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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 162 192 it is the complementary color RGB 147 93 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 162 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 162 192 shade: RGB 113 162 187, RGB 130 180 206, RGB 147 198 225, RGB 164 216 244 and RGB 181 234 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 162 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 162 192 shade: RGB 108 162 192, RGB 91 144 173, RGB 74 126 154, RGB 57 108 135 and RGB 40 90 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 162 192 shade: RGB 109 162 192, RGB 109 140 192, RGB 109 117 192, RGB 123 109 192 and RGB 145 109 192

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 162 192 shade: RGB 109 162 192, RGB 109 140 192, RGB 109 117 192 and RGB 109 109 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 162 192 shade matches the following richer shades: RGB 109 162 192, RGB 92 167 209, RGB 75 172 226 and RGB 58 177 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 162 192 shade: RGB 109 162 192, RGB 126 158 175, RGB 142 153 158, RGB 159 148 142 and RGB 176 143 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 162 192 shade: RGB 109 192 177, RGB 109 185 192, RGB 109 163 192, RGB 109 141 192 and RGB 109 118 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 162 192 shade: RGB 66 122 153, RGB 80 144 180, RGB 109 162 192, RGB 138 181 205 and RGB 166 199 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 162 192 shade: RGB 108 162 192, RGB 155 109 192 and RGB 192 188 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 162 192 shade: RGB 108 162 192, RGB 192 109 163 and RGB 163 192 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 162 192 shade: RGB 108 162 192, RGB 155 109 192, RGB 192 138 109 and RGB 146 192 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 162 192 shade: RGB 108 162 192, RGB 180 109 192, RGB 192 138 109 and RGB 121 192 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 16 / 0 / 25

HEX #6CA2C0

RGB 108 162 192

HSL 201.43, 0.4%, 0.59%

LAB 64.03, -9.82, -21.01

 

Complementary color

CMYK 0 / 37 / 57 / 42

HEX #935D3F

RGB 147 93 63

HSL 21.43, 0.4%, 0.41%

LAB 44.79, 18.83, 26.27

 

CMYK 40 / 13 / 0 / 27

HEX #71A2BB

RGB 113 162 187

HSL 200.27, 0.35%, 0.59%

LAB 64.11, -9.87, -18.07

 

CMYK 37 / 13 / 0 / 19

HEX #82B4CE

RGB 130 180 206

HSL 200.53, 0.44%, 0.66%

LAB 70.76, -9.99, -18.41

 

CMYK 35 / 12 / 0 / 12

HEX #93C6E1

RGB 147 198 225

HSL 200.77, 0.57%, 0.73%

LAB 77.3, -10.1, -18.75

 

CMYK 33 / 11 / 0 / 4

HEX #A4D8F4

RGB 164 216 244

HSL 201, 0.78%, 0.8%

LAB 83.72, -10.19, -19.1

 

CMYK 29 / 8 / 0 / 0

HEX #B5EAFF

RGB 181 234 255

HSL 197.03, 1%, 0.85%

LAB 89.81, -12.13, -15.64

 

CMYK 44 / 16 / 0 / 25

HEX #6CA2C0

RGB 108 162 192

HSL 201.43, 0.4%, 0.59%

LAB 64.03, -9.82, -21.01

 

CMYK 47 / 17 / 0 / 32

HEX #5B90AD

RGB 91 144 173

HSL 201.22, 0.33%, 0.52%

LAB 57.26, -9.56, -20.71

 

CMYK 52 / 18 / 0 / 40

HEX #4A7E9A

RGB 74 126 154

HSL 201, 0.35%, 0.45%

LAB 50.35, -9.23, -20.4

 

CMYK 58 / 20 / 0 / 47

HEX #396C87

RGB 57 108 135

HSL 200.77, 0.41%, 0.38%

LAB 43.28, -8.76, -20.09

 

CMYK 66 / 22 / 0 / 55

HEX #285A74

RGB 40 90 116

HSL 200.53, 0.49%, 0.31%

LAB 36.03, -8.08, -19.77

 

CMYK 43 / 16 / 0 / 25

HEX #6DA2C0

RGB 109 162 192

HSL 201.69, 0.4%, 0.59%

LAB 64.08, -9.56, -20.93

 

