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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 10 103 5 it is the complementary color RGB 245 152 250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 10 103 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 10 103 5 shade: RGB 15 103 0, RGB 32 121 19, RGB 49 139 38, RGB 66 157 57 and RGB 83 175 76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 10 103 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 10 103 5 shade: RGB 10 103 5, RGB 0 85 0, RGB 0 67 0, RGB 0 49 0 and RGB 0 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 10 103 5 shade: RGB 10 102 5, RGB 36 102 5, RGB 62 102 5, RGB 89 102 5 and RGB 102 90 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 10 103 5 shade: RGB 10 102 5, RGB 5 102 26, RGB 5 102 52, RGB 5 102 79 and RGB 5 100 102

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 10 103 5 shade matches the following richer shades: RGB 10 102 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 10 103 5 shade: RGB 10 102 5, RGB 18 94 13, RGB 25 85 22, RGB 33 76 31 and RGB 41 68 39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 10 103 5 shade: RGB 63 102 5, RGB 37 102 5, RGB 11 102 5, RGB 5 102 24 and RGB 5 102 50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 10 103 5 shade: RGB 2 23 1, RGB 6 63 3, RGB 10 102 5, RGB 14 142 7 and RGB 17 181 9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 10 103 5 shade: RGB 10 103 5, RGB 5 89 102 and RGB 102 5 50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 10 103 5 shade: RGB 10 103 5, RGB 5 11 102 and RGB 102 5 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 10 103 5 shade: RGB 10 103 5, RGB 5 89 102, RGB 96 5 102 and RGB 102 18 5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 10 103 5 shade: RGB 10 103 5, RGB 5 60 102, RGB 96 5 102 and RGB 102 47 5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 95 / 60

HEX #0A6705

RGB 10 103 5

HSL 116.94, 0.91%, 0.21%

LAB 37.44, -42.95, 41.5

 

Complementary color

CMYK 2 / 39 / 0 / 2

HEX #F598FA

RGB 245 152 250

HSL 296.94, 0.91%, 0.79%

LAB 75.31, 49.5, -34.6

 

CMYK 85 / 0 / 100 / 60

HEX #0F6700

RGB 15 103 0

HSL 111.26, 1%, 0.2%

LAB 37.48, -42.6, 42.96

 

CMYK 74 / 0 / 84 / 53

HEX #207913

RGB 32 121 19

HSL 112.35, 0.73%, 0.27%

LAB 44.27, -44.86, 44.02

 

CMYK 65 / 0 / 73 / 45

HEX #318B26

RGB 49 139 38

HSL 113.47, 0.57%, 0.35%

LAB 50.99, -46.2, 43.98

 

CMYK 58 / 0 / 64 / 38

HEX #429D39

RGB 66 157 57

HSL 114.6, 0.47%, 0.42%

LAB 57.62, -46.89, 43.13

 

CMYK 53 / 0 / 57 / 31

HEX #53AF4C

RGB 83 175 76

HSL 115.76, 0.39%, 0.49%

LAB 64.18, -47.2, 41.96

 

CMYK 90 / 0 / 95 / 60

HEX #0A6705

RGB 10 103 5

HSL 116.94, 0.91%, 0.21%

LAB 37.44, -42.95, 41.5

 

CMYK 100 / 0 / 100 / 67

HEX #005500

RGB 0 85 0

HSL 120, 1%, 0.17%

LAB 30.63, -38.74, 37.39

 

CMYK 100 / 0 / 100 / 74

HEX #004300

RGB 0 67 0

HSL 120, 1%, 0.13%

LAB 23.72, -33, 31.32

 

CMYK 100 / 0 / 100 / 81

HEX #003100

RGB 0 49 0

HSL 120, 1%, 0.1%

LAB 16.49, -26.99, 23.19

 

CMYK 100 / 0 / 100 / 88

HEX #001F00

RGB 0 31 0

HSL 120, 1%, 0.06%

LAB 8.82, -17.96, 12.88

 

