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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 109.7 74.6 153 it is the complementary color RGB 145.3 180.4 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 109.7 74.6 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 109.7 74.6 153 shade: RGB 114.7 74.6 148, RGB 131.7 92.6 167, RGB 148.7 110.6 186, RGB 165.7 128.6 205 and RGB 182.7 146.6 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 109.7 74.6 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 109.7 74.6 153 shade: RGB 109.7 74.6 153, RGB 92.7 56.6 134, RGB 75.7 38.6 115, RGB 58.7 20.6 96 and RGB 41.7 2.6 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 109.7 74.6 153 shade: RGB 111 76 154, RGB 132 76 154, RGB 153 76 154, RGB 154 76 134 and RGB 154 76 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 109.7 74.6 153 shade: RGB 111 76 154, RGB 90 76 154 and RGB 76 76 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 109.7 74.6 153 shade matches the following richer shades: RGB 111 76 154, RGB 109 57 172, RGB 107 39 191, RGB 105 20 209 and RGB 103 1 228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 109.7 74.6 153 shade: RGB 111 76 154, RGB 113 94 135, RGB 115 113 117, RGB 116 131 98 and RGB 118 150 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 109.7 74.6 153 shade: RGB 76 84 154, RGB 89 76 154, RGB 110 76 154, RGB 130 76 154 and RGB 151 76 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 109.7 74.6 153 shade: RGB 71 49 98, RGB 91 62 126, RGB 111 76 154, RGB 131 95 176 and RGB 152 122 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 109.7 74.6 153 shade: RGB 109.7 74.6 153, RGB 154 76 104 and RGB 76 154 78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 109.7 74.6 153 shade: RGB 109.7 74.6 153, RGB 154 110 76 and RGB 76 154 110

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 109.7 74.6 153 shade: RGB 109.7 74.6 153, RGB 154 76 104, RGB 120 154 76 and RGB 76 154 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 109.7 74.6 153 shade: RGB 109.7 74.6 153, RGB 154 76 81, RGB 120 154 76 and RGB 76 154 149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 51 / 0 / 40

HEX #6D4A99

RGB 109.7 74.6 153

HSL 266.86, 0.34%, 0.45%

LAB 38.85, 31.54, -37.57

 

Complementary color

CMYK 19 / 0 / 43 / 29

HEX #91B466

RGB 145.3 180.4 102

HSL 86.86, 0.34%, 0.55%

LAB 69.33, -25.39, 36.07

 

CMYK 23 / 50 / 0 / 42

HEX #724A94

RGB 114.7 74.6 148

HSL 272.78, 0.33%, 0.44%

LAB 39.14, 31.72, -34.06

 

CMYK 21 / 45 / 0 / 35

HEX #835CA7

RGB 131.7 92.6 167

HSL 271.53, 0.3%, 0.51%

LAB 46.22, 30.81, -34.11

 

CMYK 20 / 41 / 0 / 27

HEX #946EBA

RGB 148.7 110.6 186

HSL 270.32, 0.35%, 0.58%

LAB 53.15, 29.97, -34.17

 

CMYK 19 / 37 / 0 / 20

HEX #A580CD

RGB 165.7 128.6 205

HSL 269.14, 0.43%, 0.65%

LAB 59.96, 29.19, -34.23

 

CMYK 18 / 35 / 0 / 12

HEX #B692E0

RGB 182.7 146.6 224

HSL 267.98, 0.56%, 0.73%

LAB 66.64, 28.48, -34.32

 

CMYK 28 / 51 / 0 / 40

HEX #6D4A99

RGB 109.7 74.6 153

HSL 266.86, 0.34%, 0.45%

LAB 38.85, 31.54, -37.57

 

CMYK 31 / 58 / 0 / 47

HEX #5C3886

RGB 92.7 56.6 134

HSL 267.98, 0.41%, 0.37%

LAB 31.62, 32.57, -37.6

 

CMYK 34 / 66 / 0 / 55

HEX #4B2673

RGB 75.7 38.6 115

HSL 269.14, 0.5%, 0.3%

LAB 24.28, 33.58, -37.55

 

CMYK 39 / 79 / 0 / 62

HEX #3A1460

RGB 58.7 20.6 96

HSL 270.32, 0.65%, 0.23%

LAB 16.93, 34.26, -37.19

 

