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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 53 93 it is the complementary color RGB 147 202 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 53 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 53 93 shade: RGB 113 53 88, RGB 130 71 107, RGB 147 89 126, RGB 164 107 145 and RGB 181 125 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 53 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 53 93 shade: RGB 108 53 93, RGB 91 35 74, RGB 74 17 55, RGB 57 0 36 and RGB 40 0 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 53 93 shade: RGB 109 54 94, RGB 109 54 79, RGB 109 54 64 and RGB 109 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 53 93 shade: RGB 109 54 94, RGB 109 54 109, RGB 95 54 109, RGB 80 54 109 and RGB 65 54 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 53 93 shade matches the following richer shades: RGB 109 54 94, RGB 123 41 100, RGB 136 27 106, RGB 149 14 112 and RGB 162 1 118

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 53 93 shade: RGB 109 54 94, RGB 96 67 88, RGB 83 80 82, RGB 70 93 76 and RGB 57 107 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 53 93 shade: RGB 95 54 109, RGB 109 54 109, RGB 109 54 95, RGB 109 54 80 and RGB 109 54 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 53 93 shade: RGB 54 27 47, RGB 82 40 70, RGB 109 54 94, RGB 137 67 118 and RGB 165 81 142

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 53 93 shade: RGB 108 53 93, RGB 109 80 54 and RGB 54 109 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 53 93 shade: RGB 108 53 93, RGB 95 109 54 and RGB 54 95 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 53 93 shade: RGB 108 53 93, RGB 109 80 54, RGB 54 109 69 and RGB 54 83 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 53 93 shade: RGB 108 53 93, RGB 109 96 54, RGB 54 109 69 and RGB 54 67 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 14 / 58

HEX #6C355D

RGB 108 53 93

HSL 316.36, 0.34%, 0.32%

LAB 30.7, 30.21, -12.96

 

Complementary color

CMYK 27 / 0 / 20 / 21

HEX #93CAA2

RGB 147 202 162

HSL 136.36, 0.34%, 0.68%

LAB 76.71, -25.94, 14.32

 

CMYK 0 / 53 / 22 / 56

HEX #713558

RGB 113 53 88

HSL 325, 0.36%, 0.33%

LAB 31.26, 31.12, -8.81

 

CMYK 0 / 45 / 18 / 49

HEX #82476B

RGB 130 71 107

HSL 323.39, 0.29%, 0.39%

LAB 38.4, 30.28, -9.86

 

CMYK 0 / 39 / 14 / 42

HEX #93597E

RGB 147 89 126

HSL 321.72, 0.25%, 0.46%

LAB 45.43, 29.44, -10.7

 

CMYK 0 / 35 / 12 / 36

HEX #A46B91

RGB 164 107 145

HSL 320, 0.24%, 0.53%

LAB 52.34, 28.64, -11.41

 

CMYK 0 / 31 / 9 / 29

HEX #B57DA4

RGB 181 125 164

HSL 318.21, 0.27%, 0.6%

LAB 59.13, 27.9, -12.04

 

CMYK 0 / 51 / 14 / 58

HEX #6C355D

RGB 108 53 93

HSL 316.36, 0.34%, 0.32%

LAB 30.7, 30.21, -12.96

 

CMYK 0 / 62 / 19 / 64

HEX #5B234A

RGB 91 35 74

HSL 318.21, 0.44%, 0.25%

LAB 23.41, 30.89, -11.84

 

CMYK 0 / 77 / 26 / 71

HEX #4A1137

RGB 74 17 55

HSL 320, 0.63%, 0.18%

LAB 16.17, 31.02, -10.07

 

CMYK 0 / 100 / 37 / 78

HEX #390024

RGB 57 0 36

HSL 322.11, 1%, 0.11%

LAB 8.97, 30.55, -7.48

 

CMYK 0 / 100 / 58 / 84

HEX #280011

RGB 40 0 17

HSL 334.5, 1%, 0.08%

LAB 4.44, 20.58, -0.55

 

CMYK 0 / 50 / 14 / 57

HEX #6D365E

RGB 109 54 94

HSL 316.36, 0.34%, 0.32%

LAB 31.11, 30.17, -12.97

 

