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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 136 5 it is the complementary color RGB 147 119 250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 136 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 136 5 shade: RGB 113 136 0, RGB 130 154 19, RGB 147 172 38, RGB 164 190 57 and RGB 181 208 76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 136 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 136 5 shade: RGB 108 136 5, RGB 91 118 0, RGB 74 100 0, RGB 57 82 0 and RGB 40 64 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 136 5 shade: RGB 109 137 4, RGB 137 130 4, RGB 137 94 4, RGB 137 58 4 and RGB 137 22 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 136 5 shade: RGB 109 137 4, RGB 73 137 4, RGB 37 137 4, RGB 4 137 8 and RGB 4 137 43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 136 5 shade matches the following richer shades: RGB 109 137 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 136 5 shade: RGB 109 137 4, RGB 102 126 16, RGB 96 114 28, RGB 89 103 39 and RGB 82 91 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 136 5 shade: RGB 137 93 4, RGB 137 128 4, RGB 111 137 4, RGB 75 137 4 and RGB 40 137 4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 136 5 shade: RGB 46 58 2, RGB 77 97 3, RGB 109 137 4, RGB 141 177 6 and RGB 172 217 7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 136 5 shade: RGB 108 136 5, RGB 4 137 58 and RGB 111 4 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 136 5 shade: RGB 108 136 5, RGB 4 111 137 and RGB 137 4 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 136 5 shade: RGB 108 136 5, RGB 4 137 58, RGB 31 4 137 and RGB 137 4 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 136 5 shade: RGB 108 136 5, RGB 4 137 97, RGB 31 4 137 and RGB 137 4 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 96 / 47

HEX #6C8805

RGB 108 136 5

HSL 72.82, 0.93%, 0.28%

LAB 52.74, -25.99, 55.73

 

Complementary color

CMYK 41 / 52 / 0 / 2

HEX #9377FA

RGB 147 119 250

HSL 252.82, 0.93%, 0.72%

LAB 58.32, 41.03, -62.05

 

CMYK 17 / 0 / 100 / 47

HEX #718800

RGB 113 136 0

HSL 70.15, 1%, 0.27%

LAB 53.08, -23.92, 57.04

 

CMYK 16 / 0 / 88 / 40

HEX #829A13

RGB 130 154 19

HSL 70.67, 0.78%, 0.34%

LAB 59.8, -25.04, 59.55

 

CMYK 15 / 0 / 78 / 33

HEX #93AC26

RGB 147 172 38

HSL 71.19, 0.64%, 0.41%

LAB 66.4, -25.96, 60.74

 

CMYK 14 / 0 / 70 / 25

HEX #A4BE39

RGB 164 190 57

HSL 71.73, 0.54%, 0.48%

LAB 72.9, -26.66, 60.86

 

CMYK 13 / 0 / 63 / 18

HEX #B5D04C

RGB 181 208 76

HSL 72.27, 0.58%, 0.56%

LAB 79.3, -27.2, 60.39

 

CMYK 21 / 0 / 96 / 47

HEX #6C8805

RGB 108 136 5

HSL 72.82, 0.93%, 0.28%

LAB 52.74, -25.99, 55.73

 

CMYK 23 / 0 / 100 / 54

HEX #5B7600

RGB 91 118 0

HSL 73.73, 1%, 0.23%

LAB 45.88, -24.61, 50.92

 

CMYK 26 / 0 / 100 / 61

HEX #4A6400

RGB 74 100 0

HSL 75.6, 1%, 0.2%

LAB 38.85, -23.09, 45.06

 

CMYK 30 / 0 / 100 / 68

HEX #395200

RGB 57 82 0

HSL 78.29, 1%, 0.16%

LAB 31.59, -21.54, 39.01

 

CMYK 38 / 0 / 100 / 75

HEX #284000

RGB 40 64 0

HSL 82.5, 1%, 0.13%

LAB 24.06, -19.94, 32.15

 

