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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109 103 211 it is the complementary color RGB 146 152 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109 103 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109 103 211 shade: RGB 114 103 206, RGB 131 121 225, RGB 148 139 244, RGB 165 157 255 and RGB 182 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109 103 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109 103 211 shade: RGB 109 103 211, RGB 92 85 192, RGB 75 67 173, RGB 58 49 154 and RGB 41 31 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109 103 211 shade: RGB 111 105 211, RGB 139 105 211, RGB 168 105 211, RGB 197 105 211 and RGB 211 105 197

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109 103 211 shade: RGB 111 105 211 and RGB 105 105 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109 103 211 shade matches the following richer shades: RGB 111 105 211, RGB 97 89 227 and RGB 83 73 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109 103 211 shade: RGB 111 105 211, RGB 125 120 196, RGB 139 136 180, RGB 153 152 164 and RGB 166 168 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109 103 211 shade: RGB 105 156 211, RGB 105 128 211, RGB 110 105 211, RGB 139 105 211 and RGB 167 105 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109 103 211 shade: RGB 60 53 181, RGB 80 73 202, RGB 111 105 211, RGB 141 137 221 and RGB 172 169 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109 103 211 shade: RGB 109 103 211, RGB 211 105 185 and RGB 142 211 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109 103 211 shade: RGB 109 103 211, RGB 211 110 105 and RGB 105 211 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109 103 211 shade: RGB 109 103 211, RGB 211 105 185, RGB 206 211 105 and RGB 105 211 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109 103 211 shade: RGB 109 103 211, RGB 211 105 153, RGB 206 211 105 and RGB 105 211 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 51 / 0 / 17

HEX #6D67D3

RGB 109 103 211

HSL 243.33, 0.55%, 0.62%

LAB 49.07, 30.7, -55.19

 

Complementary color

CMYK 4 / 0 / 71 / 40

HEX #92982C

RGB 146 152 44

HSL 63.33, 0.55%, 0.38%

LAB 60.56, -16.02, 53.07

 

CMYK 45 / 50 / 0 / 19

HEX #7267CE

RGB 114 103 206

HSL 246.41, 0.51%, 0.61%

LAB 49.17, 30.35, -52.15

 

CMYK 42 / 46 / 0 / 12

HEX #8379E1

RGB 131 121 225

HSL 245.77, 0.63%, 0.68%

LAB 56.02, 29.18, -51.89

 

CMYK 39 / 43 / 0 / 4

HEX #948BF4

RGB 148 139 244

HSL 245.14, 0.83%, 0.75%

LAB 62.75, 28.16, -51.66

 

CMYK 35 / 38 / 0 / 0

HEX #A59DFF

RGB 165 157 255

HSL 244.9, 1%, 0.81%

LAB 68.99, 25.15, -47.74

 

CMYK 29 / 31 / 0 / 0

HEX #B6AFFF

RGB 182 175 255

HSL 245.25, 1%, 0.84%

LAB 74.71, 19.68, -38.69

 

CMYK 48 / 51 / 0 / 17

HEX #6D67D3

RGB 109 103 211

HSL 243.33, 0.55%, 0.62%

LAB 49.07, 30.7, -55.19

 

CMYK 52 / 56 / 0 / 25

HEX #5C55C0

RGB 92 85 192

HSL 243.93, 0.46%, 0.54%

LAB 42.12, 32.17, -55.51

 

CMYK 57 / 61 / 0 / 32

HEX #4B43AD

RGB 75 67 173

HSL 244.53, 0.44%, 0.47%

LAB 35.06, 33.86, -55.83

 

CMYK 62 / 68 / 0 / 40

HEX #3A319A

RGB 58 49 154

HSL 245.14, 0.52%, 0.4%

LAB 27.92, 35.8, -56.07

 

CMYK 70 / 77 / 0 / 47

HEX #291F87

RGB 41 31 135

HSL 245.77, 0.63%, 0.33%

LAB 20.83, 37.84, -56.01

 

