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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 127 214 it is the complementary color RGB 151 128 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 127 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 127 214 shade: RGB 109 127 209, RGB 126 145 228, RGB 143 163 247, RGB 160 181 255 and RGB 177 199 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 127 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 127 214 shade: RGB 104 127 214, RGB 87 109 195, RGB 70 91 176, RGB 53 73 157 and RGB 36 55 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 127 214 shade: RGB 103 126 213, RGB 110 103 213, RGB 139 103 213, RGB 169 103 213 and RGB 199 103 213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 127 214 shade: RGB 103 126 213 and RGB 103 103 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 127 214 shade matches the following richer shades: RGB 103 126 213, RGB 87 117 229 and RGB 72 108 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 127 214 shade: RGB 103 126 213, RGB 119 135 198, RGB 134 144 182, RGB 150 153 166 and RGB 166 162 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 127 214 shade: RGB 103 186 213, RGB 103 156 213, RGB 103 127 213, RGB 108 103 213 and RGB 138 103 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 127 214 shade: RGB 50 78 183, RGB 70 99 204, RGB 103 126 213, RGB 135 153 222 and RGB 168 181 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 127 214 shade: RGB 104 127 214, RGB 211 103 213 and RGB 171 213 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 127 214 shade: RGB 104 127 214, RGB 213 103 127 and RGB 127 213 103

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 127 214 shade: RGB 104 127 214, RGB 211 103 213, RGB 213 189 103 and RGB 105 213 103

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 127 214 shade: RGB 104 127 214, RGB 213 103 182, RGB 213 189 103 and RGB 103 213 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 41 / 0 / 16

HEX #687FD6

RGB 104 127 214

HSL 227.45, 0.57%, 0.62%

LAB 55.05, 15.97, -47.37

 

Complementary color

CMYK 0 / 15 / 73 / 41

HEX #978029

RGB 151 128 41

HSL 47.45, 0.57%, 0.38%

LAB 54.22, -0.95, 48.14

 

CMYK 48 / 39 / 0 / 18

HEX #6D7FD1

RGB 109 127 209

HSL 229.2, 0.52%, 0.62%

LAB 55.11, 15.58, -44.44

 

CMYK 45 / 36 / 0 / 11

HEX #7E91E4

RGB 126 145 228

HSL 228.82, 0.65%, 0.69%

LAB 61.9, 14.69, -44.27

 

CMYK 42 / 34 / 0 / 3

HEX #8FA3F7

RGB 143 163 247

HSL 228.46, 0.87%, 0.76%

LAB 68.57, 13.92, -44.16

 

CMYK 37 / 29 / 0 / 0

HEX #A0B5FF

RGB 160 181 255

HSL 226.74, 1%, 0.81%

LAB 74.66, 10.33, -38.89

 

CMYK 31 / 22 / 0 / 0

HEX #B1C7FF

RGB 177 199 255

HSL 223.08, 1%, 0.85%

LAB 80.41, 5.1, -29.92

 

CMYK 51 / 41 / 0 / 16

HEX #687FD6

RGB 104 127 214

HSL 227.45, 0.57%, 0.62%

LAB 55.05, 15.97, -47.37

 

CMYK 55 / 44 / 0 / 24

HEX #576DC3

RGB 87 109 195

HSL 227.78, 0.47%, 0.55%

LAB 48.14, 17.17, -47.61

 

CMYK 60 / 48 / 0 / 31

HEX #465BB0

RGB 70 91 176

HSL 228.11, 0.43%, 0.48%

LAB 41.09, 18.64, -47.89

 

CMYK 66 / 54 / 0 / 38

HEX #35499D

RGB 53 73 157

HSL 228.46, 0.5%, 0.41%

LAB 33.89, 20.49, -48.2

 

CMYK 74 / 60 / 0 / 46

HEX #24378A

RGB 36 55 138

HSL 228.82, 0.59%, 0.34%

LAB 26.57, 22.86, -48.49

 

