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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 174 243 it is the complementary color RGB 151 81 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 174 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 174 243 shade: RGB 109 174 238, RGB 126 192 255, RGB 143 210 255, RGB 160 228 255 and RGB 177 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 174 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 174 243 shade: RGB 104 174 243, RGB 87 156 224, RGB 70 138 205, RGB 53 120 186 and RGB 36 102 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 174 243 shade: RGB 104 173 242, RGB 104 136 242, RGB 108 104 242, RGB 146 104 242 and RGB 183 104 242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 174 243 shade: RGB 104 173 242, RGB 104 136 242 and RGB 104 104 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 174 243 shade matches the following richer shades: RGB 104 173 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 174 243 shade: RGB 104 173 242, RGB 117 173 229, RGB 130 173 216, RGB 143 173 203 and RGB 156 173 189

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 174 243 shade: RGB 104 242 235, RGB 104 212 242, RGB 104 175 242, RGB 104 138 242 and RGB 106 104 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 174 243 shade: RGB 27 132 236, RGB 65 153 239, RGB 104 173 242, RGB 142 194 245 and RGB 180 214 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 174 243 shade: RGB 104 174 243, RGB 198 104 242 and RGB 231 242 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 174 243 shade: RGB 104 174 243, RGB 242 104 175 and RGB 175 242 104

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 174 243 shade: RGB 104 174 243, RGB 198 104 242, RGB 242 171 104 and RGB 147 242 104

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 174 243 shade: RGB 104 174 243, RGB 240 104 242, RGB 242 171 104 and RGB 106 242 104

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 28 / 0 / 5

HEX #68AEF3

RGB 104 174 243

HSL 209.78, 0.85%, 0.68%

LAB 69.25, -2.28, -41.07

 

Complementary color

CMYK 0 / 46 / 92 / 41

HEX #97510C

RGB 151 81 12

HSL 29.78, 0.85%, 0.32%

LAB 41.99, 24.82, 47.85

 

CMYK 54 / 27 / 0 / 7

HEX #6DAEEE

RGB 109 174 238

HSL 209.77, 0.79%, 0.68%

LAB 69.25, -2.8, -38.32

 

CMYK 51 / 25 / 0 / 0

HEX #7EC0FF

RGB 126 192 255

HSL 209.3, 1%, 0.75%

LAB 75.67, -3.99, -37.47

 

CMYK 44 / 18 / 0 / 0

HEX #8FD2FF

RGB 143 210 255

HSL 204.11, 1%, 0.78%

LAB 81.38, -9.67, -28.61

 

CMYK 37 / 11 / 0 / 0

HEX #A0E4FF

RGB 160 228 255

HSL 197.05, 1%, 0.81%

LAB 87.09, -14.72, -19.85

 

CMYK 31 / 4 / 0 / 0

HEX #B1F6FF

RGB 177 246 255

HSL 186.92, 1%, 0.85%

LAB 92.79, -19.23, -11.21

 

CMYK 57 / 28 / 0 / 5

HEX #68AEF3

RGB 104 174 243

HSL 209.78, 0.85%, 0.68%

LAB 69.25, -2.28, -41.07

 

CMYK 61 / 30 / 0 / 12

HEX #579CE0

RGB 87 156 224

HSL 209.78, 0.69%, 0.61%

LAB 62.66, -1.4, -41

 

CMYK 66 / 33 / 0 / 20

HEX #468ACD

RGB 70 138 205

HSL 209.78, 0.57%, 0.54%

LAB 55.97, -0.32, -40.94

 

CMYK 72 / 35 / 0 / 27

HEX #3578BA

RGB 53 120 186

HSL 209.77, 0.56%, 0.47%

LAB 49.17, 1.06, -40.88

 

CMYK 78 / 39 / 0 / 35

HEX #2466A7

RGB 36 102 167

HSL 209.77, 0.65%, 0.4%

LAB 42.26, 2.84, -40.79

 

