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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 151 93 it is the complementary color RGB 147 104 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 151 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 151 93 shade: RGB 113 151 88, RGB 130 169 107, RGB 147 187 126, RGB 164 205 145 and RGB 181 223 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 151 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 151 93 shade: RGB 108 151 93, RGB 91 133 74, RGB 74 115 55, RGB 57 97 36 and RGB 40 79 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 151 93 shade: RGB 108 151 93, RGB 124 151 93, RGB 139 151 93, RGB 151 147 93 and RGB 151 131 93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 151 93 shade: RGB 108 151 93, RGB 93 151 93, RGB 93 151 109, RGB 93 151 125 and RGB 93 151 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 151 93 shade matches the following richer shades: RGB 108 151 93, RGB 98 171 73, RGB 89 191 53, RGB 79 211 33 and RGB 69 230 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 151 93 shade: RGB 108 151 93, RGB 117 131 112, RGB 127 112 132, RGB 136 92 152 and RGB 146 72 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 151 93 shade: RGB 140 151 93, RGB 124 151 93, RGB 108 151 93, RGB 93 151 93 and RGB 93 151 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 151 93 shade: RGB 71 100 61, RGB 89 126 77, RGB 108 151 93, RGB 130 169 116 and RGB 153 185 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 151 93 shade: RGB 108 151 93, RGB 93 151 147 and RGB 151 93 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 151 93 shade: RGB 108 151 93, RGB 93 108 151 and RGB 151 93 108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 151 93 shade: RGB 108 151 93, RGB 93 151 147, RGB 136 93 151 and RGB 151 93 96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 151 93 shade: RGB 108 151 93, RGB 93 138 151, RGB 136 93 151 and RGB 151 106 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 38 / 41

HEX #6C975D

RGB 108 151 93

HSL 104.48, 0.24%, 0.48%

LAB 58.14, -26.07, 25.98

 

Complementary color

CMYK 9 / 36 / 0 / 36

HEX #9368A2

RGB 147 104 162

HSL 284.48, 0.24%, 0.52%

LAB 50.35, 27.85, -24.61

 

CMYK 25 / 0 / 42 / 41

HEX #719758

RGB 113 151 88

HSL 96.19, 0.26%, 0.47%

LAB 58.37, -24.95, 29.03

 

CMYK 23 / 0 / 37 / 34

HEX #82A96B

RGB 130 169 107

HSL 97.74, 0.26%, 0.54%

LAB 65.11, -24.83, 27.81

 

CMYK 21 / 0 / 33 / 27

HEX #93BB7E

RGB 147 187 126

HSL 99.34, 0.31%, 0.61%

LAB 71.72, -24.69, 26.67

 

CMYK 20 / 0 / 29 / 20

HEX #A4CD91

RGB 164 205 145

HSL 101, 0.38%, 0.69%

LAB 78.23, -24.56, 25.58

 

CMYK 19 / 0 / 26 / 13

HEX #B5DFA4

RGB 181 223 164

HSL 102.71, 0.48%, 0.76%

LAB 84.63, -24.42, 24.55

 

CMYK 28 / 0 / 38 / 41

HEX #6C975D

RGB 108 151 93

HSL 104.48, 0.24%, 0.48%

LAB 58.14, -26.07, 25.98

 

CMYK 32 / 0 / 44 / 48

HEX #5B854A

RGB 91 133 74

HSL 102.71, 0.29%, 0.41%

LAB 51.26, -26.25, 27.24

 

CMYK 36 / 0 / 52 / 55

HEX #4A7337

RGB 74 115 55

HSL 101, 0.35%, 0.33%

LAB 44.22, -26.37, 28.55

 

CMYK 41 / 0 / 63 / 62

HEX #396124

RGB 57 97 36

HSL 99.34, 0.46%, 0.26%

LAB 37.02, -26.38, 29.81

 

CMYK 49 / 0 / 78 / 69

HEX #284F11

RGB 40 79 17

HSL 97.74, 0.65%, 0.19%

LAB 29.62, -26.1, 30.65

 

CMYK 28 / 0 / 38 / 41

HEX #6C975D

RGB 108 151 93

HSL 104.48, 0.24%, 0.48%

LAB 58.14, -26.07, 25.98

 

