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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 103 32 it is the complementary color RGB 146 152 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 103 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 103 32 shade: RGB 114 103 27, RGB 131 121 46, RGB 148 139 65, RGB 165 157 84 and RGB 182 175 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 103 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 103 32 shade: RGB 109 103 32, RGB 92 85 13, RGB 75 67 0, RGB 58 49 0 and RGB 41 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 103 32 shade: RGB 110 104 32, RGB 110 83 32, RGB 110 62 32, RGB 110 41 32 and RGB 110 32 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 103 32 shade: RGB 110 104 32, RGB 95 110 32, RGB 74 110 32, RGB 53 110 32 and RGB 32 110 32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 103 32 shade matches the following richer shades: RGB 110 104 32, RGB 122 114 20 and RGB 133 124 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 103 32 shade: RGB 110 104 32, RGB 99 94 43, RGB 87 85 55, RGB 76 75 66 and RGB 64 65 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 103 32 shade: RGB 110 62 32, RGB 110 83 32, RGB 110 104 32, RGB 96 110 32 and RGB 75 110 32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 103 32 shade: RGB 46 44 13, RGB 78 74 22, RGB 110 104 32, RGB 142 134 41 and RGB 174 164 50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 103 32 shade: RGB 109 103 32, RGB 32 110 41 and RGB 72 32 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 103 32 shade: RGB 109 103 32, RGB 32 110 104 and RGB 104 32 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 103 32 shade: RGB 109 103 32, RGB 32 110 41, RGB 32 38 110 and RGB 110 32 101

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 103 32 shade: RGB 109 103 32, RGB 32 110 64, RGB 32 38 110 and RGB 110 32 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 71 / 57

HEX #6D6720

RGB 109 103 32

HSL 55.32, 0.55%, 0.28%

LAB 42.85, -6.95, 39.2

 

Complementary color

CMYK 35 / 32 / 0 / 13

HEX #9298DF

RGB 146 152 223

HSL 235.32, 0.55%, 0.72%

LAB 64.88, 14.49, -36.74

 

CMYK 0 / 10 / 76 / 55

HEX #72671B

RGB 114 103 27

HSL 52.41, 0.62%, 0.28%

LAB 43.3, -4.84, 41.94

 

CMYK 0 / 8 / 65 / 49

HEX #83792E

RGB 131 121 46

HSL 52.94, 0.48%, 0.35%

LAB 50.33, -5.92, 41.28

 

CMYK 0 / 6 / 56 / 42

HEX #948B41

RGB 148 139 65

HSL 53.49, 0.39%, 0.42%

LAB 57.21, -6.74, 40.18

 

CMYK 0 / 5 / 49 / 35

HEX #A59D54

RGB 165 157 84

HSL 54.07, 0.33%, 0.49%

LAB 63.96, -7.38, 38.95

 

CMYK 0 / 4 / 43 / 29

HEX #B6AF67

RGB 182 175 103

HSL 54.68, 0.35%, 0.56%

LAB 70.58, -7.89, 37.71

 

CMYK 0 / 6 / 71 / 57

HEX #6D6720

RGB 109 103 32

HSL 55.32, 0.55%, 0.28%

LAB 42.85, -6.95, 39.2

 

CMYK 0 / 8 / 86 / 64

HEX #5C550D

RGB 92 85 13

HSL 54.68, 0.75%, 0.21%

LAB 35.6, -5.74, 39.25

 

CMYK 0 / 11 / 100 / 71

HEX #4B4300

RGB 75 67 0

HSL 53.6, 1%, 0.15%

LAB 28.14, -4.06, 37.01

 

CMYK 0 / 16 / 100 / 77

HEX #3A3100

RGB 58 49 0

HSL 50.69, 1%, 0.11%

LAB 20.42, -1.79, 28.81

 

CMYK 0 / 24 / 100 / 84

HEX #291F00

RGB 41 31 0

HSL 45.37, 1%, 0.08%

LAB 12.3, 0.73, 18.25

 

CMYK 0 / 5 / 71 / 57

HEX #6E6820

RGB 110 104 32

HSL 55.38, 0.55%, 0.28%

LAB 43.24, -7.04, 39.63

 