CMYK 90 / 0 / 95 / 60

HEX #0A6605

RGB 10 102 5

HSL 116.91, 0.91%, 0.21%

LAB 37.07, -42.63, 41.19

 

CMYK 65 / 0 / 95 / 60

HEX #246605

RGB 36 102 5

HSL 100.82, 0.91%, 0.21%

LAB 37.64, -37.75, 41.9

 

CMYK 39 / 0 / 95 / 60

HEX #3E6605

RGB 62 102 5

HSL 84.74, 0.91%, 0.21%

LAB 38.79, -28.95, 43.32

 

CMYK 13 / 0 / 95 / 60

HEX #596605

RGB 89 102 5

HSL 68.04, 0.91%, 0.21%

LAB 40.63, -17.08, 45.58

 

CMYK 0 / 12 / 95 / 60

HEX #665A05

RGB 102 90 5

HSL 52.58, 0.91%, 0.21%

LAB 38.11, -3.95, 44.1

 

CMYK 90 / 0 / 95 / 60

HEX #0A6605

RGB 10 102 5

HSL 116.91, 0.91%, 0.21%

LAB 37.07, -42.63, 41.19

 

CMYK 95 / 0 / 75 / 60

HEX #05661A

RGB 5 102 26

HSL 132.99, 0.91%, 0.21%

LAB 37.13, -41.67, 34.25

 

CMYK 95 / 0 / 49 / 60

HEX #056634

RGB 5 102 52

HSL 149.07, 0.91%, 0.21%

LAB 37.45, -37.77, 21.26

 

CMYK 95 / 0 / 23 / 60

HEX #05664F

RGB 5 102 79

HSL 165.77, 0.91%, 0.21%

LAB 38.02, -31.3, 5.96

 

CMYK 95 / 2 / 0 / 60

HEX #056466

RGB 5 100 102

HSL 181.24, 0.91%, 0.21%

LAB 38.03, -23.13, -8.15

 

CMYK 90 / 0 / 95 / 60

HEX #0A6605

RGB 10 102 5

HSL 116.91, 0.91%, 0.21%

LAB 37.07, -42.63, 41.19

 

CMYK 90 / 0 / 95 / 60

HEX #0A6605

RGB 10 102 5

HSL 116.91, 0.91%, 0.21%

LAB 37.07, -42.63, 41.19

 

CMYK 81 / 0 / 86 / 63

HEX #125E0D

RGB 18 94 13

HSL 116.3, 0.76%, 0.21%

LAB 34.32, -38.39, 36.49

 

CMYK 71 / 0 / 74 / 67

HEX #195516

RGB 25 85 22

HSL 117.14, 0.59%, 0.21%

LAB 31.26, -32.82, 29.93

 

CMYK 57 / 0 / 59 / 70

HEX #214C1F

RGB 33 76 31

HSL 117.33, 0.42%, 0.21%

LAB 28.36, -25.5, 22.06

 

CMYK 40 / 0 / 43 / 73

HEX #294427

RGB 41 68 39

HSL 115.86, 0.27%, 0.21%

LAB 26.02, -17.21, 14.41

 

CMYK 38 / 0 / 95 / 60

HEX #3F6605

RGB 63 102 5

HSL 84.12, 0.91%, 0.21%

LAB 38.85, -28.55, 43.39

 

CMYK 64 / 0 / 95 / 60

HEX #256605

RGB 37 102 5

HSL 100.21, 0.91%, 0.21%

LAB 37.68, -37.48, 41.94

 

CMYK 89 / 0 / 95 / 60

HEX #0B6605

RGB 11 102 5

HSL 116.29, 0.91%, 0.21%

LAB 37.09, -42.52, 41.21

 

CMYK 95 / 0 / 76 / 60

HEX #056618

RGB 5 102 24

HSL 131.75, 0.91%, 0.21%

LAB 37.12, -41.87, 35.08

 

