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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 155 103 it is the complementary color RGB 147 100 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 155 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 155 103 shade: RGB 113 155 98, RGB 130 173 117, RGB 147 191 136, RGB 164 209 155 and RGB 181 227 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 155 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 155 103 shade: RGB 108 155 103, RGB 91 137 84, RGB 74 119 65, RGB 57 101 46 and RGB 40 83 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 155 103 shade: RGB 109 156 104, RGB 123 156 104, RGB 137 156 104, RGB 151 156 104 and RGB 156 147 104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 155 103 shade: RGB 109 156 104, RGB 104 156 113, RGB 104 156 127, RGB 104 156 141 and RGB 104 156 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 155 103 shade matches the following richer shades: RGB 109 156 104, RGB 93 177 84, RGB 76 197 63, RGB 60 217 43 and RGB 44 237 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 155 103 shade: RGB 109 156 104, RGB 125 136 124, RGB 142 116 144, RGB 158 96 164 and RGB 174 75 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 155 103 shade: RGB 137 156 104, RGB 123 156 104, RGB 109 156 104, RGB 104 156 113 and RGB 104 156 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 155 103 shade: RGB 74 107 70, RGB 91 132 86, RGB 109 156 104, RGB 133 173 129 and RGB 157 189 154

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 155 103 shade: RGB 108 155 103, RGB 104 151 156 and RGB 156 104 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 155 103 shade: RGB 108 155 103, RGB 104 109 156 and RGB 156 104 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 155 103 shade: RGB 108 155 103, RGB 104 151 156, RGB 151 104 156 and RGB 156 109 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 155 103 shade: RGB 108 155 103, RGB 104 135 156, RGB 151 104 156 and RGB 156 125 104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 34 / 39

HEX #6C9B67

RGB 108 155 103

HSL 114.23, 0.21%, 0.51%

LAB 59.53, -26.44, 22.35

 

Complementary color

CMYK 3 / 34 / 0 / 40

HEX #936498

RGB 147 100 152

HSL 294.23, 0.21%, 0.49%

LAB 48.99, 28.07, -20.82

 

CMYK 27 / 0 / 37 / 39

HEX #719B62

RGB 113 155 98

HSL 104.21, 0.23%, 0.5%

LAB 59.74, -25.46, 25.41

 

CMYK 25 / 0 / 32 / 32

HEX #82AD75

RGB 130 173 117

HSL 106.07, 0.25%, 0.57%

LAB 66.46, -25.28, 24.24

 

CMYK 23 / 0 / 29 / 25

HEX #93BF88

RGB 147 191 136

HSL 108, 0.3%, 0.64%

LAB 73.05, -25.09, 23.14

 

CMYK 22 / 0 / 26 / 18

HEX #A4D19B

RGB 164 209 155

HSL 110, 0.37%, 0.71%

LAB 79.53, -24.92, 22.11

 

CMYK 20 / 0 / 23 / 11

HEX #B5E3AE

RGB 181 227 174

HSL 112.08, 0.49%, 0.79%

LAB 85.92, -24.75, 21.13

 

CMYK 30 / 0 / 34 / 39

HEX #6C9B67

RGB 108 155 103

HSL 114.23, 0.21%, 0.51%

LAB 59.53, -26.44, 22.35

 

CMYK 34 / 0 / 39 / 46

HEX #5B8954

RGB 91 137 84

HSL 112.08, 0.24%, 0.43%

LAB 52.68, -26.68, 23.57

 

CMYK 38 / 0 / 45 / 53

HEX #4A7741

RGB 74 119 65

HSL 110, 0.29%, 0.36%

LAB 45.68, -26.89, 24.89

 

CMYK 44 / 0 / 54 / 60

HEX #39652E

RGB 57 101 46

HSL 108, 0.37%, 0.29%

LAB 38.51, -27.03, 26.26

 

CMYK 52 / 0 / 67 / 67

HEX #28531B

RGB 40 83 27

HSL 106.07, 0.51%, 0.22%

LAB 31.15, -26.95, 27.55

 

CMYK 30 / 0 / 33 / 39

HEX #6D9C68

RGB 109 156 104

HSL 114.23, 0.21%, 0.51%

LAB 59.91, -26.42, 22.32

 

