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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 92.2 133.6 it is the complementary color RGB 146 162.8 121.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 92.2 133.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 92.2 133.6 shade: RGB 114 92.2 128.6, RGB 131 110.2 147.6, RGB 148 128.2 166.6, RGB 165 146.2 185.6 and RGB 182 164.2 204.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 92.2 133.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 92.2 133.6 shade: RGB 109 92.2 133.6, RGB 92 74.2 114.6, RGB 75 56.2 95.6, RGB 58 38.2 76.6 and RGB 41 20.2 57.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 92.2 133.6 shade: RGB 108 92 132, RGB 119 92 132, RGB 130 92 132, RGB 132 92 124 and RGB 132 92 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 92.2 133.6 shade: RGB 108 92 132, RGB 98 92 132 and RGB 92 92 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 92.2 133.6 shade matches the following richer shades: RGB 108 92 132, RGB 105 74 151, RGB 102 56 169, RGB 98 38 187 and RGB 95 19 205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 92.2 133.6 shade: RGB 108 92 132, RGB 112 110 114, RGB 115 128 96, RGB 119 146 78 and RGB 122 165 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 92.2 133.6 shade: RGB 92 97 132, RGB 97 92 132, RGB 108 92 132, RGB 119 92 132 and RGB 130 92 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 92.2 133.6 shade: RGB 69 58 84, RGB 88 75 108, RGB 108 92 132, RGB 129 111 155 and RGB 150 135 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 92.2 133.6 shade: RGB 109 92.2 133.6, RGB 132 92 108 and RGB 92 132 92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 92.2 133.6 shade: RGB 109 92.2 133.6, RGB 132 108 92 and RGB 92 132 108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 92.2 133.6 shade: RGB 109 92.2 133.6, RGB 132 92 108, RGB 116 132 92 and RGB 92 132 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 92.2 133.6 shade: RGB 109 92.2 133.6, RGB 132 92 96, RGB 116 132 92 and RGB 92 132 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 31 / 0 / 48

HEX #6D5C85

RGB 109 92.2 133.6

HSL 264.35, 0.18%, 0.44%

LAB 42.23, 15.71, -20.56

 

Complementary color

CMYK 10 / 0 / 25 / 36

HEX #92A279

RGB 146 162.8 121.4

HSL 84.35, 0.18%, 0.56%

LAB 64.66, -13.45, 19.6

 

CMYK 11 / 28 / 0 / 50

HEX #725C80

RGB 114 92.2 128.6

HSL 275.93, 0.16%, 0.43%

LAB 42.52, 16.26, -17.05

 

CMYK 11 / 25 / 0 / 42

HEX #836E93

RGB 131 110.2 147.6

HSL 273.37, 0.15%, 0.51%

LAB 49.67, 15.66, -17.32

 

CMYK 11 / 23 / 0 / 35

HEX #9480A6

RGB 148 128.2 166.6

HSL 270.94, 0.18%, 0.58%

LAB 56.65, 15.13, -17.62

 

CMYK 11 / 21 / 0 / 27

HEX #A592B9

RGB 165 146.2 185.6

HSL 268.63, 0.22%, 0.65%

LAB 63.46, 14.66, -17.92

 

CMYK 11 / 20 / 0 / 20

HEX #B6A4CC

RGB 182 164.2 204.6

HSL 266.44, 0.29%, 0.72%

LAB 70.15, 14.22, -18.23

 

CMYK 18 / 31 / 0 / 48

HEX #6D5C85

RGB 109 92.2 133.6

HSL 264.35, 0.18%, 0.44%

LAB 42.23, 15.71, -20.56

 

CMYK 20 / 35 / 0 / 55

HEX #5C4A72

RGB 92 74.2 114.6

HSL 266.44, 0.21%, 0.37%

LAB 34.86, 16.41, -20.43

 

CMYK 22 / 41 / 0 / 63

HEX #4B385F

RGB 75 56.2 95.6

HSL 268.63, 0.26%, 0.3%

LAB 27.24, 17.22, -20.34

 

CMYK 24 / 50 / 0 / 70

HEX #3A264C

RGB 58 38.2 76.6

HSL 270.94, 0.33%, 0.23%

LAB 19.34, 18.17, -20.29

 