CMYK 47 / 50 / 0 / 17

HEX #6F69D3

RGB 111 105 211

HSL 243.4, 0.55%, 0.62%

LAB 49.72, 29.94, -54.14

 

CMYK 34 / 50 / 0 / 17

HEX #8B69D3

RGB 139 105 211

HSL 259.25, 0.55%, 0.62%

LAB 52.17, 36.69, -50.09

 

CMYK 20 / 50 / 0 / 17

HEX #A869D3

RGB 168 105 211

HSL 275.66, 0.55%, 0.62%

LAB 55.21, 44.34, -45.07

 

CMYK 7 / 50 / 0 / 17

HEX #C569D3

RGB 197 105 211

HSL 292.08, 0.55%, 0.62%

LAB 58.67, 52.31, -39.38

 

CMYK 0 / 50 / 7 / 17

HEX #D369C5

RGB 211 105 197

HSL 307.92, 0.55%, 0.62%

LAB 59.87, 53.78, -29.43

 

CMYK 47 / 50 / 0 / 17

HEX #6F69D3

RGB 111 105 211

HSL 243.4, 0.55%, 0.62%

LAB 49.72, 29.94, -54.14

 

CMYK 50 / 50 / 0 / 17

HEX #6969D3

RGB 105 105 211

HSL 240, 0.55%, 0.62%

LAB 49.26, 28.61, -54.9

 

CMYK 47 / 50 / 0 / 17

HEX #6F69D3

RGB 111 105 211

HSL 243.4, 0.55%, 0.62%

LAB 49.72, 29.94, -54.14

 

CMYK 57 / 61 / 0 / 11

HEX #6159E3

RGB 97 89 227

HSL 243.48, 0.71%, 0.62%

LAB 45.95, 41.67, -69.37

 

CMYK 66 / 70 / 0 / 5

HEX #5349F3

RGB 83 73 243

HSL 243.53, 0.88%, 0.62%

LAB 42.88, 53.81, -83.47

 

CMYK 47 / 50 / 0 / 17

HEX #6F69D3

RGB 111 105 211

HSL 243.4, 0.55%, 0.62%

LAB 49.72, 29.94, -54.14

 

CMYK 36 / 39 / 0 / 23

HEX #7D78C4

RGB 125 120 196

HSL 243.95, 0.39%, 0.62%

LAB 53.79, 20.12, -39.05

 

CMYK 23 / 24 / 0 / 29

HEX #8B88B4

RGB 139 136 180

HSL 244.09, 0.23%, 0.62%

LAB 58.41, 10.74, -22.66

 

CMYK 7 / 7 / 0 / 36

HEX #9998A4

RGB 153 152 164

HSL 245, 0.06%, 0.62%

LAB 63.27, 2.75, -6.14

 

CMYK 1 / 0 / 11 / 34

HEX #A6A895

RGB 166 168 149

HSL 66.32, 0.1%, 0.62%

LAB 68.23, -4.15, 9.57

 

CMYK 50 / 26 / 0 / 17

HEX #699CD3

RGB 105 156 211

HSL 211.13, 0.55%, 0.62%

LAB 62.91, -1.72, -33.33

 

CMYK 50 / 39 / 0 / 17

HEX #6980D3

RGB 105 128 211

HSL 226.98, 0.55%, 0.62%

LAB 55.22, 14.66, -45.4

 

CMYK 48 / 50 / 0 / 17

HEX #6E69D3

RGB 110 105 211

HSL 242.83, 0.55%, 0.62%

LAB 49.64, 29.71, -54.27

 

CMYK 34 / 50 / 0 / 17

HEX #8B69D3

RGB 139 105 211

HSL 259.25, 0.55%, 0.62%

LAB 52.17, 36.69, -50.09

 

CMYK 21 / 50 / 0 / 17

HEX #A769D3

RGB 167 105 211

HSL 275.09, 0.55%, 0.62%

LAB 55.09, 44.07, -45.26

 

