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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109.7 74.6 243 it is the complementary color RGB 145.3 180.4 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109.7 74.6 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109.7 74.6 243 shade: RGB 114.7 74.6 238, RGB 131.7 92.6 255, RGB 148.7 110.6 255, RGB 165.7 128.6 255 and RGB 182.7 146.6 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109.7 74.6 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109.7 74.6 243 shade: RGB 109.7 74.6 243, RGB 92.7 56.6 224, RGB 75.7 38.6 205, RGB 58.7 20.6 186 and RGB 41.7 2.6 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109.7 74.6 243 shade: RGB 108 73 243, RGB 154 73 243, RGB 200 73 243, RGB 243 73 240 and RGB 243 73 194

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109.7 74.6 243 shade: RGB 108 73 243 and RGB 73 73 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109.7 74.6 243 shade matches the following richer shades: RGB 108 73 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109.7 74.6 243 shade: RGB 108 73 243, RGB 118 89 228, RGB 127 104 212, RGB 136 120 196 and RGB 145 136 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109.7 74.6 243 shade: RGB 73 130 243, RGB 73 84 243, RGB 107 73 243, RGB 152 73 243 and RGB 198 73 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109.7 74.6 243 shade: RGB 57 14 220, RGB 77 34 241, RGB 108 73 243, RGB 140 112 246 and RGB 171 150 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109.7 74.6 243 shade: RGB 109.7 74.6 243, RGB 243 73 175 and RGB 107 243 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109.7 74.6 243 shade: RGB 109.7 74.6 243, RGB 243 107 73 and RGB 73 243 107

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109.7 74.6 243 shade: RGB 109.7 74.6 243, RGB 243 73 175, RGB 209 243 73 and RGB 73 243 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109.7 74.6 243 shade: RGB 109.7 74.6 243, RGB 243 73 124, RGB 209 243 73 and RGB 73 243 192

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 69 / 0 / 5

HEX #6D4AF3

RGB 109.7 74.6 243

HSL 252.51, 0.88%, 0.62%

LAB 45.28, 56.46, -79.44

 

Complementary color

CMYK 19 / 0 / 93 / 29

HEX #91B40C

RGB 145.3 180.4 12

HSL 72.51, 0.88%, 0.38%

LAB 68.66, -31.45, 68.35

 

CMYK 52 / 69 / 0 / 7

HEX #724AEE

RGB 114.7 74.6 238

HSL 254.72, 0.83%, 0.61%

LAB 45.33, 55.82, -76.54

 

CMYK 48 / 64 / 0 / 0

HEX #835CFF

RGB 131.7 92.6 255

HSL 254.45, 1%, 0.68%

LAB 51.68, 53.92, -75.61

 

CMYK 42 / 57 / 0 / 0

HEX #946EFF

RGB 148.7 110.6 255

HSL 255.83, 1%, 0.72%

LAB 56.94, 47.46, -67.02

 

CMYK 35 / 50 / 0 / 0

HEX #A580FF

RGB 165.7 128.6 255

HSL 257.61, 1%, 0.75%

LAB 62.41, 41.36, -58.15

 

CMYK 28 / 43 / 0 / 0

HEX #B692FF

RGB 182.7 146.6 255

HSL 259.98, 1%, 0.79%

LAB 68.02, 35.7, -49.17

 

CMYK 55 / 69 / 0 / 5

HEX #6D4AF3

RGB 109.7 74.6 243

HSL 252.51, 0.88%, 0.62%

LAB 45.28, 56.46, -79.44

 

CMYK 59 / 75 / 0 / 12

HEX #5C38E0

RGB 92.7 56.6 224

HSL 252.94, 0.73%, 0.55%

LAB 38.86, 57.82, -79.28

 

CMYK 63 / 81 / 0 / 20

HEX #4B26CD

RGB 75.7 38.6 205

HSL 253.38, 0.68%, 0.48%

LAB 32.61, 58.81, -78.7

 

