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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 134 149 it is the complementary color RGB 147 121 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 134 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 134 149 shade: RGB 113 134 144, RGB 130 152 163, RGB 147 170 182, RGB 164 188 201 and RGB 181 206 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 134 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 134 149 shade: RGB 108 134 149, RGB 91 116 130, RGB 74 98 111, RGB 57 80 92 and RGB 40 62 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 134 149 shade: RGB 107 133 148, RGB 107 122 148, RGB 107 111 148, RGB 114 107 148 and RGB 125 107 148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 134 149 shade: RGB 107 133 148, RGB 107 122 148, RGB 107 111 148 and RGB 107 107 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 134 149 shade matches the following richer shades: RGB 107 133 148, RGB 86 139 169, RGB 66 144 189, RGB 45 150 210 and RGB 25 155 230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 134 149 shade: RGB 107 133 148, RGB 128 127 127, RGB 148 122 107, RGB 169 116 86 and RGB 190 111 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 134 149 shade: RGB 107 148 140, RGB 107 145 148, RGB 107 134 148, RGB 107 123 148 and RGB 107 112 148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 134 149 shade: RGB 72 90 100, RGB 90 111 124, RGB 107 133 148, RGB 131 153 165 and RGB 155 172 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 134 149 shade: RGB 108 134 149, RGB 130 107 148 and RGB 148 146 107

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 134 149 shade: RGB 108 134 149, RGB 148 107 134 and RGB 134 148 107

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 134 149 shade: RGB 108 134 149, RGB 130 107 148, RGB 148 121 107 and RGB 125 148 107

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 134 149 shade: RGB 108 134 149, RGB 142 107 148, RGB 148 121 107 and RGB 113 148 107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 10 / 0 / 42

HEX #6C8695

RGB 108 134 149

HSL 201.95, 0.16%, 0.5%

LAB 54.46, -5.64, -11.07

 

Complementary color

CMYK 0 / 18 / 28 / 42

HEX #93796A

RGB 147 121 106

HSL 21.95, 0.16%, 0.5%

LAB 52.86, 7.71, 12.01

 

CMYK 22 / 7 / 0 / 44

HEX #718690

RGB 113 134 144

HSL 199.35, 0.12%, 0.5%

LAB 54.63, -5.23, -7.88

 

CMYK 20 / 7 / 0 / 36

HEX #8298A3

RGB 130 152 163

HSL 200, 0.15%, 0.57%

LAB 61.52, -5.28, -8.36

 

CMYK 19 / 7 / 0 / 29

HEX #93AAB6

RGB 147 170 182

HSL 200.57, 0.19%, 0.65%

LAB 68.26, -5.33, -8.83

 

CMYK 18 / 6 / 0 / 21

HEX #A4BCC9

RGB 164 188 201

HSL 201.08, 0.26%, 0.72%

LAB 74.87, -5.39, -9.3

 

CMYK 18 / 6 / 0 / 14

HEX #B5CEDC

RGB 181 206 220

HSL 201.54, 0.36%, 0.79%

LAB 81.37, -5.44, -9.75

 

CMYK 28 / 10 / 0 / 42

HEX #6C8695

RGB 108 134 149

HSL 201.95, 0.16%, 0.5%

LAB 54.46, -5.64, -11.07

 

CMYK 30 / 11 / 0 / 49

HEX #5B7482

RGB 91 116 130

HSL 201.54, 0.18%, 0.43%

LAB 47.4, -5.57, -10.66

 

CMYK 33 / 12 / 0 / 56

HEX #4A626F

RGB 74 98 111

HSL 201.08, 0.2%, 0.36%

LAB 40.15, -5.49, -10.25

 

CMYK 38 / 13 / 0 / 64

HEX #39505C

RGB 57 80 92

HSL 200.57, 0.23%, 0.29%

LAB 32.66, -5.39, -9.84

 

CMYK 45 / 15 / 0 / 71

HEX #283E49

RGB 40 62 73

HSL 200, 0.29%, 0.22%

LAB 24.88, -5.24, -9.44

 

CMYK 28 / 10 / 0 / 42

HEX #6B8594

RGB 107 133 148

HSL 201.95, 0.16%, 0.5%

LAB 54.07, -5.64, -11.09

 

