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Color name
RGB 109 60 240

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 60 240 it is the complementary color RGB 146 195 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 60 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 60 240 shade: RGB 114 60 235, RGB 131 78 254, RGB 148 96 255, RGB 165 114 255 and RGB 182 132 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 60 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 60 240 shade: RGB 109 60 240, RGB 92 42 221, RGB 75 24 202, RGB 58 6 183 and RGB 41 0 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 60 240 shade: RGB 109 60 240, RGB 157 60 240, RGB 206 60 240, RGB 240 60 225 and RGB 240 60 177

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 60 240 shade: RGB 109 60 240, RGB 60 60 240 and RGB 60 60 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 60 240 shade matches the following richer shades: RGB 109 60 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 60 240 shade: RGB 109 60 240, RGB 117 77 223, RGB 124 94 206, RGB 132 111 189 and RGB 140 128 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 60 240 shade: RGB 60 108 240, RGB 60 60 240, RGB 108 60 240, RGB 156 60 240 and RGB 204 60 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 60 240 shade: RGB 66 15 203, RGB 80 22 237, RGB 109 60 240, RGB 138 98 243 and RGB 166 137 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 60 240 shade: RGB 109 60 240, RGB 240 60 156 and RGB 84 240 60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 60 240 shade: RGB 109 60 240, RGB 240 108 60 and RGB 60 240 108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 60 240 shade: RGB 109 60 240, RGB 240 60 156, RGB 192 240 60 and RGB 60 240 144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 60 240 shade: RGB 109 60 240, RGB 240 60 102, RGB 192 240 60 and RGB 60 240 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 75 / 0 / 6

HEX #6D3CF0

RGB 109 60 240

HSL 256.33, 0.86%, 0.59%

LAB 42.42, 62.67, -82.45

 

Complementary color

CMYK 25 / 0 / 92 / 24

HEX #92C30F

RGB 146 195 15

HSL 76.33, 0.86%, 0.41%

LAB 73.01, -37.8, 71.43

 

CMYK 51 / 74 / 0 / 8

HEX #723CEB

RGB 114 60 235

HSL 258.51, 0.81%, 0.58%

LAB 42.47, 62.01, -79.53

 

CMYK 48 / 69 / 0 / 0

HEX #834EFE

RGB 131 78 254

HSL 258.07, 0.99%, 0.65%

LAB 48.8, 61.04, -79.76

 

CMYK 42 / 62 / 0 / 0

HEX #9460FF

RGB 148 96 255

HSL 259.62, 1%, 0.69%

LAB 53.9, 55.18, -71.93

 

CMYK 35 / 55 / 0 / 0

HEX #A572FF

RGB 165 114 255

HSL 261.7, 1%, 0.72%

LAB 59.21, 49.22, -63.29

 

CMYK 29 / 48 / 0 / 0

HEX #B684FF

RGB 182 132 255

HSL 264.39, 1%, 0.76%

LAB 64.7, 43.57, -54.43

 

CMYK 55 / 75 / 0 / 6

HEX #6D3CF0

RGB 109 60 240

HSL 256.33, 0.86%, 0.59%

LAB 42.42, 62.67, -82.45

 

CMYK 58 / 81 / 0 / 13

HEX #5C2ADD

RGB 92 42 221

HSL 256.76, 0.72%, 0.52%

LAB 36.27, 63.36, -81.83

 

CMYK 63 / 88 / 0 / 21

HEX #4B18CA

RGB 75 24 202

HSL 257.19, 0.79%, 0.44%

LAB 30.43, 63.22, -80.55

 

CMYK 68 / 97 / 0 / 28

HEX #3A06B7

RGB 58 6 183

HSL 257.63, 0.94%, 0.37%

LAB 25.1, 61.65, -78.23

 

CMYK 75 / 100 / 0 / 36

HEX #2900A4

RGB 41 0 164

HSL 255, 1%, 0.32%

LAB 20.64, 57.61, -74.26

 

CMYK 55 / 75 / 0 / 6

HEX #6D3CF0

RGB 109 60 240

HSL 256.33, 0.86%, 0.59%

LAB 42.42, 62.67, -82.45

 

CMYK 35 / 75 / 0 / 6

HEX #9D3CF0

RGB 157 60 240

HSL 272.33, 0.86%, 0.59%

LAB 47.87, 69.8, -73.32

 

CMYK 14 / 75 / 0 / 6

HEX #CE3CF0

RGB 206 60 240

HSL 288.67, 0.86%, 0.59%

LAB 54.7, 78.47, -61.93

 

CMYK 0 / 75 / 6 / 6

HEX #F03CE1

RGB 240 60 225

HSL 305, 0.86%, 0.59%

LAB 59.15, 82.74, -46.1

 

CMYK 0 / 75 / 26 / 6

HEX #F03CB1

RGB 240 60 177

HSL 321, 0.86%, 0.59%

LAB 57.01, 76.41, -22

 

CMYK 55 / 75 / 0 / 6

HEX #6D3CF0

RGB 109 60 240

HSL 256.33, 0.86%, 0.59%

LAB 42.42, 62.67, -82.45

 

CMYK 75 / 75 / 0 / 6

HEX #3C3CF0

RGB 60 60 240

HSL 240, 0.86%, 0.59%

LAB 38.7, 57.65, -88.72

 

CMYK 75 / 75 / 0 / 6

HEX #3C3CF0

RGB 60 60 240

HSL 240, 0.86%, 0.59%

LAB 38.7, 57.65, -88.72

 

CMYK 55 / 75 / 0 / 6

HEX #6D3CF0

RGB 109 60 240

HSL 256.33, 0.86%, 0.59%

LAB 42.42, 62.67, -82.45

 

