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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 74.2 234.6 it is the complementary color RGB 147 180.8 20.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 74.2 234.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 74.2 234.6 shade: RGB 113 74.2 229.6, RGB 130 92.2 248.6, RGB 147 110.2 255, RGB 164 128.2 255 and RGB 181 146.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 74.2 234.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 74.2 234.6 shade: RGB 108 74.2 234.6, RGB 91 56.2 215.6, RGB 74 38.2 196.6, RGB 57 20.2 177.6 and RGB 40 2.2 158.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 74.2 234.6 shade: RGB 110 76 235, RGB 152 76 235, RGB 195 76 235, RGB 235 76 232 and RGB 235 76 189

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 74.2 234.6 shade: RGB 110 76 235 and RGB 76 76 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 74.2 234.6 shade matches the following richer shades: RGB 110 76 235 and RGB 100 60 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 74.2 234.6 shade: RGB 110 76 235, RGB 119 92 219, RGB 128 108 203, RGB 137 124 187 and RGB 147 140 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 74.2 234.6 shade: RGB 76 129 235, RGB 76 87 235, RGB 108 76 235, RGB 150 76 235 and RGB 193 76 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 74.2 234.6 shade: RGB 61 23 206, RGB 79 39 231, RGB 110 76 235, RGB 140 113 239 and RGB 170 150 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 74.2 234.6 shade: RGB 108 74.2 234.6, RGB 235 76 171 and RGB 108 235 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 74.2 234.6 shade: RGB 108 74.2 234.6, RGB 235 108 76 and RGB 76 235 108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 74.2 234.6 shade: RGB 108 74.2 234.6, RGB 235 76 171, RGB 203 235 76 and RGB 76 235 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 74.2 234.6 shade: RGB 108 74.2 234.6, RGB 235 76 124, RGB 203 235 76 and RGB 76 235 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 68 / 0 / 8

HEX #6C4AEA

RGB 108 74.2 234.6

HSL 252.64, 0.8%, 0.61%

LAB 44.36, 54.03, -76.23

 

Complementary color

CMYK 19 / 0 / 89 / 29

HEX #93B414

RGB 147 180.8 20.4

HSL 72.64, 0.8%, 0.39%

LAB 68.91, -30.77, 67.28

 

CMYK 51 / 68 / 0 / 10

HEX #714AE5

RGB 113 74.2 229.6

HSL 254.98, 0.75%, 0.6%

LAB 44.41, 53.42, -73.3

 

CMYK 48 / 63 / 0 / 3

HEX #825CF8

RGB 130 92.2 248.6

HSL 254.5, 0.92%, 0.67%

LAB 50.98, 52.06, -73.2

 

CMYK 42 / 57 / 0 / 0

HEX #936EFF

RGB 147 110.2 255

HSL 255.25, 1%, 0.72%

LAB 56.7, 47.32, -67.41

 

CMYK 36 / 50 / 0 / 0

HEX #A480FF

RGB 164 128.2 255

HSL 256.94, 1%, 0.75%

LAB 62.17, 41.17, -58.55

 

CMYK 29 / 43 / 0 / 0

HEX #B592FF

RGB 181 146.2 255

HSL 259.19, 1%, 0.79%

LAB 67.77, 35.47, -49.57

 

CMYK 54 / 68 / 0 / 8

HEX #6C4AEA

RGB 108 74.2 234.6

HSL 252.64, 0.8%, 0.61%

LAB 44.36, 54.03, -76.23

 

CMYK 58 / 74 / 0 / 15

HEX #5B38D7

RGB 91 56.2 215.6

HSL 253.1, 0.67%, 0.53%

LAB 37.86, 55.41, -76.12

 

CMYK 62 / 81 / 0 / 23

HEX #4A26C4

RGB 74 38.2 196.6

HSL 253.56, 0.67%, 0.46%

LAB 31.5, 56.48, -75.62

 

CMYK 68 / 89 / 0 / 30

HEX #3914B1

RGB 57 20.2 177.6

HSL 254.03, 0.8%, 0.39%

LAB 25.49, 56.71, -74.36

 