CMYK 0 / 25 / 71 / 57

HEX #6E5320

RGB 110 83 32

HSL 39.23, 0.55%, 0.28%

LAB 37.13, 5.34, 33.24

 

CMYK 0 / 44 / 71 / 57

HEX #6E3E20

RGB 110 62 32

HSL 23.08, 0.55%, 0.28%

LAB 31.5, 18.11, 27.02

 

CMYK 0 / 63 / 71 / 57

HEX #6E2920

RGB 110 41 32

HSL 6.92, 0.55%, 0.28%

LAB 26.75, 30.04, 21.49

 

CMYK 0 / 71 / 71 / 57

HEX #6E2020

RGB 110 32 32

HSL 0, 0.55%, 0.28%

LAB 25.11, 34.42, 19.51

 

CMYK 0 / 5 / 71 / 57

HEX #6E6820

RGB 110 104 32

HSL 55.38, 0.55%, 0.28%

LAB 43.24, -7.04, 39.63

 

CMYK 14 / 0 / 71 / 57

HEX #5F6E20

RGB 95 110 32

HSL 71.54, 0.55%, 0.28%

LAB 43.78, -17.35, 39.77

 

CMYK 33 / 0 / 71 / 57

HEX #4A6E20

RGB 74 110 32

HSL 87.69, 0.55%, 0.28%

LAB 42.33, -26.41, 37.81

 

CMYK 52 / 0 / 71 / 57

HEX #356E20

RGB 53 110 32

HSL 103.85, 0.55%, 0.28%

LAB 41.24, -34.13, 36.33

 

CMYK 71 / 0 / 71 / 57

HEX #206E20

RGB 32 110 32

HSL 120, 0.55%, 0.28%

LAB 40.51, -39.83, 35.34

 

CMYK 0 / 5 / 71 / 57

HEX #6E6820

RGB 110 104 32

HSL 55.38, 0.55%, 0.28%

LAB 43.24, -7.04, 39.63

 

CMYK 0 / 7 / 84 / 52

HEX #7A7214

RGB 122 114 20

HSL 55.29, 0.72%, 0.28%

LAB 47.27, -7.57, 48.36

 

CMYK 0 / 7 / 93 / 48

HEX #857C09

RGB 133 124 9

HSL 55.65, 0.87%, 0.28%

LAB 51.18, -8.23, 54.65

 

CMYK 0 / 5 / 71 / 57

HEX #6E6820

RGB 110 104 32

HSL 55.38, 0.55%, 0.28%

LAB 43.24, -7.04, 39.63

 

CMYK 0 / 5 / 57 / 61

HEX #635E2B

RGB 99 94 43

HSL 54.64, 0.39%, 0.28%

LAB 39.3, -5.62, 29.57

 

CMYK 0 / 2 / 37 / 66

HEX #575537

RGB 87 85 55

HSL 56.25, 0.23%, 0.28%

LAB 35.59, -4.47, 17.83

 

CMYK 0 / 1 / 13 / 70

HEX #4C4B42

RGB 76 75 66

HSL 54, 0.07%, 0.28%

LAB 31.72, -1.43, 5.51

 

CMYK 18 / 17 / 0 / 69

HEX #40414E

RGB 64 65 78

HSL 235.71, 0.1%, 0.28%

LAB 27.9, 2.75, -7.97

 

CMYK 0 / 44 / 71 / 57

HEX #6E3E20

RGB 110 62 32

HSL 23.08, 0.55%, 0.28%

LAB 31.5, 18.11, 27.02

 

CMYK 0 / 25 / 71 / 57

HEX #6E5320

RGB 110 83 32

HSL 39.23, 0.55%, 0.28%

LAB 37.13, 5.34, 33.24

 

CMYK 0 / 5 / 71 / 57

HEX #6E6820

RGB 110 104 32

HSL 55.38, 0.55%, 0.28%

LAB 43.24, -7.04, 39.63

 

CMYK 13 / 0 / 71 / 57

HEX #606E20

RGB 96 110 32

HSL 70.77, 0.55%, 0.28%

LAB 43.86, -16.9, 39.88

 