CMYK 21 / 0 / 33 / 39

HEX #7B9C68

RGB 123 156 104

HSL 98.08, 0.21%, 0.51%

LAB 60.77, -21.35, 23.62

 

CMYK 12 / 0 / 33 / 39

HEX #899C68

RGB 137 156 104

HSL 81.92, 0.21%, 0.51%

LAB 61.74, -15.98, 25.07

 

CMYK 3 / 0 / 33 / 39

HEX #979C68

RGB 151 156 104

HSL 65.77, 0.21%, 0.51%

LAB 62.81, -10.39, 26.68

 

CMYK 0 / 6 / 33 / 39

HEX #9C9368

RGB 156 147 104

HSL 49.62, 0.21%, 0.51%

LAB 60.72, -3.48, 24.01

 

CMYK 30 / 0 / 33 / 39

HEX #6D9C68

RGB 109 156 104

HSL 114.23, 0.21%, 0.51%

LAB 59.91, -26.42, 22.32

 

CMYK 33 / 0 / 28 / 39

HEX #689C71

RGB 104 156 113

HSL 130.38, 0.21%, 0.51%

LAB 59.81, -26.53, 17.16

 

CMYK 33 / 0 / 19 / 39

HEX #689C7F

RGB 104 156 127

HSL 146.54, 0.21%, 0.51%

LAB 60.12, -23.77, 9.75

 

CMYK 33 / 0 / 10 / 39

HEX #689C8D

RGB 104 156 141

HSL 162.69, 0.21%, 0.51%

LAB 60.47, -20.72, 2.35

 

CMYK 33 / 0 / 1 / 39

HEX #689C9B

RGB 104 156 155

HSL 178.85, 0.21%, 0.51%

LAB 60.86, -17.4, -4.99

 

CMYK 30 / 0 / 33 / 39

HEX #6D9C68

RGB 109 156 104

HSL 114.23, 0.21%, 0.51%

LAB 59.91, -26.42, 22.32

 

CMYK 47 / 0 / 53 / 31

HEX #5DB154

RGB 93 177 84

HSL 114.19, 0.37%, 0.51%

LAB 65.29, -44.15, 39.5

 

CMYK 61 / 0 / 68 / 23

HEX #4CC53F

RGB 76 197 63

HSL 114.18, 0.54%, 0.51%

LAB 70.75, -58.59, 54.98

 

CMYK 72 / 0 / 80 / 15

HEX #3CD92B

RGB 60 217 43

HSL 114.14, 0.7%, 0.51%

LAB 76.53, -69.71, 67.38

 

CMYK 81 / 0 / 90 / 7

HEX #2CED17

RGB 44 237 23

HSL 114.11, 0.86%, 0.51%

LAB 82.47, -78.5, 76.74

 

CMYK 30 / 0 / 33 / 39

HEX #6D9C68

RGB 109 156 104

HSL 114.23, 0.21%, 0.51%

LAB 59.91, -26.42, 22.32

 

CMYK 8 / 0 / 9 / 47

HEX #7D887C

RGB 125 136 124

HSL 115, 0.05%, 0.51%

LAB 55.51, -6.43, 5.06

 

CMYK 1 / 19 / 0 / 44

HEX #8E7490

RGB 142 116 144

HSL 295.71, 0.11%, 0.51%

LAB 52.12, 15.36, -11.39

 

CMYK 4 / 41 / 0 / 36

HEX #9E60A4

RGB 158 96 164

HSL 294.71, 0.27%, 0.51%

LAB 49.88, 36.34, -26.41

 

CMYK 6 / 59 / 0 / 27

HEX #AE4BB9

RGB 174 75 185

HSL 294, 0.44%, 0.51%

LAB 48.93, 55.7, -40.03

 

CMYK 12 / 0 / 33 / 39

HEX #899C68

RGB 137 156 104

HSL 81.92, 0.21%, 0.51%

LAB 61.74, -15.98, 25.07

 

CMYK 21 / 0 / 33 / 39

HEX #7B9C68

RGB 123 156 104

HSL 98.08, 0.21%, 0.51%

LAB 60.77, -21.35, 23.62

 

CMYK 30 / 0 / 33 / 39

HEX #6D9C68

RGB 109 156 104

HSL 114.23, 0.21%, 0.51%

LAB 59.91, -26.42, 22.32

 