CMYK 18 / 0 / 38 / 41

HEX #7C975D

RGB 124 151 93

HSL 87.93, 0.24%, 0.48%

LAB 59.17, -20.03, 27.51

 

CMYK 8 / 0 / 38 / 41

HEX #8B975D

RGB 139 151 93

HSL 72.41, 0.24%, 0.48%

LAB 60.26, -14.04, 29.13

 

CMYK 0 / 3 / 38 / 41

HEX #97935D

RGB 151 147 93

HSL 55.86, 0.24%, 0.48%

LAB 60.1, -6.93, 29.13

 

CMYK 0 / 13 / 38 / 41

HEX #97835D

RGB 151 131 93

HSL 39.31, 0.24%, 0.48%

LAB 55.69, 1.92, 23.36

 

CMYK 28 / 0 / 38 / 41

HEX #6C975D

RGB 108 151 93

HSL 104.48, 0.24%, 0.48%

LAB 58.14, -26.07, 25.98

 

CMYK 38 / 0 / 38 / 41

HEX #5D975D

RGB 93 151 93

HSL 120, 0.24%, 0.48%

LAB 57.32, -31.28, 24.74

 

CMYK 38 / 0 / 28 / 41

HEX #5D976D

RGB 93 151 109

HSL 136.55, 0.24%, 0.48%

LAB 57.62, -28.4, 16.29

 

CMYK 38 / 0 / 17 / 41

HEX #5D977D

RGB 93 151 125

HSL 153.1, 0.24%, 0.48%

LAB 57.98, -25.09, 7.77

 

CMYK 38 / 0 / 7 / 41

HEX #5D978D

RGB 93 151 141

HSL 169.66, 0.24%, 0.48%

LAB 58.4, -21.38, -0.73

 

CMYK 28 / 0 / 38 / 41

HEX #6C975D

RGB 108 151 93

HSL 104.48, 0.24%, 0.48%

LAB 58.14, -26.07, 25.98

 

CMYK 43 / 0 / 57 / 33

HEX #62AB49

RGB 98 171 73

HSL 104.69, 0.4%, 0.48%

LAB 63.51, -41.4, 42.76

 

CMYK 53 / 0 / 72 / 25

HEX #59BF35

RGB 89 191 53

HSL 104.35, 0.57%, 0.48%

LAB 69.21, -53.96, 57.33

 

CMYK 63 / 0 / 84 / 17

HEX #4FD321

RGB 79 211 33

HSL 104.49, 0.73%, 0.48%

LAB 75.05, -64.62, 68.71

 

CMYK 70 / 0 / 94 / 10

HEX #45E60D

RGB 69 230 13

HSL 104.52, 0.89%, 0.48%

LAB 80.68, -73.19, 76.66

 

CMYK 28 / 0 / 38 / 41

HEX #6C975D

RGB 108 151 93

HSL 104.48, 0.24%, 0.48%

LAB 58.14, -26.07, 25.98

 

CMYK 11 / 0 / 15 / 49

HEX #758370

RGB 117 131 112

HSL 104.21, 0.08%, 0.48%

LAB 53.15, -8.94, 8.55

 

CMYK 4 / 15 / 0 / 48

HEX #7F7084

RGB 127 112 132

HSL 285, 0.08%, 0.48%

LAB 49.21, 9.78, -8.84

 

CMYK 11 / 39 / 0 / 40

HEX #885C98

RGB 136 92 152

HSL 284, 0.25%, 0.48%

LAB 45.85, 29.06, -25.78

 

CMYK 15 / 58 / 0 / 33

HEX #9248AC

RGB 146 72 172

HSL 284.4, 0.41%, 0.48%

LAB 43.83, 47.3, -40.72

 

CMYK 7 / 0 / 38 / 41

HEX #8C975D

RGB 140 151 93

HSL 71.38, 0.24%, 0.48%

LAB 60.34, -13.64, 29.25

 

CMYK 18 / 0 / 38 / 41

HEX #7C975D

RGB 124 151 93

HSL 87.93, 0.24%, 0.48%

LAB 59.17, -20.03, 27.51

 

CMYK 28 / 0 / 38 / 41

HEX #6C975D

RGB 108 151 93

HSL 104.48, 0.24%, 0.48%

LAB 58.14, -26.07, 25.98

 

