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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 104 110.6 2.6 it is the complementary color RGB 151 144.4 252.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 104 110.6 2.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 104 110.6 2.6 shade: RGB 109 110.6 0, RGB 126 128.6 16.6, RGB 143 146.6 35.6, RGB 160 164.6 54.6 and RGB 177 182.6 73.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 104 110.6 2.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 104 110.6 2.6 shade: RGB 104 110.6 2.6, RGB 87 92.6 0, RGB 70 74.6 0, RGB 53 56.6 0 and RGB 36 38.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 104 110.6 2.6 shade: RGB 103 109 3, RGB 109 87 3, RGB 109 58 3, RGB 109 30 3 and RGB 109 3 3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 104 110.6 2.6 shade: RGB 103 109 3, RGB 74 109 3, RGB 45 109 3, RGB 17 109 3 and RGB 3 109 18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 104 110.6 2.6 shade matches the following richer shades: RGB 103 109 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 104 110.6 2.6 shade: RGB 103 109 3, RGB 95 100 12, RGB 87 91 21, RGB 79 82 30 and RGB 71 73 39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 104 110.6 2.6 shade: RGB 109 58 3, RGB 109 86 3, RGB 104 109 3, RGB 76 109 3 and RGB 47 109 3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 104 110.6 2.6 shade: RGB 27 29 1, RGB 65 69 2, RGB 103 109 3, RGB 141 150 4 and RGB 179 190 5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 104 110.6 2.6 shade: RGB 104 110.6 2.6, RGB 3 109 29 and RGB 72 3 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 104 110.6 2.6 shade: RGB 104 110.6 2.6, RGB 3 104 109 and RGB 109 3 104

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 104 110.6 2.6 shade: RGB 104 110.6 2.6, RGB 3 109 29, RGB 8 3 109 and RGB 109 3 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 104 110.6 2.6 shade: RGB 104 110.6 2.6, RGB 3 109 61, RGB 8 3 109 and RGB 109 3 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 98 / 57

HEX #686E02

RGB 104 110.6 2.6

HSL 63.67, 0.95%, 0.22%

LAB 44.56, -14.72, 49.76

 

Complementary color

CMYK 40 / 43 / 0 / 1

HEX #9790FC

RGB 151 144.4 252.4

HSL 243.67, 0.95%, 0.78%

LAB 64.72, 28.08, -53.13

 

CMYK 1 / 0 / 100 / 57

HEX #6D6E00

RGB 109 110.6 0

HSL 60.87, 1%, 0.22%

LAB 44.99, -12.41, 50.88

 

CMYK 2 / 0 / 87 / 50

HEX #7E8010

RGB 126 128.6 16.6

HSL 61.39, 0.77%, 0.28%

LAB 51.92, -13.82, 53.39

 

CMYK 2 / 0 / 76 / 43

HEX #8F9223

RGB 143 146.6 35.6

HSL 61.95, 0.61%, 0.36%

LAB 58.7, -14.95, 54.28

 

CMYK 3 / 0 / 67 / 35

HEX #A0A436

RGB 160 164.6 54.6

HSL 62.51, 0.5%, 0.43%

LAB 65.37, -15.82, 54.08

 

CMYK 3 / 0 / 60 / 28

HEX #B1B649

RGB 177 182.6 73.6

HSL 63.08, 0.43%, 0.5%

LAB 71.92, -16.51, 53.35

 

CMYK 6 / 0 / 98 / 57

HEX #686E02

RGB 104 110.6 2.6

HSL 63.67, 0.95%, 0.22%

LAB 44.56, -14.72, 49.76

 

CMYK 6 / 0 / 100 / 64

HEX #575C00

RGB 87 92.6 0

HSL 63.63, 1%, 0.18%

LAB 37.45, -13.03, 44.46

 

CMYK 6 / 0 / 100 / 71

HEX #464A00

RGB 70 74.6 0

HSL 63.7, 1%, 0.15%

LAB 30.11, -11.21, 38.35

 

CMYK 6 / 0 / 100 / 78

HEX #353800

RGB 53 56.6 0

HSL 63.82, 1%, 0.11%

LAB 22.46, -9.31, 30.85

 

