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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 1 2 it is the complementary color RGB 147 254 253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 1 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 1 2 shade: RGB 113 1 0, RGB 130 19 16, RGB 147 37 35, RGB 164 55 54 and RGB 181 73 73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 1 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 1 2 shade: RGB 108 1 2, RGB 91 0 0, RGB 74 0 0, RGB 57 0 0 and RGB 40 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 1 2 shade: RGB 106 1 2 and RGB 106 1 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 1 2 shade: RGB 106 1 2, RGB 106 1 30, RGB 106 1 59, RGB 106 1 87 and RGB 97 1 106

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 1 2 shade matches the following richer shades: RGB 106 1 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 1 2 shade: RGB 106 1 2, RGB 97 10 11, RGB 89 18 19, RGB 80 27 28 and RGB 71 36 36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 1 2 shade: RGB 106 1 59, RGB 106 1 31, RGB 106 1 3, RGB 106 27 1 and RGB 106 55 1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 1 2 shade: RGB 24 0 0, RGB 65 1 1, RGB 106 1 2, RGB 147 1 3 and RGB 188 2 4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 1 2 shade: RGB 108 1 2, RGB 87 106 1 and RGB 1 45 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 1 2 shade: RGB 108 1 2, RGB 3 106 1 and RGB 1 3 106

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 1 2 shade: RGB 108 1 2, RGB 87 106 1, RGB 1 106 104 and RGB 20 1 106

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 1 2 shade: RGB 108 1 2, RGB 55 106 1, RGB 1 106 104 and RGB 52 1 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 98 / 58

HEX #6C0102

RGB 108 1 2

HSL 359.44, 0.98%, 0.21%

LAB 20.88, 42.37, 30.99

 

Complementary color

CMYK 42 / 0 / 0 / 0

HEX #93FEFD

RGB 147 254 253

HSL 179.44, 0.98%, 0.79%

LAB 93.53, -31.13, -9.22

 

CMYK 0 / 99 / 100 / 56

HEX #710100

RGB 113 1 0

HSL 0.53, 1%, 0.22%

LAB 22.06, 43.72, 33.43

 

CMYK 0 / 85 / 88 / 49

HEX #821310

RGB 130 19 16

HSL 1.58, 0.78%, 0.29%

LAB 27.43, 45.09, 32.99

 

CMYK 0 / 75 / 76 / 42

HEX #932523

RGB 147 37 35

HSL 1.07, 0.62%, 0.36%

LAB 33.24, 45.37, 28.96

 

CMYK 0 / 66 / 67 / 36

HEX #A43736

RGB 164 55 54

HSL 0.55, 0.5%, 0.43%

LAB 39.4, 44.81, 25.46

 

CMYK 0 / 60 / 60 / 29

HEX #B54949

RGB 181 73 73

HSL 0, 0.43%, 0.5%

LAB 45.73, 43.87, 22.6

 

CMYK 0 / 99 / 98 / 58

HEX #6C0102

RGB 108 1 2

HSL 359.44, 0.98%, 0.21%

LAB 20.88, 42.37, 30.99

 

CMYK 0 / 100 / 100 / 64

HEX #5B0000

RGB 91 0 0

HSL 0, 1%, 0.18%

LAB 16.62, 37.75, 25.77

 

CMYK 0 / 100 / 100 / 71

HEX #4A0000

RGB 74 0 0

HSL 0, 1%, 0.15%

LAB 12.32, 32.77, 19.36

 

CMYK 0 / 100 / 100 / 78

HEX #390000

RGB 57 0 0

HSL 0, 1%, 0.11%

LAB 7.86, 27.6, 12.42

 

CMYK 0 / 100 / 100 / 84

HEX #280000

RGB 40 0 0

HSL 0, 1%, 0.08%

LAB 4.07, 18.26, 6.44

 

CMYK 0 / 99 / 98 / 58

HEX #6A0102

RGB 106 1 2

HSL 359.43, 0.98%, 0.21%

LAB 20.4, 41.8, 30.32

 

CMYK 0 / 99 / 99 / 58

HEX #6A0101

RGB 106 1 1

HSL 0, 0.98%, 0.21%

LAB 20.39, 41.78, 30.72

 

CMYK 0 / 99 / 98 / 58

HEX #6A0102

RGB 106 1 2

HSL 359.43, 0.98%, 0.21%

LAB 20.4, 41.8, 30.32

 

CMYK 0 / 99 / 72 / 58

HEX #6A011E

RGB 106 1 30

HSL 343.43, 0.98%, 0.21%

LAB 20.75, 42.75, 15.25

 

CMYK 0 / 99 / 44 / 58

HEX #6A013B

RGB 106 1 59

HSL 326.86, 0.98%, 0.21%

LAB 21.59, 44.99, -4.03

 

CMYK 0 / 99 / 18 / 58

HEX #6A0157

RGB 106 1 87

HSL 310.86, 0.98%, 0.21%

LAB 22.91, 48.4, -21.12

 

CMYK 8 / 99 / 0 / 58

HEX #61016A

RGB 97 1 106

HSL 294.86, 0.98%, 0.21%

LAB 22.32, 49.71, -34.72

 

CMYK 0 / 99 / 98 / 58

HEX #6A0102

RGB 106 1 2

HSL 359.43, 0.98%, 0.21%

LAB 20.4, 41.8, 30.32

 

CMYK 0 / 99 / 98 / 58

HEX #6A0102

RGB 106 1 2

HSL 359.43, 0.98%, 0.21%

LAB 20.4, 41.8, 30.32

 

