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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 142 35 it is the complementary color RGB 148 113 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 142 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 107 142 35 shade: RGB 112 142 30, RGB 129 160 49, RGB 146 178 68, RGB 163 196 87 and RGB 180 214 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 142 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 107 142 35 shade: RGB 107 142 35, RGB 90 124 16, RGB 73 106 0, RGB 56 88 0 and RGB 39 70 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 107 142 35 shade: RGB 108 143 36, RGB 137 143 36, RGB 143 120 36, RGB 143 91 36 and RGB 143 62 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 107 142 35 shade: RGB 108 143 36, RGB 79 143 36, RGB 50 143 36, RGB 36 143 50 and RGB 36 143 79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 107 142 35 shade matches the following richer shades: RGB 108 143 36, RGB 113 157 21 and RGB 118 172 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 107 142 35 shade: RGB 108 143 36, RGB 103 128 50, RGB 98 114 65, RGB 93 99 79 and RGB 88 85 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 107 142 35 shade: RGB 143 120 36, RGB 137 143 36, RGB 109 143 36, RGB 80 143 36 and RGB 52 143 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 107 142 35 shade: RGB 58 77 19, RGB 83 110 27, RGB 108 143 36, RGB 133 176 44 and RGB 156 205 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 107 142 35 shade: RGB 107 142 35, RGB 36 143 91 and RGB 134 36 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 107 142 35 shade: RGB 107 142 35, RGB 36 109 143 and RGB 143 36 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 107 142 35 shade: RGB 107 142 35, RGB 36 143 91, RGB 70 36 143 and RGB 143 36 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 107 142 35 shade: RGB 107 142 35, RGB 36 143 123, RGB 70 36 143 and RGB 143 36 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 75 / 44

HEX #6B8E23

RGB 107 142 35

HSL 79.63, 0.6%, 0.35%

LAB 54.65, -28.22, 49.69

 

Complementary color

CMYK 33 / 49 / 0 / 14

HEX #9471DC

RGB 148 113 220

HSL 259.63, 0.6%, 0.65%

LAB 55.35, 36.75, -50.06

 

CMYK 21 / 0 / 79 / 44

HEX #708E1E

RGB 112 142 30

HSL 76.07, 0.65%, 0.34%

LAB 54.95, -26.41, 51.82

 

CMYK 19 / 0 / 69 / 37

HEX #81A031

RGB 129 160 49

HSL 76.76, 0.53%, 0.41%

LAB 61.68, -27.01, 51.83

 

CMYK 18 / 0 / 62 / 30

HEX #92B244

RGB 146 178 68

HSL 77.45, 0.45%, 0.48%

LAB 68.29, -27.43, 51.19

 

CMYK 17 / 0 / 56 / 23

HEX #A3C457

RGB 163 196 87

HSL 78.17, 0.48%, 0.55%

LAB 74.8, -27.72, 50.25

 

CMYK 16 / 0 / 50 / 16

HEX #B4D66A

RGB 180 214 106

HSL 78.89, 0.57%, 0.63%

LAB 81.2, -27.92, 49.18

 

CMYK 25 / 0 / 75 / 44

HEX #6B8E23

RGB 107 142 35

HSL 79.63, 0.6%, 0.35%

LAB 54.65, -28.22, 49.69

 

CMYK 27 / 0 / 87 / 51

HEX #5A7C10

RGB 90 124 16

HSL 78.89, 0.77%, 0.27%

LAB 47.79, -27.51, 48.96

 

CMYK 31 / 0 / 100 / 58

HEX #496A00

RGB 73 106 0

HSL 78.68, 1%, 0.21%

LAB 40.77, -26.5, 46.5

 

CMYK 36 / 0 / 100 / 65

HEX #385800

RGB 56 88 0

HSL 81.82, 1%, 0.17%

LAB 33.61, -24.98, 40.54

 

CMYK 44 / 0 / 100 / 73

HEX #274600

RGB 39 70 0

HSL 86.57, 1%, 0.14%

LAB 26.19, -23.37, 34.16

 

CMYK 24 / 0 / 75 / 44

HEX #6C8F24

RGB 108 143 36

HSL 79.63, 0.6%, 0.35%

LAB 55.03, -28.24, 49.72

 