CMYK 68 / 89 / 0 / 27

HEX #3A14BA

RGB 58.7 20.6 186

HSL 253.82, 0.8%, 0.41%

LAB 26.7, 58.94, -77.36

 

CMYK 75 / 98 / 0 / 35

HEX #2902A7

RGB 41.7 2.6 167

HSL 254.27, 0.97%, 0.33%

LAB 21.33, 57.73, -74.93

 

CMYK 56 / 70 / 0 / 5

HEX #6C49F3

RGB 108 73 243

HSL 252.35, 0.88%, 0.62%

LAB 44.84, 57.04, -80.18

 

CMYK 37 / 70 / 0 / 5

HEX #9A49F3

RGB 154 73 243

HSL 268.59, 0.88%, 0.62%

LAB 49.62, 64.56, -72.16

 

CMYK 18 / 70 / 0 / 5

HEX #C849F3

RGB 200 73 243

HSL 284.82, 0.88%, 0.62%

LAB 55.6, 73.36, -62.21

 

CMYK 0 / 70 / 1 / 5

HEX #F349F0

RGB 243 73 240

HSL 301.06, 0.88%, 0.62%

LAB 61.75, 81.71, -50.35

 

CMYK 0 / 70 / 20 / 5

HEX #F349C2

RGB 243 73 194

HSL 317.29, 0.88%, 0.62%

LAB 59.63, 75.15, -27.72

 

CMYK 56 / 70 / 0 / 5

HEX #6C49F3

RGB 108 73 243

HSL 252.35, 0.88%, 0.62%

LAB 44.84, 57.04, -80.18

 

CMYK 70 / 70 / 0 / 5

HEX #4949F3

RGB 73 73 243

HSL 240, 0.88%, 0.62%

LAB 42.24, 52.73, -84.55

 

CMYK 56 / 70 / 0 / 5

HEX #6C49F3

RGB 108 73 243

HSL 252.35, 0.88%, 0.62%

LAB 44.84, 57.04, -80.18

 

CMYK 56 / 70 / 0 / 5

HEX #6C49F3

RGB 108 73 243

HSL 252.35, 0.88%, 0.62%

LAB 44.84, 57.04, -80.18

 

CMYK 48 / 61 / 0 / 11

HEX #7659E4

RGB 118 89 228

HSL 252.52, 0.72%, 0.62%

LAB 47.75, 45.78, -66.94

 

CMYK 40 / 51 / 0 / 17

HEX #7F68D4

RGB 127 104 212

HSL 252.78, 0.56%, 0.62%

LAB 50.88, 34.56, -52.78

 

CMYK 31 / 39 / 0 / 23

HEX #8878C4

RGB 136 120 196

HSL 252.63, 0.39%, 0.62%

LAB 54.71, 23.21, -37.54

 

CMYK 20 / 25 / 0 / 29

HEX #9188B5

RGB 145 136 181

HSL 252, 0.23%, 0.62%

LAB 58.94, 12.89, -22.37

 

CMYK 70 / 47 / 0 / 5

HEX #4982F3

RGB 73 130 243

HSL 219.88, 0.88%, 0.62%

LAB 55.94, 18.22, -62.25

 

CMYK 70 / 65 / 0 / 5

HEX #4954F3

RGB 73 84 243

HSL 236.12, 0.88%, 0.62%

LAB 44.56, 46.41, -80.73

 

CMYK 56 / 70 / 0 / 5

HEX #6B49F3

RGB 107 73 243

HSL 252, 0.88%, 0.62%

LAB 44.75, 56.9, -80.33

 

CMYK 37 / 70 / 0 / 5

HEX #9849F3

RGB 152 73 243

HSL 267.88, 0.88%, 0.62%

LAB 49.39, 64.2, -72.56

 

CMYK 19 / 70 / 0 / 5

HEX #C649F3

RGB 198 73 243

HSL 284.12, 0.88%, 0.62%

LAB 55.32, 72.96, -62.67

 