CMYK 29 / 65 / 0 / 77

HEX #291439

RGB 41 20.2 57.6

HSL 273.37, 0.48%, 0.15%

LAB 11.14, 19.25, -20.22

 

CMYK 18 / 30 / 0 / 48

HEX #6C5C84

RGB 108 92 132

HSL 264, 0.18%, 0.44%

LAB 42.01, 15.11, -19.94

 

CMYK 10 / 30 / 0 / 48

HEX #775C84

RGB 119 92 132

HSL 280.5, 0.18%, 0.44%

LAB 43.13, 18.9, -18.14

 

CMYK 2 / 30 / 0 / 48

HEX #825C84

RGB 130 92 132

HSL 297, 0.18%, 0.44%

LAB 44.33, 22.77, -16.19

 

CMYK 0 / 30 / 6 / 48

HEX #845C7C

RGB 132 92 124

HSL 312, 0.18%, 0.44%

LAB 44.25, 21.89, -11.44

 

CMYK 0 / 30 / 14 / 48

HEX #845C71

RGB 132 92 113

HSL 328.5, 0.18%, 0.44%

LAB 43.88, 19.84, -5.33

 

CMYK 18 / 30 / 0 / 48

HEX #6C5C84

RGB 108 92 132

HSL 264, 0.18%, 0.44%

LAB 42.01, 15.11, -19.94

 

CMYK 26 / 30 / 0 / 48

HEX #625C84

RGB 98 92 132

HSL 249, 0.18%, 0.44%

LAB 41.08, 11.76, -21.45

 

CMYK 30 / 30 / 0 / 48

HEX #5C5C84

RGB 92 92 132

HSL 240, 0.18%, 0.44%

LAB 40.57, 9.81, -22.29

 

CMYK 18 / 30 / 0 / 48

HEX #6C5C84

RGB 108 92 132

HSL 264, 0.18%, 0.44%

LAB 42.01, 15.11, -19.94

 

CMYK 30 / 51 / 0 / 41

HEX #694A97

RGB 105 74 151

HSL 264.16, 0.34%, 0.44%

LAB 38.08, 30.06, -37.62

 

CMYK 40 / 67 / 0 / 34

HEX #6638A9

RGB 102 56 169

HSL 264.42, 0.5%, 0.44%

LAB 35.04, 44.41, -53.35

 

CMYK 48 / 80 / 0 / 27

HEX #6226BB

RGB 98 38 187

HSL 264.16, 0.66%, 0.44%

LAB 33.07, 56.87, -67.29

 

CMYK 54 / 91 / 0 / 20

HEX #5F13CD

RGB 95 19 205

HSL 264.52, 0.83%, 0.44%

LAB 32.49, 66.89, -78.82

 

CMYK 18 / 30 / 0 / 48

HEX #6C5C84

RGB 108 92 132

HSL 264, 0.18%, 0.44%

LAB 42.01, 15.11, -19.94

 

CMYK 2 / 4 / 0 / 55

HEX #706E72

RGB 112 110 114

HSL 270, 0.02%, 0.44%

LAB 46.73, 1.59, -1.95

 

CMYK 10 / 0 / 25 / 50

HEX #738060

RGB 115 128 96

HSL 84.38, 0.14%, 0.44%

LAB 51.76, -10.89, 15.82

 

CMYK 18 / 0 / 47 / 43

HEX #77924E

RGB 119 146 78

HSL 83.82, 0.3%, 0.44%

LAB 57.1, -21.42, 32.83

 

CMYK 26 / 0 / 64 / 35

HEX #7AA53C

RGB 122 165 60

HSL 84.57, 0.47%, 0.44%

LAB 62.82, -31.38, 48.28

 

CMYK 30 / 27 / 0 / 48

HEX #5C6184

RGB 92 97 132

HSL 232.5, 0.18%, 0.44%

LAB 41.99, 6.7, -20.1

 

CMYK 27 / 30 / 0 / 48

HEX #615C84

RGB 97 92 132

HSL 247.5, 0.18%, 0.44%

LAB 41, 11.43, -21.6

 

CMYK 18 / 30 / 0 / 48

HEX #6C5C84

RGB 108 92 132

HSL 264, 0.18%, 0.44%

LAB 42.01, 15.11, -19.94

 

