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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 107.9 110.2 150 it is the complementary color RGB 147.1 144.8 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 107.9 110.2 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 107.9 110.2 150 shade: RGB 112.9 110.2 145, RGB 129.9 128.2 164, RGB 146.9 146.2 183, RGB 163.9 164.2 202 and RGB 180.9 182.2 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 107.9 110.2 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 107.9 110.2 150 shade: RGB 107.9 110.2 150, RGB 90.9 92.2 131, RGB 73.9 74.2 112, RGB 56.9 56.2 93 and RGB 39.9 38.2 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 107.9 110.2 150 shade: RGB 109 111 151, RGB 118 109 151, RGB 129 109 151, RGB 141 109 151 and RGB 151 109 150

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 107.9 110.2 150 shade: RGB 109 111 151 and RGB 109 109 151

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 107.9 110.2 150 shade matches the following richer shades: RGB 109 111 151, RGB 89 93 172, RGB 68 75 192, RGB 48 57 212 and RGB 28 39 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 107.9 110.2 150 shade: RGB 109 111 151, RGB 129 129 131, RGB 149 147 111, RGB 169 165 91 and RGB 190 183 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 107.9 110.2 150 shade: RGB 109 134 151, RGB 109 123 151, RGB 109 112 151, RGB 117 109 151 and RGB 129 109 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 107.9 110.2 150 shade: RGB 74 75 104, RGB 91 93 128, RGB 109 111 151, RGB 133 135 168 and RGB 157 159 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 107.9 110.2 150 shade: RGB 107.9 110.2 150, RGB 151 109 146 and RGB 129 151 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 107.9 110.2 150 shade: RGB 107.9 110.2 150, RGB 151 109 112 and RGB 112 151 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 107.9 110.2 150 shade: RGB 107.9 110.2 150, RGB 151 109 146, RGB 151 148 109 and RGB 109 151 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 107.9 110.2 150 shade: RGB 107.9 110.2 150, RGB 151 109 133, RGB 151 148 109 and RGB 109 151 127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 27 / 0 / 41

HEX #6B6E96

RGB 107.9 110.2 150

HSL 236.72, 0.17%, 0.51%

LAB 47.73, 8.55, -21.9

 

Complementary color

CMYK 0 / 2 / 29 / 42

HEX #939069

RGB 147.1 144.8 105

HSL 56.72, 0.17%, 0.49%

LAB 59.36, -5.79, 21.5

 

CMYK 22 / 24 / 0 / 43

HEX #706E91

RGB 112.9 110.2 145

HSL 244.66, 0.14%, 0.5%

LAB 47.94, 8.9, -18.59

 

CMYK 21 / 22 / 0 / 36

HEX #8180A4

RGB 129.9 128.2 164

HSL 242.85, 0.16%, 0.57%

LAB 54.98, 8.49, -18.8

 

CMYK 20 / 20 / 0 / 28

HEX #9292B7

RGB 146.9 146.2 183

HSL 241.14, 0.2%, 0.65%

LAB 61.85, 8.12, -19.04

 

CMYK 19 / 19 / 0 / 21

HEX #A3A4CA

RGB 163.9 164.2 202

HSL 239.53, 0.26%, 0.72%

LAB 68.58, 7.79, -19.3

 

CMYK 18 / 18 / 0 / 13

HEX #B4B6DD

RGB 180.9 182.2 221

HSL 238.05, 0.37%, 0.79%

LAB 75.18, 7.49, -19.58

 

CMYK 28 / 27 / 0 / 41

HEX #6B6E96

RGB 107.9 110.2 150

HSL 236.72, 0.17%, 0.51%

LAB 47.73, 8.55, -21.9

 

CMYK 31 / 30 / 0 / 49

HEX #5A5C83

RGB 90.9 92.2 131

HSL 238.05, 0.18%, 0.44%

LAB 40.49, 9.06, -21.82

 

CMYK 34 / 34 / 0 / 56

HEX #494A70

RGB 73.9 74.2 112

HSL 239.53, 0.2%, 0.36%

LAB 33.02, 9.67, -21.8

 

CMYK 39 / 40 / 0 / 64

HEX #38385D

RGB 56.9 56.2 93

HSL 241.14, 0.25%, 0.29%

LAB 25.28, 10.45, -21.86

 