CMYK 46 / 97 / 0 / 70

HEX #29024D

RGB 41.7 2.6 77

HSL 271.53, 0.93%, 0.16%

LAB 9.63, 34.38, -36.34

 

CMYK 28 / 51 / 0 / 40

HEX #6F4C9A

RGB 111 76 154

HSL 266.92, 0.34%, 0.45%

LAB 39.38, 31.33, -37.33

 

CMYK 14 / 51 / 0 / 40

HEX #844C9A

RGB 132 76 154

HSL 283.08, 0.34%, 0.45%

LAB 41.86, 37.39, -33.25

 

CMYK 1 / 51 / 0 / 40

HEX #994C9A

RGB 153 76 154

HSL 299.23, 0.34%, 0.45%

LAB 44.62, 43.6, -28.71

 

CMYK 0 / 51 / 13 / 40

HEX #9A4C86

RGB 154 76 134

HSL 315.38, 0.34%, 0.45%

LAB 43.89, 40.32, -17.8

 

CMYK 0 / 51 / 27 / 40

HEX #9A4C71

RGB 154 76 113

HSL 331.54, 0.34%, 0.45%

LAB 43.11, 37.01, -6.16

 

CMYK 28 / 51 / 0 / 40

HEX #6F4C9A

RGB 111 76 154

HSL 266.92, 0.34%, 0.45%

LAB 39.38, 31.33, -37.33

 

CMYK 42 / 51 / 0 / 40

HEX #5A4C9A

RGB 90 76 154

HSL 250.77, 0.34%, 0.45%

LAB 37.25, 25.63, -40.84

 

CMYK 51 / 51 / 0 / 40

HEX #4C4C9A

RGB 76 76 154

HSL 240, 0.34%, 0.45%

LAB 36.06, 22.17, -42.82

 

CMYK 28 / 51 / 0 / 40

HEX #6F4C9A

RGB 111 76 154

HSL 266.92, 0.34%, 0.45%

LAB 39.38, 31.33, -37.33

 

CMYK 37 / 67 / 0 / 33

HEX #6D39AC

RGB 109 57 172

HSL 267.13, 0.5%, 0.45%

LAB 36.28, 46.14, -53.09

 

CMYK 44 / 80 / 0 / 25

HEX #6B27BF

RGB 107 39 191

HSL 266.84, 0.66%, 0.45%

LAB 34.68, 58.74, -66.97

 

CMYK 50 / 90 / 0 / 18

HEX #6914D1

RGB 105 20 209

HSL 266.98, 0.83%, 0.45%

LAB 34.2, 68.51, -78.28

 

CMYK 55 / 100 / 0 / 11

HEX #6701E4

RGB 103 1 228

HSL 266.96, 0.99%, 0.45%

LAB 35.02, 75.54, -87.89

 

CMYK 28 / 51 / 0 / 40

HEX #6F4C9A

RGB 111 76 154

HSL 266.92, 0.34%, 0.45%

LAB 39.38, 31.33, -37.33

 

CMYK 16 / 30 / 0 / 47

HEX #715E87

RGB 113 94 135

HSL 267.8, 0.18%, 0.45%

LAB 43.16, 16.31, -19.95

 

CMYK 2 / 3 / 0 / 54

HEX #737175

RGB 115 113 117

HSL 270, 0.02%, 0.45%

LAB 47.93, 1.58, -1.94

 

CMYK 11 / 0 / 25 / 49

HEX #748362

RGB 116 131 98

HSL 87.27, 0.14%, 0.45%

LAB 52.76, -11.81, 16.06

 

CMYK 21 / 0 / 47 / 41

HEX #76964F

RGB 118 150 79

HSL 87.04, 0.31%, 0.45%

LAB 58.25, -23.71, 33.71

 

CMYK 51 / 45 / 0 / 40

HEX #4C549A

RGB 76 84 154

HSL 233.85, 0.34%, 0.45%

LAB 38.22, 17.02, -39.37

 

CMYK 42 / 51 / 0 / 40

HEX #594C9A

RGB 89 76 154

HSL 250, 0.34%, 0.45%

LAB 37.16, 25.37, -40.99

 

CMYK 29 / 51 / 0 / 40

HEX #6E4C9A

RGB 110 76 154

HSL 266.15, 0.34%, 0.45%

LAB 39.27, 31.05, -37.51

 