CMYK 10 / 30 / 0 / 48

HEX #775C84

RGB 119 92 132

HSL 280.5, 0.18%, 0.44%

LAB 43.13, 18.9, -18.14

 

CMYK 2 / 30 / 0 / 48

HEX #825C84

RGB 130 92 132

HSL 297, 0.18%, 0.44%

LAB 44.33, 22.77, -16.19

 

CMYK 18 / 31 / 0 / 67

HEX #453A54

RGB 69 58 84

HSL 265.38, 0.18%, 0.28%

LAB 26.54, 10.83, -13.93

 

CMYK 19 / 31 / 0 / 58

HEX #584B6C

RGB 88 75 108

HSL 263.64, 0.18%, 0.36%

LAB 34.37, 12.83, -17.08

 

CMYK 18 / 30 / 0 / 48

HEX #6C5C84

RGB 108 92 132

HSL 264, 0.18%, 0.44%

LAB 42.01, 15.11, -19.94

 

CMYK 17 / 28 / 0 / 39

HEX #816F9B

RGB 129 111 155

HSL 264.55, 0.18%, 0.52%

LAB 49.98, 16.2, -21.22

 

CMYK 13 / 22 / 0 / 33

HEX #9687AC

RGB 150 135 172

HSL 264.32, 0.18%, 0.6%

LAB 58.78, 13.07, -17.45

 

CMYK 18 / 31 / 0 / 48

HEX #6D5C85

RGB 109 92.2 133.6

HSL 264.35, 0.18%, 0.44%

LAB 42.23, 15.71, -20.56

 

CMYK 0 / 30 / 18 / 48

HEX #845C6C

RGB 132 92 108

HSL 336, 0.18%, 0.44%

LAB 43.72, 18.97, -2.53

 

CMYK 30 / 0 / 30 / 48

HEX #5C845C

RGB 92 132 92

HSL 120, 0.18%, 0.44%

LAB 51.33, -22.44, 17.27

 

CMYK 18 / 31 / 0 / 48

HEX #6D5C85

RGB 109 92.2 133.6

HSL 264.35, 0.18%, 0.44%

LAB 42.23, 15.71, -20.56

 

CMYK 0 / 18 / 30 / 48

HEX #846C5C

RGB 132 108 92

HSL 24, 0.18%, 0.44%

LAB 47.5, 6.96, 12.52

 

CMYK 30 / 0 / 18 / 48

HEX #5C846C

RGB 92 132 108

HSL 144, 0.18%, 0.44%

LAB 51.68, -19.31, 8.55

 

CMYK 18 / 31 / 0 / 48

HEX #6D5C85

RGB 109 92.2 133.6

HSL 264.35, 0.18%, 0.44%

LAB 42.23, 15.71, -20.56

 

CMYK 0 / 30 / 18 / 48

HEX #845C6C

RGB 132 92 108

HSL 336, 0.18%, 0.44%

LAB 43.72, 18.97, -2.53

 

CMYK 12 / 0 / 30 / 48

HEX #74845C

RGB 116 132 92

HSL 84, 0.18%, 0.44%

LAB 52.94, -13.31, 19.72

 

CMYK 30 / 0 / 12 / 48

HEX #5C8474

RGB 92 132 116

HSL 156, 0.18%, 0.44%

LAB 51.88, -17.57, 4.19

 

CMYK 18 / 31 / 0 / 48

HEX #6D5C85

RGB 109 92.2 133.6

HSL 264.35, 0.18%, 0.44%

LAB 42.23, 15.71, -20.56

 

CMYK 0 / 30 / 27 / 48

HEX #845C60

RGB 132 92 96

HSL 354, 0.18%, 0.44%

LAB 43.37, 17.01, 4.28

 

CMYK 12 / 0 / 30 / 48

HEX #74845C

RGB 116 132 92

HSL 84, 0.18%, 0.44%

LAB 52.94, -13.31, 19.72

 

CMYK 30 / 0 / 3 / 48

HEX #5C8480

RGB 92 132 128

HSL 174, 0.18%, 0.44%

LAB 52.22, -14.76, -2.31

 

Description

Color code: RGB 109 92.2 133.6 | qconv.com Color code: RGB 109 92.2 133.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 92.2 green and 133.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 92.2 133.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 31 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 31% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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