CMYK 43 / 27 / 0 / 25

HEX #6D8CC0

RGB 109 140 192

HSL 217.59, 0.4%, 0.59%

LAB 57.86, 2.85, -30.5

 

CMYK 43 / 39 / 0 / 25

HEX #6D75C0

RGB 109 117 192

HSL 234.22, 0.4%, 0.59%

LAB 51.59, 16.52, -40.32

 

CMYK 36 / 43 / 0 / 25

HEX #7B6DC0

RGB 123 109 192

HSL 250.12, 0.4%, 0.59%

LAB 50.63, 25.05, -41.75

 

CMYK 24 / 43 / 0 / 25

HEX #916DC0

RGB 145 109 192

HSL 266.02, 0.4%, 0.59%

LAB 52.69, 31.23, -38.37

 

CMYK 43 / 16 / 0 / 25

HEX #6DA2C0

RGB 109 162 192

HSL 201.69, 0.4%, 0.59%

LAB 64.08, -9.56, -20.93

 

CMYK 43 / 27 / 0 / 25

HEX #6D8CC0

RGB 109 140 192

HSL 217.59, 0.4%, 0.59%

LAB 57.86, 2.85, -30.5

 

CMYK 43 / 39 / 0 / 25

HEX #6D75C0

RGB 109 117 192

HSL 234.22, 0.4%, 0.59%

LAB 51.59, 16.52, -40.32

 

CMYK 43 / 43 / 0 / 25

HEX #6D6DC0

RGB 109 109 192

HSL 240, 0.4%, 0.59%

LAB 49.49, 21.37, -43.64

 

CMYK 43 / 16 / 0 / 25

HEX #6DA2C0

RGB 109 162 192

HSL 201.69, 0.4%, 0.59%

LAB 64.08, -9.56, -20.93

 

CMYK 56 / 20 / 0 / 18

HEX #5CA7D1

RGB 92 167 209

HSL 201.54, 0.56%, 0.59%

LAB 65.37, -11.28, -28.47

 

CMYK 67 / 24 / 0 / 11

HEX #4BACE2

RGB 75 172 226

HSL 201.46, 0.72%, 0.59%

LAB 66.89, -11.72, -35.53

 

CMYK 76 / 27 / 0 / 5

HEX #3AB1F3

RGB 58 177 243

HSL 201.41, 0.89%, 0.59%

LAB 68.62, -11.03, -42.16

 

CMYK 43 / 16 / 0 / 25

HEX #6DA2C0

RGB 109 162 192

HSL 201.69, 0.4%, 0.59%

LAB 64.08, -9.56, -20.93

 

CMYK 28 / 10 / 0 / 31

HEX #7E9EAF

RGB 126 158 175

HSL 200.82, 0.23%, 0.59%

LAB 63.33, -7.01, -12.45

 

CMYK 10 / 3 / 0 / 38

HEX #8E999E

RGB 142 153 158

HSL 198.75, 0.08%, 0.59%

LAB 62.51, -2.89, -3.98

 

CMYK 0 / 7 / 11 / 38

HEX #9F948E

RGB 159 148 142

HSL 21.18, 0.08%, 0.59%

LAB 62.09, 2.98, 4.62

 

CMYK 0 / 19 / 29 / 31

HEX #B08F7D

RGB 176 143 125

HSL 21.18, 0.24%, 0.59%

LAB 61.96, 9.72, 14.27

 

CMYK 43 / 0 / 8 / 25

HEX #6DC0B1

RGB 109 192 177

HSL 169.16, 0.4%, 0.59%

LAB 72.31, -28.91, -0.34

 

CMYK 43 / 4 / 0 / 25

HEX #6DB9C0

RGB 109 185 192

HSL 185.06, 0.4%, 0.59%

LAB 70.7, -21.69, -10.93

 

CMYK 43 / 15 / 0 / 25

HEX #6DA3C0

RGB 109 163 192

HSL 200.96, 0.4%, 0.59%

LAB 64.36, -10.11, -20.49

 

CMYK 43 / 27 / 0 / 25

HEX #6D8DC0

RGB 109 141 192

HSL 216.87, 0.4%, 0.59%

LAB 58.14, 2.27, -30.07

 

