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Color name
RGB 106 53 18

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 106 53 18 it is the complementary color RGB 149 202 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 106 53 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 106 53 18 shade: RGB 111 53 13, RGB 128 71 32, RGB 145 89 51, RGB 162 107 70 and RGB 179 125 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 106 53 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 106 53 18 shade: RGB 106 53 18, RGB 89 35 0, RGB 72 17 0, RGB 55 0 0 and RGB 38 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 106 53 18 shade: RGB 105 52 18, RGB 105 29 18 and RGB 105 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 106 53 18 shade: RGB 105 52 18, RGB 105 76 18, RGB 105 99 18, RGB 87 105 18 and RGB 63 105 18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 106 53 18 shade matches the following richer shades: RGB 105 52 18 and RGB 115 50 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 106 53 18 shade: RGB 105 52 18, RGB 95 54 28, RGB 85 56 38, RGB 75 58 47 and RGB 65 60 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 106 53 18 shade: RGB 105 18 31, RGB 105 28 18, RGB 105 51 18, RGB 105 74 18 and RGB 105 97 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 106 53 18 shade: RGB 34 17 6, RGB 69 35 12, RGB 105 52 18, RGB 140 70 24 and RGB 175 88 30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 106 53 18 shade: RGB 106 53 18, RGB 54 105 18 and RGB 18 19 105

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 106 53 18 shade: RGB 106 53 18, RGB 18 105 51 and RGB 51 18 105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 106 53 18 shade: RGB 106 53 18, RGB 54 105 18, RGB 18 71 105 and RGB 68 18 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 106 53 18 shade: RGB 106 53 18, RGB 28 105 18, RGB 18 71 105 and RGB 95 18 105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 83 / 58

HEX #6A3512

RGB 106 53 18

HSL 23.86, 0.71%, 0.24%

LAB 28.52, 20.88, 31.32

 

Complementary color

CMYK 37 / 15 / 0 / 7

HEX #95CAED

RGB 149 202 237

HSL 203.86, 0.71%, 0.76%

LAB 78.89, -8.65, -22.77

 

CMYK 0 / 52 / 88 / 56

HEX #6F350D

RGB 111 53 13

HSL 24.49, 0.79%, 0.24%

LAB 29.3, 22.97, 34.69

 

CMYK 0 / 45 / 75 / 50

HEX #804720

RGB 128 71 32

HSL 24.38, 0.6%, 0.31%

LAB 36.37, 20.98, 33.14

 

CMYK 0 / 39 / 65 / 43

HEX #915933

RGB 145 89 51

HSL 24.26, 0.48%, 0.38%

LAB 43.37, 19.31, 31.29

 

CMYK 0 / 34 / 57 / 36

HEX #A26B46

RGB 162 107 70

HSL 24.13, 0.4%, 0.45%

LAB 50.26, 17.92, 29.54

 

CMYK 0 / 30 / 50 / 30

HEX #B37D59

RGB 179 125 89

HSL 24, 0.37%, 0.53%

LAB 57.05, 16.75, 27.95

 

CMYK 0 / 50 / 83 / 58

HEX #6A3512

RGB 106 53 18

HSL 23.86, 0.71%, 0.24%

LAB 28.52, 20.88, 31.32

 

CMYK 0 / 61 / 100 / 65

HEX #592300

RGB 89 35 0

HSL 23.6, 1%, 0.17%

LAB 21.3, 23, 31.11

 

CMYK 0 / 76 / 100 / 72

HEX #481100

RGB 72 17 0

HSL 14.17, 1%, 0.14%

LAB 14.28, 25.24, 21.88

 

CMYK 0 / 100 / 100 / 78

HEX #370000

RGB 55 0 0

HSL 0, 1%, 0.11%

LAB 7.34, 26.9, 11.59

 

CMYK 0 / 100 / 100 / 85

HEX #260000

RGB 38 0 0

HSL 0, 1%, 0.07%

LAB 3.72, 16.7, 5.88

 

