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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 105 53 124 it is the complementary color RGB 150 202 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 105 53 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 105 53 124 shade: RGB 110 53 119, RGB 127 71 138, RGB 144 89 157, RGB 161 107 176 and RGB 178 125 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 105 53 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 105 53 124 shade: RGB 105 53 124, RGB 88 35 105, RGB 71 17 86, RGB 54 0 67 and RGB 37 0 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 105 53 124 shade: RGB 106 54 125, RGB 125 54 125, RGB 125 54 106, RGB 125 54 86 and RGB 125 54 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 105 53 124 shade: RGB 106 54 125, RGB 87 54 125, RGB 67 54 125 and RGB 54 54 125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 105 53 124 shade matches the following richer shades: RGB 106 54 125, RGB 113 39 139, RGB 119 25 154 and RGB 126 10 168

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 105 53 124 shade: RGB 106 54 125, RGB 99 68 111, RGB 92 82 96, RGB 86 97 82 and RGB 79 111 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 105 53 124 shade: RGB 67 54 125, RGB 86 54 125, RGB 105 54 125, RGB 124 54 125 and RGB 125 54 107

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 105 53 124 shade: RGB 57 29 67, RGB 81 41 96, RGB 106 54 125, RGB 130 66 154 and RGB 154 81 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 105 53 124 shade: RGB 105 53 124, RGB 125 54 60 and RGB 54 125 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 105 53 124 shade: RGB 105 53 124, RGB 125 105 54 and RGB 54 125 105

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 105 53 124 shade: RGB 105 53 124, RGB 125 54 60, RGB 74 125 54 and RGB 54 125 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 105 53 124 shade: RGB 105 53 124, RGB 125 69 54, RGB 74 125 54 and RGB 54 109 125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 57 / 0 / 51

HEX #69357C

RGB 105 53 124

HSL 283.94, 0.4%, 0.35%

LAB 31.82, 35.59, -30.97

 

Complementary color

CMYK 26 / 0 / 35 / 21

HEX #96CA83

RGB 150 202 131

HSL 103.94, 0.4%, 0.65%

LAB 76.29, -30.13, 30.15

 

CMYK 8 / 55 / 0 / 53

HEX #6E3577

RGB 110 53 119

HSL 291.82, 0.38%, 0.34%

LAB 32.24, 35.97, -27.11

 

CMYK 8 / 49 / 0 / 46

HEX #7F478A

RGB 127 71 138

HSL 290.15, 0.32%, 0.41%

LAB 39.33, 35.21, -27.58

 

CMYK 8 / 43 / 0 / 38

HEX #90599D

RGB 144 89 157

HSL 288.53, 0.28%, 0.48%

LAB 46.32, 34.4, -27.94

 

CMYK 9 / 39 / 0 / 31

HEX #A16BB0

RGB 161 107 176

HSL 286.96, 0.3%, 0.55%

LAB 53.2, 33.6, -28.23

 

CMYK 9 / 36 / 0 / 24

HEX #B27DC3

RGB 178 125 195

HSL 285.43, 0.37%, 0.63%

LAB 59.95, 32.84, -28.49

 

CMYK 15 / 57 / 0 / 51

HEX #69357C

RGB 105 53 124

HSL 283.94, 0.4%, 0.35%

LAB 31.82, 35.59, -30.97

 

CMYK 16 / 67 / 0 / 59

HEX #582369

RGB 88 35 105

HSL 285.43, 0.5%, 0.27%

LAB 24.63, 36.19, -30.45

 

CMYK 17 / 80 / 0 / 66

HEX #471156

RGB 71 17 86

HSL 286.96, 0.67%, 0.2%

LAB 17.52, 36.12, -29.44

 

CMYK 19 / 100 / 0 / 74

HEX #360043

RGB 54 0 67

HSL 288.36, 1%, 0.13%

LAB 10.48, 35.24, -27.85

 

CMYK 23 / 100 / 0 / 81

HEX #250030

RGB 37 0 48

HSL 286.25, 1%, 0.09%

LAB 5.48, 26.88, -22.31

 