CMYK 52 / 41 / 0 / 16

HEX #677ED5

RGB 103 126 213

HSL 227.45, 0.57%, 0.62%

LAB 54.67, 16.03, -47.42

 

CMYK 48 / 52 / 0 / 16

HEX #6E67D5

RGB 110 103 213

HSL 243.82, 0.57%, 0.62%

LAB 49.28, 31.52, -56

 

CMYK 35 / 52 / 0 / 16

HEX #8B67D5

RGB 139 103 213

HSL 259.64, 0.57%, 0.62%

LAB 51.83, 38.36, -51.76

 

CMYK 21 / 52 / 0 / 16

HEX #A967D5

RGB 169 103 213

HSL 276, 0.57%, 0.62%

LAB 55.01, 46.13, -46.51

 

CMYK 7 / 52 / 0 / 16

HEX #C767D5

RGB 199 103 213

HSL 292.36, 0.57%, 0.62%

LAB 58.65, 54.23, -40.53

 

CMYK 52 / 41 / 0 / 16

HEX #677ED5

RGB 103 126 213

HSL 227.45, 0.57%, 0.62%

LAB 54.67, 16.03, -47.42

 

CMYK 52 / 52 / 0 / 16

HEX #6767D5

RGB 103 103 213

HSL 240, 0.57%, 0.62%

LAB 48.75, 30.02, -56.88

 

CMYK 52 / 41 / 0 / 16

HEX #677ED5

RGB 103 126 213

HSL 227.45, 0.57%, 0.62%

LAB 54.67, 16.03, -47.42

 

CMYK 62 / 49 / 0 / 10

HEX #5775E5

RGB 87 117 229

HSL 227.32, 0.73%, 0.62%

LAB 52.29, 23.56, -60.27

 

CMYK 71 / 56 / 0 / 4

HEX #486CF5

RGB 72 108 245

HSL 227.51, 0.9%, 0.62%

LAB 50.33, 32.38, -72.43

 

CMYK 52 / 41 / 0 / 16

HEX #677ED5

RGB 103 126 213

HSL 227.45, 0.57%, 0.62%

LAB 54.67, 16.03, -47.42

 

CMYK 40 / 32 / 0 / 22

HEX #7787C6

RGB 119 135 198

HSL 227.85, 0.41%, 0.62%

LAB 57.39, 10.15, -34.57

 

CMYK 26 / 21 / 0 / 29

HEX #8690B6

RGB 134 144 182

HSL 227.5, 0.25%, 0.62%

LAB 60.24, 5.05, -21.03

 

CMYK 10 / 8 / 0 / 35

HEX #9699A6

RGB 150 153 166

HSL 228.75, 0.08%, 0.62%

LAB 63.36, 1.56, -7.16

 

CMYK 0 / 2 / 9 / 35

HEX #A6A297

RGB 166 162 151

HSL 44, 0.08%, 0.62%

LAB 66.66, -0.55, 6.22

 

CMYK 52 / 13 / 0 / 16

HEX #67BAD5

RGB 103 186 213

HSL 194.73, 0.57%, 0.62%

LAB 71.42, -17.89, -21.36

 

CMYK 52 / 27 / 0 / 16

HEX #679CD5

RGB 103 156 213

HSL 211.09, 0.57%, 0.62%

LAB 62.9, -1.58, -34.48

 

CMYK 52 / 40 / 0 / 16

HEX #677FD5

RGB 103 127 213

HSL 226.91, 0.57%, 0.62%

LAB 54.93, 15.43, -46.99

 

CMYK 49 / 52 / 0 / 16

HEX #6C67D5

RGB 108 103 213

HSL 242.73, 0.57%, 0.62%

LAB 49.12, 31.08, -56.25

 

CMYK 35 / 52 / 0 / 16

HEX #8A67D5

RGB 138 103 213

HSL 259.09, 0.57%, 0.62%

LAB 51.73, 38.11, -51.93

 