CMYK 32 / 0 / 71 / 57

HEX #4B6E20

RGB 75 110 32

HSL 86.92, 0.55%, 0.28%

LAB 42.39, -26, 37.89

 

CMYK 0 / 4 / 72 / 82

HEX #2E2C0D

RGB 46 44 13

HSL 56.36, 0.56%, 0.12%

LAB 17.51, -4.15, 19.67

 

CMYK 0 / 5 / 72 / 69

HEX #4E4A16

RGB 78 74 22

HSL 55.71, 0.56%, 0.2%

LAB 30.82, -5.69, 30.48

 

CMYK 0 / 5 / 71 / 57

HEX #6E6820

RGB 110 104 32

HSL 55.38, 0.55%, 0.28%

LAB 43.24, -7.04, 39.63

 

CMYK 0 / 6 / 71 / 44

HEX #8E8629

RGB 142 134 41

HSL 55.25, 0.55%, 0.36%

LAB 55.03, -8.38, 48.67

 

CMYK 0 / 6 / 71 / 32

HEX #AEA432

RGB 174 164 50

HSL 55.16, 0.55%, 0.44%

LAB 66.35, -9.66, 57.27

 

CMYK 0 / 6 / 71 / 57

HEX #6D6720

RGB 109 103 32

HSL 55.32, 0.55%, 0.28%

LAB 42.85, -6.95, 39.2

 

CMYK 71 / 0 / 63 / 57

HEX #206E29

RGB 32 110 41

HSL 126.92, 0.55%, 0.28%

LAB 40.6, -38.76, 31.14

 

CMYK 35 / 71 / 0 / 57

HEX #48206E

RGB 72 32 110

HSL 270.77, 0.55%, 0.28%

LAB 22.08, 35, -37.92

 

CMYK 0 / 6 / 71 / 57

HEX #6D6720

RGB 109 103 32

HSL 55.32, 0.55%, 0.28%

LAB 42.85, -6.95, 39.2

 

CMYK 71 / 0 / 5 / 57

HEX #206E68

RGB 32 110 104

HSL 175.38, 0.55%, 0.28%

LAB 41.94, -24.64, -3.51

 

CMYK 5 / 71 / 0 / 57

HEX #68206E

RGB 104 32 110

HSL 295.38, 0.55%, 0.28%

LAB 27.02, 42.79, -29.71

 

CMYK 0 / 6 / 71 / 57

HEX #6D6720

RGB 109 103 32

HSL 55.32, 0.55%, 0.28%

LAB 42.85, -6.95, 39.2

 

CMYK 71 / 0 / 63 / 57

HEX #206E29

RGB 32 110 41

HSL 126.92, 0.55%, 0.28%

LAB 40.6, -38.76, 31.14

 

CMYK 71 / 65 / 0 / 57

HEX #20266E

RGB 32 38 110

HSL 235.38, 0.55%, 0.28%

LAB 19.3, 23.23, -42.61

 

CMYK 0 / 71 / 8 / 57

HEX #6E2065

RGB 110 32 101

HSL 306.92, 0.55%, 0.28%

LAB 27.54, 42.7, -23.02

 

CMYK 0 / 6 / 71 / 57

HEX #6D6720

RGB 109 103 32

HSL 55.32, 0.55%, 0.28%

LAB 42.85, -6.95, 39.2

 

CMYK 71 / 0 / 42 / 57

HEX #206E40

RGB 32 110 64

HSL 144.62, 0.55%, 0.28%

LAB 40.94, -34.9, 18.99

 

CMYK 71 / 65 / 0 / 57

HEX #20266E

RGB 32 38 110

HSL 235.38, 0.55%, 0.28%

LAB 19.3, 23.23, -42.61

 

CMYK 0 / 71 / 30 / 57

HEX #6E204D

RGB 110 32 77

HSL 325.38, 0.55%, 0.28%

LAB 26.4, 38.94, -8.98

 

Description

Color code: RGB 109 103 32 | qconv.com Color code: RGB 109 103 32 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 103 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 103 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 71 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 71% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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