CMYK 43 / 39 / 0 / 25

HEX #6D76C0

RGB 109 118 192

HSL 233.49, 0.4%, 0.59%

LAB 51.85, 15.91, -39.9

 

CMYK 57 / 20 / 0 / 40

HEX #427A99

RGB 66 122 153

HSL 201.38, 0.4%, 0.43%

LAB 48.73, -9.08, -22.33

 

CMYK 56 / 20 / 0 / 29

HEX #5090B4

RGB 80 144 180

HSL 201.6, 0.4%, 0.51%

LAB 57.02, -10.01, -25.1

 

CMYK 43 / 16 / 0 / 25

HEX #6DA2C0

RGB 109 162 192

HSL 201.69, 0.4%, 0.59%

LAB 64.08, -9.56, -20.93

 

CMYK 33 / 12 / 0 / 20

HEX #8AB5CD

RGB 138 181 205

HSL 201.49, 0.4%, 0.67%

LAB 71.46, -8.56, -16.77

 

CMYK 24 / 8 / 0 / 15

HEX #A6C7D9

RGB 166 199 217

HSL 201.18, 0.4%, 0.75%

LAB 78.44, -7.04, -12.61

 

CMYK 44 / 16 / 0 / 25

HEX #6CA2C0

RGB 108 162 192

HSL 201.43, 0.4%, 0.59%

LAB 64.03, -9.82, -21.01

 

CMYK 19 / 43 / 0 / 25

HEX #9B6DC0

RGB 155 109 192

HSL 273.25, 0.4%, 0.59%

LAB 53.72, 34.15, -36.68

 

CMYK 0 / 2 / 43 / 25

HEX #C0BC6D

RGB 192 188 109

HSL 57.11, 0.4%, 0.59%

LAB 75, -9.95, 40.35

 

CMYK 44 / 16 / 0 / 25

HEX #6CA2C0

RGB 108 162 192

HSL 201.43, 0.4%, 0.59%

LAB 64.03, -9.82, -21.01

 

CMYK 0 / 43 / 15 / 25

HEX #C06DA3

RGB 192 109 163

HSL 320.96, 0.4%, 0.59%

LAB 56.87, 40.21, -14.75

 

CMYK 15 / 0 / 43 / 25

HEX #A3C06D

RGB 163 192 109

HSL 80.96, 0.4%, 0.59%

LAB 73.93, -23.47, 38.54

 

CMYK 44 / 16 / 0 / 25

HEX #6CA2C0

RGB 108 162 192

HSL 201.43, 0.4%, 0.59%

LAB 64.03, -9.82, -21.01

 

CMYK 19 / 43 / 0 / 25

HEX #9B6DC0

RGB 155 109 192

HSL 273.25, 0.4%, 0.59%

LAB 53.72, 34.15, -36.68

 

CMYK 0 / 28 / 43 / 25

HEX #C08A6D

RGB 192 138 109

HSL 20.96, 0.4%, 0.59%

LAB 62.07, 16.97, 23.67

 

CMYK 24 / 0 / 43 / 25

HEX #92C06D

RGB 146 192 109

HSL 93.25, 0.4%, 0.59%

LAB 72.84, -29.85, 36.93

 

CMYK 44 / 16 / 0 / 25

HEX #6CA2C0

RGB 108 162 192

HSL 201.43, 0.4%, 0.59%

LAB 64.03, -9.82, -21.01

 

CMYK 6 / 43 / 0 / 25

HEX #B46DC0

RGB 180 109 192

HSL 291.33, 0.4%, 0.59%

LAB 56.53, 41.62, -32.08

 

CMYK 0 / 28 / 43 / 25

HEX #C08A6D

RGB 192 138 109

HSL 20.96, 0.4%, 0.59%

LAB 62.07, 16.97, 23.67

 

CMYK 37 / 0 / 43 / 25

HEX #79C06D

RGB 121 192 109

HSL 111.33, 0.4%, 0.59%

LAB 71.47, -38.49, 34.91

 

Description

Color code: RGB 108 162 192 | qconv.com Color code: RGB 108 162 192 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 162 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 162 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 16 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 16% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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