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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 8 196 it is the complementary color RGB 147 247 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 8 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 8 196 shade: RGB 113 8 191, RGB 130 26 210, RGB 147 44 229, RGB 164 62 248 and RGB 181 80 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 8 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 8 196 shade: RGB 108 8 196, RGB 91 0 177, RGB 74 0 158, RGB 57 0 139 and RGB 40 0 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 8 196 shade: RGB 108 8 196, RGB 159 8 196, RGB 196 8 182, RGB 196 8 132 and RGB 196 8 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 8 196 shade: RGB 108 8 196, RGB 57 8 196 and RGB 8 8 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 8 196 shade matches the following richer shades: RGB 108 8 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 8 196 shade: RGB 108 8 196, RGB 107 25 179, RGB 106 41 163, RGB 105 58 146 and RGB 104 74 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 8 196 shade: RGB 8 11 196, RGB 55 8 196, RGB 105 8 196, RGB 155 8 196 and RGB 196 8 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 8 196 shade: RGB 64 5 117, RGB 86 7 156, RGB 108 8 196, RGB 130 10 235 and RGB 150 40 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 8 196 shade: RGB 108 8 196, RGB 196 8 61 and RGB 8 196 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 8 196 shade: RGB 108 8 196, RGB 196 105 8 and RGB 8 196 105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 8 196 shade: RGB 108 8 196, RGB 196 8 61, RGB 99 196 8 and RGB 8 196 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 8 196 shade: RGB 108 8 196, RGB 196 11 8, RGB 99 196 8 and RGB 8 193 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 96 / 0 / 23

HEX #6C08C4

RGB 108 8 196

HSL 271.91, 0.92%, 0.4%

LAB 32.58, 68, -73.35

 

Complementary color

CMYK 40 / 0 / 76 / 3

HEX #93F73B

RGB 147 247 59

HSL 91.91, 0.92%, 0.6%

LAB 88.47, -57.49, 75

 

CMYK 41 / 96 / 0 / 25

HEX #7108BF

RGB 113 8 191

HSL 274.43, 0.92%, 0.39%

LAB 32.8, 67.45, -70.02

 

CMYK 38 / 88 / 0 / 18

HEX #821AD2

RGB 130 26 210

HSL 273.91, 0.78%, 0.46%

LAB 38.09, 70.13, -72.35

 

CMYK 36 / 81 / 0 / 10

HEX #932CE5

RGB 147 44 229

HSL 273.41, 0.78%, 0.54%

LAB 43.74, 71.48, -73.89

 

CMYK 34 / 75 / 0 / 3

HEX #A43EF8

RGB 164 62 248

HSL 272.9, 0.93%, 0.61%

LAB 49.64, 71.94, -74.89

 

CMYK 29 / 69 / 0 / 0

HEX #B550FF

RGB 181 80 255

HSL 274.63, 1%, 0.66%

LAB 54.85, 69.24, -70.23

 

CMYK 45 / 96 / 0 / 23

HEX #6C08C4

RGB 108 8 196

HSL 271.91, 0.92%, 0.4%

LAB 32.58, 68, -73.35

 

CMYK 49 / 100 / 0 / 31

HEX #5B00B1

RGB 91 0 177

HSL 270.85, 1%, 0.35%

LAB 27.84, 63.59, -69.99

 

CMYK 53 / 100 / 0 / 38

HEX #4A009E

RGB 74 0 158

HSL 268.1, 1%, 0.31%

LAB 23.42, 57.95, -65.87

 

CMYK 59 / 100 / 0 / 45

HEX #39008B

RGB 57 0 139

HSL 264.6, 1%, 0.27%

LAB 18.95, 52.23, -61.59

 

CMYK 67 / 100 / 0 / 53

HEX #280078

RGB 40 0 120

HSL 260, 1%, 0.24%

LAB 14.44, 46.47, -57.06

 

CMYK 45 / 96 / 0 / 23

HEX #6C08C4

RGB 108 8 196

HSL 271.91, 0.92%, 0.4%

LAB 32.58, 68, -73.35

 

CMYK 19 / 96 / 0 / 23

HEX #9F08C4

RGB 159 8 196

HSL 288.19, 0.92%, 0.4%

LAB 40.46, 74.19, -60.15

 

CMYK 0 / 96 / 7 / 23

HEX #C408B6

RGB 196 8 182

HSL 304.47, 0.92%, 0.4%

LAB 46.02, 77.92, -42.65

 

CMYK 0 / 96 / 33 / 23

HEX #C40884

RGB 196 8 132

HSL 320.43, 0.92%, 0.4%

LAB 43.62, 71.78, -16.37

 

CMYK 0 / 96 / 59 / 23

HEX #C40851

RGB 196 8 81

HSL 336.7, 0.92%, 0.4%

LAB 42.01, 67.48, 13.16

 

CMYK 45 / 96 / 0 / 23

HEX #6C08C4

RGB 108 8 196

HSL 271.91, 0.92%, 0.4%

LAB 32.58, 68, -73.35

 

CMYK 71 / 96 / 0 / 23

HEX #3908C4

RGB 57 8 196

HSL 255.64, 0.92%, 0.4%

LAB 26.82, 64.44, -83.08

 

CMYK 96 / 96 / 0 / 23

HEX #0808C4

RGB 8 8 196

HSL 240, 0.92%, 0.4%

LAB 24.36, 63.27, -87.25

 

CMYK 45 / 96 / 0 / 23

HEX #6C08C4

RGB 108 8 196

HSL 271.91, 0.92%, 0.4%

LAB 32.58, 68, -73.35

 