CMYK 0 / 50 / 83 / 59

HEX #693412

RGB 105 52 18

HSL 23.45, 0.71%, 0.24%

LAB 28.12, 21.02, 30.87

 

CMYK 0 / 72 / 83 / 59

HEX #691D12

RGB 105 29 18

HSL 7.59, 0.71%, 0.24%

LAB 23.42, 33.21, 26.17

 

CMYK 0 / 83 / 83 / 59

HEX #691212

RGB 105 18 18

HSL 0, 0.71%, 0.24%

LAB 21.87, 37.51, 24.55

 

CMYK 0 / 50 / 83 / 59

HEX #693412

RGB 105 52 18

HSL 23.45, 0.71%, 0.24%

LAB 28.12, 21.02, 30.87

 

CMYK 0 / 28 / 83 / 59

HEX #694C12

RGB 105 76 18

HSL 40, 0.71%, 0.24%

LAB 34.43, 6.4, 36.87

 

CMYK 0 / 6 / 83 / 59

HEX #696312

RGB 105 99 18

HSL 55.86, 0.71%, 0.24%

LAB 41.17, -7.3, 43

 

CMYK 17 / 0 / 83 / 59

HEX #576912

RGB 87 105 18

HSL 72.41, 0.71%, 0.24%

LAB 41.49, -19.14, 42.71

 

CMYK 40 / 0 / 83 / 59

HEX #3F6912

RGB 63 105 18

HSL 88.97, 0.71%, 0.24%

LAB 39.92, -29.38, 40.69

 

CMYK 0 / 50 / 83 / 59

HEX #693412

RGB 105 52 18

HSL 23.45, 0.71%, 0.24%

LAB 28.12, 21.02, 30.87

 

CMYK 0 / 57 / 93 / 55

HEX #733208

RGB 115 50 8

HSL 23.55, 0.87%, 0.24%

LAB 29.27, 26.3, 36.99

 

CMYK 0 / 50 / 83 / 59

HEX #693412

RGB 105 52 18

HSL 23.45, 0.71%, 0.24%

LAB 28.12, 21.02, 30.87

 

CMYK 0 / 43 / 71 / 63

HEX #5F361C

RGB 95 54 28

HSL 23.28, 0.54%, 0.24%

LAB 27.17, 15.71, 23.82

 

CMYK 0 / 34 / 55 / 67

HEX #553826

RGB 85 56 38

HSL 22.98, 0.38%, 0.24%

LAB 26.45, 10.56, 16.42

 

CMYK 0 / 23 / 37 / 71

HEX #4B3A2F

RGB 75 58 47

HSL 23.57, 0.23%, 0.24%

LAB 25.94, 5.65, 9.7

 

CMYK 0 / 8 / 12 / 75

HEX #413C39

RGB 65 60 57

HSL 22.5, 0.07%, 0.24%

LAB 25.72, 1.53, 2.62

 

CMYK 0 / 83 / 70 / 59

HEX #69121F

RGB 105 18 31

HSL 351.03, 0.71%, 0.24%

LAB 22.07, 38.14, 16.17

 

CMYK 0 / 73 / 83 / 59

HEX #691C12

RGB 105 28 18

HSL 6.9, 0.71%, 0.24%

LAB 23.26, 33.65, 26.01

 

CMYK 0 / 51 / 83 / 59

HEX #693312

RGB 105 51 18

HSL 22.76, 0.71%, 0.24%

LAB 27.88, 21.6, 30.64

 

CMYK 0 / 30 / 83 / 59

HEX #694A12

RGB 105 74 18

HSL 38.62, 0.71%, 0.24%

LAB 33.87, 7.63, 36.35

 

CMYK 0 / 8 / 83 / 59

HEX #696112

RGB 105 97 18

HSL 54.48, 0.71%, 0.24%

LAB 40.57, -6.14, 42.46

 