CMYK 46 / 48 / 0 / 71

HEX #27264A

RGB 39.9 38.2 74

HSL 242.85, 0.32%, 0.22%

LAB 17.19, 11.48, -22.06

 

CMYK 28 / 26 / 0 / 41

HEX #6D6F97

RGB 109 111 151

HSL 237.14, 0.17%, 0.51%

LAB 48.08, 8.67, -21.95

 

CMYK 22 / 28 / 0 / 41

HEX #766D97

RGB 118 109 151

HSL 252.86, 0.17%, 0.51%

LAB 48.29, 12.79, -21.55

 

CMYK 15 / 28 / 0 / 41

HEX #816D97

RGB 129 109 151

HSL 268.57, 0.17%, 0.51%

LAB 49.3, 16.46, -19.92

 

CMYK 7 / 28 / 0 / 41

HEX #8D6D97

RGB 141 109 151

HSL 285.71, 0.17%, 0.51%

LAB 50.49, 20.57, -17.98

 

CMYK 0 / 28 / 1 / 41

HEX #976D96

RGB 151 109 150

HSL 301.43, 0.17%, 0.51%

LAB 51.52, 23.84, -15.74

 

CMYK 28 / 26 / 0 / 41

HEX #6D6F97

RGB 109 111 151

HSL 237.14, 0.17%, 0.51%

LAB 48.08, 8.67, -21.95

 

CMYK 28 / 28 / 0 / 41

HEX #6D6D97

RGB 109 109 151

HSL 240, 0.17%, 0.51%

LAB 47.52, 9.88, -22.8

 

CMYK 28 / 26 / 0 / 41

HEX #6D6F97

RGB 109 111 151

HSL 237.14, 0.17%, 0.51%

LAB 48.08, 8.67, -21.95

 

CMYK 48 / 46 / 0 / 33

HEX #595DAC

RGB 89 93 172

HSL 237.11, 0.33%, 0.51%

LAB 42.66, 20.22, -42.95

 

CMYK 65 / 61 / 0 / 25

HEX #444BC0

RGB 68 75 192

HSL 236.61, 0.5%, 0.51%

LAB 37.96, 34.04, -62.34

 

CMYK 77 / 73 / 0 / 17

HEX #3039D4

RGB 48 57 212

HSL 236.71, 0.66%, 0.51%

LAB 34.62, 49.39, -79.5

 

CMYK 88 / 83 / 0 / 9

HEX #1C27E8

RGB 28 39 232

HSL 236.76, 0.82%, 0.51%

LAB 32.97, 63.66, -93.73

 

CMYK 28 / 26 / 0 / 41

HEX #6D6F97

RGB 109 111 151

HSL 237.14, 0.17%, 0.51%

LAB 48.08, 8.67, -21.95

 

CMYK 2 / 2 / 0 / 49

HEX #818183

RGB 129 129 131

HSL 240, 0.01%, 0.51%

LAB 54.03, 0.4, -1.09

 

CMYK 0 / 1 / 26 / 42

HEX #95936F

RGB 149 147 111

HSL 56.84, 0.15%, 0.51%

LAB 60.25, -5.36, 19.38

 

CMYK 0 / 2 / 46 / 34

HEX #A9A55B

RGB 169 165 91

HSL 56.92, 0.31%, 0.51%

LAB 66.6, -9.25, 38.67

 

CMYK 0 / 4 / 63 / 25

HEX #BEB746

RGB 190 183 70

HSL 56.5, 0.48%, 0.51%

LAB 73.06, -11.47, 56.45

 

CMYK 28 / 11 / 0 / 41

HEX #6D8697

RGB 109 134 151

HSL 204.29, 0.17%, 0.51%

LAB 54.59, -4.82, -12.02

 

CMYK 28 / 19 / 0 / 41

HEX #6D7B97

RGB 109 123 151

HSL 220, 0.17%, 0.51%

LAB 51.44, 1.53, -16.79

 

CMYK 28 / 26 / 0 / 41

HEX #6D7097

RGB 109 112 151

HSL 235.71, 0.17%, 0.51%

LAB 48.35, 8.07, -21.52

 

