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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 210 209 it is the complementary color RGB 147 45 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 210 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 210 209 shade: RGB 113 210 204, RGB 130 228 223, RGB 147 246 242, RGB 164 255 255 and RGB 181 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 210 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 210 209 shade: RGB 108 210 209, RGB 91 192 190, RGB 74 174 171, RGB 57 156 152 and RGB 40 138 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 210 209 shade: RGB 107 209 208, RGB 107 209 181, RGB 107 209 153, RGB 107 209 125 and RGB 116 209 107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 210 209 shade: RGB 107 209 208, RGB 107 183 209, RGB 107 155 209, RGB 107 127 209 and RGB 107 107 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 210 209 shade matches the following richer shades: RGB 107 209 208, RGB 91 225 224 and RGB 75 241 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 210 209 shade: RGB 107 209 208, RGB 122 194 193, RGB 138 178 178, RGB 154 162 162 and RGB 169 147 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 210 209 shade: RGB 107 209 153, RGB 107 209 180, RGB 107 209 208, RGB 107 184 209 and RGB 107 156 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 210 209 shade: RGB 55 179 178, RGB 75 200 199, RGB 107 209 208, RGB 138 219 218 and RGB 170 229 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 210 209 shade: RGB 108 210 209, RGB 126 107 209 and RGB 209 167 107

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 210 209 shade: RGB 108 210 209, RGB 208 107 209 and RGB 209 208 107

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 210 209 shade: RGB 108 210 209, RGB 126 107 209, RGB 209 107 108 and RGB 191 209 107

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 210 209 shade: RGB 108 210 209, RGB 156 107 209, RGB 209 107 108 and RGB 160 209 107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 0 / 18

HEX #6CD2D1

RGB 108 210 209

HSL 179.41, 0.53%, 0.62%

LAB 78.39, -29.88, -8.69

 

Complementary color

CMYK 0 / 69 / 69 / 42

HEX #932D2E

RGB 147 45 46

HSL 359.41, 0.53%, 0.38%

LAB 34.55, 42.74, 23.73

 

CMYK 46 / 0 / 3 / 18

HEX #71D2CC

RGB 113 210 204

HSL 176.29, 0.52%, 0.63%

LAB 78.44, -30.03, -5.91

 

CMYK 43 / 0 / 2 / 11

HEX #82E4DF

RGB 130 228 223

HSL 176.94, 0.64%, 0.7%

LAB 84.77, -30.01, -6.59

 

CMYK 40 / 0 / 2 / 4

HEX #93F6F2

RGB 147 246 242

HSL 177.58, 0.85%, 0.77%

LAB 91.02, -29.97, -7.23

 

CMYK 36 / 0 / 0 / 0

HEX #A4FFFF

RGB 164 255 255

HSL 180, 1%, 0.82%

LAB 94.58, -27.01, -8.61

 

CMYK 29 / 0 / 0 / 0

HEX #B5FFFF

RGB 181 255 255

HSL 180, 1%, 0.85%

LAB 95.4, -22.55, -7.31

 

CMYK 49 / 0 / 0 / 18

HEX #6CD2D1

RGB 108 210 209

HSL 179.41, 0.53%, 0.62%

LAB 78.39, -29.88, -8.69

 

CMYK 53 / 0 / 1 / 25

HEX #5BC0BE

RGB 91 192 190

HSL 178.81, 0.44%, 0.55%

LAB 71.99, -29.77, -7.99

 

CMYK 57 / 0 / 2 / 32

HEX #4AAEAB

RGB 74 174 171

HSL 178.2, 0.4%, 0.49%

LAB 65.49, -29.57, -7.24

 

CMYK 63 / 0 / 3 / 39

HEX #399C98

RGB 57 156 152

HSL 177.58, 0.46%, 0.42%

LAB 58.89, -29.22, -6.41

 

CMYK 71 / 0 / 4 / 46

HEX #288A85

RGB 40 138 133

HSL 176.94, 0.55%, 0.35%

LAB 52.2, -28.67, -5.48

 

CMYK 49 / 0 / 0 / 18

HEX #6BD1D0

RGB 107 209 208

HSL 179.41, 0.53%, 0.62%

LAB 78.04, -29.88, -8.68

 