CMYK 28 / 18 / 0 / 42

HEX #6B7A94

RGB 107 122 148

HSL 218.05, 0.16%, 0.5%

LAB 50.9, 0.71, -15.87

 

CMYK 28 / 25 / 0 / 42

HEX #6B6F94

RGB 107 111 148

HSL 234.15, 0.16%, 0.5%

LAB 47.79, 7.25, -20.62

 

CMYK 23 / 28 / 0 / 42

HEX #726B94

RGB 114 107 148

HSL 250.24, 0.16%, 0.5%

LAB 47.28, 11.94, -21.37

 

CMYK 16 / 28 / 0 / 42

HEX #7D6B94

RGB 125 107 148

HSL 266.34, 0.16%, 0.5%

LAB 48.28, 15.61, -19.75

 

CMYK 28 / 10 / 0 / 42

HEX #6B8594

RGB 107 133 148

HSL 201.95, 0.16%, 0.5%

LAB 54.07, -5.64, -11.09

 

CMYK 28 / 18 / 0 / 42

HEX #6B7A94

RGB 107 122 148

HSL 218.05, 0.16%, 0.5%

LAB 50.9, 0.71, -15.87

 

CMYK 28 / 25 / 0 / 42

HEX #6B6F94

RGB 107 111 148

HSL 234.15, 0.16%, 0.5%

LAB 47.79, 7.25, -20.62

 

CMYK 28 / 28 / 0 / 42

HEX #6B6B94

RGB 107 107 148

HSL 240, 0.16%, 0.5%

LAB 46.68, 9.67, -22.33

 

CMYK 28 / 10 / 0 / 42

HEX #6B8594

RGB 107 133 148

HSL 201.95, 0.16%, 0.5%

LAB 54.07, -5.64, -11.09

 

CMYK 49 / 18 / 0 / 34

HEX #568BA9

RGB 86 139 169

HSL 201.69, 0.33%, 0.5%

LAB 55.39, -9.17, -21.3

 

CMYK 65 / 24 / 0 / 26

HEX #4290BD

RGB 66 144 189

HSL 201.95, 0.48%, 0.5%

LAB 56.86, -9.85, -30.51

 

CMYK 79 / 29 / 0 / 18

HEX #2D96D2

RGB 45 150 210

HSL 201.82, 0.65%, 0.5%

LAB 59, -8.9, -39.05

 

CMYK 89 / 33 / 0 / 10

HEX #199BE6

RGB 25 155 230

HSL 201.95, 0.8%, 0.5%

LAB 61.1, -6.08, -46.89

 

CMYK 28 / 10 / 0 / 42

HEX #6B8594

RGB 107 133 148

HSL 201.95, 0.16%, 0.5%

LAB 54.07, -5.64, -11.09

 

CMYK 0 / 1 / 1 / 50

HEX #807F7F

RGB 128 127 127

HSL 0, 0%, 0.5%

LAB 53.28, 0.38, 0.13

 

CMYK 0 / 18 / 28 / 42

HEX #947A6B

RGB 148 122 107

HSL 21.95, 0.16%, 0.5%

LAB 53.25, 7.69, 11.99

 

CMYK 0 / 31 / 49 / 34

HEX #A97456

RGB 169 116 86

HSL 21.69, 0.33%, 0.5%

LAB 53.6, 17.3, 24.93

 

CMYK 0 / 42 / 66 / 25

HEX #BE6F41

RGB 190 111 65

HSL 22.08, 0.49%, 0.5%

LAB 54.76, 27.19, 38.54

 

CMYK 28 / 0 / 5 / 42

HEX #6B948C

RGB 107 148 140

HSL 168.29, 0.16%, 0.5%

LAB 58.23, -15.82, -0.32

 

CMYK 28 / 2 / 0 / 42

HEX #6B9194

RGB 107 145 148

HSL 184.39, 0.16%, 0.5%

LAB 57.57, -12.31, -5.85

 

CMYK 28 / 9 / 0 / 42

HEX #6B8694

RGB 107 134 148

HSL 200.49, 0.16%, 0.5%

LAB 54.36, -6.2, -10.65

 

