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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 108 103 146 it is the complementary color RGB 147 152 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 108 103 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 108 103 146 shade: RGB 113 103 141, RGB 130 121 160, RGB 147 139 179, RGB 164 157 198 and RGB 181 175 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 108 103 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 108 103 146 shade: RGB 108 103 146, RGB 91 85 127, RGB 74 67 108, RGB 57 49 89 and RGB 40 31 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 108 103 146 shade: RGB 109 104 146, RGB 120 104 146, RGB 132 104 146, RGB 143 104 146 and RGB 146 104 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 108 103 146 shade: RGB 109 104 146 and RGB 104 104 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 108 103 146 shade matches the following richer shades: RGB 109 104 146, RGB 93 83 166, RGB 78 63 187, RGB 62 43 207 and RGB 47 23 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 108 103 146 shade: RGB 109 104 146, RGB 124 124 126, RGB 140 144 106, RGB 155 164 86 and RGB 171 185 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 108 103 146 shade: RGB 104 122 146, RGB 104 111 146, RGB 108 104 146, RGB 119 104 146 and RGB 131 104 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 108 103 146 shade: RGB 73 69 98, RGB 91 87 122, RGB 109 104 146, RGB 131 127 164 and RGB 155 151 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 108 103 146 shade: RGB 108 103 146, RGB 146 104 133 and RGB 116 146 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 108 103 146 shade: RGB 108 103 146, RGB 146 108 104 and RGB 104 146 108

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 108 103 146 shade: RGB 108 103 146, RGB 146 104 133, RGB 142 146 104 and RGB 104 146 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 108 103 146 shade: RGB 108 103 146, RGB 146 104 121, RGB 142 146 104 and RGB 104 146 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 29 / 0 / 43

HEX #6C6792

RGB 108 103 146

HSL 246.98, 0.17%, 0.49%

LAB 45.58, 11.9, -22.83

 

Complementary color

CMYK 3 / 0 / 28 / 40

HEX #93986D

RGB 147 152 109

HSL 66.98, 0.17%, 0.51%

LAB 61.45, -9.17, 22.08

 

CMYK 20 / 27 / 0 / 45

HEX #71678D

RGB 113 103 141

HSL 255.79, 0.16%, 0.48%

LAB 45.82, 12.29, -19.46

 

CMYK 19 / 24 / 0 / 37

HEX #8279A0

RGB 130 121 160

HSL 253.85, 0.17%, 0.55%

LAB 52.9, 11.79, -19.65

 

CMYK 18 / 22 / 0 / 30

HEX #938BB3

RGB 147 139 179

HSL 252, 0.21%, 0.62%

LAB 59.82, 11.35, -19.88

 

CMYK 17 / 21 / 0 / 22

HEX #A49DC6

RGB 164 157 198

HSL 250.24, 0.26%, 0.7%

LAB 66.58, 10.95, -20.12

 

CMYK 17 / 19 / 0 / 15

HEX #B5AFD9

RGB 181 175 217

HSL 248.57, 0.36%, 0.77%

LAB 73.22, 10.59, -20.39

 

CMYK 26 / 29 / 0 / 43

HEX #6C6792

RGB 108 103 146

HSL 246.98, 0.17%, 0.49%

LAB 45.58, 11.9, -22.83

 

CMYK 28 / 33 / 0 / 50

HEX #5B557F

RGB 91 85 127

HSL 248.57, 0.2%, 0.42%

LAB 38.29, 12.51, -22.78

 

CMYK 31 / 38 / 0 / 58

HEX #4A436C

RGB 74 67 108

HSL 250.24, 0.23%, 0.34%

LAB 30.77, 13.24, -22.79

 

CMYK 36 / 45 / 0 / 65

HEX #393159

RGB 57 49 89

HSL 252, 0.29%, 0.27%

LAB 22.96, 14.15, -22.89

 

CMYK 43 / 56 / 0 / 73

HEX #281F46

RGB 40 31 70

HSL 253.85, 0.39%, 0.2%

LAB 14.81, 15.32, -23.1

 