CMYK 0 / 50 / 82 / 87

HEX #221106

RGB 34 17 6

HSL 23.57, 0.7%, 0.08%

LAB 6.81, 7.18, 7.87

 

CMYK 0 / 49 / 83 / 73

HEX #45230C

RGB 69 35 12

HSL 24.21, 0.7%, 0.16%

LAB 17.89, 14.04, 21.34

 

CMYK 0 / 50 / 83 / 59

HEX #693412

RGB 105 52 18

HSL 23.45, 0.71%, 0.24%

LAB 28.12, 21.02, 30.87

 

CMYK 0 / 50 / 83 / 45

HEX #8C4618

RGB 140 70 24

HSL 23.79, 0.71%, 0.32%

LAB 37.88, 26.49, 39.23

 

CMYK 0 / 50 / 83 / 31

HEX #AF581E

RGB 175 88 30

HSL 24, 0.71%, 0.4%

LAB 47.22, 31.7, 47.12

 

CMYK 0 / 50 / 83 / 58

HEX #6A3512

RGB 106 53 18

HSL 23.86, 0.71%, 0.24%

LAB 28.52, 20.88, 31.32

 

CMYK 49 / 0 / 83 / 59

HEX #366912

RGB 54 105 18

HSL 95.17, 0.71%, 0.24%

LAB 39.46, -32.71, 40.1

 

CMYK 83 / 82 / 0 / 59

HEX #121369

RGB 18 19 105

HSL 239.31, 0.71%, 0.24%

LAB 13.32, 32.21, -49.22

 

CMYK 0 / 50 / 83 / 58

HEX #6A3512

RGB 106 53 18

HSL 23.86, 0.71%, 0.24%

LAB 28.52, 20.88, 31.32

 

CMYK 83 / 0 / 51 / 59

HEX #126933

RGB 18 105 51

HSL 142.76, 0.71%, 0.24%

LAB 38.67, -37.71, 23.41

 

CMYK 51 / 83 / 0 / 59

HEX #331269

RGB 51 18 105

HSL 262.76, 0.71%, 0.24%

LAB 16.29, 36.63, -44.22

 

CMYK 0 / 50 / 83 / 58

HEX #6A3512

RGB 106 53 18

HSL 23.86, 0.71%, 0.24%

LAB 28.52, 20.88, 31.32

 

CMYK 49 / 0 / 83 / 59

HEX #366912

RGB 54 105 18

HSL 95.17, 0.71%, 0.24%

LAB 39.46, -32.71, 40.1

 

CMYK 83 / 32 / 0 / 59

HEX #124769

RGB 18 71 105

HSL 203.45, 0.71%, 0.24%

LAB 28.52, -3.92, -24.63

 

CMYK 35 / 83 / 0 / 59

HEX #441269

RGB 68 18 105

HSL 274.48, 0.71%, 0.24%

LAB 18.72, 39.55, -40.14

 

CMYK 0 / 50 / 83 / 58

HEX #6A3512

RGB 106 53 18

HSL 23.86, 0.71%, 0.24%

LAB 28.52, 20.88, 31.32

 

CMYK 73 / 0 / 83 / 59

HEX #1C6912

RGB 28 105 18

HSL 113.1, 0.71%, 0.24%

LAB 38.54, -40.07, 38.9

 

CMYK 83 / 32 / 0 / 59

HEX #124769

RGB 18 71 105

HSL 203.45, 0.71%, 0.24%

LAB 28.52, -3.92, -24.63

 

CMYK 10 / 83 / 0 / 59

HEX #5F1269

RGB 95 18 105

HSL 293.1, 0.71%, 0.24%

LAB 23.29, 44.97, -32.53

 

Description

Color code: RGB 106 53 18 | qconv.com Color code: RGB 106 53 18 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 53 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 53 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 83 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 83% 58% C M Y K

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