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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109.7 74.6 17 it is the complementary color RGB 145.3 180.4 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109.7 74.6 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109.7 74.6 17 shade: RGB 114.7 74.6 12, RGB 131.7 92.6 31, RGB 148.7 110.6 50, RGB 165.7 128.6 69 and RGB 182.7 146.6 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109.7 74.6 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109.7 74.6 17 shade: RGB 109.7 74.6 17, RGB 92.7 56.6 0, RGB 75.7 38.6 0, RGB 58.7 20.6 0 and RGB 41.7 2.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109.7 74.6 17 shade: RGB 110 75 17, RGB 110 50 17, RGB 110 25 17 and RGB 110 17 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109.7 74.6 17 shade: RGB 110 75 17, RGB 110 100 17, RGB 95 110 17, RGB 70 110 17 and RGB 45 110 17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109.7 74.6 17 shade matches the following richer shades: RGB 110 75 17 and RGB 121 78 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109.7 74.6 17 shade: RGB 110 75 17, RGB 100 73 28, RGB 90 70 38, RGB 79 68 48 and RGB 69 65 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109.7 74.6 17 shade: RGB 110 25 17, RGB 110 50 17, RGB 110 75 17, RGB 110 99 17 and RGB 96 110 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109.7 74.6 17 shade: RGB 39 26 6, RGB 75 51 12, RGB 110 75 17, RGB 146 99 23 and RGB 182 124 28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109.7 74.6 17 shade: RGB 109.7 74.6 17, RGB 34 110 17 and RGB 37 17 110

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109.7 74.6 17 shade: RGB 109.7 74.6 17, RGB 17 110 75 and RGB 75 17 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109.7 74.6 17 shade: RGB 109.7 74.6 17, RGB 34 110 17, RGB 17 53 110 and RGB 93 17 110

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109.7 74.6 17 shade: RGB 109.7 74.6 17, RGB 17 110 28, RGB 17 53 110 and RGB 110 17 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 85 / 57

HEX #6D4A11

RGB 109.7 74.6 17

HSL 37.28, 0.73%, 0.25%

LAB 34.63, 9.53, 37.68

 

Complementary color

CMYK 39 / 24 / 0 / 7

HEX #91B4EE

RGB 145.3 180.4 238

HSL 217.28, 0.73%, 0.75%

LAB 72.91, 2.29, -32.5

 

CMYK 0 / 35 / 90 / 55

HEX #724A0C

RGB 114.7 74.6 12

HSL 36.57, 0.81%, 0.25%

LAB 35.26, 11.79, 40.35

 

CMYK 0 / 30 / 76 / 48

HEX #835C1F

RGB 131.7 92.6 31

HSL 36.7, 0.62%, 0.32%

LAB 42.37, 9.91, 39.97

 

CMYK 0 / 26 / 66 / 42

HEX #946E32

RGB 148.7 110.6 50

HSL 36.84, 0.5%, 0.39%

LAB 49.34, 8.41, 38.77

 

CMYK 0 / 22 / 58 / 35

HEX #A58045

RGB 165.7 128.6 69

HSL 36.98, 0.41%, 0.46%

LAB 56.19, 7.21, 37.38

 

CMYK 0 / 20 / 52 / 28

HEX #B69258

RGB 182.7 146.6 88

HSL 37.13, 0.4%, 0.53%

LAB 62.91, 6.22, 35.97

 

CMYK 0 / 32 / 85 / 57

HEX #6D4A11

RGB 109.7 74.6 17

HSL 37.28, 0.73%, 0.25%

LAB 34.63, 9.53, 37.68

 

CMYK 0 / 39 / 100 / 64

HEX #5C3800

RGB 92.7 56.6 0

HSL 36.63, 1%, 0.18%

LAB 27.29, 11.67, 37.17

 

CMYK 0 / 49 / 100 / 70

HEX #4B2600

RGB 75.7 38.6 0

HSL 30.59, 1%, 0.15%

LAB 19.84, 14.51, 28.83

 

CMYK 0 / 65 / 100 / 77

HEX #3A1400

RGB 58.7 20.6 0

HSL 21.06, 1%, 0.12%

LAB 12.24, 17.39, 18.66

 