CMYK 16 / 51 / 0 / 40

HEX #824C9A

RGB 130 76 154

HSL 281.54, 0.34%, 0.45%

LAB 41.61, 36.81, -33.66

 

CMYK 2 / 51 / 0 / 40

HEX #974C9A

RGB 151 76 154

HSL 297.69, 0.34%, 0.45%

LAB 44.35, 43, -29.16

 

CMYK 28 / 50 / 0 / 62

HEX #473162

RGB 71 49 98

HSL 266.94, 0.33%, 0.29%

LAB 25.01, 21.23, -25.44

 

CMYK 28 / 51 / 0 / 51

HEX #5B3E7E

RGB 91 62 126

HSL 267.19, 0.34%, 0.37%

LAB 32.2, 26.71, -31.72

 

CMYK 28 / 51 / 0 / 40

HEX #6F4C9A

RGB 111 76 154

HSL 266.92, 0.34%, 0.45%

LAB 39.38, 31.33, -37.33

 

CMYK 26 / 46 / 0 / 31

HEX #835FB0

RGB 131 95 176

HSL 266.67, 0.34%, 0.53%

LAB 47.16, 31.4, -37.91

 

CMYK 20 / 36 / 0 / 25

HEX #987ABE

RGB 152 122 190

HSL 266.47, 0.34%, 0.61%

LAB 56.4, 25.32, -31.37

 

CMYK 28 / 51 / 0 / 40

HEX #6D4A99

RGB 109.7 74.6 153

HSL 266.86, 0.34%, 0.45%

LAB 38.85, 31.54, -37.57

 

CMYK 0 / 51 / 32 / 40

HEX #9A4C68

RGB 154 76 104

HSL 338.46, 0.34%, 0.45%

LAB 42.82, 35.75, -1.05

 

CMYK 51 / 0 / 49 / 40

HEX #4C9A4E

RGB 76 154 78

HSL 121.54, 0.34%, 0.45%

LAB 57.27, -40.24, 32.52

 

CMYK 28 / 51 / 0 / 40

HEX #6D4A99

RGB 109.7 74.6 153

HSL 266.86, 0.34%, 0.45%

LAB 38.85, 31.54, -37.57

 

CMYK 0 / 29 / 51 / 40

HEX #9A6E4C

RGB 154 110 76

HSL 26.15, 0.34%, 0.45%

LAB 50.15, 13.29, 25.81

 

CMYK 51 / 0 / 29 / 40

HEX #4C9A6E

RGB 76 154 110

HSL 146.15, 0.34%, 0.45%

LAB 57.82, -34.56, 15.89

 

CMYK 28 / 51 / 0 / 40

HEX #6D4A99

RGB 109.7 74.6 153

HSL 266.86, 0.34%, 0.45%

LAB 38.85, 31.54, -37.57

 

CMYK 0 / 51 / 32 / 40

HEX #9A4C68

RGB 154 76 104

HSL 338.46, 0.34%, 0.45%

LAB 42.82, 35.75, -1.05

 

CMYK 22 / 0 / 51 / 40

HEX #789A4C

RGB 120 154 76

HSL 86.15, 0.34%, 0.45%

LAB 59.55, -25.28, 36.87

 

CMYK 51 / 0 / 19 / 40

HEX #4C9A7D

RGB 76 154 125

HSL 157.69, 0.34%, 0.45%

LAB 58.16, -31.26, 7.92

 

CMYK 28 / 51 / 0 / 40

HEX #6D4A99

RGB 109.7 74.6 153

HSL 266.86, 0.34%, 0.45%

LAB 38.85, 31.54, -37.57

 

CMYK 0 / 51 / 47 / 40

HEX #9A4C51

RGB 154 76 81

HSL 356.15, 0.34%, 0.45%

LAB 42.2, 33, 12.26

 

CMYK 22 / 0 / 51 / 40

HEX #789A4C

RGB 120 154 76

HSL 86.15, 0.34%, 0.45%

LAB 59.55, -25.28, 36.87

 

CMYK 51 / 0 / 3 / 40

HEX #4C9A95

RGB 76 154 149

HSL 176.15, 0.34%, 0.45%

LAB 58.81, -25.23, -4.77

 

Description

Color code: RGB 109.7 74.6 153 | qconv.com Color code: RGB 109.7 74.6 153 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 109.7 red, 74.6 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
109.7 74.6 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 51 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 51% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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