CMYK 4 / 0 / 75 / 44

HEX #898F24

RGB 137 143 36

HSL 63.36, 0.6%, 0.35%

LAB 57.16, -15.72, 52.51

 

CMYK 0 / 16 / 75 / 44

HEX #8F7824

RGB 143 120 36

HSL 47.1, 0.6%, 0.35%

LAB 51.15, -0.4, 46.91

 

CMYK 0 / 36 / 75 / 44

HEX #8F5B24

RGB 143 91 36

HSL 30.84, 0.6%, 0.35%

LAB 43.43, 16.33, 39.16

 

CMYK 0 / 57 / 75 / 44

HEX #8F3E24

RGB 143 62 36

HSL 14.58, 0.6%, 0.35%

LAB 36.77, 32.59, 32.08

 

CMYK 24 / 0 / 75 / 44

HEX #6C8F24

RGB 108 143 36

HSL 79.63, 0.6%, 0.35%

LAB 55.03, -28.24, 49.72

 

CMYK 45 / 0 / 75 / 44

HEX #4F8F24

RGB 79 143 36

HSL 95.89, 0.6%, 0.35%

LAB 53.42, -39.23, 47.59

 

CMYK 65 / 0 / 75 / 44

HEX #328F24

RGB 50 143 36

HSL 112.15, 0.6%, 0.35%

LAB 52.34, -47.59, 46.15

 

CMYK 75 / 0 / 65 / 44

HEX #248F32

RGB 36 143 50

HSL 127.85, 0.6%, 0.35%

LAB 52.12, -49.03, 39.93

 

CMYK 75 / 0 / 45 / 44

HEX #248F4F

RGB 36 143 79

HSL 144.11, 0.6%, 0.35%

LAB 52.49, -44.66, 25.68

 

CMYK 24 / 0 / 75 / 44

HEX #6C8F24

RGB 108 143 36

HSL 79.63, 0.6%, 0.35%

LAB 55.03, -28.24, 49.72

 

CMYK 28 / 0 / 87 / 38

HEX #719D15

RGB 113 157 21

HSL 79.41, 0.76%, 0.35%

LAB 59.6, -33.49, 58.48

 

CMYK 31 / 0 / 96 / 33

HEX #76AC07

RGB 118 172 7

HSL 79.64, 0.92%, 0.35%

LAB 64.46, -38.61, 64.93

 

CMYK 24 / 0 / 75 / 44

HEX #6C8F24

RGB 108 143 36

HSL 79.63, 0.6%, 0.35%

LAB 55.03, -28.24, 49.72

 

CMYK 20 / 0 / 61 / 50

HEX #678032

RGB 103 128 50

HSL 79.23, 0.44%, 0.35%

LAB 50.16, -21.81, 38.53

 

CMYK 14 / 0 / 43 / 55

HEX #627241

RGB 98 114 65

HSL 79.59, 0.27%, 0.35%

LAB 45.65, -14.85, 25.17

 

CMYK 6 / 0 / 20 / 61

HEX #5D634F

RGB 93 99 79

HSL 78, 0.11%, 0.35%

LAB 40.92, -6.3, 10.6

 

CMYK 5 / 9 / 0 / 64

HEX #58555D

RGB 88 85 93

HSL 262.5, 0.04%, 0.35%

LAB 36.67, 2.94, -4.2

 

CMYK 0 / 16 / 75 / 44

HEX #8F7824

RGB 143 120 36

HSL 47.1, 0.6%, 0.35%

LAB 51.15, -0.4, 46.91

 

CMYK 4 / 0 / 75 / 44

HEX #898F24

RGB 137 143 36

HSL 63.36, 0.6%, 0.35%

LAB 57.16, -15.72, 52.51

 

CMYK 24 / 0 / 75 / 44

HEX #6D8F24

RGB 109 143 36

HSL 79.07, 0.6%, 0.35%

LAB 55.1, -27.82, 49.8

 

CMYK 44 / 0 / 75 / 44

HEX #508F24

RGB 80 143 36

HSL 95.33, 0.6%, 0.35%

LAB 53.47, -38.88, 47.65

 