CMYK 49 / 0 / 13 / 18

HEX #6BD1B5

RGB 107 209 181

HSL 163.53, 0.53%, 0.62%

LAB 77.32, -36.48, 4.76

 

CMYK 49 / 0 / 27 / 18

HEX #6BD199

RGB 107 209 153

HSL 147.06, 0.53%, 0.62%

LAB 76.7, -42.49, 18.81

 

CMYK 49 / 0 / 40 / 18

HEX #6BD17D

RGB 107 209 125

HSL 130.59, 0.53%, 0.62%

LAB 76.2, -47.53, 32.73

 

CMYK 44 / 0 / 49 / 18

HEX #74D16B

RGB 116 209 107

HSL 114.71, 0.53%, 0.62%

LAB 76.3, -47.64, 41.93

 

CMYK 49 / 0 / 0 / 18

HEX #6BD1D0

RGB 107 209 208

HSL 179.41, 0.53%, 0.62%

LAB 78.04, -29.88, -8.68

 

CMYK 49 / 12 / 0 / 18

HEX #6BB7D1

RGB 107 183 209

HSL 195.29, 0.53%, 0.62%

LAB 70.59, -16.55, -20.42

 

CMYK 49 / 26 / 0 / 18

HEX #6B9BD1

RGB 107 155 209

HSL 211.76, 0.53%, 0.62%

LAB 62.65, -1.28, -32.62

 

CMYK 49 / 39 / 0 / 18

HEX #6B7FD1

RGB 107 127 209

HSL 228.24, 0.53%, 0.62%

LAB 54.98, 15.11, -44.65

 

CMYK 49 / 49 / 0 / 18

HEX #6B6BD1

RGB 107 107 209

HSL 240, 0.53%, 0.62%

LAB 49.79, 27.22, -52.91

 

CMYK 49 / 0 / 0 / 18

HEX #6BD1D0

RGB 107 209 208

HSL 179.41, 0.53%, 0.62%

LAB 78.04, -29.88, -8.68

 

CMYK 60 / 0 / 0 / 12

HEX #5BE1E0

RGB 91 225 224

HSL 179.55, 0.69%, 0.62%

LAB 82.62, -36.29, -10.45

 

CMYK 69 / 0 / 1 / 5

HEX #4BF1EF

RGB 75 241 239

HSL 179.28, 0.86%, 0.62%

LAB 87.31, -41.84, -11.41

 

CMYK 49 / 0 / 0 / 18

HEX #6BD1D0

RGB 107 209 208

HSL 179.41, 0.53%, 0.62%

LAB 78.04, -29.88, -8.68

 

CMYK 37 / 0 / 1 / 24

HEX #7AC2C1

RGB 122 194 193

HSL 179.17, 0.37%, 0.62%

LAB 73.91, -22.67, -6.63

 

CMYK 22 / 0 / 0 / 30

HEX #8AB2B2

RGB 138 178 178

HSL 180, 0.21%, 0.62%

LAB 69.79, -13.35, -4.41

 

CMYK 5 / 0 / 0 / 36

HEX #9AA2A2

RGB 154 162 162

HSL 180, 0.04%, 0.62%

LAB 66, -2.84, -0.99

 

CMYK 0 / 13 / 13 / 34

HEX #A99393

RGB 169 147 147

HSL 0, 0.11%, 0.62%

LAB 62.85, 8.18, 3.01

 

CMYK 49 / 0 / 27 / 18

HEX #6BD199

RGB 107 209 153

HSL 147.06, 0.53%, 0.62%

LAB 76.7, -42.49, 18.81

 

CMYK 49 / 0 / 14 / 18

HEX #6BD1B4

RGB 107 209 180

HSL 162.94, 0.53%, 0.62%

LAB 77.29, -36.71, 5.26

 

CMYK 49 / 0 / 0 / 18

HEX #6BD1D0

RGB 107 209 208

HSL 179.41, 0.53%, 0.62%

LAB 78.04, -29.88, -8.68

 

CMYK 49 / 12 / 0 / 18

HEX #6BB8D1

RGB 107 184 209

HSL 194.71, 0.53%, 0.62%

LAB 70.88, -17.08, -19.98

 