CMYK 55 / 75 / 0 / 6

HEX #6D3CF0

RGB 109 60 240

HSL 256.33, 0.86%, 0.59%

LAB 42.42, 62.67, -82.45

 

CMYK 48 / 65 / 0 / 13

HEX #754DDF

RGB 117 77 223

HSL 256.44, 0.7%, 0.59%

LAB 44.83, 50.79, -68.86

 

CMYK 40 / 54 / 0 / 19

HEX #7C5ECE

RGB 124 94 206

HSL 256.07, 0.53%, 0.59%

LAB 47.94, 38.02, -54.08

 

CMYK 30 / 41 / 0 / 26

HEX #846FBD

RGB 132 111 189

HSL 256.15, 0.37%, 0.59%

LAB 51.78, 25.56, -38.17

 

CMYK 19 / 26 / 0 / 33

HEX #8C80AC

RGB 140 128 172

HSL 256.36, 0.21%, 0.59%

LAB 56.08, 13.8, -21.65

 

CMYK 75 / 55 / 0 / 6

HEX #3C6CF0

RGB 60 108 240

HSL 224, 0.86%, 0.59%

LAB 49.47, 29.18, -71.06

 

CMYK 75 / 75 / 0 / 6

HEX #3C3CF0

RGB 60 60 240

HSL 240, 0.86%, 0.59%

LAB 38.7, 57.65, -88.72

 

CMYK 55 / 75 / 0 / 6

HEX #6C3CF0

RGB 108 60 240

HSL 256, 0.86%, 0.59%

LAB 42.32, 62.55, -82.62

 

CMYK 35 / 75 / 0 / 6

HEX #9C3CF0

RGB 156 60 240

HSL 272, 0.86%, 0.59%

LAB 47.74, 69.63, -73.54

 

CMYK 15 / 75 / 0 / 6

HEX #CC3CF0

RGB 204 60 240

HSL 288, 0.86%, 0.59%

LAB 54.41, 78.1, -62.42

 

CMYK 67 / 93 / 0 / 20

HEX #420FCB

RGB 66 15 203

HSL 256.28, 0.86%, 0.43%

LAB 28.93, 65.24, -83.65

 

CMYK 66 / 91 / 0 / 7

HEX #5016ED

RGB 80 22 237

HSL 256.19, 0.86%, 0.51%

LAB 34.79, 72.82, -93.46

 

CMYK 55 / 75 / 0 / 6

HEX #6D3CF0

RGB 109 60 240

HSL 256.33, 0.86%, 0.59%

LAB 42.42, 62.67, -82.45

 

CMYK 43 / 60 / 0 / 5

HEX #8A62F3

RGB 138 98 243

HSL 256.55, 0.86%, 0.67%

LAB 52.52, 48.93, -67.55

 

CMYK 33 / 44 / 0 / 4

HEX #A689F6

RGB 166 137 246

HSL 255.96, 0.86%, 0.75%

LAB 63.88, 34.43, -50.89

 

CMYK 55 / 75 / 0 / 6

HEX #6D3CF0

RGB 109 60 240

HSL 256.33, 0.86%, 0.59%

LAB 42.42, 62.67, -82.45

 

CMYK 0 / 75 / 35 / 6

HEX #F03C9C

RGB 240 60 156

HSL 328, 0.86%, 0.59%

LAB 56.24, 74.07, -10.89

 

CMYK 65 / 0 / 75 / 6

HEX #54F03C

RGB 84 240 60

HSL 112, 0.86%, 0.59%

LAB 84.24, -71.55, 69.88

 

CMYK 55 / 75 / 0 / 6

HEX #6D3CF0

RGB 109 60 240

HSL 256.33, 0.86%, 0.59%

LAB 42.42, 62.67, -82.45

 

CMYK 0 / 55 / 75 / 6

HEX #F06C3C

RGB 240 108 60

HSL 16, 0.86%, 0.59%

LAB 61.29, 48.05, 50.32

 

CMYK 75 / 0 / 55 / 6

HEX #3CF06C

RGB 60 240 108

HSL 136, 0.86%, 0.59%

LAB 84.15, -70.84, 50.66

 

CMYK 55 / 75 / 0 / 6

HEX #6D3CF0

RGB 109 60 240

HSL 256.33, 0.86%, 0.59%

LAB 42.42, 62.67, -82.45

 

CMYK 0 / 75 / 35 / 6

HEX #F03C9C

RGB 240 60 156

HSL 328, 0.86%, 0.59%

LAB 56.24, 74.07, -10.89

 

CMYK 20 / 0 / 75 / 6

HEX #C0F03C

RGB 192 240 60

HSL 76, 0.86%, 0.59%

LAB 88.85, -38.57, 75.91

 

CMYK 75 / 0 / 40 / 6

HEX #3CF090

RGB 60 240 144

HSL 148, 0.86%, 0.59%

LAB 84.64, -65.24, 33.97

 

CMYK 55 / 75 / 0 / 6

HEX #6D3CF0

RGB 109 60 240

HSL 256.33, 0.86%, 0.59%

LAB 42.42, 62.67, -82.45

 

CMYK 0 / 75 / 58 / 6

HEX #F03C66

RGB 240 60 102

HSL 346, 0.86%, 0.59%

LAB 54.78, 69.45, 19.09

 

CMYK 20 / 0 / 75 / 6

HEX #C0F03C

RGB 192 240 60

HSL 76, 0.86%, 0.59%

LAB 88.85, -38.57, 75.91

 

CMYK 75 / 0 / 18 / 6

HEX #3CF0C6

RGB 60 240 198

HSL 166, 0.86%, 0.59%

LAB 85.68, -53.81, 7.65

 

Description

Color code: RGB 109 60 240 | qconv.com Color code: RGB 109 60 240 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 60 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 60 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 75 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 75% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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