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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 108.8 124.4 it is the complementary color RGB 245 146.2 130.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 108.8 124.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 108.8 124.4 shade: RGB 15 108.8 119.4, RGB 32 126.8 138.4, RGB 49 144.8 157.4, RGB 66 162.8 176.4 and RGB 83 180.8 195.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 108.8 124.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 108.8 124.4 shade: RGB 10 108.8 124.4, RGB 0 90.8 105.4, RGB 0 72.8 86.4, RGB 0 54.8 67.4 and RGB 0 36.8 48.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 108.8 124.4 shade: RGB 10 107 123, RGB 10 77 123, RGB 10 47 123, RGB 10 16 123 and RGB 34 10 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 108.8 124.4 shade: RGB 10 107 123, RGB 10 77 123, RGB 10 47 123, RGB 10 16 123 and RGB 10 10 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 108.8 124.4 shade matches the following richer shades: RGB 10 107 123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 108.8 124.4 shade: RGB 10 107 123, RGB 21 99 112, RGB 31 92 101, RGB 42 84 90 and RGB 53 76 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 108.8 124.4 shade: RGB 10 123 78, RGB 10 123 108, RGB 10 108 123, RGB 10 78 123 and RGB 10 48 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 108.8 124.4 shade: RGB 4 41 46, RGB 7 74 84, RGB 10 107 123, RGB 13 141 161 and RGB 16 174 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 108.8 124.4 shade: RGB 10 108.8 124.4, RGB 48 10 123 and RGB 123 93 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 108.8 124.4 shade: RGB 10 108.8 124.4, RGB 123 10 108 and RGB 108 123 10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 108.8 124.4 shade: RGB 10 108.8 124.4, RGB 48 10 123, RGB 123 25 10 and RGB 85 123 10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 108.8 124.4 shade: RGB 10 108.8 124.4, RGB 81 10 123, RGB 123 25 10 and RGB 51 123 10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 13 / 0 / 51

HEX #0A6C7C

RGB 10 108.8 124.4

HSL 188.18, 0.85%, 0.26%

LAB 41.88, -19.62, -15.96

 

Complementary color

CMYK 0 / 40 / 47 / 4

HEX #F59282

RGB 245 146.2 130.6

HSL 8.18, 0.85%, 0.74%

LAB 70.64, 35.6, 24.3

 

CMYK 87 / 9 / 0 / 53

HEX #0F6C77

RGB 15 108.8 119.4

HSL 186.09, 0.78%, 0.26%

LAB 41.75, -21.03, -13.14

 

CMYK 77 / 8 / 0 / 46

HEX #207E8A

RGB 32 126.8 138.4

HSL 186.54, 0.62%, 0.33%

LAB 48.61, -22.37, -14.03

 

CMYK 69 / 8 / 0 / 38

HEX #31909D

RGB 49 144.8 157.4

HSL 186.97, 0.53%, 0.4%

LAB 55.37, -23.28, -14.8

 

CMYK 63 / 8 / 0 / 31

HEX #42A2B0

RGB 66 162.8 176.4

HSL 187.39, 0.46%, 0.48%

LAB 62.03, -23.91, -15.47

 

CMYK 58 / 7 / 0 / 23

HEX #53B4C3

RGB 83 180.8 195.4

HSL 187.79, 0.49%, 0.55%

LAB 68.58, -24.34, -16.09

 

CMYK 92 / 13 / 0 / 51

HEX #0A6C7C

RGB 10 108.8 124.4

HSL 188.18, 0.85%, 0.26%

LAB 41.88, -19.62, -15.96

 

CMYK 100 / 14 / 0 / 59

HEX #005A69

RGB 0 90.8 105.4

HSL 188.31, 1%, 0.21%

LAB 34.96, -17.35, -14.92

 

CMYK 100 / 16 / 0 / 66

HEX #004856

RGB 0 72.8 86.4

HSL 189.44, 1%, 0.17%

LAB 27.89, -14.33, -13.71

 

CMYK 100 / 19 / 0 / 74

HEX #003643

RGB 0 54.8 67.4

HSL 191.22, 1%, 0.13%

LAB 20.53, -11.15, -12.48

 

