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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107 106 149 it is the complementary color RGB 148 149 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107 106 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 107 106 149 shade: RGB 112 106 144, RGB 129 124 163, RGB 146 142 182, RGB 163 160 201 and RGB 180 178 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107 106 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 107 106 149 shade: RGB 107 106 149, RGB 90 88 130, RGB 73 70 111, RGB 56 52 92 and RGB 39 34 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 107 106 149 shade: RGB 107 106 149, RGB 119 106 149, RGB 130 106 149, RGB 142 106 149 and RGB 149 106 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 107 106 149 shade: RGB 107 106 149 and RGB 106 106 149

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 107 106 149 shade matches the following richer shades: RGB 107 106 149, RGB 87 85 170, RGB 68 65 190, RGB 48 44 211 and RGB 28 23 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 107 106 149 shade: RGB 107 106 149, RGB 127 126 129, RGB 146 147 108, RGB 166 168 87 and RGB 186 188 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 107 106 149 shade: RGB 106 128 149, RGB 106 117 149, RGB 107 106 149, RGB 118 106 149 and RGB 130 106 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 107 106 149 shade: RGB 72 72 101, RGB 90 89 125, RGB 107 106 149, RGB 131 130 166 and RGB 155 154 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 107 106 149 shade: RGB 107 106 149, RGB 149 106 140 and RGB 122 149 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 107 106 149 shade: RGB 107 106 149, RGB 149 107 106 and RGB 106 149 107

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 107 106 149 shade: RGB 107 106 149, RGB 149 106 140, RGB 148 149 106 and RGB 106 149 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 107 106 149 shade: RGB 107 106 149, RGB 149 106 127, RGB 148 149 106 and RGB 106 149 128

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 29 / 0 / 42

HEX #6B6A95

RGB 107 106 149

HSL 241.4, 0.17%, 0.5%

LAB 46.45, 10.54, -23.29

 

Complementary color

CMYK 1 / 0 / 29 / 42

HEX #94956A

RGB 148 149 106

HSL 61.4, 0.17%, 0.5%

LAB 60.63, -7.57, 22.66

 

CMYK 22 / 26 / 0 / 44

HEX #706A90

RGB 112 106 144

HSL 249.47, 0.15%, 0.49%

LAB 46.67, 10.88, -19.95

 

CMYK 21 / 24 / 0 / 36

HEX #817CA3

RGB 129 124 163

HSL 247.69, 0.17%, 0.56%

LAB 53.74, 10.41, -20.13

 

CMYK 20 / 22 / 0 / 29

HEX #928EB6

RGB 146 142 182

HSL 246, 0.22%, 0.64%

LAB 60.64, 10, -20.34

 

CMYK 19 / 20 / 0 / 21

HEX #A3A0C9

RGB 163 160 201

HSL 244.39, 0.28%, 0.71%

LAB 67.39, 9.62, -20.58

 

CMYK 18 / 19 / 0 / 14

HEX #B4B2DC

RGB 180 178 220

HSL 242.86, 0.38%, 0.78%

LAB 74, 9.28, -20.83

 

CMYK 28 / 29 / 0 / 42

HEX #6B6A95

RGB 107 106 149

HSL 241.4, 0.17%, 0.5%

LAB 46.45, 10.54, -23.29

 

CMYK 31 / 32 / 0 / 49

HEX #5A5882

RGB 90 88 130

HSL 242.86, 0.19%, 0.43%

LAB 39.18, 11.12, -23.24

 

CMYK 34 / 37 / 0 / 56

HEX #49466F

RGB 73 70 111

HSL 244.39, 0.23%, 0.35%

LAB 31.68, 11.83, -23.26

 

CMYK 39 / 43 / 0 / 64

HEX #38345C

RGB 56 52 92

HSL 246, 0.28%, 0.28%

LAB 23.9, 12.71, -23.38

 

CMYK 47 / 53 / 0 / 71

HEX #272249

RGB 39 34 73

HSL 247.69, 0.36%, 0.21%

LAB 15.78, 13.89, -23.62

 