CMYK 57 / 29 / 0 / 5

HEX #68ADF2

RGB 104 173 242

HSL 210, 0.84%, 0.68%

LAB 68.93, -2.03, -41.03

 

CMYK 57 / 44 / 0 / 5

HEX #6888F2

RGB 104 136 242

HSL 226.09, 0.84%, 0.68%

LAB 58.94, 19.45, -56.81

 

CMYK 55 / 57 / 0 / 5

HEX #6C68F2

RGB 108 104 242

HSL 241.74, 0.84%, 0.68%

LAB 51.27, 39.4, -69.14

 

CMYK 40 / 57 / 0 / 5

HEX #9268F2

RGB 146 104 242

HSL 258.26, 0.84%, 0.68%

LAB 54.47, 47.06, -63.8

 

CMYK 24 / 57 / 0 / 5

HEX #B768F2

RGB 183 104 242

HSL 274.35, 0.84%, 0.68%

LAB 58.39, 55.6, -57.29

 

CMYK 57 / 29 / 0 / 5

HEX #68ADF2

RGB 104 173 242

HSL 210, 0.84%, 0.68%

LAB 68.93, -2.03, -41.03

 

CMYK 57 / 44 / 0 / 5

HEX #6888F2

RGB 104 136 242

HSL 226.09, 0.84%, 0.68%

LAB 58.94, 19.45, -56.81

 

CMYK 57 / 57 / 0 / 5

HEX #6868F2

RGB 104 104 242

HSL 240, 0.84%, 0.68%

LAB 50.98, 38.68, -69.61

 

CMYK 57 / 29 / 0 / 5

HEX #68ADF2

RGB 104 173 242

HSL 210, 0.84%, 0.68%

LAB 68.93, -2.03, -41.03

 

CMYK 57 / 29 / 0 / 5

HEX #68ADF2

RGB 104 173 242

HSL 210, 0.84%, 0.68%

LAB 68.93, -2.03, -41.03

 

CMYK 49 / 24 / 0 / 10

HEX #75ADE5

RGB 117 173 229

HSL 210, 0.68%, 0.68%

LAB 68.99, -3.15, -33.79

 

CMYK 40 / 20 / 0 / 15

HEX #82ADD8

RGB 130 173 216

HSL 210, 0.52%, 0.68%

LAB 69.18, -3.57, -26.32

 

CMYK 30 / 15 / 0 / 20

HEX #8FADCB

RGB 143 173 203

HSL 210, 0.37%, 0.68%

LAB 69.5, -3.27, -18.61

 

CMYK 17 / 8 / 0 / 26

HEX #9CADBD

RGB 156 173 189

HSL 209.09, 0.2%, 0.68%

LAB 69.92, -2.5, -10.17

 

CMYK 57 / 0 / 3 / 5

HEX #68F2EB

RGB 104 242 235

HSL 176.96, 0.84%, 0.68%

LAB 88.18, -38.93, -7.94

 

CMYK 57 / 12 / 0 / 5

HEX #68D4F2

RGB 104 212 242

HSL 193.04, 0.84%, 0.68%

LAB 79.86, -22.7, -24.14

 

CMYK 57 / 28 / 0 / 5

HEX #68AFF2

RGB 104 175 242

HSL 209.13, 0.84%, 0.68%

LAB 69.48, -3.15, -40.16

 

CMYK 57 / 43 / 0 / 5

HEX #688AF2

RGB 104 138 242

HSL 225.22, 0.84%, 0.68%

LAB 59.46, 18.25, -55.97

 

CMYK 56 / 57 / 0 / 5

HEX #6A68F2

RGB 106 104 242

HSL 240.87, 0.84%, 0.68%

LAB 51.12, 39.04, -69.38

 

CMYK 89 / 44 / 0 / 7

HEX #1B84EC

RGB 27 132 236

HSL 209.86, 0.85%, 0.52%

LAB 54.86, 9.92, -60.16

 