CMYK 67 / 71 / 0 / 29

HEX #3C35B5

RGB 60 53 181

HSL 243.28, 0.55%, 0.46%

LAB 31.45, 42.62, -66.54

 

CMYK 60 / 64 / 0 / 21

HEX #5049CA

RGB 80 73 202

HSL 243.26, 0.55%, 0.54%

LAB 39.13, 40.45, -66.22

 

CMYK 47 / 50 / 0 / 17

HEX #6F69D3

RGB 111 105 211

HSL 243.4, 0.55%, 0.62%

LAB 49.72, 29.94, -54.14

 

CMYK 36 / 38 / 0 / 13

HEX #8D89DD

RGB 141 137 221

HSL 242.86, 0.55%, 0.7%

LAB 60.58, 21.26, -42.38

 

CMYK 25 / 27 / 0 / 10

HEX #ACA9E6

RGB 172 169 230

HSL 242.95, 0.55%, 0.78%

LAB 71.46, 14.11, -30.23

 

CMYK 48 / 51 / 0 / 17

HEX #6D67D3

RGB 109 103 211

HSL 243.33, 0.55%, 0.62%

LAB 49.07, 30.7, -55.19

 

CMYK 0 / 50 / 12 / 17

HEX #D369B9

RGB 211 105 185

HSL 314.72, 0.55%, 0.62%

LAB 59.39, 51.81, -23.33

 

CMYK 33 / 0 / 50 / 17

HEX #8ED369

RGB 142 211 105

HSL 99.06, 0.55%, 0.62%

LAB 78.09, -40.47, 45.37

 

CMYK 48 / 51 / 0 / 17

HEX #6D67D3

RGB 109 103 211

HSL 243.33, 0.55%, 0.62%

LAB 49.07, 30.7, -55.19

 

CMYK 0 / 48 / 50 / 17

HEX #D36E69

RGB 211 110 105

HSL 2.83, 0.55%, 0.62%

LAB 58.06, 39.14, 20.96

 

CMYK 50 / 0 / 48 / 17

HEX #69D36E

RGB 105 211 110

HSL 122.83, 0.55%, 0.62%

LAB 76.51, -51.14, 40.63

 

CMYK 48 / 51 / 0 / 17

HEX #6D67D3

RGB 109 103 211

HSL 243.33, 0.55%, 0.62%

LAB 49.07, 30.7, -55.19

 

CMYK 0 / 50 / 12 / 17

HEX #D369B9

RGB 211 105 185

HSL 314.72, 0.55%, 0.62%

LAB 59.39, 51.81, -23.33

 

CMYK 2 / 0 / 50 / 17

HEX #CED369

RGB 206 211 105

HSL 62.83, 0.55%, 0.62%

LAB 82.23, -16.33, 51.33

 

CMYK 50 / 0 / 38 / 17

HEX #69D383

RGB 105 211 131

HSL 134.72, 0.55%, 0.62%

LAB 76.82, -47.89, 30.46

 

CMYK 48 / 51 / 0 / 17

HEX #6D67D3

RGB 109 103 211

HSL 243.33, 0.55%, 0.62%

LAB 49.07, 30.7, -55.19

 

CMYK 0 / 50 / 27 / 17

HEX #D36999

RGB 211 105 153

HSL 332.83, 0.55%, 0.62%

LAB 58.28, 47.11, -6.58

 

CMYK 2 / 0 / 50 / 17

HEX #CED369

RGB 206 211 105

HSL 62.83, 0.55%, 0.62%

LAB 82.23, -16.33, 51.33

 

CMYK 50 / 0 / 23 / 17

HEX #69D3A3

RGB 105 211 163

HSL 152.83, 0.55%, 0.62%

LAB 77.42, -41.82, 14.51

 

Description

Color code: RGB 109 103 211 | qconv.com Color code: RGB 109 103 211 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109 red, 103 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109 103 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 51 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 51% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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