CMYK 28 / 29 / 0 / 42

HEX #6B6A95

RGB 107 106 149

HSL 241.4, 0.17%, 0.5%

LAB 46.45, 10.54, -23.29

 

CMYK 20 / 29 / 0 / 42

HEX #776A95

RGB 119 106 149

HSL 258.14, 0.17%, 0.5%

LAB 47.49, 14.44, -21.59

 

CMYK 13 / 29 / 0 / 42

HEX #826A95

RGB 130 106 149

HSL 273.49, 0.17%, 0.5%

LAB 48.54, 18.13, -19.89

 

CMYK 5 / 29 / 0 / 42

HEX #8E6A95

RGB 142 106 149

HSL 290.23, 0.17%, 0.5%

LAB 49.77, 22.25, -17.9

 

CMYK 0 / 29 / 3 / 42

HEX #956A91

RGB 149 106 145

HSL 305.58, 0.17%, 0.5%

LAB 50.38, 23.89, -14.54

 

CMYK 28 / 29 / 0 / 42

HEX #6B6A95

RGB 107 106 149

HSL 241.4, 0.17%, 0.5%

LAB 46.45, 10.54, -23.29

 

CMYK 29 / 29 / 0 / 42

HEX #6A6A95

RGB 106 106 149

HSL 240, 0.17%, 0.5%

LAB 46.37, 10.22, -23.42

 

CMYK 28 / 29 / 0 / 42

HEX #6B6A95

RGB 107 106 149

HSL 241.4, 0.17%, 0.5%

LAB 46.45, 10.54, -23.29

 

CMYK 49 / 50 / 0 / 33

HEX #5755AA

RGB 87 85 170

HSL 241.41, 0.33%, 0.5%

LAB 40.29, 24.14, -45.56

 

CMYK 64 / 66 / 0 / 25

HEX #4441BE

RGB 68 65 190

HSL 241.44, 0.49%, 0.5%

LAB 35.45, 39.53, -65.26

 

CMYK 77 / 79 / 0 / 17

HEX #302CD3

RGB 48 44 211

HSL 241.44, 0.65%, 0.5%

LAB 32.11, 55.93, -83.07

 

CMYK 88 / 90 / 0 / 9

HEX #1C17E8

RGB 28 23 232

HSL 241.44, 0.82%, 0.5%

LAB 31.08, 69.36, -96.88

 

CMYK 28 / 29 / 0 / 42

HEX #6B6A95

RGB 107 106 149

HSL 241.4, 0.17%, 0.5%

LAB 46.45, 10.54, -23.29

 

CMYK 2 / 2 / 0 / 49

HEX #7F7E81

RGB 127 126 129

HSL 260, 0.01%, 0.5%

LAB 52.97, 0.98, -1.5

 

CMYK 1 / 0 / 27 / 42

HEX #92936C

RGB 146 147 108

HSL 61.54, 0.15%, 0.5%

LAB 59.94, -7.01, 20.59

 

CMYK 1 / 0 / 48 / 34

HEX #A6A857

RGB 166 168 87

HSL 61.48, 0.32%, 0.5%

LAB 67.13, -12.48, 41.28

 

CMYK 1 / 0 / 64 / 26

HEX #BABC43

RGB 186 188 67

HSL 60.99, 0.47%, 0.5%

LAB 74.07, -15.9, 58.67

 

CMYK 29 / 14 / 0 / 42

HEX #6A8095

RGB 106 128 149

HSL 209.3, 0.17%, 0.5%

LAB 52.59, -2.84, -13.9

 

CMYK 29 / 21 / 0 / 42

HEX #6A7595

RGB 106 117 149

HSL 224.65, 0.17%, 0.5%

LAB 49.44, 3.6, -18.69

 

CMYK 28 / 29 / 0 / 42

HEX #6B6A95

RGB 107 106 149

HSL 241.4, 0.17%, 0.5%

LAB 46.45, 10.54, -23.29

 

CMYK 21 / 29 / 0 / 42

HEX #766A95

RGB 118 106 149

HSL 256.74, 0.17%, 0.5%

LAB 47.4, 14.11, -21.74

 

