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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone RGB 108 136 103 it is the complementary color RGB 147 119 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color RGB 108 136 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the RGB 108 136 103 shade: RGB 113 136 98, RGB 130 154 117, RGB 147 172 136, RGB 164 190 155 and RGB 181 208 174
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color RGB 108 136 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the RGB 108 136 103 shade: RGB 108 136 103, RGB 91 118 84, RGB 74 100 65, RGB 57 82 46 and RGB 40 64 27
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the RGB 108 136 103 shade: RGB 108 136 103, RGB 117 136 103, RGB 126 136 103, RGB 135 136 103 and RGB 136 128 103
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the RGB 108 136 103 shade: RGB 108 136 103, RGB 103 136 107, RGB 103 136 116, RGB 103 136 125 and RGB 103 136 134
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The RGB 108 136 103 shade matches the following richer shades: RGB 108 136 103, RGB 94 156 83, RGB 81 175 64, RGB 67 194 44 and RGB 54 214 25
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the RGB 108 136 103 shade: RGB 108 136 103, RGB 121 117 122, RGB 135 97 141, RGB 148 78 161 and RGB 162 59 180
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the RGB 108 136 103 shade: RGB 126 136 103, RGB 117 136 103, RGB 108 136 103, RGB 103 136 106 and RGB 103 136 115
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the RGB 108 136 103 shade: RGB 70 89 67, RGB 89 113 85, RGB 108 136 103, RGB 129 156 124 and RGB 151 174 147
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the RGB 108 136 103 shade: RGB 108 136 103, RGB 103 135 136 and RGB 136 103 122
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the RGB 108 136 103 shade: RGB 108 136 103, RGB 103 108 136 and RGB 136 103 108
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the RGB 108 136 103 shade: RGB 108 136 103, RGB 103 135 136, RGB 131 103 136 and RGB 136 104 103
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the RGB 108 136 103 shade: RGB 108 136 103, RGB 103 125 136, RGB 131 103 136 and RGB 136 114 103
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
Complementary color
Lighter colors
Darker colors
HSL 110.91, 0.14%, 0.47%
LAB 53.79, -16.71, 14.53
HSL 107.65, 0.17%, 0.4%
LAB 46.74, -16.88, 15.62
HSL 104.57, 0.21%, 0.32%
LAB 39.5, -17.08, 16.83
HSL 101.67, 0.28%, 0.25%
LAB 32.04, -17.27, 18.15
HSL 98.92, 0.41%, 0.18%
LAB 24.31, -17.41, 19.58
Warmer colors
HSL 110.91, 0.14%, 0.47%
LAB 53.79, -16.71, 14.53
HSL 94.55, 0.14%, 0.47%
LAB 54.42, -13.29, 15.5
HSL 78.18, 0.14%, 0.47%
LAB 55.1, -9.77, 16.54
HSL 61.82, 0.14%, 0.47%
LAB 55.83, -6.15, 17.65
HSL 45.45, 0.14%, 0.47%
LAB 53.66, -1.26, 14.69
Colder colors
HSL 110.91, 0.14%, 0.47%
LAB 53.79, -16.71, 14.53
HSL 127.27, 0.14%, 0.47%
LAB 53.55, -17.79, 11.86
HSL 143.64, 0.14%, 0.47%
LAB 53.76, -15.99, 6.98
HSL 160, 0.14%, 0.47%
LAB 54, -14.06, 2.11
HSL 176.36, 0.14%, 0.47%
LAB 54.25, -12, -2.73
Richer colors
HSL 110.91, 0.14%, 0.47%
LAB 53.79, -16.71, 14.53
HSL 110.96, 0.31%, 0.47%
LAB 58.77, -34.81, 31.97
HSL 110.81, 0.46%, 0.47%
LAB 63.98, -49.11, 47.24
HSL 110.8, 0.63%, 0.47%
LAB 69.44, -61, 60.41
HSL 110.79, 0.79%, 0.47%
LAB 75.42, -70.54, 70.46
Paler colors
HSL 110.91, 0.14%, 0.47%
LAB 53.79, -16.71, 14.53
HSL 288, 0.02%, 0.47%
LAB 49.73, 2.53, -2.21
HSL 291.82, 0.18%, 0.47%
LAB 46.48, 23.44, -18.26
HSL 290.6, 0.35%, 0.47%
LAB 44.69, 42.46, -32.84
HSL 291.07, 0.51%, 0.47%
LAB 44.38, 58.81, -44.43
Analogue colors
HSL 110.91, 0.14%, 0.47%
LAB 53.79, -16.71, 14.53
HSL 125.45, 0.14%, 0.47%
LAB 53.53, -17.98, 12.4
HSL 141.82, 0.14%, 0.47%
LAB 53.74, -16.19, 7.52
Monochromatic colors
HSL 110.91, 0.14%, 0.47%
LAB 53.79, -16.71, 14.53
HSL 110.63, 0.14%, 0.55%
LAB 61.57, -15.79, 13.69
HSL 111.11, 0.14%, 0.63%
LAB 68.72, -13.17, 11.22
Partial complementary colors
HSL 110.91, 0.14%, 0.47%
