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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 120 100 it is the complementary color RGB 146 135 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 120 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 120 100 shade: RGB 114 120 95, RGB 131 138 114, RGB 148 156 133, RGB 165 174 152 and RGB 182 192 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 120 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 120 100 shade: RGB 109 120 100, RGB 92 102 81, RGB 75 84 62, RGB 58 66 43 and RGB 41 48 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 120 100 shade: RGB 109 120 100, RGB 114 120 100, RGB 119 120 100, RGB 120 114 100 and RGB 120 109 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 120 100 shade: RGB 109 120 100, RGB 103 120 100, RGB 100 120 102, RGB 100 120 107 and RGB 100 120 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 120 100 shade matches the following richer shades: RGB 109 120 100, RGB 107 137 82, RGB 105 155 64, RGB 103 173 47 and RGB 102 190 29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 120 100 shade: RGB 109 120 100, RGB 110 102 118, RGB 112 84 135, RGB 114 66 153 and RGB 116 49 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 120 100 shade: RGB 119 120 100, RGB 114 120 100, RGB 109 120 100, RGB 103 120 100 and RGB 100 120 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 120 100 shade: RGB 68 75 62, RGB 88 97 81, RGB 109 120 100, RGB 129 142 119 and RGB 150 160 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 120 100 shade: RGB 109 120 100, RGB 100 120 115 and RGB 120 100 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 120 100 shade: RGB 109 120 100, RGB 100 109 120 and RGB 120 100 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 120 100 shade: RGB 109 120 100, RGB 100 120 115, RGB 111 100 120 and RGB 120 100 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 120 100 shade: RGB 109 120 100, RGB 100 119 120, RGB 111 100 120 and RGB 120 101 100

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 17 / 53

HEX #6D7864

RGB 109 120 100

HSL 93, 0.09%, 0.43%

LAB 49.01, -8.1, 9.61

 

Complementary color

CMYK 6 / 13 / 0 / 39

HEX #92879B

RGB 146 135 155

HSL 273, 0.09%, 0.57%

LAB 57.85, 8.05, -9.15

 

CMYK 5 / 0 / 21 / 53

HEX #72785F

RGB 114 120 95

HSL 74.4, 0.12%, 0.42%

LAB 49.3, -6.99, 13

 

CMYK 5 / 0 / 17 / 46

HEX #838A72

RGB 131 138 114

HSL 77.5, 0.1%, 0.49%

LAB 56.3, -7.07, 12

 

CMYK 5 / 0 / 15 / 39

HEX #949C85

RGB 148 156 133

HSL 80.87, 0.1%, 0.57%

LAB 63.15, -7.15, 11.08

 

CMYK 5 / 0 / 13 / 32

HEX #A5AE98

RGB 165 174 152

HSL 84.55, 0.12%, 0.64%

LAB 69.85, -7.21, 10.22

 

CMYK 5 / 0 / 11 / 25

HEX #B6C0AB

RGB 182 192 171

HSL 88.57, 0.14%, 0.71%

LAB 76.43, -7.28, 9.4

 

CMYK 9 / 0 / 17 / 53

HEX #6D7864

RGB 109 120 100

HSL 93, 0.09%, 0.43%

LAB 49.01, -8.1, 9.61

 

CMYK 10 / 0 / 21 / 60

HEX #5C6651

RGB 92 102 81

HSL 88.57, 0.11%, 0.36%

LAB 41.8, -8.09, 10.61

 

CMYK 11 / 0 / 26 / 67

HEX #4B543E

RGB 75 84 62

HSL 84.55, 0.15%, 0.29%

LAB 34.36, -8.09, 11.71

 

CMYK 12 / 0 / 35 / 74

HEX #3A422B

RGB 58 66 43

HSL 80.87, 0.21%, 0.21%

LAB 26.65, -8.07, 12.95

 

CMYK 15 / 0 / 50 / 81

HEX #293018

RGB 41 48 24

HSL 77.5, 0.33%, 0.14%

LAB 18.59, -7.99, 14.36

 

CMYK 9 / 0 / 17 / 53

HEX #6D7864

RGB 109 120 100

HSL 93, 0.09%, 0.43%

LAB 49.01, -8.1, 9.61

 