CMYK 100 / 24 / 0 / 81

HEX #002430

RGB 0 36.8 48.4

HSL 194.38, 1%, 0.09%

LAB 12.78, -7.72, -11.26

 

CMYK 92 / 13 / 0 / 52

HEX #0A6B7B

RGB 10 107 123

HSL 188.5, 0.85%, 0.26%

LAB 41.23, -19.15, -16.11

 

CMYK 92 / 37 / 0 / 52

HEX #0A4D7B

RGB 10 77 123

HSL 204.42, 0.85%, 0.26%

LAB 31.35, -1.18, -31.51

 

CMYK 92 / 62 / 0 / 52

HEX #0A2F7B

RGB 10 47 123

HSL 220.35, 0.85%, 0.26%

LAB 22.04, 19.76, -46.5

 

CMYK 92 / 87 / 0 / 52

HEX #0A107B

RGB 10 16 123

HSL 236.81, 0.85%, 0.26%

LAB 14.76, 39.64, -58.51

 

CMYK 72 / 92 / 0 / 52

HEX #220A7B

RGB 34 10 123

HSL 252.74, 0.85%, 0.26%

LAB 15.42, 43.33, -57.38

 

CMYK 92 / 13 / 0 / 52

HEX #0A6B7B

RGB 10 107 123

HSL 188.5, 0.85%, 0.26%

LAB 41.23, -19.15, -16.11

 

CMYK 92 / 37 / 0 / 52

HEX #0A4D7B

RGB 10 77 123

HSL 204.42, 0.85%, 0.26%

LAB 31.35, -1.18, -31.51

 

CMYK 92 / 62 / 0 / 52

HEX #0A2F7B

RGB 10 47 123

HSL 220.35, 0.85%, 0.26%

LAB 22.04, 19.76, -46.5

 

CMYK 92 / 87 / 0 / 52

HEX #0A107B

RGB 10 16 123

HSL 236.81, 0.85%, 0.26%

LAB 14.76, 39.64, -58.51

 

CMYK 92 / 92 / 0 / 52

HEX #0A0A7B

RGB 10 10 123

HSL 240, 0.85%, 0.26%

LAB 13.89, 42.24, -59.96

 

CMYK 92 / 13 / 0 / 52

HEX #0A6B7B

RGB 10 107 123

HSL 188.5, 0.85%, 0.26%

LAB 41.23, -19.15, -16.11

 

CMYK 92 / 13 / 0 / 52

HEX #0A6B7B

RGB 10 107 123

HSL 188.5, 0.85%, 0.26%

LAB 41.23, -19.15, -16.11

 

CMYK 81 / 12 / 0 / 56

HEX #156370

RGB 21 99 112

HSL 188.57, 0.68%, 0.26%

LAB 38.29, -17.71, -13.88

 

CMYK 69 / 9 / 0 / 60

HEX #1F5C65

RGB 31 92 101

HSL 187.71, 0.53%, 0.26%

LAB 35.76, -16.15, -10.9

 

CMYK 53 / 7 / 0 / 65

HEX #2A545A

RGB 42 84 90

HSL 187.5, 0.36%, 0.26%

LAB 33.07, -12.76, -8.03

 

CMYK 34 / 5 / 0 / 69

HEX #354C50

RGB 53 76 80

HSL 188.89, 0.2%, 0.26%

LAB 30.65, -7.69, -5.23

 

CMYK 92 / 0 / 37 / 52

HEX #0A7B4E

RGB 10 123 78

HSL 156.11, 0.85%, 0.26%

LAB 45.33, -40.04, 16.7

 

CMYK 92 / 0 / 12 / 52

HEX #0A7B6C

RGB 10 123 108

HSL 172.04, 0.85%, 0.26%

LAB 46.06, -32.13, 0.11

 

CMYK 92 / 12 / 0 / 52

HEX #0A6C7B

RGB 10 108 123

HSL 187.96, 0.85%, 0.26%

LAB 41.56, -19.69, -15.61

 

CMYK 92 / 37 / 0 / 52

HEX #0A4E7B

RGB 10 78 123

HSL 203.89, 0.85%, 0.26%

LAB 31.68, -1.83, -30.99

 