CMYK 0 / 50 / 28 / 57

HEX #6D364F

RGB 109 54 79

HSL 332.73, 0.34%, 0.32%

LAB 30.53, 27.65, -4.12

 

CMYK 0 / 50 / 41 / 57

HEX #6D3640

RGB 109 54 64

HSL 349.09, 0.34%, 0.32%

LAB 30.06, 25.52, 5

 

CMYK 0 / 50 / 50 / 57

HEX #6D3636

RGB 109 54 54

HSL 0, 0.34%, 0.32%

LAB 29.8, 24.33, 11.17

 

CMYK 0 / 50 / 14 / 57

HEX #6D365E

RGB 109 54 94

HSL 316.36, 0.34%, 0.32%

LAB 31.11, 30.17, -12.97

 

CMYK 0 / 50 / 0 / 57

HEX #6D366D

RGB 109 54 109

HSL 300, 0.34%, 0.32%

LAB 31.79, 33.04, -21.51

 

CMYK 13 / 50 / 0 / 57

HEX #5F366D

RGB 95 54 109

HSL 284.73, 0.34%, 0.32%

LAB 29.85, 28.55, -24.69

 

CMYK 27 / 50 / 0 / 57

HEX #50366D

RGB 80 54 109

HSL 268.36, 0.34%, 0.32%

LAB 27.97, 23.84, -27.77

 

CMYK 40 / 50 / 0 / 57

HEX #41366D

RGB 65 54 109

HSL 252, 0.34%, 0.32%

LAB 26.35, 19.37, -30.45

 

CMYK 0 / 50 / 14 / 57

HEX #6D365E

RGB 109 54 94

HSL 316.36, 0.34%, 0.32%

LAB 31.11, 30.17, -12.97

 

CMYK 0 / 67 / 19 / 52

HEX #7B2964

RGB 123 41 100

HSL 316.83, 0.5%, 0.32%

LAB 31.15, 42.33, -16.57

 

CMYK 0 / 80 / 22 / 47

HEX #881B6A

RGB 136 27 106

HSL 316.51, 0.67%, 0.32%

LAB 31.94, 51.94, -19.02

 

CMYK 0 / 91 / 25 / 42

HEX #950E70

RGB 149 14 112

HSL 316.44, 0.83%, 0.32%

LAB 33.72, 58.73, -19.89

 

CMYK 0 / 99 / 27 / 36

HEX #A20176

RGB 162 1 118

HSL 316.4, 0.99%, 0.32%

LAB 36.01, 63.93, -19.94

 

CMYK 0 / 50 / 14 / 57

HEX #6D365E

RGB 109 54 94

HSL 316.36, 0.34%, 0.32%

LAB 31.11, 30.17, -12.97

 

CMYK 0 / 30 / 8 / 62

HEX #604358

RGB 96 67 88

HSL 316.55, 0.18%, 0.32%

LAB 32.27, 16.34, -7.52

 

CMYK 0 / 4 / 1 / 67

HEX #535052

RGB 83 80 82

HSL 320, 0.02%, 0.32%

LAB 34.37, 1.65, -0.74

 

CMYK 25 / 0 / 18 / 64

HEX #465D4C

RGB 70 93 76

HSL 135.65, 0.14%, 0.32%

LAB 37.21, -12.59, 6.97

 

CMYK 47 / 0 / 35 / 58

HEX #396B46

RGB 57 107 70

HSL 135.6, 0.3%, 0.32%

LAB 40.94, -25.85, 15.64

 

CMYK 13 / 50 / 0 / 57

HEX #5F366D

RGB 95 54 109

HSL 284.73, 0.34%, 0.32%

LAB 29.85, 28.55, -24.69

 

CMYK 0 / 50 / 0 / 57

HEX #6D366D

RGB 109 54 109

HSL 300, 0.34%, 0.32%

LAB 31.79, 33.04, -21.51

 

CMYK 0 / 50 / 13 / 57

HEX #6D365F

RGB 109 54 95

HSL 315.27, 0.34%, 0.32%

LAB 31.15, 30.35, -13.55

 