CMYK 5 / 0 / 17 / 53

HEX #727864

RGB 114 120 100

HSL 78, 0.09%, 0.43%

LAB 49.41, -6.12, 10.23

 

CMYK 1 / 0 / 17 / 53

HEX #777864

RGB 119 120 100

HSL 63, 0.09%, 0.43%

LAB 49.83, -4.12, 10.88

 

CMYK 0 / 5 / 17 / 53

HEX #787264

RGB 120 114 100

HSL 42, 0.09%, 0.43%

LAB 48.19, -0.26, 8.59

 

CMYK 0 / 9 / 17 / 53

HEX #786D64

RGB 120 109 100

HSL 27, 0.09%, 0.43%

LAB 46.78, 2.66, 6.58

 

CMYK 9 / 0 / 17 / 53

HEX #6D7864

RGB 109 120 100

HSL 93, 0.09%, 0.43%

LAB 49.01, -8.1, 9.61

 

CMYK 14 / 0 / 17 / 53

HEX #677864

RGB 103 120 100

HSL 111, 0.09%, 0.43%

LAB 48.56, -10.42, 8.91

 

CMYK 17 / 0 / 15 / 53

HEX #647866

RGB 100 120 102

HSL 126, 0.09%, 0.43%

LAB 48.39, -11.17, 7.46

 

CMYK 17 / 0 / 11 / 53

HEX #64786B

RGB 100 120 107

HSL 141, 0.09%, 0.43%

LAB 48.52, -10.15, 4.69

 

CMYK 17 / 0 / 7 / 53

HEX #647870

RGB 100 120 112

HSL 156, 0.09%, 0.43%

LAB 48.65, -9.09, 1.93

 

CMYK 9 / 0 / 17 / 53

HEX #6D7864

RGB 109 120 100

HSL 93, 0.09%, 0.43%

LAB 49.01, -8.1, 9.61

 

CMYK 22 / 0 / 40 / 46

HEX #6B8952

RGB 107 137 82

HSL 92.73, 0.25%, 0.43%

LAB 53.63, -21.02, 26.1

 

CMYK 32 / 0 / 59 / 39

HEX #699B40

RGB 105 155 64

HSL 92.97, 0.42%, 0.43%

LAB 58.8, -32.81, 41.68

 

CMYK 40 / 0 / 73 / 32

HEX #67AD2F

RGB 103 173 47

HSL 93.33, 0.57%, 0.43%

LAB 64.14, -42.93, 54.6

 

CMYK 46 / 0 / 85 / 25

HEX #66BE1D

RGB 102 190 29

HSL 92.8, 0.74%, 0.43%

LAB 69.28, -51.07, 64.83

 

CMYK 9 / 0 / 17 / 53

HEX #6D7864

RGB 109 120 100

HSL 93, 0.09%, 0.43%

LAB 49.01, -8.1, 9.61

 

CMYK 7 / 14 / 0 / 54

HEX #6E6676

RGB 110 102 118

HSL 270, 0.07%, 0.43%

LAB 44.41, 6.47, -7.81

 

CMYK 17 / 38 / 0 / 47

HEX #705487

RGB 112 84 135

HSL 272.94, 0.23%, 0.43%

LAB 40.47, 22.08, -24.12

 

CMYK 25 / 57 / 0 / 40

HEX #724299

RGB 114 66 153

HSL 273.1, 0.4%, 0.43%

LAB 37.43, 37.69, -39.8

 

CMYK 32 / 71 / 0 / 33

HEX #7431AB

RGB 116 49 171

HSL 272.95, 0.55%, 0.43%

LAB 35.69, 51.24, -53.41

 

CMYK 1 / 0 / 17 / 53

HEX #777864

RGB 119 120 100

HSL 63, 0.09%, 0.43%

LAB 49.83, -4.12, 10.88

 

CMYK 5 / 0 / 17 / 53

HEX #727864

RGB 114 120 100

HSL 78, 0.09%, 0.43%

LAB 49.41, -6.12, 10.23

 

CMYK 9 / 0 / 17 / 53

HEX #6D7864

RGB 109 120 100

HSL 93, 0.09%, 0.43%

LAB 49.01, -8.1, 9.61

 