CMYK 13 / 29 / 0 / 42

HEX #826A95

RGB 130 106 149

HSL 273.49, 0.17%, 0.5%

LAB 48.54, 18.13, -19.89

 

CMYK 29 / 29 / 0 / 60

HEX #484865

RGB 72 72 101

HSL 240, 0.17%, 0.34%

LAB 31.7, 7.32, -16.91

 

CMYK 28 / 29 / 0 / 51

HEX #5A597D

RGB 90 89 125

HSL 241.67, 0.17%, 0.42%

LAB 39.24, 9.13, -20.09

 

CMYK 28 / 29 / 0 / 42

HEX #6B6A95

RGB 107 106 149

HSL 241.4, 0.17%, 0.5%

LAB 46.45, 10.54, -23.29

 

CMYK 21 / 22 / 0 / 35

HEX #8382A6

RGB 131 130 166

HSL 241.67, 0.17%, 0.58%

LAB 55.63, 8.28, -18.96

 

CMYK 15 / 16 / 0 / 28

HEX #9B9AB7

RGB 155 154 183

HSL 242.07, 0.17%, 0.66%

LAB 64.56, 6.36, -14.88

 

CMYK 28 / 29 / 0 / 42

HEX #6B6A95

RGB 107 106 149

HSL 241.4, 0.17%, 0.5%

LAB 46.45, 10.54, -23.29

 

CMYK 0 / 29 / 6 / 42

HEX #956A8C

RGB 149 106 140

HSL 312.56, 0.17%, 0.5%

LAB 50.21, 22.93, -11.85

 

CMYK 18 / 0 / 29 / 42

HEX #7A956A

RGB 122 149 106

HSL 97.67, 0.17%, 0.5%

LAB 58.67, -17.8, 19.68

 

CMYK 28 / 29 / 0 / 42

HEX #6B6A95

RGB 107 106 149

HSL 241.4, 0.17%, 0.5%

LAB 46.45, 10.54, -23.29

 

CMYK 0 / 28 / 29 / 42

HEX #956B6A

RGB 149 107 106

HSL 1.4, 0.17%, 0.5%

LAB 49.43, 16.62, 7.2

 

CMYK 29 / 0 / 28 / 42

HEX #6A956B

RGB 106 149 107

HSL 121.4, 0.17%, 0.5%

LAB 57.68, -23.45, 17.6

 

CMYK 28 / 29 / 0 / 42

HEX #6B6A95

RGB 107 106 149

HSL 241.4, 0.17%, 0.5%

LAB 46.45, 10.54, -23.29

 

CMYK 0 / 29 / 6 / 42

HEX #956A8C

RGB 149 106 140

HSL 312.56, 0.17%, 0.5%

LAB 50.21, 22.93, -11.85

 

CMYK 1 / 0 / 29 / 42

HEX #94956A

RGB 148 149 106

HSL 61.4, 0.17%, 0.5%

LAB 60.63, -7.57, 22.66

 

CMYK 29 / 0 / 23 / 42

HEX #6A9573

RGB 106 149 115

HSL 132.56, 0.17%, 0.5%

LAB 57.84, -21.96, 13.33

 

CMYK 28 / 29 / 0 / 42

HEX #6B6A95

RGB 107 106 149

HSL 241.4, 0.17%, 0.5%

LAB 46.45, 10.54, -23.29

 

CMYK 0 / 29 / 15 / 42

HEX #956A7F

RGB 149 106 127

HSL 330.7, 0.17%, 0.5%

LAB 49.77, 20.57, -4.79

 

CMYK 1 / 0 / 29 / 42

HEX #94956A

RGB 148 149 106

HSL 61.4, 0.17%, 0.5%

LAB 60.63, -7.57, 22.66

 

CMYK 29 / 0 / 14 / 42

HEX #6A9580

RGB 106 149 128

HSL 150.7, 0.17%, 0.5%

LAB 58.15, -19.33, 6.4

 

Description

Color code: RGB 107 106 149 | qconv.com Color code: RGB 107 106 149 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 106 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 106 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 29 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 29% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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