CMYK 49 / 25 / 0 / 18

HEX #6B9CD1

RGB 107 156 209

HSL 211.18, 0.53%, 0.62%

LAB 62.93, -1.85, -32.18

 

CMYK 69 / 0 / 1 / 30

HEX #37B3B2

RGB 55 179 178

HSL 179.52, 0.53%, 0.46%

LAB 66.72, -33.11, -9.34

 

CMYK 63 / 0 / 0 / 22

HEX #4BC8C7

RGB 75 200 199

HSL 179.52, 0.53%, 0.54%

LAB 74.14, -34.09, -9.73

 

CMYK 49 / 0 / 0 / 18

HEX #6BD1D0

RGB 107 209 208

HSL 179.41, 0.53%, 0.62%

LAB 78.04, -29.88, -8.68

 

CMYK 37 / 0 / 0 / 14

HEX #8ADBDA

RGB 138 219 218

HSL 179.26, 0.53%, 0.7%

LAB 82.45, -24.88, -7.34

 

CMYK 26 / 0 / 0 / 10

HEX #AAE5E4

RGB 170 229 228

HSL 178.98, 0.53%, 0.78%

LAB 87.09, -18.79, -5.59

 

CMYK 49 / 0 / 0 / 18

HEX #6CD2D1

RGB 108 210 209

HSL 179.41, 0.53%, 0.62%

LAB 78.39, -29.88, -8.69

 

CMYK 40 / 49 / 0 / 18

HEX #7E6BD1

RGB 126 107 209

HSL 251.18, 0.53%, 0.62%

LAB 51.33, 31.72, -50.36

 

CMYK 0 / 20 / 49 / 18

HEX #D1A76B

RGB 209 167 107

HSL 35.29, 0.53%, 0.62%

LAB 71.05, 7.94, 36.75

 

CMYK 49 / 0 / 0 / 18

HEX #6CD2D1

RGB 108 210 209

HSL 179.41, 0.53%, 0.62%

LAB 78.39, -29.88, -8.69

 

CMYK 0 / 49 / 0 / 18

HEX #D06BD1

RGB 208 107 209

HSL 299.41, 0.53%, 0.62%

LAB 60.36, 54.02, -35.5

 

CMYK 0 / 0 / 49 / 18

HEX #D1D06B

RGB 209 208 107

HSL 59.41, 0.53%, 0.62%

LAB 81.69, -13.44, 49.8

 

CMYK 49 / 0 / 0 / 18

HEX #6CD2D1

RGB 108 210 209

HSL 179.41, 0.53%, 0.62%

LAB 78.39, -29.88, -8.69

 

CMYK 40 / 49 / 0 / 18

HEX #7E6BD1

RGB 126 107 209

HSL 251.18, 0.53%, 0.62%

LAB 51.33, 31.72, -50.36

 

CMYK 0 / 49 / 48 / 18

HEX #D16B6C

RGB 209 107 108

HSL 359.41, 0.53%, 0.62%

LAB 57.22, 40.21, 18.06

 

CMYK 9 / 0 / 49 / 18

HEX #BFD16B

RGB 191 209 107

HSL 70.59, 0.53%, 0.62%

LAB 80.59, -21.13, 48.16

 

CMYK 49 / 0 / 0 / 18

HEX #6CD2D1

RGB 108 210 209

HSL 179.41, 0.53%, 0.62%

LAB 78.39, -29.88, -8.69

 

CMYK 25 / 49 / 0 / 18

HEX #9C6BD1

RGB 156 107 209

HSL 268.82, 0.53%, 0.62%

LAB 54.22, 39.53, -45.58

 

CMYK 0 / 49 / 48 / 18

HEX #D16B6C

RGB 209 107 108

HSL 359.41, 0.53%, 0.62%

LAB 57.22, 40.21, 18.06

 

CMYK 23 / 0 / 49 / 18

HEX #A0D16B

RGB 160 209 107

HSL 88.82, 0.53%, 0.62%

LAB 78.54, -32.96, 45.19

 

Description

Color code: RGB 108 210 209 | qconv.com Color code: RGB 108 210 209 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 210 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 210 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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