CMYK 20 / 0 / 97 / 46

HEX #6D8904

RGB 109 137 4

HSL 72.63, 0.94%, 0.28%

LAB 53.11, -26.07, 56.23

 

CMYK 0 / 5 / 97 / 46

HEX #898204

RGB 137 130 4

HSL 56.84, 0.94%, 0.28%

LAB 53.27, -9.74, 57.33

 

CMYK 0 / 31 / 97 / 46

HEX #895E04

RGB 137 94 4

HSL 40.6, 0.94%, 0.28%

LAB 43.26, 10.75, 50

 

CMYK 0 / 58 / 97 / 46

HEX #893A04

RGB 137 58 4

HSL 24.36, 0.94%, 0.28%

LAB 34.71, 31.22, 44.16

 

CMYK 0 / 84 / 97 / 46

HEX #891604

RGB 137 22 4

HSL 8.12, 0.94%, 0.28%

LAB 29.16, 46.2, 40.35

 

CMYK 20 / 0 / 97 / 46

HEX #6D8904

RGB 109 137 4

HSL 72.63, 0.94%, 0.28%

LAB 53.11, -26.07, 56.23

 

CMYK 47 / 0 / 97 / 46

HEX #498904

RGB 73 137 4

HSL 88.87, 0.94%, 0.28%

LAB 51.06, -40.2, 53.73

 

CMYK 73 / 0 / 97 / 46

HEX #258904

RGB 37 137 4

HSL 105.11, 0.94%, 0.28%

LAB 49.85, -49.93, 52.25

 

CMYK 97 / 0 / 94 / 46

HEX #048908

RGB 4 137 8

HSL 121.8, 0.94%, 0.28%

LAB 49.42, -53.74, 50.97

 

CMYK 97 / 0 / 69 / 46

HEX #04892B

RGB 4 137 43

HSL 137.59, 0.94%, 0.28%

LAB 49.61, -51.3, 40.18

 

CMYK 20 / 0 / 97 / 46

HEX #6D8904

RGB 109 137 4

HSL 72.63, 0.94%, 0.28%

LAB 53.11, -26.07, 56.23

 

CMYK 20 / 0 / 97 / 46

HEX #6D8904

RGB 109 137 4

HSL 72.63, 0.94%, 0.28%

LAB 53.11, -26.07, 56.23

 

CMYK 19 / 0 / 87 / 51

HEX #667E10

RGB 102 126 16

HSL 73.09, 0.77%, 0.28%

LAB 49.23, -23.34, 50.52

 

CMYK 16 / 0 / 75 / 55

HEX #60721C

RGB 96 114 28

HSL 72.56, 0.61%, 0.28%

LAB 45.09, -19.28, 42.75

 

CMYK 14 / 0 / 62 / 60

HEX #596727

RGB 89 103 39

HSL 73.13, 0.45%, 0.28%

LAB 41.17, -15.72, 33.57

 

CMYK 10 / 0 / 44 / 64

HEX #525B33

RGB 82 91 51

HSL 73.5, 0.28%, 0.28%

LAB 36.96, -10.81, 21.87

 

CMYK 0 / 32 / 97 / 46

HEX #895D04

RGB 137 93 4

HSL 40.15, 0.94%, 0.28%

LAB 43, 11.34, 49.82

 

CMYK 0 / 7 / 97 / 46

HEX #898004

RGB 137 128 4

HSL 55.94, 0.94%, 0.28%

LAB 52.69, -8.65, 56.9

 

CMYK 19 / 0 / 97 / 46

HEX #6F8904

RGB 111 137 4

HSL 71.73, 0.94%, 0.28%

LAB 53.25, -25.2, 56.4

 

CMYK 45 / 0 / 97 / 46

HEX #4B8904

RGB 75 137 4

HSL 87.97, 0.94%, 0.28%

LAB 51.15, -39.51, 53.84

 

CMYK 71 / 0 / 97 / 46

HEX #288904

RGB 40 137 4

HSL 103.76, 0.94%, 0.28%

LAB 49.92, -49.34, 52.33

 