CMYK 38 / 0 / 38 / 41

HEX #5D975D

RGB 93 151 93

HSL 120, 0.24%, 0.48%

LAB 57.32, -31.28, 24.74

 

CMYK 38 / 0 / 28 / 41

HEX #5D976C

RGB 93 151 108

HSL 135.52, 0.24%, 0.48%

LAB 57.6, -28.59, 16.82

 

CMYK 29 / 0 / 39 / 61

HEX #47643D

RGB 71 100 61

HSL 104.62, 0.24%, 0.32%

LAB 39.23, -18.94, 18.79

 

CMYK 29 / 0 / 39 / 51

HEX #597E4D

RGB 89 126 77

HSL 105.31, 0.24%, 0.4%

LAB 48.98, -23.02, 22.61

 

CMYK 28 / 0 / 38 / 41

HEX #6C975D

RGB 108 151 93

HSL 104.48, 0.24%, 0.48%

LAB 58.14, -26.07, 25.98

 

CMYK 23 / 0 / 31 / 34

HEX #82A974

RGB 130 169 116

HSL 104.15, 0.24%, 0.56%

LAB 65.27, -23.45, 23.18

 

CMYK 17 / 0 / 24 / 27

HEX #99B98D

RGB 153 185 141

HSL 103.64, 0.24%, 0.64%

LAB 71.82, -19.16, 18.84

 

CMYK 28 / 0 / 38 / 41

HEX #6C975D

RGB 108 151 93

HSL 104.48, 0.24%, 0.48%

LAB 58.14, -26.07, 25.98

 

CMYK 38 / 0 / 3 / 41

HEX #5D9793

RGB 93 151 147

HSL 175.86, 0.24%, 0.48%

LAB 58.57, -19.89, -3.89

 

CMYK 0 / 38 / 13 / 41

HEX #975D84

RGB 151 93 132

HSL 319.66, 0.24%, 0.48%

LAB 47.07, 29.65, -11.79

 

CMYK 28 / 0 / 38 / 41

HEX #6C975D

RGB 108 151 93

HSL 104.48, 0.24%, 0.48%

LAB 58.14, -26.07, 25.98

 

CMYK 38 / 28 / 0 / 41

HEX #5D6C97

RGB 93 108 151

HSL 224.48, 0.24%, 0.48%

LAB 46.02, 5.61, -25.22

 

CMYK 0 / 38 / 28 / 41

HEX #975D6C

RGB 151 93 108

HSL 344.48, 0.24%, 0.48%

LAB 46.3, 25.78, 1.53

 

CMYK 28 / 0 / 38 / 41

HEX #6C975D

RGB 108 151 93

HSL 104.48, 0.24%, 0.48%

LAB 58.14, -26.07, 25.98

 

CMYK 38 / 0 / 3 / 41

HEX #5D9793

RGB 93 151 147

HSL 175.86, 0.24%, 0.48%

LAB 58.57, -19.89, -3.89

 

CMYK 10 / 38 / 0 / 41

HEX #885D97

RGB 136 93 151

HSL 284.48, 0.24%, 0.48%

LAB 46.04, 28.26, -24.88

 

CMYK 0 / 38 / 36 / 41

HEX #975D60

RGB 151 93 96

HSL 356.9, 0.24%, 0.48%

LAB 45.98, 24.12, 8.33

 

CMYK 28 / 0 / 38 / 41

HEX #6C975D

RGB 108 151 93

HSL 104.48, 0.24%, 0.48%

LAB 58.14, -26.07, 25.98

 

CMYK 38 / 9 / 0 / 41

HEX #5D8A97

RGB 93 138 151

HSL 193.45, 0.24%, 0.48%

LAB 54.8, -11.86, -11.8

 

CMYK 10 / 38 / 0 / 41

HEX #885D97

RGB 136 93 151

HSL 284.48, 0.24%, 0.48%

LAB 46.04, 28.26, -24.88

 

CMYK 0 / 30 / 38 / 41

HEX #976A5D

RGB 151 106 93

HSL 13.45, 0.24%, 0.48%

LAB 49.1, 16.24, 14.48

 

Description

Color code: RGB 108 151 93 | qconv.com Color code: RGB 108 151 93 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 151 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 151 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 38 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 38% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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