CMYK 7 / 0 / 100 / 85

HEX #242600

RGB 36 38.6 0

HSL 64.04, 1%, 0.08%

LAB 14.4, -7.31, 20.94

 

CMYK 6 / 0 / 97 / 57

HEX #676D03

RGB 103 109 3

HSL 63.4, 0.95%, 0.22%

LAB 43.98, -14.31, 49.19

 

CMYK 0 / 20 / 97 / 57

HEX #6D5703

RGB 109 87 3

HSL 47.55, 0.95%, 0.22%

LAB 37.98, 1.26, 44.93

 

CMYK 0 / 47 / 97 / 57

HEX #6D3A03

RGB 109 58 3

HSL 31.13, 0.95%, 0.22%

LAB 30.12, 18.83, 39.25

 

CMYK 0 / 72 / 97 / 57

HEX #6D1E03

RGB 109 30 3

HSL 15.28, 0.95%, 0.22%

LAB 24.28, 33.83, 34.19

 

CMYK 0 / 97 / 97 / 57

HEX #6D0303

RGB 109 3 3

HSL 0, 0.95%, 0.22%

LAB 21.29, 42.2, 31.1

 

CMYK 6 / 0 / 97 / 57

HEX #676D03

RGB 103 109 3

HSL 63.4, 0.95%, 0.22%

LAB 43.98, -14.31, 49.19

 

CMYK 32 / 0 / 97 / 57

HEX #4A6D03

RGB 74 109 3

HSL 79.81, 0.95%, 0.22%

LAB 41.84, -27.42, 46.6

 

CMYK 59 / 0 / 97 / 57

HEX #2D6D03

RGB 45 109 3

HSL 96.23, 0.95%, 0.22%

LAB 40.41, -37.99, 44.85

 

CMYK 84 / 0 / 97 / 57

HEX #116D03

RGB 17 109 3

HSL 112.08, 0.95%, 0.22%

LAB 39.69, -44.13, 43.95

 

CMYK 97 / 0 / 83 / 57

HEX #036D12

RGB 3 109 18

HSL 128.49, 0.95%, 0.22%

LAB 39.58, -44.84, 39.76

 

CMYK 6 / 0 / 97 / 57

HEX #676D03

RGB 103 109 3

HSL 63.4, 0.95%, 0.22%

LAB 43.98, -14.31, 49.19

 

CMYK 6 / 0 / 97 / 57

HEX #676D03

RGB 103 109 3

HSL 63.4, 0.95%, 0.22%

LAB 43.98, -14.31, 49.19

 

CMYK 5 / 0 / 88 / 61

HEX #5F640C

RGB 95 100 12

HSL 63.41, 0.79%, 0.22%

LAB 40.53, -12.91, 43.92

 

CMYK 4 / 0 / 77 / 64

HEX #575B15

RGB 87 91 21

HSL 63.43, 0.63%, 0.22%

LAB 37.05, -11.3, 37.45

 

CMYK 4 / 0 / 63 / 68

HEX #4F521E

RGB 79 82 30

HSL 63.46, 0.46%, 0.22%

LAB 33.54, -9.33, 29.41

 

CMYK 3 / 0 / 47 / 71

HEX #474927

RGB 71 73 39

HSL 63.53, 0.3%, 0.22%

LAB 30.04, -6.85, 20.03

 

CMYK 0 / 47 / 97 / 57

HEX #6D3A03

RGB 109 58 3

HSL 31.13, 0.95%, 0.22%

LAB 30.12, 18.83, 39.25

 

CMYK 0 / 21 / 97 / 57

HEX #6D5603

RGB 109 86 3

HSL 46.98, 0.95%, 0.22%

LAB 37.69, 1.86, 44.71

 

CMYK 5 / 0 / 97 / 57

HEX #686D03

RGB 104 109 3

HSL 62.83, 0.95%, 0.22%

LAB 44.07, -13.84, 49.29

 

CMYK 30 / 0 / 97 / 57

HEX #4C6D03

RGB 76 109 3

HSL 78.68, 0.95%, 0.22%

LAB 41.97, -26.58, 46.75

 