CMYK 0 / 94 / 100 / 84

HEX #290200

RGB 41.7 2.6 0

HSL 3.74, 1%, 0.08%

LAB 4.9, 18.4, 7.68

 

CMYK 0 / 32 / 85 / 57

HEX #6E4B11

RGB 110 75 17

HSL 37.42, 0.73%, 0.25%

LAB 34.78, 9.43, 37.83

 

CMYK 0 / 55 / 85 / 57

HEX #6E3211

RGB 110 50 17

HSL 21.29, 0.73%, 0.25%

LAB 28.48, 24.38, 32

 

CMYK 0 / 77 / 85 / 57

HEX #6E1911

RGB 110 25 17

HSL 5.16, 0.73%, 0.25%

LAB 23.84, 36.65, 27.52

 

CMYK 0 / 85 / 85 / 57

HEX #6E1111

RGB 110 17 17

HSL 0, 0.73%, 0.25%

LAB 22.85, 39.42, 26.51

 

CMYK 0 / 32 / 85 / 57

HEX #6E4B11

RGB 110 75 17

HSL 37.42, 0.73%, 0.25%

LAB 34.78, 9.43, 37.83

 

CMYK 0 / 9 / 85 / 57

HEX #6E6411

RGB 110 100 17

HSL 53.55, 0.73%, 0.25%

LAB 41.95, -5.48, 44.21

 

CMYK 14 / 0 / 85 / 57

HEX #5F6E11

RGB 95 110 17

HSL 69.68, 0.73%, 0.25%

LAB 43.69, -18.17, 45.23

 

CMYK 36 / 0 / 85 / 57

HEX #466E11

RGB 70 110 17

HSL 85.81, 0.73%, 0.25%

LAB 41.99, -29, 43.07

 

CMYK 59 / 0 / 85 / 57

HEX #2D6E11

RGB 45 110 17

HSL 101.94, 0.73%, 0.25%

LAB 40.82, -37.75, 41.56

 

CMYK 0 / 32 / 85 / 57

HEX #6E4B11

RGB 110 75 17

HSL 37.42, 0.73%, 0.25%

LAB 34.78, 9.43, 37.83

 

CMYK 0 / 36 / 94 / 53

HEX #794E07

RGB 121 78 7

HSL 37.37, 0.89%, 0.25%

LAB 36.98, 12.66, 43.63

 

CMYK 0 / 32 / 85 / 57

HEX #6E4B11

RGB 110 75 17

HSL 37.42, 0.73%, 0.25%

LAB 34.78, 9.43, 37.83

 

CMYK 0 / 27 / 72 / 61

HEX #64491C

RGB 100 73 28

HSL 37.5, 0.56%, 0.25%

LAB 33.05, 6.32, 30.55

 

CMYK 0 / 22 / 58 / 65

HEX #5A4626

RGB 90 70 38

HSL 36.92, 0.41%, 0.25%

LAB 31.1, 4.11, 22.39

 

CMYK 0 / 14 / 39 / 69

HEX #4F4430

RGB 79 68 48

HSL 38.71, 0.24%, 0.25%

LAB 29.44, 1.28, 13.86

 

CMYK 0 / 6 / 16 / 73

HEX #45413A

RGB 69 65 58

HSL 38.18, 0.09%, 0.25%

LAB 27.71, 0.27, 4.88

 

CMYK 0 / 77 / 85 / 57

HEX #6E1911

RGB 110 25 17

HSL 5.16, 0.73%, 0.25%

LAB 23.84, 36.65, 27.52

 

CMYK 0 / 55 / 85 / 57

HEX #6E3211

RGB 110 50 17

HSL 21.29, 0.73%, 0.25%

LAB 28.48, 24.38, 32

 

CMYK 0 / 32 / 85 / 57

HEX #6E4B11

RGB 110 75 17

HSL 37.42, 0.73%, 0.25%

LAB 34.78, 9.43, 37.83

 

CMYK 0 / 10 / 85 / 57

HEX #6E6311

RGB 110 99 17

HSL 52.9, 0.73%, 0.25%

LAB 41.66, -4.91, 43.95

 

