGB 0 80 136 and RGB 0 62 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 134 193 shade: RGB 10 134 193, RGB 10 85 193, RGB 10 35 193, RGB 34 10 193 and RGB 83 10 193

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 134 193 shade: RGB 10 134 193, RGB 10 85 193, RGB 10 35 193 and RGB 10 10 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 134 193 shade matches the following richer shades: RGB 10 134 193

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 134 193 shade: RGB 10 134 193, RGB 26 128 177, RGB 43 122 160, RGB 59 117 144 and RGB 76 111 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 134 193 shade: RGB 10 193 154, RGB 10 184 193, RGB 10 135 193, RGB 10 86 193 and RGB 10 37 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 134 193 shade: RGB 6 80 115, RGB 8 107 154, RGB 10 134 193, RGB 12 161 232 and RGB 42 178 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 134 193 shade: RGB 10 134 193, RGB 105 10 193 and RGB 193 178 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 134 193 shade: RGB 10 134 193, RGB 193 10 135 and RGB 135 193 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 134 193 shade: RGB 10 134 193, RGB 105 10 193, RGB 193 68 10 and RGB 98 193 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 134 193 shade: RGB 10 134 193, RGB 160 10 193, RGB 193 68 10 and RGB 43 193 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 31 / 0 / 24

HEX #0A86C1

RGB 10 134 193

HSL 199.34, 0.9%, 0.4%

LAB 52.91, -8.44, -39.04

 

Complementary color

CMYK 0 / 51 / 75 / 4

HEX #F5793E

RGB 245 121 62

HSL 19.34, 0.9%, 0.6%

LAB 64.51, 43.71, 52.94

 

CMYK 92 / 29 / 0 / 26

HEX #0F86BC

RGB 15 134 188

HSL 198.73, 0.85%, 0.4%

LAB 52.71, -10.11, -36.5

 

CMYK 85 / 27 / 0 / 19

HEX #2098CF

RGB 32 152 207

HSL 198.86, 0.73%, 0.47%

LAB 59.22, -12.27, -37.03

 

CMYK 78 / 25 / 0 / 11

HEX #31AAE2

RGB 49 170 226

HSL 198.98, 0.75%, 0.54%

LAB 65.67, -13.98, -37.49

 

CMYK 73 / 23 / 0 / 4

HEX #42BCF5

RGB 66 188 245

HSL 199.11, 0.9%, 0.61%

LAB 72.04, -15.35, -37.89

 

CMYK 67 / 19 / 0 / 0

HEX #53CEFF

RGB 83 206 255

HSL 197.09, 1%, 0.66%

LAB 77.99, -19.27, -34

 

CMYK 95 / 31 / 0 / 24

HEX #0A86C1

RGB 10 134 193

HSL 199.34, 0.9%, 0.4%

LAB 52.91, -8.44, -39.04

 

CMYK 100 / 33 / 0 / 32

HEX #0074AE

RGB 0 116 174

HSL 200, 1%, 0.34%

LAB 46.37, -5.52, -38.41

 

CMYK 100 / 37 / 0 / 39

HEX #00629B

RGB 0 98 155

HSL 202.06, 1%, 0.3%

LAB 39.75, -2.05, -37.69

RGB 0 98 155

CMYK 100 / 41 / 0 / 47

HEX #005088

RGB 0 80 136

HSL 204.71, 1%, 0.27%

LAB 32.95, 1.66, -37.01

RGB 0 80 136

CMYK 100 / 47 / 0 / 54

HEX #003E75

RGB 0 62 117

HSL 208.21, 1%, 0.23%

LAB 25.95, 5.69, -36.38

RGB 0 62 117

CMYK 95 / 31 / 0 / 24

HEX #0A86C1

RGB 10 134 193

HSL 199.34, 0.9%, 0.4%

LAB 52.91, -8.44, -39.04

 

CMYK 95 / 56 / 0 / 24

HEX #0A55C1

RGB 10 85 193

HSL 215.41, 0.9%, 0.4%

LAB 38.57, 22.39, -62.02

 

CMYK 95 / 82 / 0 / 24

HEX #0A23C1

RGB 10 35 193

HSL 231.8, 0.9%, 0.4%

LAB 27.07, 53.15, -80.96

 

CMYK 82 / 95 / 0 / 24

HEX #220AC1

RGB 34 10 193

HSL 247.87, 0.9%, 0.4%

LAB 24.98, 62.49, -84.43

 

CMYK 57 / 95 / 0 / 24

HEX #530AC1

RGB 83 10 193

HSL 263.93, 0.9%, 0.4%

LAB 29.17, 64.87, -77.32

 

CMYK 95 / 31 / 0 / 24

HEX #0A86C1

RGB 10 134 193

HSL 199.34, 0.9%, 0.4%

LAB 52.91, -8.44, -39.04

 

CMYK 95 / 56 / 0 / 24

HEX #0A55C1

RGB 10 85 193

HSL 215.41, 0.9%, 0.4%

LAB 38.57, 22.39, -62.02

 

CMYK 95 / 82 / 0 / 24

HEX #0A23C1

RGB 10 35 193

HSL 231.8, 0.9%, 0.4%

LAB 27.07, 53.15, -80.96

 

CMYK 95 / 95 / 0 / 24

HEX #0A0AC1

RGB 10 10 193

HSL 240, 0.9%, 0.4%

LAB 24.1, 62.07, -85.9

 

CMYK 95 / 31 / 0 / 24

HEX #0A86C1

RGB 10 134 193

HSL 199.34, 0.9%, 0.4%

LAB 52.91, -8.44, -39.04

 

CMYK 95 / 31 / 0 / 24

HEX #0A86C1

RGB 10 134 193

HSL 199.34, 0.9%, 0.4%

LAB 52.91, -8.44, -39.04

 