CMYK 73 / 36 / 0 / 6

HEX #4199EF

RGB 65 153 239

HSL 209.66, 0.84%, 0.6%

LAB 61.77, 1.96, -50.74

 

CMYK 57 / 29 / 0 / 5

HEX #68ADF2

RGB 104 173 242

HSL 210, 0.84%, 0.68%

LAB 68.93, -2.03, -41.03

 

CMYK 42 / 21 / 0 / 4

HEX #8EC2F5

RGB 142 194 245

HSL 209.71, 0.84%, 0.76%

LAB 76.63, -4.1, -30.55

 

CMYK 27 / 14 / 0 / 3

HEX #B4D6F8

RGB 180 214 248

HSL 210, 0.83%, 0.84%

LAB 84.26, -3.7, -20.31

 

CMYK 57 / 28 / 0 / 5

HEX #68AEF3

RGB 104 174 243

HSL 209.78, 0.85%, 0.68%

LAB 69.25, -2.28, -41.07

 

CMYK 18 / 57 / 0 / 5

HEX #C668F2

RGB 198 104 242

HSL 280.87, 0.84%, 0.68%

LAB 60.17, 59.23, -54.35

 

CMYK 5 / 0 / 57 / 5

HEX #E7F268

RGB 231 242 104

HSL 64.78, 0.84%, 0.68%

LAB 92.35, -21.58, 63.88

 

CMYK 57 / 28 / 0 / 5

HEX #68AEF3

RGB 104 174 243

HSL 209.78, 0.85%, 0.68%

LAB 69.25, -2.28, -41.07

 

CMYK 0 / 57 / 28 / 5

HEX #F268AF

RGB 242 104 175

HSL 329.13, 0.84%, 0.68%

LAB 63.24, 60.21, -11.37

 

CMYK 28 / 0 / 57 / 5

HEX #AFF268

RGB 175 242 104

HSL 89.13, 0.84%, 0.68%

LAB 88.74, -42.72, 58.83

 

CMYK 57 / 28 / 0 / 5

HEX #68AEF3

RGB 104 174 243

HSL 209.78, 0.85%, 0.68%

LAB 69.25, -2.28, -41.07

 

CMYK 18 / 57 / 0 / 5

HEX #C668F2

RGB 198 104 242

HSL 280.87, 0.84%, 0.68%

LAB 60.17, 59.23, -54.35

 

CMYK 0 / 29 / 57 / 5

HEX #F2AB68

RGB 242 171 104

HSL 29.13, 0.84%, 0.68%

LAB 75.45, 19.1, 44.51

 

CMYK 39 / 0 / 57 / 5

HEX #93F268

RGB 147 242 104

HSL 101.3, 0.84%, 0.68%

LAB 87.34, -52.07, 56.85

 

CMYK 57 / 28 / 0 / 5

HEX #68AEF3

RGB 104 174 243

HSL 209.78, 0.85%, 0.68%

LAB 69.25, -2.28, -41.07

 

CMYK 1 / 57 / 0 / 5

HEX #F068F2

RGB 240 104 242

HSL 299.13, 0.84%, 0.68%

LAB 65.62, 69.61, -45.38

 

CMYK 0 / 29 / 57 / 5

HEX #F2AB68

RGB 242 171 104

HSL 29.13, 0.84%, 0.68%

LAB 75.45, 19.1, 44.51

 

CMYK 56 / 0 / 57 / 5

HEX #6AF268

RGB 106 242 104

HSL 119.13, 0.84%, 0.68%

LAB 85.79, -63.45, 54.65

 

Description

Color code: RGB 104 174 243 | qconv.com Color code: RGB 104 174 243 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 174 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 174 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 28 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 28% 0% 5% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

100% - Vad vi gör | Enterpr...
Link: http://www.ucit.se

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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