CMYK 15 / 57 / 0 / 51

HEX #6A367D

RGB 106 54 125

HSL 283.94, 0.4%, 0.35%

LAB 32.22, 35.55, -30.95

 

CMYK 0 / 57 / 0 / 51

HEX #7D367D

RGB 125 54 125

HSL 300, 0.4%, 0.35%

LAB 34.96, 41.08, -26.44

 

CMYK 0 / 57 / 15 / 51

HEX #7D366A

RGB 125 54 106

HSL 316.06, 0.4%, 0.35%

LAB 34.06, 37.65, -15.9

 

CMYK 0 / 57 / 31 / 51

HEX #7D3656

RGB 125 54 86

HSL 332.96, 0.4%, 0.35%

LAB 33.29, 34.54, -4.29

 

CMYK 0 / 57 / 46 / 51

HEX #7D3643

RGB 125 54 67

HSL 349.01, 0.4%, 0.35%

LAB 32.71, 32.15, 7.16

 

CMYK 15 / 57 / 0 / 51

HEX #6A367D

RGB 106 54 125

HSL 283.94, 0.4%, 0.35%

LAB 32.22, 35.55, -30.95

 

CMYK 30 / 57 / 0 / 51

HEX #57367D

RGB 87 54 125

HSL 267.89, 0.4%, 0.35%

LAB 29.78, 30.17, -34.99

 

CMYK 46 / 57 / 0 / 51

HEX #43367D

RGB 67 54 125

HSL 250.99, 0.4%, 0.35%

LAB 27.61, 24.92, -38.58

 

CMYK 57 / 57 / 0 / 51

HEX #36367D

RGB 54 54 125

HSL 240, 0.4%, 0.35%

LAB 26.46, 21.9, -40.49

 

CMYK 15 / 57 / 0 / 51

HEX #6A367D

RGB 106 54 125

HSL 283.94, 0.4%, 0.35%

LAB 32.22, 35.55, -30.95

 

CMYK 19 / 72 / 0 / 45

HEX #71278B

RGB 113 39 139

HSL 284.4, 0.56%, 0.35%

LAB 31.41, 47.85, -40.9

 

CMYK 23 / 84 / 0 / 40

HEX #77199A

RGB 119 25 154

HSL 283.72, 0.72%, 0.35%

LAB 31.69, 57.14, -49.61

 

CMYK 25 / 94 / 0 / 34

HEX #7E0AA8

RGB 126 10 168

HSL 284.05, 0.89%, 0.35%

LAB 32.88, 64.14, -56.12

 

CMYK 15 / 57 / 0 / 51

HEX #6A367D

RGB 106 54 125

HSL 283.94, 0.4%, 0.35%

LAB 32.22, 35.55, -30.95

 

CMYK 11 / 39 / 0 / 56

HEX #63446F

RGB 99 68 111

HSL 283.26, 0.24%, 0.35%

LAB 33.85, 21.83, -19.68

 

CMYK 4 / 15 / 0 / 62

HEX #5C5260

RGB 92 82 96

HSL 282.86, 0.08%, 0.35%

LAB 36.28, 7.04, -6.62

 

CMYK 11 / 0 / 15 / 62

HEX #566152

RGB 86 97 82

HSL 104, 0.08%, 0.35%

LAB 39.81, -7.42, 7.13

 

CMYK 29 / 0 / 40 / 56

HEX #4F6F43

RGB 79 111 67

HSL 103.64, 0.25%, 0.35%

LAB 43.41, -20.67, 20.89

 

CMYK 46 / 57 / 0 / 51

HEX #43367D

RGB 67 54 125

HSL 250.99, 0.4%, 0.35%

LAB 27.61, 24.92, -38.58

 

CMYK 31 / 57 / 0 / 51

HEX #56367D

RGB 86 54 125

HSL 267.04, 0.4%, 0.35%

LAB 29.66, 29.9, -35.18

 

CMYK 16 / 57 / 0 / 51

HEX #69367D

RGB 105 54 125

HSL 283.1, 0.4%, 0.35%

LAB 32.08, 35.27, -31.17

 

CMYK 1 / 57 / 0 / 51

HEX #7C367D

RGB 124 54 125

HSL 299.15, 0.4%, 0.35%

LAB 34.81, 40.79, -26.69

 