CMYK 14 / 0 / 17 / 53

HEX #677864

RGB 103 120 100

HSL 111, 0.09%, 0.43%

LAB 48.56, -10.42, 8.91

 

CMYK 17 / 0 / 16 / 53

HEX #647865

RGB 100 120 101

HSL 123, 0.09%, 0.43%

LAB 48.36, -11.37, 8.01

 

CMYK 9 / 0 / 17 / 71

HEX #444B3E

RGB 68 75 62

HSL 92.31, 0.09%, 0.27%

LAB 30.9, -5.65, 6.8

 

CMYK 9 / 0 / 16 / 62

HEX #586151

RGB 88 97 81

HSL 93.75, 0.09%, 0.35%

LAB 39.95, -6.81, 7.96

 

CMYK 9 / 0 / 17 / 53

HEX #6D7864

RGB 109 120 100

HSL 93, 0.09%, 0.43%

LAB 49.01, -8.1, 9.61

 

CMYK 9 / 0 / 16 / 44

HEX #818E77

RGB 129 142 119

HSL 93.91, 0.09%, 0.51%

LAB 57.41, -9.17, 10.68

 

CMYK 6 / 0 / 11 / 37

HEX #96A08E

RGB 150 160 142

HSL 93.33, 0.09%, 0.59%

LAB 64.63, -6.98, 8.17

 

CMYK 9 / 0 / 17 / 53

HEX #6D7864

RGB 109 120 100

HSL 93, 0.09%, 0.43%

LAB 49.01, -8.1, 9.61

 

CMYK 17 / 0 / 4 / 53

HEX #647873

RGB 100 120 115

HSL 165, 0.09%, 0.43%

LAB 48.74, -8.43, 0.28

 

CMYK 0 / 17 / 3 / 53

HEX #786475

RGB 120 100 117

HSL 309, 0.09%, 0.43%

LAB 44.79, 11.23, -6.54

 

CMYK 9 / 0 / 17 / 53

HEX #6D7864

RGB 109 120 100

HSL 93, 0.09%, 0.43%

LAB 49.01, -8.1, 9.61

 

CMYK 17 / 9 / 0 / 53

HEX #646D78

RGB 100 109 120

HSL 213, 0.09%, 0.43%

LAB 45.64, -0.91, -7.27

 

CMYK 0 / 17 / 9 / 53

HEX #78646D

RGB 120 100 109

HSL 333, 0.09%, 0.43%

LAB 44.53, 9.65, -2.08

 

CMYK 9 / 0 / 17 / 53

HEX #6D7864

RGB 109 120 100

HSL 93, 0.09%, 0.43%

LAB 49.01, -8.1, 9.61

 

CMYK 17 / 0 / 4 / 53

HEX #647873

RGB 100 120 115

HSL 165, 0.09%, 0.43%

LAB 48.74, -8.43, 0.28

 

CMYK 8 / 17 / 0 / 53

HEX #6F6478

RGB 111 100 120

HSL 273, 0.09%, 0.43%

LAB 44.02, 8.49, -9.6

 

CMYK 0 / 17 / 13 / 53

HEX #786469

RGB 120 100 105

HSL 345, 0.09%, 0.43%

LAB 44.41, 8.9, 0.17

 

CMYK 9 / 0 / 17 / 53

HEX #6D7864

RGB 109 120 100

HSL 93, 0.09%, 0.43%

LAB 49.01, -8.1, 9.61

 

CMYK 17 / 1 / 0 / 53

HEX #647778

RGB 100 119 120

HSL 183, 0.09%, 0.43%

LAB 48.58, -6.73, -2.9

 

CMYK 8 / 17 / 0 / 53

HEX #6F6478

RGB 111 100 120

HSL 273, 0.09%, 0.43%

LAB 44.02, 8.49, -9.6

 

CMYK 0 / 16 / 17 / 53

HEX #786564

RGB 120 101 100

HSL 3, 0.09%, 0.43%

LAB 44.55, 7.41, 3.38

 

Description

Color code: RGB 109 120 100 | qconv.com Color code: RGB 109 120 100 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 120 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 120 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 17 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 17% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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