CMYK 33 / 0 / 28 / 39

HEX #689C71

RGB 104 156 113

HSL 130.38, 0.21%, 0.51%

LAB 59.81, -26.53, 17.16

 

CMYK 33 / 0 / 19 / 39

HEX #689C7F

RGB 104 156 127

HSL 146.54, 0.21%, 0.51%

LAB 60.12, -23.77, 9.75

 

CMYK 31 / 0 / 35 / 58

HEX #4A6B46

RGB 74 107 70

HSL 113.51, 0.21%, 0.35%

LAB 41.87, -19.96, 17.04

 

CMYK 31 / 0 / 35 / 48

HEX #5B8456

RGB 91 132 86

HSL 113.48, 0.21%, 0.43%

LAB 51.15, -23.85, 20.43

 

CMYK 30 / 0 / 33 / 39

HEX #6D9C68

RGB 109 156 104

HSL 114.23, 0.21%, 0.51%

LAB 59.91, -26.42, 22.32

 

CMYK 23 / 0 / 25 / 32

HEX #85AD81

RGB 133 173 129

HSL 114.55, 0.21%, 0.59%

LAB 66.87, -22.22, 18.32

 

CMYK 17 / 0 / 19 / 26

HEX #9DBD9A

RGB 157 189 154

HSL 114.86, 0.21%, 0.67%

LAB 73.48, -17.55, 14.17

 

CMYK 30 / 0 / 34 / 39

HEX #6C9B67

RGB 108 155 103

HSL 114.23, 0.21%, 0.51%

LAB 59.53, -26.44, 22.35

 

CMYK 33 / 3 / 0 / 39

HEX #68979C

RGB 104 151 156

HSL 185.77, 0.21%, 0.51%

LAB 59.41, -14.49, -7.7

 

CMYK 0 / 33 / 17 / 39

HEX #9C6882

RGB 156 104 130

HSL 330, 0.21%, 0.51%

LAB 50.19, 24.86, -5.86

 

CMYK 30 / 0 / 34 / 39

HEX #6C9B67

RGB 108 155 103

HSL 114.23, 0.21%, 0.51%

LAB 59.53, -26.44, 22.35

 

CMYK 33 / 30 / 0 / 39

HEX #686D9C

RGB 104 109 156

HSL 234.23, 0.21%, 0.51%

LAB 47.34, 9.67, -26.06

 

CMYK 0 / 33 / 30 / 39

HEX #9C686D

RGB 156 104 109

HSL 354.23, 0.21%, 0.51%

LAB 49.58, 21.59, 5.75

 

CMYK 30 / 0 / 34 / 39

HEX #6C9B67

RGB 108 155 103

HSL 114.23, 0.21%, 0.51%

LAB 59.53, -26.44, 22.35

 

CMYK 33 / 3 / 0 / 39

HEX #68979C

RGB 104 151 156

HSL 185.77, 0.21%, 0.51%

LAB 59.41, -14.49, -7.7

 

CMYK 3 / 33 / 0 / 39

HEX #97689C

RGB 151 104 156

HSL 294.23, 0.21%, 0.51%

LAB 50.55, 27.93, -20.75

 

CMYK 0 / 30 / 33 / 39

HEX #9C6D68

RGB 156 109 104

HSL 5.77, 0.21%, 0.51%

LAB 50.69, 18.02, 10.28

 

CMYK 30 / 0 / 34 / 39

HEX #6C9B67

RGB 108 155 103

HSL 114.23, 0.21%, 0.51%

LAB 59.53, -26.44, 22.35

 

CMYK 33 / 13 / 0 / 39

HEX #68879C

RGB 104 135 156

HSL 204.23, 0.21%, 0.51%

LAB 54.73, -5.64, -14.73

 

CMYK 3 / 33 / 0 / 39

HEX #97689C

RGB 151 104 156

HSL 294.23, 0.21%, 0.51%

LAB 50.55, 27.93, -20.75

 

CMYK 0 / 20 / 33 / 39

HEX #9C7D68

RGB 156 125 104

HSL 24.23, 0.21%, 0.51%

LAB 54.8, 8.85, 15.99

 

Description

Color code: RGB 108 155 103 | qconv.com Color code: RGB 108 155 103 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 155 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 155 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 34 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 34% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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