CMYK 85 / 28 / 0 / 31

HEX #1A80B1

RGB 26 128 177

HSL 199.47, 0.74%, 0.4%

LAB 50.49, -10.05, -33.65

 

CMYK 73 / 24 / 0 / 37

HEX #2B7AA0

RGB 43 122 160

HSL 199.49, 0.58%, 0.4%

LAB 48.22, -10.89, -27.28

 

CMYK 59 / 19 / 0 / 44

HEX #3B7590

RGB 59 117 144

HSL 199.06, 0.42%, 0.4%

LAB 46.53, -10.62, -20.44

 

CMYK 40 / 13 / 0 / 50

HEX #4C6F7F

RGB 76 111 127

HSL 198.82, 0.25%, 0.4%

LAB 44.85, -8.06, -12.8

 

CMYK 95 / 0 / 20 / 24

HEX #0AC19A

RGB 10 193 154

HSL 167.21, 0.9%, 0.4%

LAB 69.85, -49.57, 8.36

 

CMYK 95 / 5 / 0 / 24

HEX #0AB8C1

RGB 10 184 193

HSL 182.95, 0.9%, 0.4%

LAB 68.16, -34.54, -15.52

 

CMYK 95 / 30 / 0 / 24

HEX #0A87C1

RGB 10 135 193

HSL 199.02, 0.9%, 0.4%

LAB 53.21, -9.02, -38.57

 

CMYK 95 / 55 / 0 / 24

HEX #0A56C1

RGB 10 86 193

HSL 215.08, 0.9%, 0.4%

LAB 38.85, 21.72, -61.57

 

CMYK 95 / 81 / 0 / 24

HEX #0A25C1

RGB 10 37 193

HSL 231.15, 0.9%, 0.4%

LAB 27.4, 52.17, -80.4

 

CMYK 95 / 30 / 0 / 55

HEX #065073

RGB 6 80 115

HSL 199.27, 0.9%, 0.24%

LAB 31.84, -6.69, -25.75

 

CMYK 95 / 31 / 0 / 40

HEX #086B9A

RGB 8 107 154

HSL 199.32, 0.9%, 0.32%

LAB 42.61, -7.58, -32.57

 

CMYK 95 / 31 / 0 / 24

HEX #0A86C1

RGB 10 134 193

HSL 199.34, 0.9%, 0.4%

LAB 52.91, -8.44, -39.04

 

CMYK 95 / 31 / 0 / 9

HEX #0CA1E8

RGB 12 161 232

HSL 199.36, 0.9%, 0.48%

LAB 62.84, -9.27, -45.26

 

CMYK 83 / 27 / 0 / 5

HEX #2AB2F3

RGB 42 178 243

HSL 199.4, 0.89%, 0.56%

LAB 68.61, -13.09, -42.2

 

CMYK 95 / 31 / 0 / 24

HEX #0A86C1

RGB 10 134 193

HSL 199.34, 0.9%, 0.4%

LAB 52.91, -8.44, -39.04

 

CMYK 46 / 95 / 0 / 24

HEX #690AC1

RGB 105 10 193

HSL 271.15, 0.9%, 0.4%

LAB 31.97, 66.77, -72.62

 

CMYK 0 / 8 / 95 / 24

HEX #C1B20A

RGB 193 178 10

HSL 55.08, 0.9%, 0.4%

LAB 71.69, -9.74, 72.53

 

CMYK 95 / 31 / 0 / 24

HEX #0A86C1

RGB 10 134 193

HSL 199.34, 0.9%, 0.4%

LAB 52.91, -8.44, -39.04

 

CMYK 0 / 95 / 30 / 24

HEX #C10A87

RGB 193 10 135

HSL 319.02, 0.9%, 0.4%

LAB 43.22, 71.29, -18.87

 

CMYK 30 / 0 / 95 / 24

HEX #87C10A

RGB 135 193 10

HSL 79.02, 0.9%, 0.4%

LAB 71.77, -41.25, 70.77

 

CMYK 95 / 31 / 0 / 24

HEX #0A86C1

RGB 10 134 193

HSL 199.34, 0.9%, 0.4%

LAB 52.91, -8.44, -39.04

 

CMYK 46 / 95 / 0 / 24

HEX #690AC1

RGB 105 10 193

HSL 271.15, 0.9%, 0.4%

LAB 31.97, 66.77, -72.62

 

CMYK 0 / 65 / 95 / 24

HEX #C1440A

RGB 193 68 10

HSL 19.02, 0.9%, 0.4%

LAB 46.3, 47.98, 54.59

 

CMYK 49 / 0 / 95 / 24

HEX #62C10A

RGB 98 193 10

HSL 91.15, 0.9%, 0.4%

LAB 70.01, -53.98, 68.62

 

CMYK 95 / 31 / 0 / 24

HEX #0A86C1

RGB 10 134 193

HSL 199.34, 0.9%, 0.4%

LAB 52.91, -8.44, -39.04

 

CMYK 17 / 95 / 0 / 24

HEX #A00AC1

RGB 160 10 193

HSL 289.18, 0.9%, 0.4%

LAB 40.48, 73.61, -58.36

 

CMYK 0 / 65 / 95 / 24

HEX #C1440A

RGB 193 68 10

HSL 19.02, 0.9%, 0.4%

LAB 46.3, 47.98, 54.59

 

CMYK 78 / 0 / 95 / 24

HEX #2BC10A

RGB 43 193 10

HSL 109.18, 0.9%, 0.4%

LAB 68.52, -66.3, 66.79

 

Description

Color code: RGB 10 134 193 | qconv.com Color code: RGB 10 134 193 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 134 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 134 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 31 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 31% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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