CMYK 45 / 96 / 0 / 23

HEX #6C08C4

RGB 108 8 196

HSL 271.91, 0.92%, 0.4%

LAB 32.58, 68, -73.35

 

CMYK 40 / 86 / 0 / 30

HEX #6B19B3

RGB 107 25 179

HSL 271.95, 0.75%, 0.4%

LAB 31.98, 60.65, -64.29

 

CMYK 35 / 75 / 0 / 36

HEX #6A29A3

RGB 106 41 163

HSL 271.97, 0.6%, 0.4%

LAB 32.47, 50.98, -53.9

 

CMYK 28 / 60 / 0 / 43

HEX #693A92

RGB 105 58 146

HSL 272.05, 0.43%, 0.4%

LAB 34.2, 38.07, -40.78

 

CMYK 20 / 43 / 0 / 49

HEX #684A82

RGB 104 74 130

HSL 272.14, 0.27%, 0.4%

LAB 36.84, 24.37, -26.79

 

CMYK 96 / 94 / 0 / 23

HEX #080BC4

RGB 8 11 196

HSL 239.04, 0.92%, 0.4%

LAB 24.57, 62.63, -86.9

 

CMYK 72 / 96 / 0 / 23

HEX #3708C4

RGB 55 8 196

HSL 255, 0.92%, 0.4%

LAB 26.65, 64.35, -83.36

 

CMYK 46 / 96 / 0 / 23

HEX #6908C4

RGB 105 8 196

HSL 270.96, 0.92%, 0.4%

LAB 32.17, 67.72, -74.04

 

CMYK 21 / 96 / 0 / 23

HEX #9B08C4

RGB 155 8 196

HSL 286.91, 0.92%, 0.4%

LAB 39.79, 73.63, -61.26

 

CMYK 0 / 96 / 5 / 23

HEX #C408BA

RGB 196 8 186

HSL 303.19, 0.92%, 0.4%

LAB 46.25, 78.48, -44.64

 

CMYK 45 / 96 / 0 / 54

HEX #400575

RGB 64 5 117

HSL 271.61, 0.92%, 0.24%

LAB 17.84, 46.11, -49.4

 

CMYK 45 / 96 / 0 / 39

HEX #56079C

RGB 86 7 156

HSL 271.81, 0.91%, 0.32%

LAB 25.35, 57.12, -61.4

 

CMYK 45 / 96 / 0 / 23

HEX #6C08C4

RGB 108 8 196

HSL 271.91, 0.92%, 0.4%

LAB 32.58, 68, -73.35

 

CMYK 45 / 96 / 0 / 8

HEX #820AEB

RGB 130 10 235

HSL 272, 0.92%, 0.48%

LAB 39.51, 78.1, -84.33

 

CMYK 39 / 84 / 0 / 4

HEX #9628F6

RGB 150 40 246

HSL 272.04, 0.92%, 0.56%

LAB 45.16, 76.71, -81.16

 

CMYK 45 / 96 / 0 / 23

HEX #6C08C4

RGB 108 8 196

HSL 271.91, 0.92%, 0.4%

LAB 32.58, 68, -73.35

 

CMYK 0 / 96 / 69 / 23

HEX #C4083D

RGB 196 8 61

HSL 343.09, 0.92%, 0.4%

LAB 41.61, 66.38, 25.25

 

CMYK 96 / 0 / 85 / 23

HEX #08C41E

RGB 8 196 30

HSL 127.02, 0.92%, 0.4%

LAB 69.2, -69.49, 63.77

 

CMYK 45 / 96 / 0 / 23

HEX #6C08C4

RGB 108 8 196

HSL 271.91, 0.92%, 0.4%

LAB 32.58, 68, -73.35

 

CMYK 0 / 46 / 96 / 23

HEX #C46908

RGB 196 105 8

HSL 30.96, 0.92%, 0.4%

LAB 53.87, 30.96, 60.2

 

CMYK 96 / 0 / 46 / 23

HEX #08C469

RGB 8 196 105

HSL 150.96, 0.92%, 0.4%

LAB 69.86, -61.29, 34.32

 

CMYK 45 / 96 / 0 / 23

HEX #6C08C4

RGB 108 8 196

HSL 271.91, 0.92%, 0.4%

LAB 32.58, 68, -73.35

 

CMYK 0 / 96 / 69 / 23

HEX #C4083D

RGB 196 8 61

HSL 343.09, 0.92%, 0.4%

LAB 41.61, 66.38, 25.25

 

CMYK 49 / 0 / 96 / 23

HEX #63C408

RGB 99 196 8

HSL 90.96, 0.92%, 0.4%

LAB 70.97, -54.83, 69.64

 

CMYK 96 / 0 / 27 / 23

HEX #08C48F

RGB 8 196 143

HSL 163.09, 0.92%, 0.4%

LAB 70.53, -53.5, 15.27

 

CMYK 45 / 96 / 0 / 23

HEX #6C08C4

RGB 108 8 196

HSL 271.91, 0.92%, 0.4%

LAB 32.58, 68, -73.35

 

CMYK 0 / 94 / 96 / 23

HEX #C40B08

RGB 196 11 8

HSL 0.96, 0.92%, 0.4%

LAB 41.2, 64.68, 52.5

 

CMYK 49 / 0 / 96 / 23

HEX #63C408

RGB 99 196 8

HSL 90.96, 0.92%, 0.4%

LAB 70.97, -54.83, 69.64

 

CMYK 96 / 2 / 0 / 23

HEX #08C1C4

RGB 8 193 196

HSL 180.96, 0.92%, 0.4%

LAB 70.99, -37.84, -12.91

 

Description

Color code: RGB 108 8 196 | qconv.com Color code: RGB 108 8 196 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 8 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 8 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 96 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 96% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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