CMYK 23 / 28 / 0 / 41

HEX #756D97

RGB 117 109 151

HSL 251.43, 0.17%, 0.51%

LAB 48.2, 12.46, -21.7

 

CMYK 15 / 28 / 0 / 41

HEX #816D97

RGB 129 109 151

HSL 268.57, 0.17%, 0.51%

LAB 49.3, 16.46, -19.92

 

CMYK 29 / 28 / 0 / 59

HEX #4A4B68

RGB 74 75 104

HSL 238, 0.17%, 0.35%

LAB 32.89, 6.9, -16.96

 

CMYK 29 / 27 / 0 / 50

HEX #5B5D80

RGB 91 93 128

HSL 236.76, 0.17%, 0.43%

LAB 40.59, 7.77, -19.83

 

CMYK 28 / 26 / 0 / 41

HEX #6D6F97

RGB 109 111 151

HSL 237.14, 0.17%, 0.51%

LAB 48.08, 8.67, -21.95

 

CMYK 21 / 20 / 0 / 34

HEX #8587A8

RGB 133 135 168

HSL 236.57, 0.17%, 0.59%

LAB 57.21, 6.5, -17.67

 

CMYK 16 / 15 / 0 / 27

HEX #9D9FBA

RGB 157 159 186

HSL 235.86, 0.17%, 0.67%

LAB 66.14, 4.88, -14.16

 

CMYK 28 / 27 / 0 / 41

HEX #6B6E96

RGB 107.9 110.2 150

HSL 236.72, 0.17%, 0.51%

LAB 47.73, 8.55, -21.9

 

CMYK 0 / 28 / 3 / 41

HEX #976D92

RGB 151 109 146

HSL 307.14, 0.17%, 0.51%

LAB 51.37, 23.06, -13.61

 

CMYK 15 / 0 / 28 / 41

HEX #81976D

RGB 129 151 109

HSL 91.43, 0.17%, 0.51%

LAB 59.8, -15.7, 19.63

 

CMYK 28 / 27 / 0 / 41

HEX #6B6E96

RGB 107.9 110.2 150

HSL 236.72, 0.17%, 0.51%

LAB 47.73, 8.55, -21.9

 

CMYK 0 / 28 / 26 / 41

HEX #976D70

RGB 151 109 112

HSL 355.71, 0.17%, 0.51%

LAB 50.32, 17.16, 4.94

 

CMYK 26 / 0 / 28 / 41

HEX #70976D

RGB 112 151 109

HSL 115.71, 0.17%, 0.51%

LAB 58.68, -21.99, 17.91

 

CMYK 28 / 27 / 0 / 41

HEX #6B6E96

RGB 107.9 110.2 150

HSL 236.72, 0.17%, 0.51%

LAB 47.73, 8.55, -21.9

 

CMYK 0 / 28 / 3 / 41

HEX #976D92

RGB 151 109 146

HSL 307.14, 0.17%, 0.51%

LAB 51.37, 23.06, -13.61

 

CMYK 0 / 2 / 28 / 41

HEX #97946D

RGB 151 148 109

HSL 55.71, 0.17%, 0.51%

LAB 60.66, -5.39, 21.08

 

CMYK 28 / 0 / 25 / 41

HEX #6D9772

RGB 109 151 114

HSL 127.14, 0.17%, 0.51%

LAB 58.6, -22.14, 14.98

 

CMYK 28 / 27 / 0 / 41

HEX #6B6E96

RGB 107.9 110.2 150

HSL 236.72, 0.17%, 0.51%

LAB 47.73, 8.55, -21.9

 

CMYK 0 / 28 / 12 / 41

HEX #976D85

RGB 151 109 133

HSL 325.71, 0.17%, 0.51%

LAB 50.93, 20.64, -6.6

 

CMYK 0 / 2 / 28 / 41

HEX #97946D

RGB 151 148 109

HSL 55.71, 0.17%, 0.51%

LAB 60.66, -5.39, 21.08

 

CMYK 28 / 0 / 16 / 41

HEX #6D977F

RGB 109 151 127

HSL 145.71, 0.17%, 0.51%

LAB 58.9, -19.59, 8.06

 

Description

Color code: RGB 107.9 110.2 150 | qconv.com Color code: RGB 107.9 110.2 150 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107.9 red, 110.2 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107.9 110.2 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 27 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 27% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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