CMYK 25 / 29 / 0 / 43

HEX #6D6892

RGB 109 104 146

HSL 247.14, 0.17%, 0.49%

LAB 45.94, 11.62, -22.27

 

CMYK 18 / 29 / 0 / 43

HEX #786892

RGB 120 104 146

HSL 262.86, 0.17%, 0.49%

LAB 46.93, 15.25, -20.66

 

CMYK 10 / 29 / 0 / 43

HEX #846892

RGB 132 104 146

HSL 280, 0.17%, 0.49%

LAB 48.11, 19.33, -18.76

 

CMYK 2 / 29 / 0 / 43

HEX #8F6892

RGB 143 104 146

HSL 295.71, 0.17%, 0.49%

LAB 49.27, 23.15, -16.88

 

CMYK 0 / 29 / 5 / 43

HEX #92688A

RGB 146 104 138

HSL 311.43, 0.17%, 0.49%

LAB 49.31, 22.63, -12.05

 

CMYK 25 / 29 / 0 / 43

HEX #6D6892

RGB 109 104 146

HSL 247.14, 0.17%, 0.49%

LAB 45.94, 11.62, -22.27

 

CMYK 29 / 29 / 0 / 43

HEX #686892

RGB 104 104 146

HSL 240, 0.17%, 0.49%

LAB 45.52, 10.01, -22.96

 

CMYK 25 / 29 / 0 / 43

HEX #6D6892

RGB 109 104 146

HSL 247.14, 0.17%, 0.49%

LAB 45.94, 11.62, -22.27

 

CMYK 44 / 50 / 0 / 35

HEX #5D53A6

RGB 93 83 166

HSL 247.23, 0.33%, 0.49%

LAB 40.03, 25.61, -43.58

 

CMYK 58 / 66 / 0 / 27

HEX #4E3FBB

RGB 78 63 187

HSL 247.26, 0.5%, 0.49%

LAB 35.52, 41.28, -63.35

 

CMYK 70 / 79 / 0 / 19

HEX #3E2BCF

RGB 62 43 207

HSL 246.95, 0.66%, 0.49%

LAB 32.38, 56.21, -80.26

 

CMYK 79 / 90 / 0 / 11

HEX #2F17E3

RGB 47 23 227

HSL 247.06, 0.82%, 0.49%

LAB 31.26, 68.54, -93.7

 

CMYK 25 / 29 / 0 / 43

HEX #6D6892

RGB 109 104 146

HSL 247.14, 0.17%, 0.49%

LAB 45.94, 11.62, -22.27

 

CMYK 2 / 2 / 0 / 51

HEX #7C7C7E

RGB 124 124 126

HSL 240, 0.01%, 0.49%

LAB 52.07, 0.41, -1.09

 

CMYK 3 / 0 / 26 / 44

HEX #8C906A

RGB 140 144 106

HSL 66.32, 0.15%, 0.49%

LAB 58.57, -8.08, 19.76

 

CMYK 5 / 0 / 48 / 36

HEX #9BA456

RGB 155 164 86

HSL 66.92, 0.31%, 0.49%

LAB 65.11, -15.08, 39.14

 

CMYK 8 / 0 / 65 / 27

HEX #ABB941

RGB 171 185 65

HSL 67, 0.48%, 0.49%

LAB 72.05, -20.82, 57.02

 

CMYK 29 / 16 / 0 / 43

HEX #687A92

RGB 104 122 146

HSL 214.29, 0.17%, 0.49%

LAB 50.61, -0.76, -15.16

 

CMYK 29 / 24 / 0 / 43

HEX #686F92

RGB 104 111 146

HSL 230, 0.17%, 0.49%

LAB 47.48, 5.77, -19.94

 

CMYK 26 / 29 / 0 / 43

HEX #6C6892

RGB 108 104 146

HSL 245.71, 0.17%, 0.49%

LAB 45.86, 11.29, -22.41

 

CMYK 18 / 29 / 0 / 43

HEX #776892

RGB 119 104 146

HSL 261.43, 0.17%, 0.49%

LAB 46.84, 14.91, -20.82

 