CMYK 13 / 0 / 85 / 57

HEX #606E11

RGB 96 110 17

HSL 69.03, 0.73%, 0.25%

LAB 43.77, -17.71, 45.33

 

CMYK 0 / 33 / 85 / 85

HEX #271A06

RGB 39 26 6

HSL 36.36, 0.73%, 0.09%

LAB 10.43, 3.74, 13.19

 

CMYK 0 / 32 / 84 / 71

HEX #4B330C

RGB 75 51 12

HSL 37.14, 0.72%, 0.17%

LAB 23.3, 6.67, 27.6

 

CMYK 0 / 32 / 85 / 57

HEX #6E4B11

RGB 110 75 17

HSL 37.42, 0.73%, 0.25%

LAB 34.78, 9.43, 37.83

 

CMYK 0 / 32 / 84 / 43

HEX #926317

RGB 146 99 23

HSL 37.07, 0.73%, 0.33%

LAB 45.77, 12.52, 47.07

 

CMYK 0 / 32 / 85 / 29

HEX #B67C1C

RGB 182 124 28

HSL 37.4, 0.73%, 0.41%

LAB 56.53, 14.87, 56.37

 

CMYK 0 / 32 / 85 / 57

HEX #6D4A11

RGB 109.7 74.6 17

HSL 37.28, 0.73%, 0.25%

LAB 34.63, 9.53, 37.68

 

CMYK 69 / 0 / 85 / 57

HEX #226E11

RGB 34 110 17

HSL 109.03, 0.73%, 0.25%

LAB 40.46, -40.63, 41.1

 

CMYK 66 / 85 / 0 / 57

HEX #25116E

RGB 37 17 110

HSL 252.9, 0.73%, 0.25%

LAB 15.06, 36.75, -49.56

 

CMYK 0 / 32 / 85 / 57

HEX #6D4A11

RGB 109.7 74.6 17

HSL 37.28, 0.73%, 0.25%

LAB 34.63, 9.53, 37.68

 

CMYK 85 / 0 / 32 / 57

HEX #116E4B

RGB 17 110 75

HSL 157.42, 0.73%, 0.25%

LAB 40.86, -34.75, 12.37

 

CMYK 32 / 85 / 0 / 57

HEX #4B116E

RGB 75 17 110

HSL 277.42, 0.73%, 0.25%

LAB 20.13, 42.41, -41.05

 

CMYK 0 / 32 / 85 / 57

HEX #6D4A11

RGB 109.7 74.6 17

HSL 37.28, 0.73%, 0.25%

LAB 34.63, 9.53, 37.68

 

CMYK 69 / 0 / 85 / 57

HEX #226E11

RGB 34 110 17

HSL 109.03, 0.73%, 0.25%

LAB 40.46, -40.63, 41.1

 

CMYK 85 / 52 / 0 / 57

HEX #11356E

RGB 17 53 110

HSL 216.77, 0.73%, 0.25%

LAB 22.97, 10.45, -36.69

 

CMYK 15 / 85 / 0 / 57

HEX #5D116E

RGB 93 17 110

HSL 289.03, 0.73%, 0.25%

LAB 23.18, 45.85, -35.96

 

CMYK 0 / 32 / 85 / 57

HEX #6D4A11

RGB 109.7 74.6 17

HSL 37.28, 0.73%, 0.25%

LAB 34.63, 9.53, 37.68

 

CMYK 85 / 0 / 75 / 57

HEX #116E1C

RGB 17 110 28

HSL 127.1, 0.73%, 0.25%

LAB 40.17, -42.85, 36.62

 

CMYK 85 / 52 / 0 / 57

HEX #11356E

RGB 17 53 110

HSL 216.77, 0.73%, 0.25%

LAB 22.97, 10.45, -36.69

 

CMYK 0 / 85 / 10 / 57

HEX #6E1163

RGB 110 17 99

HSL 307.1, 0.73%, 0.25%

LAB 25.61, 47.54, -24.74

 

Description

Color code: RGB 109.7 74.6 17 | qconv.com Color code: RGB 109.7 74.6 17 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109.7 red, 74.6 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109.7 74.6 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 85 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 85% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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