CMYK 0 / 57 / 14 / 51

HEX #7D366B

RGB 125 54 107

HSL 315.21, 0.4%, 0.35%

LAB 34.11, 37.82, -16.47

 

CMYK 15 / 57 / 0 / 74

HEX #391D43

RGB 57 29 67

HSL 284.21, 0.4%, 0.19%

LAB 16.27, 21.32, -18.56

 

CMYK 16 / 57 / 0 / 62

HEX #512960

RGB 81 41 96

HSL 283.64, 0.4%, 0.27%

LAB 24.26, 28.8, -25.24

 

CMYK 15 / 57 / 0 / 51

HEX #6A367D

RGB 106 54 125

HSL 283.94, 0.4%, 0.35%

LAB 32.22, 35.55, -30.95

 

CMYK 16 / 57 / 0 / 40

HEX #82429A

RGB 130 66 154

HSL 283.64, 0.4%, 0.43%

LAB 39.54, 42.25, -36.93

 

CMYK 14 / 55 / 0 / 29

HEX #9A51B4

RGB 154 81 180

HSL 284.24, 0.4%, 0.51%

LAB 47.04, 46.51, -40.27

 

CMYK 15 / 57 / 0 / 51

HEX #69357C

RGB 105 53 124

HSL 283.94, 0.4%, 0.35%

LAB 31.82, 35.59, -30.97

 

CMYK 0 / 57 / 52 / 51

HEX #7D363C

RGB 125 54 60

HSL 354.93, 0.4%, 0.35%

LAB 32.53, 31.41, 11.44

 

CMYK 57 / 0 / 39 / 51

HEX #367D4C

RGB 54 125 76

HSL 138.59, 0.4%, 0.35%

LAB 46.94, -34, 20.17

 

CMYK 15 / 57 / 0 / 51

HEX #69357C

RGB 105 53 124

HSL 283.94, 0.4%, 0.35%

LAB 31.82, 35.59, -30.97

 

CMYK 0 / 16 / 57 / 51

HEX #7D6936

RGB 125 105 54

HSL 43.1, 0.4%, 0.35%

LAB 45.26, 1.1, 31.31

 

CMYK 57 / 0 / 16 / 51

HEX #367D69

RGB 54 125 105

HSL 163.1, 0.4%, 0.35%

LAB 47.59, -27.47, 4.22

 

CMYK 15 / 57 / 0 / 51

HEX #69357C

RGB 105 53 124

HSL 283.94, 0.4%, 0.35%

LAB 31.82, 35.59, -30.97

 

CMYK 0 / 57 / 52 / 51

HEX #7D363C

RGB 125 54 60

HSL 354.93, 0.4%, 0.35%

LAB 32.53, 31.41, 11.44

 

CMYK 41 / 0 / 57 / 51

HEX #4A7D36

RGB 74 125 54

HSL 103.1, 0.4%, 0.35%

LAB 47.48, -31.27, 32.99

 

CMYK 57 / 0 / 5 / 51

HEX #367D77

RGB 54 125 119

HSL 174.93, 0.4%, 0.35%

LAB 47.99, -23.69, -3.46

 

CMYK 15 / 57 / 0 / 51

HEX #69357C

RGB 105 53 124

HSL 283.94, 0.4%, 0.35%

LAB 31.82, 35.59, -30.97

 

CMYK 0 / 45 / 57 / 51

HEX #7D4536

RGB 125 69 54

HSL 12.68, 0.4%, 0.35%

LAB 35.76, 22.41, 19.52

 

CMYK 41 / 0 / 57 / 51

HEX #4A7D36

RGB 74 125 54

HSL 103.1, 0.4%, 0.35%

LAB 47.48, -31.27, 32.99

 

CMYK 57 / 13 / 0 / 51

HEX #366D7D

RGB 54 109 125

HSL 193.52, 0.4%, 0.35%

LAB 43.07, -13.23, -14.42

 

Description

Color code: RGB 105 53 124 | qconv.com Color code: RGB 105 53 124 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 53 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 53 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 57 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 57% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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