CMYK 28 / 17 / 0 / 42

HEX #6B7B94

RGB 107 123 148

HSL 216.59, 0.16%, 0.5%

LAB 51.19, 0.13, -15.44

 

CMYK 28 / 24 / 0 / 42

HEX #6B7094

RGB 107 112 148

HSL 232.68, 0.16%, 0.5%

LAB 48.07, 6.65, -20.19

 

CMYK 28 / 10 / 0 / 61

HEX #485A64

RGB 72 90 100

HSL 201.43, 0.16%, 0.34%

LAB 37.13, -4.3, -8.01

 

CMYK 27 / 10 / 0 / 51

HEX #5A6F7C

RGB 90 111 124

HSL 202.94, 0.16%, 0.42%

LAB 45.63, -4.52, -9.75

 

CMYK 28 / 10 / 0 / 42

HEX #6B8594

RGB 107 133 148

HSL 201.95, 0.16%, 0.5%

LAB 54.07, -5.64, -11.09

 

CMYK 21 / 7 / 0 / 35

HEX #8399A5

RGB 131 153 165

HSL 201.18, 0.16%, 0.58%

LAB 61.93, -5.05, -8.87

 

CMYK 15 / 6 / 0 / 28

HEX #9BACB7

RGB 155 172 183

HSL 203.57, 0.16%, 0.66%

LAB 69.39, -3.59, -7.64

 

CMYK 28 / 10 / 0 / 42

HEX #6C8695

RGB 108 134 149

HSL 201.95, 0.16%, 0.5%

LAB 54.46, -5.64, -11.07

 

CMYK 12 / 28 / 0 / 42

HEX #826B94

RGB 130 107 148

HSL 273.66, 0.16%, 0.5%

LAB 48.76, 17.31, -18.97

 

CMYK 0 / 1 / 28 / 42

HEX #94926B

RGB 148 146 107

HSL 57.07, 0.16%, 0.5%

LAB 59.81, -5.8, 21

 

CMYK 28 / 10 / 0 / 42

HEX #6C8695

RGB 108 134 149

HSL 201.95, 0.16%, 0.5%

LAB 54.46, -5.64, -11.07

 

CMYK 0 / 28 / 9 / 42

HEX #946B86

RGB 148 107 134

HSL 320.49, 0.16%, 0.5%

LAB 50.14, 20.87, -8.41

 

CMYK 9 / 0 / 28 / 42

HEX #86946B

RGB 134 148 107

HSL 80.49, 0.16%, 0.5%

LAB 59.26, -12.48, 20.06

 

CMYK 28 / 10 / 0 / 42

HEX #6C8695

RGB 108 134 149

HSL 201.95, 0.16%, 0.5%

LAB 54.46, -5.64, -11.07

 

CMYK 12 / 28 / 0 / 42

HEX #826B94

RGB 130 107 148

HSL 273.66, 0.16%, 0.5%

LAB 48.76, 17.31, -18.97

 

CMYK 0 / 18 / 28 / 42

HEX #94796B

RGB 148 121 107

HSL 20.49, 0.16%, 0.5%

LAB 52.98, 8.26, 11.61

 

CMYK 16 / 0 / 28 / 42

HEX #7D946B

RGB 125 148 107

HSL 93.66, 0.16%, 0.5%

LAB 58.6, -15.97, 19.06

 

CMYK 28 / 10 / 0 / 42

HEX #6C8695

RGB 108 134 149

HSL 201.95, 0.16%, 0.5%

LAB 54.46, -5.64, -11.07

 

CMYK 4 / 28 / 0 / 42

HEX #8E6B94

RGB 142 107 148

HSL 291.22, 0.16%, 0.5%

LAB 49.98, 21.46, -16.99

 

CMYK 0 / 18 / 28 / 42

HEX #94796B

RGB 148 121 107

HSL 20.49, 0.16%, 0.5%

LAB 52.98, 8.26, 11.61

 

CMYK 24 / 0 / 28 / 42

HEX #71946B

RGB 113 148 107

HSL 111.22, 0.16%, 0.5%

LAB 57.8, -20.45, 17.84

 

Description

Color code: RGB 108 134 149 | qconv.com Color code: RGB 108 134 149 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 134 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 134 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 10 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 10% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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