LAB 53.79, -16.71, 14.53
HSL 181.82, 0.14%, 0.47%
LAB 54.02, -10.98, -4.23
HSL 325.45, 0.14%, 0.47%
LAB 47.42, 16.5, -5.46
Triadic colors
HSL 110.91, 0.14%, 0.47%
LAB 53.79, -16.71, 14.53
HSL 230.91, 0.14%, 0.47%
LAB 46.16, 4.66, -16.03
HSL 350.91, 0.14%, 0.47%
LAB 47, 14.04, 2.32
Rectangular (tetradic) colors
HSL 110.91, 0.14%, 0.47%
LAB 53.79, -16.71, 14.53
HSL 181.82, 0.14%, 0.47%
LAB 54.02, -10.98, -4.23
HSL 290.91, 0.14%, 0.47%
LAB 47.37, 17.42, -13.95
HSL 1.82, 0.14%, 0.47%
LAB 47.12, 12.64, 5.5
Square colors
HSL 110.91, 0.14%, 0.47%
LAB 53.79, -16.71, 14.53
HSL 200, 0.14%, 0.47%
LAB 51.07, -5.34, -8.61
HSL 290.91, 0.14%, 0.47%
LAB 47.37, 17.42, -13.95
HSL 20, 0.14%, 0.47%
LAB 49.8, 6.78, 9.3
Description
Since the color values are relatively low compared to others, this hue appears darker to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 136 green and 103 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 24 yellow and 47 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
Popular conversions
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HEX to RAL®
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HEX to HKS®
convert from #RRGGBB to HKS®-number (HKS 00)
HEX to PANTONE®
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HEX to Sherwin Williams®
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HEX to NCS®
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RAL® to RGB
convert from RAL®-number (RAL 0000) to RGB red green blue
RAL® to CMYK
convert from RAL®-number (RAL 0000) to CMYK cyan / magenta / yellow / black
RAL® to HEX
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RAL® to HKS®
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RAL® to PANTONE®
convert from RAL®-number (RAL 0000) to Pantone®-number (Pantone 0000)
RAL® to Sherwin Williams®
convert from RAL®-number (RAL 0000) to Sherwin Williams®-number (SW 0000)
RAL® to NCS®
convert from RAL®-number (RAL 0000) to NCS-number (S0000-X00X)
HKS® to RGB
convert from HKS®-number (HKS 00) to RGB red green blue
HKS® to CMYK
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HKS® to HEX
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HKS® to RAL®
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HKS® to PANTONE®
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HKS® to Sherwin Williams®
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HKS® to NCS®
convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)
PANTONE® to RGB
convert from Pantone®-number (Pantone 0000) to RGB red green blue
PANTONE® to CMYK
convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black
PANTONE® to HEX
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PANTONE® to RAL®
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PANTONE® to HKS®
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PANTONE® to Sherwin Williams®
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PANTONE® to NCS®
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Sherwin Williams® to RGB
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Sherwin Williams® to CMYK
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Sherwin Williams® to RAL®
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Sherwin Williams® to HKS®
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Sherwin Williams® to PANTONE®
convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)
Sherwin Williams® to NCS®
convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)
NCS® to RGB
convert from NCS-number (S0000-X00X) to RGB red green blue
NCS® to CMYK
convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black
NCS® to HEX
convert from NCS-number (S0000-X00X) to #RRGGBB
NCS® to RAL®
convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)
NCS® to HKS®
convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)
NCS® to PANTONE®
convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)
NCS® to Sherwin Williams®
convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)