CMYK 75 / 99 / 0 / 38

HEX #28029E

RGB 40 2.2 158.6

HSL 254.5, 0.97%, 0.32%

LAB 20, 55.64, -72.04

 

CMYK 53 / 68 / 0 / 8

HEX #6E4CEB

RGB 110 76 235

HSL 252.83, 0.8%, 0.61%

LAB 44.92, 53.5, -75.54

 

CMYK 35 / 68 / 0 / 8

HEX #984CEB

RGB 152 76 235

HSL 268.68, 0.8%, 0.61%

LAB 49.3, 60.94, -68.2

 

CMYK 17 / 68 / 0 / 8

HEX #C34CEB

RGB 195 76 235

HSL 284.91, 0.8%, 0.61%

LAB 54.83, 69.64, -59

 

CMYK 0 / 68 / 1 / 8

HEX #EB4CE8

RGB 235 76 232

HSL 301.13, 0.8%, 0.61%

LAB 60.48, 77.74, -47.98

 

CMYK 0 / 68 / 20 / 8

HEX #EB4CBD

RGB 235 76 189

HSL 317.36, 0.8%, 0.61%

LAB 58.51, 71.47, -26.68

 

CMYK 53 / 68 / 0 / 8

HEX #6E4CEB

RGB 110 76 235

HSL 252.83, 0.8%, 0.61%

LAB 44.92, 53.5, -75.54

 

CMYK 68 / 68 / 0 / 8

HEX #4C4CEB

RGB 76 76 235

HSL 240, 0.8%, 0.61%

LAB 42.31, 48.8, -79.9

 

CMYK 53 / 68 / 0 / 8

HEX #6E4CEB

RGB 110 76 235

HSL 252.83, 0.8%, 0.61%

LAB 44.92, 53.5, -75.54

 

CMYK 60 / 76 / 0 / 2

HEX #643CFB

RGB 100 60 251

HSL 252.57, 0.96%, 0.61%

LAB 42.62, 64.59, -88.33

 

CMYK 53 / 68 / 0 / 8

HEX #6E4CEB

RGB 110 76 235

HSL 252.83, 0.8%, 0.61%

LAB 44.92, 53.5, -75.54

 

CMYK 46 / 58 / 0 / 14

HEX #775CDB

RGB 119 92 219

HSL 252.76, 0.64%, 0.61%

LAB 47.87, 41.7, -61.64

 

CMYK 37 / 47 / 0 / 20

HEX #806CCB

RGB 128 108 203

HSL 252.63, 0.48%, 0.61%

LAB 51.41, 29.98, -46.8

 

CMYK 27 / 34 / 0 / 27

HEX #897CBB

RGB 137 124 187

HSL 252.38, 0.32%, 0.61%

LAB 55.4, 18.85, -31.32

 

CMYK 14 / 18 / 0 / 33

HEX #938CAB

RGB 147 140 171

HSL 253.55, 0.16%, 0.61%

LAB 59.8, 8.97, -15.36

 

CMYK 68 / 45 / 0 / 8

HEX #4C81EB

RGB 76 129 235

HSL 220, 0.8%, 0.61%

LAB 55.31, 16.46, -58.8

 

CMYK 68 / 63 / 0 / 8

HEX #4C57EB

RGB 76 87 235

HSL 235.85, 0.8%, 0.61%

LAB 44.73, 42.33, -75.94

 

CMYK 54 / 68 / 0 / 8

HEX #6C4CEB

RGB 108 76 235

HSL 252.08, 0.8%, 0.61%

LAB 44.74, 53.19, -75.84

 

CMYK 36 / 68 / 0 / 8

HEX #964CEB

RGB 150 76 235

HSL 267.92, 0.8%, 0.61%

LAB 49.07, 60.55, -68.59

 

CMYK 18 / 68 / 0 / 8

HEX #C14CEB

RGB 193 76 235

HSL 284.15, 0.8%, 0.61%

LAB 54.56, 69.22, -59.46

 