CMYK 74 / 94 / 0 / 14

HEX #390EDC

RGB 57 14 220

HSL 252.52, 0.88%, 0.46%

LAB 30.28, 69.28, -91.29

 

CMYK 68 / 86 / 0 / 5

HEX #4D22F1

RGB 77 34 241

HSL 252.46, 0.88%, 0.54%

LAB 36.12, 70.27, -93.52

 

CMYK 56 / 70 / 0 / 5

HEX #6C49F3

RGB 108 73 243

HSL 252.35, 0.88%, 0.62%

LAB 44.84, 57.04, -80.18

 

CMYK 43 / 54 / 0 / 4

HEX #8C70F6

RGB 140 112 246

HSL 252.54, 0.88%, 0.7%

LAB 55.9, 42.35, -63.75

 

CMYK 31 / 40 / 0 / 3

HEX #AB96F8

RGB 171 150 248

HSL 252.86, 0.88%, 0.78%

LAB 67.46, 28.92, -46.3

 

CMYK 55 / 69 / 0 / 5

HEX #6D4AF3

RGB 109.7 74.6 243

HSL 252.51, 0.88%, 0.62%

LAB 45.28, 56.46, -79.44

 

CMYK 0 / 70 / 28 / 5

HEX #F349AF

RGB 243 73 175

HSL 324, 0.88%, 0.62%

LAB 58.9, 72.79, -17.91

 

CMYK 56 / 0 / 70 / 5

HEX #6BF349

RGB 107 243 73

HSL 108, 0.88%, 0.62%

LAB 85.86, -66.5, 67.3

 

CMYK 55 / 69 / 0 / 5

HEX #6D4AF3

RGB 109.7 74.6 243

HSL 252.51, 0.88%, 0.62%

LAB 45.28, 56.46, -79.44

 

CMYK 0 / 56 / 70 / 5

HEX #F36B49

RGB 243 107 73

HSL 12, 0.88%, 0.62%

LAB 61.7, 50.18, 44.29

 

CMYK 70 / 0 / 56 / 5

HEX #49F36B

RGB 73 243 107

HSL 132, 0.88%, 0.62%

LAB 85.29, -70.04, 52.52

 

CMYK 55 / 69 / 0 / 5

HEX #6D4AF3

RGB 109.7 74.6 243

HSL 252.51, 0.88%, 0.62%

LAB 45.28, 56.46, -79.44

 

CMYK 0 / 70 / 28 / 5

HEX #F349AF

RGB 243 73 175

HSL 324, 0.88%, 0.62%

LAB 58.9, 72.79, -17.91

 

CMYK 14 / 0 / 70 / 5

HEX #D1F349

RGB 209 243 73

HSL 72, 0.88%, 0.62%

LAB 90.84, -32.69, 73.95

 

CMYK 70 / 0 / 42 / 5

HEX #49F38D

RGB 73 243 141

HSL 144, 0.88%, 0.62%

LAB 85.73, -65.01, 36.93

 

CMYK 55 / 69 / 0 / 5

HEX #6D4AF3

RGB 109.7 74.6 243

HSL 252.51, 0.88%, 0.62%

LAB 45.28, 56.46, -79.44

 

CMYK 0 / 70 / 49 / 5

HEX #F3497C

RGB 243 73 124

HSL 342, 0.88%, 0.62%

LAB 57.34, 67.65, 9.66

 

CMYK 14 / 0 / 70 / 5

HEX #D1F349

RGB 209 243 73

HSL 72, 0.88%, 0.62%

LAB 90.84, -32.69, 73.95

 

CMYK 70 / 0 / 21 / 5

HEX #49F3C0

RGB 73 243 192

HSL 162, 0.88%, 0.62%

LAB 86.66, -54.81, 12.21

 

Description

Color code: RGB 109.7 74.6 243 | qconv.com Color code: RGB 109.7 74.6 243 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109.7 red, 74.6 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109.7 74.6 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 69 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 69% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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