CMYK 73 / 57 / 0 / 28

HEX #324EB7

RGB 50 78 183

HSL 227.37, 0.57%, 0.46%

LAB 37.01, 26.35, -58.64

 

CMYK 66 / 51 / 0 / 20

HEX #4663CC

RGB 70 99 204

HSL 227.01, 0.57%, 0.54%

LAB 45.06, 23.33, -57.77

 

CMYK 52 / 41 / 0 / 16

HEX #677ED5

RGB 103 126 213

HSL 227.45, 0.57%, 0.62%

LAB 54.67, 16.03, -47.42

 

CMYK 39 / 31 / 0 / 13

HEX #8799DE

RGB 135 153 222

HSL 227.59, 0.57%, 0.7%

LAB 64.33, 10.66, -37.1

 

CMYK 27 / 22 / 0 / 9

HEX #A8B5E7

RGB 168 181 231

HSL 227.62, 0.57%, 0.78%

LAB 74.28, 6.52, -26.47

 

CMYK 51 / 41 / 0 / 16

HEX #687FD6

RGB 104 127 214

HSL 227.45, 0.57%, 0.62%

LAB 55.05, 15.97, -47.37

 

CMYK 1 / 52 / 0 / 16

HEX #D367D5

RGB 211 103 213

HSL 298.91, 0.57%, 0.62%

LAB 60.21, 57.5, -37.97

 

CMYK 20 / 0 / 52 / 16

HEX #ABD567

RGB 171 213 103

HSL 82.91, 0.57%, 0.62%

LAB 80.31, -31.17, 49.38

 

CMYK 51 / 41 / 0 / 16

HEX #687FD6

RGB 104 127 214

HSL 227.45, 0.57%, 0.62%

LAB 55.05, 15.97, -47.37

 

CMYK 0 / 52 / 40 / 16

HEX #D5677F

RGB 213 103 127

HSL 346.91, 0.57%, 0.62%

LAB 57.44, 45.61, 7.39

 

CMYK 40 / 0 / 52 / 16

HEX #7FD567

RGB 127 213 103

HSL 106.91, 0.57%, 0.62%

LAB 77.92, -46.47, 45.96

 

CMYK 51 / 41 / 0 / 16

HEX #687FD6

RGB 104 127 214

HSL 227.45, 0.57%, 0.62%

LAB 55.05, 15.97, -47.37

 

CMYK 1 / 52 / 0 / 16

HEX #D367D5

RGB 211 103 213

HSL 298.91, 0.57%, 0.62%

LAB 60.21, 57.5, -37.97

 

CMYK 0 / 11 / 52 / 16

HEX #D5BD67

RGB 213 189 103

HSL 46.91, 0.57%, 0.62%

LAB 76.99, -2.42, 46.19

 

CMYK 51 / 0 / 52 / 16

HEX #69D567

RGB 105 213 103

HSL 118.91, 0.57%, 0.62%

LAB 77.02, -52.88, 44.66

 

CMYK 51 / 41 / 0 / 16

HEX #687FD6

RGB 104 127 214

HSL 227.45, 0.57%, 0.62%

LAB 55.05, 15.97, -47.37

 

CMYK 0 / 52 / 15 / 16

HEX #D567B6

RGB 213 103 182

HSL 316.91, 0.57%, 0.62%

LAB 59.18, 52.92, -21.92

 

CMYK 0 / 11 / 52 / 16

HEX #D5BD67

RGB 213 189 103

HSL 46.91, 0.57%, 0.62%

LAB 76.99, -2.42, 46.19

 

CMYK 52 / 0 / 37 / 16

HEX #67D586

RGB 103 213 134

HSL 136.91, 0.57%, 0.62%

LAB 77.4, -48.71, 29.66

 

Description

Color code: RGB 104 127 214 | qconv.com Color code: RGB 104 127 214 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 127 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 127 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 41 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 41% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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