CMYK 21 / 0 / 97 / 77

HEX #2E3A02

RGB 46 58 2

HSL 72.86, 0.93%, 0.12%

LAB 22.34, -13.64, 29.73

 

CMYK 21 / 0 / 97 / 62

HEX #4D6103

RGB 77 97 3

HSL 72.77, 0.94%, 0.2%

LAB 38.08, -20.07, 43.7

 

CMYK 20 / 0 / 97 / 46

HEX #6D8904

RGB 109 137 4

HSL 72.63, 0.94%, 0.28%

LAB 53.11, -26.07, 56.23

 

CMYK 20 / 0 / 97 / 31

HEX #8DB106

RGB 141 177 6

HSL 72.63, 0.93%, 0.36%

LAB 67.37, -31.72, 67.94

 

CMYK 21 / 0 / 97 / 15

HEX #ACD907

RGB 172 217 7

HSL 72.86, 0.94%, 0.44%

LAB 80.97, -37.53, 79.2

 

CMYK 21 / 0 / 96 / 47

HEX #6C8805

RGB 108 136 5

HSL 72.82, 0.93%, 0.28%

LAB 52.74, -25.99, 55.73

 

CMYK 97 / 0 / 58 / 46

HEX #04893A

RGB 4 137 58

HSL 144.36, 0.94%, 0.28%

LAB 49.77, -49.34, 33.25

 

CMYK 19 / 97 / 0 / 46

HEX #6F0489

RGB 111 4 137

HSL 288.27, 0.94%, 0.28%

LAB 27.5, 57.01, -45.98

 

CMYK 21 / 0 / 96 / 47

HEX #6C8805

RGB 108 136 5

HSL 72.82, 0.93%, 0.28%

LAB 52.74, -25.99, 55.73

 

CMYK 97 / 19 / 0 / 46

HEX #046F89

RGB 4 111 137

HSL 191.73, 0.94%, 0.28%

LAB 43.06, -16.6, -21.73

 

CMYK 0 / 97 / 19 / 46

HEX #89046F

RGB 137 4 111

HSL 311.73, 0.94%, 0.28%

LAB 30.77, 57.54, -24.04

 

CMYK 21 / 0 / 96 / 47

HEX #6C8805

RGB 108 136 5

HSL 72.82, 0.93%, 0.28%

LAB 52.74, -25.99, 55.73

 

CMYK 97 / 0 / 58 / 46

HEX #04893A

RGB 4 137 58

HSL 144.36, 0.94%, 0.28%

LAB 49.77, -49.34, 33.25

 

CMYK 77 / 97 / 0 / 46

HEX #1F0489

RGB 31 4 137

HSL 252.18, 0.94%, 0.28%

LAB 16.43, 49.11, -64.6

 

CMYK 0 / 97 / 39 / 46

HEX #890454

RGB 137 4 84

HSL 323.91, 0.94%, 0.28%

LAB 29.53, 54.32, -8.38

 

CMYK 21 / 0 / 96 / 47

HEX #6C8805

RGB 108 136 5

HSL 72.82, 0.93%, 0.28%

LAB 52.74, -25.99, 55.73

 

CMYK 97 / 0 / 29 / 46

HEX #048961

RGB 4 137 97

HSL 161.95, 0.94%, 0.28%

LAB 50.43, -41.54, 12.76

 

CMYK 77 / 97 / 0 / 46

HEX #1F0489

RGB 31 4 137

HSL 252.18, 0.94%, 0.28%

LAB 16.43, 49.11, -64.6

 

CMYK 0 / 97 / 68 / 46

HEX #89042C

RGB 137 4 44

HSL 341.95, 0.94%, 0.28%

LAB 28.35, 51.14, 16.79

 

Description

Color code: RGB 108 136 5 | qconv.com Color code: RGB 108 136 5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 136 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 136 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 96 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 96% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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