CMYK 64 / 0 / 75 / 44

HEX #348F24

RGB 52 143 36

HSL 111.03, 0.6%, 0.35%

LAB 52.4, -47.12, 46.23

 

CMYK 25 / 0 / 75 / 70

HEX #3A4D13

RGB 58 77 19

HSL 79.66, 0.6%, 0.19%

LAB 30.05, -17.37, 30.55

 

CMYK 25 / 0 / 75 / 57

HEX #536E1B

RGB 83 110 27

HSL 79.52, 0.61%, 0.27%

LAB 42.87, -23, 40.64

 

CMYK 24 / 0 / 75 / 44

HEX #6C8F24

RGB 108 143 36

HSL 79.63, 0.6%, 0.35%

LAB 55.03, -28.24, 49.72

 

CMYK 24 / 0 / 75 / 31

HEX #85B02C

RGB 133 176 44

HSL 79.55, 0.6%, 0.43%

LAB 66.69, -33.29, 58.72

 

CMYK 24 / 0 / 73 / 20

HEX #9CCD38

RGB 156 205 56

HSL 79.73, 0.6%, 0.51%

LAB 76.69, -36.9, 64.79

 

CMYK 25 / 0 / 75 / 44

HEX #6B8E23

RGB 107 142 35

HSL 79.63, 0.6%, 0.35%

LAB 54.65, -28.22, 49.69

 

CMYK 75 / 0 / 36 / 44

HEX #248F5B

RGB 36 143 91

HSL 150.84, 0.6%, 0.35%

LAB 52.7, -42.28, 19.34

 

CMYK 6 / 75 / 0 / 44

HEX #86248F

RGB 134 36 143

HSL 294.95, 0.6%, 0.35%

LAB 34.63, 54.48, -38.02

 

CMYK 25 / 0 / 75 / 44

HEX #6B8E23

RGB 107 142 35

HSL 79.63, 0.6%, 0.35%

LAB 54.65, -28.22, 49.69

 

CMYK 75 / 24 / 0 / 44

HEX #246D8F

RGB 36 109 143

HSL 199.07, 0.6%, 0.35%

LAB 43.21, -10.4, -25.05

 

CMYK 0 / 75 / 24 / 44

HEX #8F246D

RGB 143 36 109

HSL 319.07, 0.6%, 0.35%

LAB 34.41, 51.23, -17.01

 

CMYK 25 / 0 / 75 / 44

HEX #6B8E23

RGB 107 142 35

HSL 79.63, 0.6%, 0.35%

LAB 54.65, -28.22, 49.69

 

CMYK 75 / 0 / 36 / 44

HEX #248F5B

RGB 36 143 91

HSL 150.84, 0.6%, 0.35%

LAB 52.7, -42.28, 19.34

 

CMYK 51 / 75 / 0 / 44

HEX #46248F

RGB 70 36 143

HSL 259.07, 0.6%, 0.35%

LAB 25.4, 41.7, -53.39

 

CMYK 0 / 75 / 39 / 44

HEX #8F2457

RGB 143 36 87

HSL 331.4, 0.6%, 0.35%

LAB 33.54, 48.49, -4.21

 

CMYK 25 / 0 / 75 / 44

HEX #6B8E23

RGB 107 142 35

HSL 79.63, 0.6%, 0.35%

LAB 54.65, -28.22, 49.69

 

CMYK 75 / 0 / 14 / 44

HEX #248F7B

RGB 36 143 123

HSL 168.79, 0.6%, 0.35%

LAB 53.44, -34.46, 2.12

 

CMYK 51 / 75 / 0 / 44

HEX #46248F

RGB 70 36 143

HSL 259.07, 0.6%, 0.35%

LAB 25.4, 41.7, -53.39

 

CMYK 0 / 75 / 62 / 44

HEX #8F2437

RGB 143 36 55

HSL 349.35, 0.6%, 0.35%

LAB 32.65, 45.57, 15.4

 

Description

Color code: RGB 107 142 35 | qconv.com Color code: RGB 107 142 35 | qconv.com - big

Dark color: low color values appear darker. It is also known as olive drab.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 142 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 142 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 75 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 75% 44% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

62% - Софт. Программы. Ути...
Link: http://soft-landia.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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