CMYK 57 / 0 / 97 / 57

HEX #2F6D03

RGB 47 109 3

HSL 95.09, 0.95%, 0.22%

LAB 40.49, -37.38, 44.94

 

CMYK 7 / 0 / 97 / 89

HEX #1B1D01

RGB 27 29 1

HSL 64.29, 0.93%, 0.06%

LAB 9.91, -6.01, 14.27

 

CMYK 6 / 0 / 97 / 73

HEX #414502

RGB 65 69 2

HSL 63.58, 0.94%, 0.14%

LAB 27.8, -10.38, 35.51

 

CMYK 6 / 0 / 97 / 57

HEX #676D03

RGB 103 109 3

HSL 63.4, 0.95%, 0.22%

LAB 43.98, -14.31, 49.19

 

CMYK 6 / 0 / 97 / 41

HEX #8D9604

RGB 141 150 4

HSL 63.7, 0.95%, 0.3%

LAB 59.42, -18.5, 62.11

 

CMYK 6 / 0 / 97 / 25

HEX #B3BE05

RGB 179 190 5

HSL 63.57, 0.95%, 0.38%

LAB 73.82, -21.96, 74.16

 

CMYK 6 / 0 / 98 / 57

HEX #686E02

RGB 104 110.6 2.6

HSL 63.67, 0.95%, 0.22%

LAB 44.56, -14.72, 49.76

 

CMYK 97 / 0 / 73 / 57

HEX #036D1D

RGB 3 109 29

HSL 134.72, 0.95%, 0.22%

LAB 39.66, -43.87, 35.6

 

CMYK 34 / 97 / 0 / 57

HEX #48036D

RGB 72 3 109

HSL 279.06, 0.95%, 0.22%

LAB 18.13, 45.88, -43.69

 

CMYK 6 / 0 / 98 / 57

HEX #686E02

RGB 104 110.6 2.6

HSL 63.67, 0.95%, 0.22%

LAB 44.56, -14.72, 49.76

 

CMYK 97 / 5 / 0 / 57

HEX #03686D

RGB 3 104 109

HSL 182.83, 0.95%, 0.22%

LAB 39.62, -22.95, -10.05

 

CMYK 0 / 97 / 5 / 57

HEX #6D0368

RGB 109 3 104

HSL 302.83, 0.95%, 0.22%

LAB 24.69, 51.14, -29.49

 

CMYK 6 / 0 / 98 / 57

HEX #686E02

RGB 104 110.6 2.6

HSL 63.67, 0.95%, 0.22%

LAB 44.56, -14.72, 49.76

 

CMYK 97 / 0 / 73 / 57

HEX #036D1D

RGB 3 109 29

HSL 134.72, 0.95%, 0.22%

LAB 39.66, -43.87, 35.6

 

CMYK 93 / 97 / 0 / 57

HEX #08036D

RGB 8 3 109

HSL 242.83, 0.95%, 0.22%

LAB 10.71, 40.98, -56.2

 

CMYK 0 / 97 / 24 / 57

HEX #6D0353

RGB 109 3 83

HSL 314.72, 0.95%, 0.22%

LAB 23.47, 48.06, -17.51

 

CMYK 6 / 0 / 98 / 57

HEX #686E02

RGB 104 110.6 2.6

HSL 63.67, 0.95%, 0.22%

LAB 44.56, -14.72, 49.76

 

CMYK 97 / 0 / 44 / 57

HEX #036D3D

RGB 3 109 61

HSL 152.83, 0.95%, 0.22%

LAB 40.07, -38.82, 19.48

 

CMYK 93 / 97 / 0 / 57

HEX #08036D

RGB 8 3 109

HSL 242.83, 0.95%, 0.22%

LAB 10.71, 40.98, -56.2

 

CMYK 0 / 97 / 53 / 57

HEX #6D0333

RGB 109 3 51

HSL 332.83, 0.95%, 0.22%

LAB 22.14, 44.54, 2.46

 

Description

Color code: RGB 104 110.6 2.6 | qconv.com Color code: RGB 104 110.6 2.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 110.6 green and 2.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 110.6 2.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 98 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 98% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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