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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 191 171 it is the complementary color RGB 146 64 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 191 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 191 171 shade: RGB 114 191 166, RGB 131 209 185, RGB 148 227 204, RGB 165 245 223 and RGB 182 255 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 191 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 191 171 shade: RGB 109 191 171, RGB 92 173 152, RGB 75 155 133, RGB 58 137 114 and RGB 41 119 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 191 171 shade: RGB 109 191 171, RGB 109 191 149, RGB 109 191 127, RGB 113 191 109 and RGB 135 191 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 191 171 shade: RGB 109 191 171, RGB 109 189 191, RGB 109 167 191, RGB 109 145 191 and RGB 109 123 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 191 171 shade matches the following richer shades: RGB 109 191 171, RGB 92 208 180, RGB 75 225 188 and RGB 58 241 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 191 171 shade: RGB 109 191 171, RGB 126 174 162, RGB 143 157 154, RGB 160 140 145 and RGB 177 123 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 191 171 shade: RGB 109 191 127, RGB 109 191 149, RGB 109 191 170, RGB 109 189 191 and RGB 109 168 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 191 171 shade: RGB 66 151 131, RGB 81 178 154, RGB 109 191 171, RGB 138 203 187 and RGB 167 216 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 191 171 shade: RGB 109 191 171, RGB 109 113 191 and RGB 191 138 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 191 171 shade: RGB 109 191 171, RGB 170 109 191 and RGB 191 170 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 191 171 shade: RGB 109 191 171, RGB 109 113 191, RGB 191 109 130 and RGB 191 187 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 191 171 shade: RGB 109 191 171, RGB 130 109 191, RGB 191 109 130 and RGB 170 191 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 10 / 25

HEX #6DBFAB

RGB 109 191 171

HSL 165.37, 0.39%, 0.59%

LAB 71.86, -29.84, 2.27

 

Complementary color

CMYK 0 / 56 / 42 / 43

HEX #924054

RGB 146 64 84

HSL 345.37, 0.39%, 0.41%

LAB 38.58, 36.65, 5.11

 

CMYK 40 / 0 / 13 / 25

HEX #72BFA6

RGB 114 191 166

HSL 160.52, 0.38%, 0.6%

LAB 71.96, -29.65, 5.16

 

CMYK 37 / 0 / 11 / 18

HEX #83D1B9

RGB 131 209 185

HSL 161.54, 0.46%, 0.67%

LAB 78.42, -29.45, 4.34

 

CMYK 35 / 0 / 10 / 11

HEX #94E3CC

RGB 148 227 204

HSL 162.53, 0.59%, 0.74%

LAB 84.79, -29.25, 3.56

 

CMYK 33 / 0 / 9 / 4

HEX #A5F5DF

RGB 165 245 223

HSL 163.5, 0.8%, 0.8%

LAB 91.07, -29.06, 2.82

 

CMYK 29 / 0 / 5 / 0

HEX #B6FFF2

RGB 182 255 242

HSL 169.32, 1%, 0.86%

LAB 95.11, -25.08, -1.02

 

CMYK 43 / 0 / 10 / 25

HEX #6DBFAB

RGB 109 191 171

HSL 165.37, 0.39%, 0.59%

LAB 71.86, -29.84, 2.27

 

CMYK 47 / 0 / 12 / 32

HEX #5CAD98

RGB 92 173 152

HSL 164.44, 0.33%, 0.52%

LAB 65.3, -29.98, 3.13

 

CMYK 52 / 0 / 14 / 39

HEX #4B9B85

RGB 75 155 133

HSL 163.5, 0.35%, 0.45%

LAB 58.63, -30.07, 4.06

 

CMYK 58 / 0 / 17 / 46

HEX #3A8972

RGB 58 137 114

HSL 162.53, 0.41%, 0.38%

LAB 51.84, -30.09, 5.1

 

CMYK 66 / 0 / 20 / 53

HEX #29775F

RGB 41 119 95

HSL 161.54, 0.49%, 0.31%

LAB 44.93, -29.96, 6.27

 

CMYK 43 / 0 / 10 / 25

HEX #6DBFAB

RGB 109 191 171

HSL 165.37, 0.39%, 0.59%

LAB 71.86, -29.84, 2.27

 