CMYK 0 / 50 / 27 / 57

HEX #6D3650

RGB 109 54 80

HSL 331.64, 0.34%, 0.32%

LAB 30.57, 27.8, -4.72

 

CMYK 0 / 50 / 40 / 57

HEX #6D3641

RGB 109 54 65

HSL 348, 0.34%, 0.32%

LAB 30.09, 25.65, 4.38

 

CMYK 0 / 50 / 13 / 79

HEX #361B2F

RGB 54 27 47

HSL 315.56, 0.33%, 0.16%

LAB 14.25, 16.83, -7.6

 

CMYK 0 / 51 / 15 / 68

HEX #522846

RGB 82 40 70

HSL 317.14, 0.34%, 0.24%

LAB 22.84, 24.14, -10.13

 

CMYK 0 / 50 / 14 / 57

HEX #6D365E

RGB 109 54 94

HSL 316.36, 0.34%, 0.32%

LAB 31.11, 30.17, -12.97

 

CMYK 0 / 51 / 14 / 46

HEX #894376

RGB 137 67 118

HSL 316.29, 0.34%, 0.4%

LAB 38.97, 36.79, -15.74

 

CMYK 0 / 51 / 14 / 35

HEX #A5518E

RGB 165 81 142

HSL 316.43, 0.34%, 0.48%

LAB 46.76, 42.6, -18.09

 

CMYK 0 / 51 / 14 / 58

HEX #6C355D

RGB 108 53 93

HSL 316.36, 0.34%, 0.32%

LAB 30.7, 30.21, -12.96

 

CMYK 0 / 27 / 50 / 57

HEX #6D5036

RGB 109 80 54

HSL 28.36, 0.34%, 0.32%

LAB 36.47, 8.62, 20.02

 

CMYK 50 / 0 / 6 / 57

HEX #366D66

RGB 54 109 102

HSL 172.36, 0.34%, 0.32%

LAB 42.28, -20.07, -1.71

 

CMYK 0 / 51 / 14 / 58

HEX #6C355D

RGB 108 53 93

HSL 316.36, 0.34%, 0.32%

LAB 30.7, 30.21, -12.96

 

CMYK 13 / 0 / 50 / 57

HEX #5F6D36

RGB 95 109 54

HSL 75.27, 0.34%, 0.32%

LAB 43.71, -14.78, 28.79

 

CMYK 50 / 13 / 0 / 57

HEX #365F6D

RGB 54 95 109

HSL 195.27, 0.34%, 0.32%

LAB 37.97, -10.16, -12.42

 

CMYK 0 / 51 / 14 / 58

HEX #6C355D

RGB 108 53 93

HSL 316.36, 0.34%, 0.32%

LAB 30.7, 30.21, -12.96

 

CMYK 0 / 27 / 50 / 57

HEX #6D5036

RGB 109 80 54

HSL 28.36, 0.34%, 0.32%

LAB 36.47, 8.62, 20.02

 

CMYK 50 / 0 / 37 / 57

HEX #366D45

RGB 54 109 69

HSL 136.36, 0.34%, 0.32%

LAB 41.46, -27.95, 16.89

 

CMYK 50 / 24 / 0 / 57

HEX #36536D

RGB 54 83 109

HSL 208.36, 0.34%, 0.32%

LAB 34.14, -2.85, -18.29

 

CMYK 0 / 51 / 14 / 58

HEX #6C355D

RGB 108 53 93

HSL 316.36, 0.34%, 0.32%

LAB 30.7, 30.21, -12.96

 

CMYK 0 / 12 / 50 / 57

HEX #6D6036

RGB 109 96 54

HSL 45.82, 0.34%, 0.32%

LAB 41.03, -1.01, 25.78

 

CMYK 50 / 0 / 37 / 57

HEX #366D45

RGB 54 109 69

HSL 136.36, 0.34%, 0.32%

LAB 41.46, -27.95, 16.89

 

CMYK 50 / 39 / 0 / 57

HEX #36436D

RGB 54 67 109

HSL 225.82, 0.34%, 0.32%

LAB 29.17, 7.55, -26.05

 

Description

Color code: RGB 108 53 93 | qconv.com Color code: RGB 108 53 93 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 53 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 53 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 14 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 14% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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