CMYK 95 / 0 / 51 / 60

HEX #056632

RGB 5 102 50

HSL 147.84, 0.91%, 0.21%

LAB 37.42, -38.16, 22.35

 

CMYK 91 / 0 / 96 / 91

HEX #021701

RGB 2 23 1

HSL 117.27, 0.92%, 0.05%

LAB 5.67, -10.65, 7.89

 

CMYK 90 / 0 / 95 / 75

HEX #063F03

RGB 6 63 3

HSL 117, 0.91%, 0.13%

LAB 22.3, -30.14, 28.69

 

CMYK 90 / 0 / 95 / 60

HEX #0A6605

RGB 10 102 5

HSL 116.91, 0.91%, 0.21%

LAB 37.07, -42.63, 41.19

 

CMYK 90 / 0 / 95 / 44

HEX #0E8E07

RGB 14 142 7

HSL 116.89, 0.91%, 0.29%

LAB 51.21, -54.53, 52.69

 

CMYK 91 / 0 / 95 / 29

HEX #11B509

RGB 17 181 9

HSL 117.21, 0.91%, 0.37%

LAB 64.31, -65.54, 63.31

 

CMYK 90 / 0 / 95 / 60

HEX #0A6705

RGB 10 103 5

HSL 116.94, 0.91%, 0.21%

LAB 37.44, -42.95, 41.5

 

CMYK 95 / 13 / 0 / 60

HEX #055966

RGB 5 89 102

HSL 188.04, 0.91%, 0.21%

LAB 34.27, -17.21, -13.85

 

CMYK 0 / 95 / 51 / 60

HEX #660532

RGB 102 5 50

HSL 332.16, 0.91%, 0.21%

LAB 20.69, 42.15, 0.86

 

CMYK 90 / 0 / 95 / 60

HEX #0A6705

RGB 10 103 5

HSL 116.94, 0.91%, 0.21%

LAB 37.44, -42.95, 41.5

 

CMYK 95 / 89 / 0 / 60

HEX #050B66

RGB 5 11 102

HSL 236.29, 0.91%, 0.21%

LAB 10.78, 34.83, -51.47

 

CMYK 0 / 95 / 89 / 60

HEX #66050B

RGB 102 5 11

HSL 356.29, 0.91%, 0.21%

LAB 19.87, 39.87, 25.79

 

CMYK 90 / 0 / 95 / 60

HEX #0A6705

RGB 10 103 5

HSL 116.94, 0.91%, 0.21%

LAB 37.44, -42.95, 41.5

 

CMYK 95 / 13 / 0 / 60

HEX #055966

RGB 5 89 102

HSL 188.04, 0.91%, 0.21%

LAB 34.27, -17.21, -13.85

 

CMYK 6 / 95 / 0 / 60

HEX #600566

RGB 96 5 102

HSL 296.29, 0.91%, 0.21%

LAB 22.14, 47.91, -32.4

 

CMYK 0 / 82 / 95 / 60

HEX #661205

RGB 102 18 5

HSL 8.04, 0.91%, 0.21%

LAB 21.09, 36.11, 29.6

 

CMYK 90 / 0 / 95 / 60

HEX #0A6705

RGB 10 103 5

HSL 116.94, 0.91%, 0.21%

LAB 37.44, -42.95, 41.5

 

CMYK 95 / 41 / 0 / 60

HEX #053C66

RGB 5 60 102

HSL 205.98, 0.91%, 0.21%

LAB 24.4, 0.9, -29.26

 

CMYK 6 / 95 / 0 / 60

HEX #600566

RGB 96 5 102

HSL 296.29, 0.91%, 0.21%

LAB 22.14, 47.91, -32.4

 

CMYK 0 / 54 / 95 / 60

HEX #662F05

RGB 102 47 5

HSL 25.98, 0.91%, 0.21%

LAB 26.36, 22.14, 34.87

 

Description

Color code: RGB 10 103 5 | qconv.com Color code: RGB 10 103 5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 103 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 103 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 95 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 95% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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