CMYK 0 / 90 / 89 / 62

HEX #610A0B

RGB 97 10 11

HSL 359.31, 0.81%, 0.21%

LAB 19.15, 37.06, 24.65

 

CMYK 0 / 80 / 79 / 65

HEX #591213

RGB 89 18 19

HSL 359.15, 0.66%, 0.21%

LAB 18.38, 32.07, 19.05

 

CMYK 0 / 66 / 65 / 69

HEX #501B1C

RGB 80 27 28

HSL 358.87, 0.5%, 0.21%

LAB 18.25, 24.99, 12.31

 

CMYK 0 / 49 / 49 / 72

HEX #472424

RGB 71 36 36

HSL 0, 0.33%, 0.21%

LAB 18.92, 16.57, 7.37

 

CMYK 0 / 99 / 44 / 58

HEX #6A013B

RGB 106 1 59

HSL 326.86, 0.98%, 0.21%

LAB 21.59, 44.99, -4.03

 

CMYK 0 / 99 / 71 / 58

HEX #6A011F

RGB 106 1 31

HSL 342.86, 0.98%, 0.21%

LAB 20.77, 42.81, 14.57

 

CMYK 0 / 99 / 97 / 58

HEX #6A0103

RGB 106 1 3

HSL 358.86, 0.98%, 0.21%

LAB 20.41, 41.82, 29.92

 

CMYK 0 / 75 / 99 / 58

HEX #6A1B01

RGB 106 27 1

HSL 14.86, 0.98%, 0.21%

LAB 23.17, 33.96, 33.69

 

CMYK 0 / 48 / 99 / 58

HEX #6A3701

RGB 106 55 1

HSL 30.86, 0.98%, 0.21%

LAB 28.9, 19.16, 38.92

 

CMYK 0 / 100 / 100 / 91

HEX #180000

RGB 24 0 0

HSL 0, 1%, 0.05%

LAB 1.75, 7.87, 2.77

 

CMYK 0 / 98 / 98 / 75

HEX #410101

RGB 65 1 1

HSL 0, 0.97%, 0.13%

LAB 10.17, 29.63, 15.6

 

CMYK 0 / 99 / 98 / 58

HEX #6A0102

RGB 106 1 2

HSL 359.43, 0.98%, 0.21%

LAB 20.4, 41.8, 30.32

 

CMYK 0 / 99 / 98 / 42

HEX #930103

RGB 147 1 3

HSL 359.18, 0.99%, 0.29%

LAB 29.99, 53.02, 42.36

 

CMYK 0 / 99 / 98 / 26

HEX #BC0204

RGB 188 2 4

HSL 359.35, 0.98%, 0.37%

LAB 39.15, 63.53, 51.93

 

CMYK 0 / 99 / 98 / 58

HEX #6C0102

RGB 108 1 2

HSL 359.44, 0.98%, 0.21%

LAB 20.88, 42.37, 30.99

 

CMYK 18 / 0 / 99 / 58

HEX #576A01

RGB 87 106 1

HSL 70.86, 0.98%, 0.21%

LAB 41.75, -20.25, 47.41

 

CMYK 99 / 58 / 0 / 58

HEX #012D6A

RGB 1 45 106

HSL 214.86, 0.98%, 0.21%

LAB 19.74, 13.14, -39.36

 

CMYK 0 / 99 / 98 / 58

HEX #6C0102

RGB 108 1 2

HSL 359.44, 0.98%, 0.21%

LAB 20.88, 42.37, 30.99

 

CMYK 97 / 0 / 99 / 58

HEX #036A01

RGB 3 106 1

HSL 118.86, 0.98%, 0.21%

LAB 38.43, -44.82, 43.38

 

CMYK 99 / 97 / 0 / 58

HEX #01036A

RGB 1 3 106

HSL 238.86, 0.98%, 0.21%

LAB 9.89, 39.94, -55.6

 

CMYK 0 / 99 / 98 / 58

HEX #6C0102

RGB 108 1 2

HSL 359.44, 0.98%, 0.21%

LAB 20.88, 42.37, 30.99

 

CMYK 18 / 0 / 99 / 58

HEX #576A01

RGB 87 106 1

HSL 70.86, 0.98%, 0.21%

LAB 41.75, -20.25, 47.41

 

CMYK 99 / 0 / 2 / 58

HEX #016A68

RGB 1 106 104

HSL 178.86, 0.98%, 0.21%

LAB 40.1, -25.81, -6.28

 

CMYK 81 / 99 / 0 / 58

HEX #14016A

RGB 20 1 106

HSL 250.86, 0.98%, 0.21%

LAB 10.64, 41.43, -54.33

 

CMYK 0 / 99 / 98 / 58

HEX #6C0102

RGB 108 1 2

HSL 359.44, 0.98%, 0.21%

LAB 20.88, 42.37, 30.99

 

CMYK 48 / 0 / 99 / 58

HEX #376A01

RGB 55 106 1

HSL 89.14, 0.98%, 0.21%

LAB 39.79, -33.55, 45.04

 

CMYK 99 / 0 / 2 / 58

HEX #016A68

RGB 1 106 104

HSL 178.86, 0.98%, 0.21%

LAB 40.1, -25.81, -6.28

 

CMYK 51 / 99 / 0 / 58

HEX #34016A

RGB 52 1 106

HSL 269.14, 0.98%, 0.21%

LAB 14.36, 43.48, -48.05

 

Description

Color code: RGB 108 1 2 | qconv.com Color code: RGB 108 1 2 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 1 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 1 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 98 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 98% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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