CMYK 70 / 89 / 0 / 19

HEX #3D17CE

RGB 61 23 206

HSL 252.46, 0.8%, 0.45%

LAB 29.57, 63.64, -84.36

 

CMYK 66 / 83 / 0 / 9

HEX #4F27E7

RGB 79 39 231

HSL 252.5, 0.8%, 0.53%

LAB 35.76, 66.01, -88.44

 

CMYK 53 / 68 / 0 / 8

HEX #6E4CEB

RGB 110 76 235

HSL 252.83, 0.8%, 0.61%

LAB 44.92, 53.5, -75.54

 

CMYK 41 / 53 / 0 / 6

HEX #8C71EF

RGB 140 113 239

HSL 252.86, 0.8%, 0.69%

LAB 55.7, 39.86, -60.18

 

CMYK 30 / 38 / 0 / 5

HEX #AA96F3

RGB 170 150 243

HSL 252.9, 0.79%, 0.77%

LAB 67.15, 27.39, -44.06

 

CMYK 54 / 68 / 0 / 8

HEX #6C4AEA

RGB 108 74.2 234.6

HSL 252.64, 0.8%, 0.61%

LAB 44.36, 54.03, -76.23

 

CMYK 0 / 68 / 27 / 8

HEX #EB4CAB

RGB 235 76 171

HSL 324.15, 0.8%, 0.61%

LAB 57.82, 69.18, -17.35

 

CMYK 54 / 0 / 68 / 8

HEX #6CEB4C

RGB 108 235 76

HSL 107.92, 0.8%, 0.61%

LAB 83.51, -63.19, 63.74

 

CMYK 54 / 68 / 0 / 8

HEX #6C4AEA

RGB 108 74.2 234.6

HSL 252.64, 0.8%, 0.61%

LAB 44.36, 54.03, -76.23

 

CMYK 0 / 54 / 68 / 8

HEX #EB6C4C

RGB 235 108 76

HSL 12.08, 0.8%, 0.61%

LAB 60.7, 46.96, 41.23

 

CMYK 68 / 0 / 54 / 8

HEX #4CEB6C

RGB 76 235 108

HSL 132.08, 0.8%, 0.61%

LAB 82.93, -66.71, 49.27

 

CMYK 54 / 68 / 0 / 8

HEX #6C4AEA

RGB 108 74.2 234.6

HSL 252.64, 0.8%, 0.61%

LAB 44.36, 54.03, -76.23

 

CMYK 0 / 68 / 27 / 8

HEX #EB4CAB

RGB 235 76 171

HSL 324.15, 0.8%, 0.61%

LAB 57.82, 69.18, -17.35

 

CMYK 14 / 0 / 68 / 8

HEX #CBEB4C

RGB 203 235 76

HSL 72.08, 0.8%, 0.61%

LAB 88.27, -31.18, 70.17

 

CMYK 68 / 0 / 40 / 8

HEX #4CEB8C

RGB 76 235 140

HSL 144.15, 0.8%, 0.61%

LAB 83.36, -61.82, 34.35

 

CMYK 54 / 68 / 0 / 8

HEX #6C4AEA

RGB 108 74.2 234.6

HSL 252.64, 0.8%, 0.61%

LAB 44.36, 54.03, -76.23

 

CMYK 0 / 68 / 47 / 8

HEX #EB4C7C

RGB 235 76 124

HSL 341.89, 0.8%, 0.61%

LAB 56.37, 64.24, 8.1

 

CMYK 14 / 0 / 68 / 8

HEX #CBEB4C

RGB 203 235 76

HSL 72.08, 0.8%, 0.61%

LAB 88.27, -31.18, 70.17

 

CMYK 68 / 0 / 20 / 8

HEX #4CEBBB

RGB 76 235 187

HSL 161.89, 0.8%, 0.61%

LAB 84.25, -52.29, 11.39

 

Description

Color code: RGB 108 74.2 234.6 | qconv.com Color code: RGB 108 74.2 234.6 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 74.2 green and 234.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 74.2 234.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 68 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 68% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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