CMYK 10 / 29 / 0 / 43

HEX #836892

RGB 131 104 146

HSL 278.57, 0.17%, 0.49%

LAB 48.01, 18.99, -18.92

 

CMYK 26 / 30 / 0 / 62

HEX #494562

RGB 73 69 98

HSL 248.28, 0.17%, 0.33%

LAB 30.77, 8.79, -16.43

 

CMYK 25 / 29 / 0 / 52

HEX #5B577A

RGB 91 87 122

HSL 246.86, 0.17%, 0.41%

LAB 38.63, 9.91, -19.19

 

CMYK 25 / 29 / 0 / 43

HEX #6D6892

RGB 109 104 146

HSL 247.14, 0.17%, 0.49%

LAB 45.94, 11.62, -22.27

 

CMYK 20 / 23 / 0 / 36

HEX #837FA4

RGB 131 127 164

HSL 246.49, 0.17%, 0.57%

LAB 54.75, 9.55, -19.15

 

CMYK 14 / 17 / 0 / 29

HEX #9B97B5

RGB 155 151 181

HSL 248, 0.17%, 0.65%

LAB 63.7, 7.61, -15.05

 

CMYK 26 / 29 / 0 / 43

HEX #6C6792

RGB 108 103 146

HSL 246.98, 0.17%, 0.49%

LAB 45.58, 11.9, -22.83

 

CMYK 0 / 29 / 9 / 43

HEX #926885

RGB 146 104 133

HSL 318.57, 0.17%, 0.49%

LAB 49.14, 21.69, -9.34

 

CMYK 21 / 0 / 29 / 43

HEX #749268

RGB 116 146 104

HSL 102.86, 0.17%, 0.49%

LAB 57.34, -18.82, 18.92

 

CMYK 26 / 29 / 0 / 43

HEX #6C6792

RGB 108 103 146

HSL 246.98, 0.17%, 0.49%

LAB 45.58, 11.9, -22.83

 

CMYK 0 / 26 / 29 / 43

HEX #926C68

RGB 146 108 104

HSL 5.71, 0.17%, 0.49%

LAB 49.3, 14.53, 8.15

 

CMYK 29 / 0 / 26 / 43

HEX #68926C

RGB 104 146 108

HSL 125.71, 0.17%, 0.49%

LAB 56.67, -22.44, 15.63

 

CMYK 26 / 29 / 0 / 43

HEX #6C6792

RGB 108 103 146

HSL 246.98, 0.17%, 0.49%

LAB 45.58, 11.9, -22.83

 

CMYK 0 / 29 / 9 / 43

HEX #926885

RGB 146 104 133

HSL 318.57, 0.17%, 0.49%

LAB 49.14, 21.69, -9.34

 

CMYK 3 / 0 / 29 / 43

HEX #8E9268

RGB 142 146 104

HSL 65.71, 0.17%, 0.49%

LAB 59.26, -8.65, 21.84

 

CMYK 29 / 0 / 21 / 43

HEX #689274

RGB 104 146 116

HSL 137.14, 0.17%, 0.49%

LAB 56.84, -20.91, 11.35

 

CMYK 26 / 29 / 0 / 43

HEX #6C6792

RGB 108 103 146

HSL 246.98, 0.17%, 0.49%

LAB 45.58, 11.9, -22.83

 

CMYK 0 / 29 / 17 / 43

HEX #926879

RGB 146 104 121

HSL 335.71, 0.17%, 0.49%

LAB 48.75, 19.56, -2.76

 

CMYK 3 / 0 / 29 / 43

HEX #8E9268

RGB 142 146 104

HSL 65.71, 0.17%, 0.49%

LAB 59.26, -8.65, 21.84

 

CMYK 29 / 0 / 12 / 43

HEX #689281

RGB 104 146 129

HSL 155.71, 0.17%, 0.49%

LAB 57.16, -18.19, 4.39

 

Description

Color code: RGB 108 103 146 | qconv.com Color code: RGB 108 103 146 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 103 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 103 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 29 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 29% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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