CMYK 43 / 0 / 22 / 25

HEX #6DBF95

RGB 109 191 149

HSL 149.27, 0.39%, 0.59%

LAB 71.34, -34.66, 13.49

 

CMYK 43 / 0 / 34 / 25

HEX #6DBF7F

RGB 109 191 127

HSL 133.17, 0.39%, 0.59%

LAB 70.9, -38.87, 24.68

 

CMYK 41 / 0 / 43 / 25

HEX #71BF6D

RGB 113 191 109

HSL 117.07, 0.39%, 0.59%

LAB 70.79, -40.59, 33.96

 

CMYK 29 / 0 / 43 / 25

HEX #87BF6D

RGB 135 191 109

HSL 100.98, 0.39%, 0.59%

LAB 71.9, -33.31, 35.62

 

CMYK 43 / 0 / 10 / 25

HEX #6DBFAB

RGB 109 191 171

HSL 165.37, 0.39%, 0.59%

LAB 71.86, -29.84, 2.27

 

CMYK 43 / 1 / 0 / 25

HEX #6DBDBF

RGB 109 189 191

HSL 181.46, 0.39%, 0.59%

LAB 71.83, -23.97, -8.69

 

CMYK 43 / 13 / 0 / 25

HEX #6DA7BF

RGB 109 167 191

HSL 197.56, 0.39%, 0.59%

LAB 65.48, -12.54, -18.25

 

CMYK 43 / 24 / 0 / 25

HEX #6D91BF

RGB 109 145 191

HSL 213.66, 0.39%, 0.59%

LAB 59.22, -0.32, -27.83

 

CMYK 43 / 36 / 0 / 25

HEX #6D7BBF

RGB 109 123 191

HSL 229.76, 0.39%, 0.59%

LAB 53.14, 12.61, -37.29

 

CMYK 43 / 0 / 10 / 25

HEX #6DBFAB

RGB 109 191 171

HSL 165.37, 0.39%, 0.59%

LAB 71.86, -29.84, 2.27

 

CMYK 56 / 0 / 13 / 18

HEX #5CD0B4

RGB 92 208 180

HSL 165.52, 0.55%, 0.59%

LAB 76.49, -39.56, 4.03

 

CMYK 67 / 0 / 16 / 12

HEX #4BE1BC

RGB 75 225 188

HSL 165.2, 0.71%, 0.59%

LAB 81.28, -48.07, 6.62

 

CMYK 76 / 0 / 18 / 5

HEX #3AF1C5

RGB 58 241 197

HSL 165.57, 0.87%, 0.59%

LAB 85.93, -54.68, 8.52

 

CMYK 43 / 0 / 10 / 25

HEX #6DBFAB

RGB 109 191 171

HSL 165.37, 0.39%, 0.59%

LAB 71.86, -29.84, 2.27

 

CMYK 28 / 0 / 7 / 32

HEX #7EAEA2

RGB 126 174 162

HSL 165, 0.23%, 0.59%

LAB 67.51, -18.55, 1

 

CMYK 9 / 0 / 2 / 38

HEX #8F9D9A

RGB 143 157 154

HSL 167.14, 0.07%, 0.59%

LAB 63.58, -5.57, -0.14

 

CMYK 0 / 13 / 9 / 37

HEX #A08C91

RGB 160 140 145

HSL 345, 0.1%, 0.59%

LAB 60.14, 8.38, 0.1

 

CMYK 0 / 31 / 23 / 31

HEX #B17B88

RGB 177 123 136

HSL 345.56, 0.26%, 0.59%

LAB 57.36, 22.94, 1.43

 

CMYK 43 / 0 / 34 / 25

HEX #6DBF7F

RGB 109 191 127

HSL 133.17, 0.39%, 0.59%

LAB 70.9, -38.87, 24.68

 

CMYK 43 / 0 / 22 / 25

HEX #6DBF95

RGB 109 191 149

HSL 149.27, 0.39%, 0.59%

LAB 71.34, -34.66, 13.49

 

CMYK 43 / 0 / 11 / 25

HEX #6DBFAA

RGB 109 191 170

HSL 164.63, 0.39%, 0.59%

LAB 71.84, -30.07, 2.78

 