CMYK 92 / 61 / 0 / 52

HEX #0A307B

RGB 10 48 123

HSL 219.82, 0.85%, 0.26%

LAB 22.33, 19.04, -46.03

 

CMYK 91 / 11 / 0 / 82

HEX #04292E

RGB 4 41 46

HSL 187.14, 0.84%, 0.1%

LAB 14.45, -10.58, -6.97

 

CMYK 92 / 12 / 0 / 67

HEX #074A54

RGB 7 74 84

HSL 187.79, 0.85%, 0.18%

LAB 28.33, -15.22, -11.47

 

CMYK 92 / 13 / 0 / 52

HEX #0A6B7B

RGB 10 107 123

HSL 188.5, 0.85%, 0.26%

LAB 41.23, -19.15, -16.11

 

CMYK 92 / 12 / 0 / 37

HEX #0D8DA1

RGB 13 141 161

HSL 188.11, 0.85%, 0.34%

LAB 53.72, -23.71, -19.44

 

CMYK 92 / 13 / 0 / 22

HEX #10AEC7

RGB 16 174 199

HSL 188.2, 0.85%, 0.42%

LAB 65.36, -27.55, -23.09

 

CMYK 92 / 13 / 0 / 51

HEX #0A6C7C

RGB 10 108.8 124.4

HSL 188.18, 0.85%, 0.26%

LAB 41.88, -19.62, -15.96

 

CMYK 61 / 92 / 0 / 52

HEX #300A7B

RGB 48 10 123

HSL 260.18, 0.85%, 0.26%

LAB 16.87, 44.44, -54.93

 

CMYK 0 / 24 / 92 / 52

HEX #7B5D0A

RGB 123 93 10

HSL 44.07, 0.85%, 0.26%

LAB 41.31, 4.75, 46.26

 

CMYK 92 / 13 / 0 / 51

HEX #0A6C7C

RGB 10 108.8 124.4

HSL 188.18, 0.85%, 0.26%

LAB 41.88, -19.62, -15.96

 

CMYK 0 / 92 / 12 / 52

HEX #7B0A6C

RGB 123 10 108

HSL 307.96, 0.85%, 0.26%

LAB 28.14, 53.27, -26.43

 

CMYK 12 / 0 / 92 / 52

HEX #6C7B0A

RGB 108 123 10

HSL 67.96, 0.85%, 0.26%

LAB 48.73, -19.28, 51.61

 

CMYK 92 / 13 / 0 / 51

HEX #0A6C7C

RGB 10 108.8 124.4

HSL 188.18, 0.85%, 0.26%

LAB 41.88, -19.62, -15.96

 

CMYK 61 / 92 / 0 / 52

HEX #300A7B

RGB 48 10 123

HSL 260.18, 0.85%, 0.26%

LAB 16.87, 44.44, -54.93

 

CMYK 0 / 80 / 92 / 52

HEX #7B190A

RGB 123 25 10

HSL 7.96, 0.85%, 0.26%

LAB 26.53, 40.9, 34.49

 

CMYK 31 / 0 / 92 / 52

HEX #557B0A

RGB 85 123 10

HSL 80.18, 0.85%, 0.26%

LAB 47.13, -29.31, 49.64

 

CMYK 92 / 13 / 0 / 51

HEX #0A6C7C

RGB 10 108.8 124.4

HSL 188.18, 0.85%, 0.26%

LAB 41.88, -19.62, -15.96

 

CMYK 34 / 92 / 0 / 52

HEX #510A7B

RGB 81 10 123

HSL 277.7, 0.85%, 0.26%

LAB 21.57, 48.42, -47.03

 

CMYK 0 / 80 / 92 / 52

HEX #7B190A

RGB 123 25 10

HSL 7.96, 0.85%, 0.26%

LAB 26.53, 40.9, 34.49

 

CMYK 59 / 0 / 92 / 52

HEX #337B0A

RGB 51 123 10

HSL 98.23, 0.85%, 0.26%

LAB 45.49, -41.4, 47.59

 

Description

Color code: RGB 10 108.8 124.4 | qconv.com Color code: RGB 10 108.8 124.4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 108.8 green and 124.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 108.8 124.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 13 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 13% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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