CMYK 43 / 1 / 0 / 25

HEX #6DBDBF

RGB 109 189 191

HSL 181.46, 0.39%, 0.59%

LAB 71.83, -23.97, -8.69

 

CMYK 43 / 12 / 0 / 25

HEX #6DA8BF

RGB 109 168 191

HSL 196.83, 0.39%, 0.59%

LAB 65.76, -13.08, -17.81

 

CMYK 56 / 0 / 13 / 41

HEX #429783

RGB 66 151 131

HSL 165.88, 0.39%, 0.43%

LAB 57.01, -30.73, 2.81

 

CMYK 54 / 0 / 13 / 30

HEX #51B29A

RGB 81 178 154

HSL 165.15, 0.39%, 0.51%

LAB 66.46, -34.45, 3.65

 

CMYK 43 / 0 / 10 / 25

HEX #6DBFAB

RGB 109 191 171

HSL 165.37, 0.39%, 0.59%

LAB 71.86, -29.84, 2.27

 

CMYK 32 / 0 / 8 / 20

HEX #8ACBBB

RGB 138 203 187

HSL 165.23, 0.38%, 0.67%

LAB 77.1, -24.11, 1.39

 

CMYK 23 / 0 / 6 / 15

HEX #A7D8CC

RGB 167 216 204

HSL 165.31, 0.39%, 0.75%

LAB 82.75, -18.3, 0.71

 

CMYK 43 / 0 / 10 / 25

HEX #6DBFAB

RGB 109 191 171

HSL 165.37, 0.39%, 0.59%

LAB 71.86, -29.84, 2.27

 

CMYK 43 / 41 / 0 / 25

HEX #6D71BF

RGB 109 113 191

HSL 237.07, 0.39%, 0.59%

LAB 50.48, 18.65, -41.49

 

CMYK 0 / 28 / 43 / 25

HEX #BF8A6D

RGB 191 138 109

HSL 21.22, 0.39%, 0.59%

LAB 61.96, 16.56, 23.5

 

CMYK 43 / 0 / 10 / 25

HEX #6DBFAB

RGB 109 191 171

HSL 165.37, 0.39%, 0.59%

LAB 71.86, -29.84, 2.27

 

CMYK 11 / 43 / 0 / 25

HEX #AA6DBF

RGB 170 109 191

HSL 284.63, 0.39%, 0.59%

LAB 55.32, 38.4, -33.48

 

CMYK 0 / 11 / 43 / 25

HEX #BFAA6D

RGB 191 170 109

HSL 44.63, 0.39%, 0.59%

LAB 70.13, -0.9, 34.18

 

CMYK 43 / 0 / 10 / 25

HEX #6DBFAB

RGB 109 191 171

HSL 165.37, 0.39%, 0.59%

LAB 71.86, -29.84, 2.27

 

CMYK 43 / 41 / 0 / 25

HEX #6D71BF

RGB 109 113 191

HSL 237.07, 0.39%, 0.59%

LAB 50.48, 18.65, -41.49

 

CMYK 0 / 43 / 32 / 25

HEX #BF6D82

RGB 191 109 130

HSL 344.63, 0.39%, 0.59%

LAB 55.71, 35.02, 2.75

 

CMYK 0 / 2 / 43 / 25

HEX #BFBB6D

RGB 191 187 109

HSL 57.07, 0.39%, 0.59%

LAB 74.65, -9.84, 39.89

 

CMYK 43 / 0 / 10 / 25

HEX #6DBFAB

RGB 109 191 171

HSL 165.37, 0.39%, 0.59%

LAB 71.86, -29.84, 2.27

 

CMYK 32 / 43 / 0 / 25

HEX #826DBF

RGB 130 109 191

HSL 255.37, 0.39%, 0.59%

LAB 51.2, 26.7, -40.24

 

CMYK 0 / 43 / 32 / 25

HEX #BF6D82

RGB 191 109 130

HSL 344.63, 0.39%, 0.59%

LAB 55.71, 35.02, 2.75

 

CMYK 11 / 0 / 43 / 25

HEX #AABF6D

RGB 170 191 109

HSL 75.37, 0.39%, 0.59%

LAB 74.13, -20.26, 38.9

 

Description

Color code: RGB 109 191 171 | qconv.com Color code: RGB 109 191 171 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 191 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 191 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 10 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 10% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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