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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 103 25 5 it is the complementary color RGB 152 230 250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 103 25 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 103 25 5 shade: RGB 108 25 0, RGB 125 43 19, RGB 142 61 38, RGB 159 79 57 and RGB 176 97 76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 103 25 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 103 25 5 shade: RGB 103 25 5, RGB 86 7 0, RGB 69 0 0, RGB 52 0 0 and RGB 35 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 103 25 5 shade: RGB 102 24 4 and RGB 102 4 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 103 25 5 shade: RGB 102 24 4, RGB 102 50 4, RGB 102 77 4, RGB 101 102 4 and RGB 74 102 4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 103 25 5 shade matches the following richer shades: RGB 102 24 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 103 25 5 shade: RGB 102 24 4, RGB 93 29 13, RGB 84 34 22, RGB 76 40 30 and RGB 67 45 39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 103 25 5 shade: RGB 102 4 37, RGB 102 4 11, RGB 102 24 4, RGB 102 50 4 and RGB 102 76 4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 103 25 5 shade: RGB 23 5 1, RGB 62 15 2, RGB 102 24 4, RGB 141 34 6 and RGB 181 43 8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 103 25 5 shade: RGB 103 25 5, RGB 63 102 4 and RGB 4 24 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 103 25 5 shade: RGB 103 25 5, RGB 4 102 24 and RGB 24 4 102

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 103 25 5 shade: RGB 103 25 5, RGB 63 102 4, RGB 4 82 102 and RGB 43 4 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 103 25 5 shade: RGB 103 25 5, RGB 34 102 4, RGB 4 82 102 and RGB 73 4 102

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 95 / 60

HEX #671905

RGB 103 25 5

HSL 12.24, 0.91%, 0.21%

LAB 22.27, 33.8, 30.92

 

Complementary color

CMYK 39 / 8 / 0 / 2

HEX #98E6FA

RGB 152 230 250

HSL 192.24, 0.91%, 0.79%

LAB 87.08, -19, -17.26

 

CMYK 0 / 77 / 100 / 58

HEX #6C1900

RGB 108 25 0

HSL 13.89, 1%, 0.21%

LAB 23.28, 35.48, 34.34

 

CMYK 0 / 66 / 85 / 51

HEX #7D2B13

RGB 125 43 19

HSL 13.58, 0.74%, 0.28%

LAB 29.75, 34.34, 33.14

 

CMYK 0 / 57 / 73 / 44

HEX #8E3D26

RGB 142 61 38

HSL 13.27, 0.58%, 0.35%

LAB 36.42, 32.81, 30.51

 

CMYK 0 / 50 / 64 / 38

HEX #9F4F39

RGB 159 79 57

HSL 12.94, 0.47%, 0.42%

LAB 43.15, 31.28, 28.1

 

CMYK 0 / 45 / 57 / 31

HEX #B0614C

RGB 176 97 76

HSL 12.6, 0.4%, 0.49%

LAB 49.86, 29.87, 26

 

CMYK 0 / 76 / 95 / 60

HEX #671905

RGB 103 25 5

HSL 12.24, 0.91%, 0.21%

LAB 22.27, 33.8, 30.92

 

CMYK 0 / 92 / 100 / 66

HEX #560700

RGB 86 7 0

HSL 4.88, 1%, 0.17%

LAB 16.16, 34.05, 24.93

 

CMYK 0 / 100 / 100 / 73

HEX #450000

RGB 69 0 0

HSL 0, 1%, 0.14%

LAB 11.03, 31.28, 17.37

 

CMYK 0 / 100 / 100 / 80

HEX #340000

RGB 52 0 0

HSL 0, 1%, 0.1%

LAB 6.59, 25.64, 10.42

 

CMYK 0 / 100 / 100 / 86

HEX #230000

RGB 35 0 0

HSL 0, 1%, 0.07%

LAB 3.23, 14.48, 5.1

 

CMYK 0 / 76 / 96 / 60

HEX #661804

RGB 102 24 4

HSL 12.24, 0.92%, 0.21%

LAB 21.9, 33.82, 30.88

 

CMYK 0 / 96 / 96 / 60

HEX #660404

RGB 102 4 4

HSL 0, 0.92%, 0.21%

LAB 19.72, 39.94, 28.48

 

CMYK 0 / 76 / 96 / 60

HEX #661804

RGB 102 24 4

HSL 12.24, 0.92%, 0.21%

LAB 21.9, 33.82, 30.88

 

CMYK 0 / 51 / 96 / 60

HEX #663204

RGB 102 50 4

HSL 28.16, 0.92%, 0.21%

LAB 27.06, 20.35, 35.9

 

CMYK 0 / 25 / 96 / 60

HEX #664D04

RGB 102 77 4

HSL 44.69, 0.92%, 0.21%

LAB 34.28, 3.83, 41.49

 

CMYK 1 / 0 / 96 / 60

HEX #656604

RGB 101 102 4

HSL 60.61, 0.92%, 0.21%

LAB 41.65, -11.37, 47.08

 

CMYK 27 / 0 / 96 / 60

HEX #4A6604

RGB 74 102 4

HSL 77.14, 0.92%, 0.21%

LAB 39.53, -23.95, 44.49

 

CMYK 0 / 76 / 96 / 60

HEX #661804

RGB 102 24 4

HSL 12.24, 0.92%, 0.21%

LAB 21.9, 33.82, 30.88

 

CMYK 0 / 76 / 96 / 60

HEX #661804

RGB 102 24 4

HSL 12.24, 0.92%, 0.21%

LAB 21.9, 33.82, 30.88

 

CMYK 0 / 69 / 86 / 64

HEX #5D1D0D

RGB 93 29 13

HSL 12, 0.75%, 0.21%

LAB 20.96, 28.36, 25.55

 

CMYK 0 / 60 / 74 / 67

HEX #542216

RGB 84 34 22

HSL 11.61, 0.58%, 0.21%

LAB 20.39, 22.32, 19.19

 

CMYK 0 / 47 / 61 / 70

HEX #4C281E

RGB 76 40 30

HSL 13.04, 0.43%, 0.21%

LAB 20.63, 15.66, 13.89

 

CMYK 0 / 33 / 42 / 74

HEX #432D27

RGB 67 45 39

HSL 12.86, 0.26%, 0.21%

LAB 20.89, 9.2, 7.92

 

CMYK 0 / 96 / 64 / 60

HEX #660425

RGB 102 4 37

HSL 339.8, 0.92%, 0.21%

LAB 20.22, 41.35, 9.43

 

CMYK 0 / 96 / 89 / 60

HEX #66040B

RGB 102 4 11

HSL 355.71, 0.92%, 0.21%

LAB 19.78, 40.12, 25.69

 

CMYK 0 / 76 / 96 / 60

HEX #661804

RGB 102 24 4

HSL 12.24, 0.92%, 0.21%

LAB 21.9, 33.82, 30.88

 

CMYK 0 / 51 / 96 / 60

HEX #663204

RGB 102 50 4

HSL 28.16, 0.92%, 0.21%

LAB 27.06, 20.35, 35.9

 

CMYK 0 / 25 / 96 / 60

HEX #664C04

RGB 102 76 4

HSL 44.08, 0.92%, 0.21%

LAB 33.99, 4.44, 41.27

 

CMYK 0 / 78 / 96 / 91

HEX #170501

RGB 23 5 1

HSL 10.91, 0.92%, 0.05%

LAB 2.65, 5.52, 3.65

 

CMYK 0 / 76 / 97 / 76

HEX #3E0F02

RGB 62 15 2

HSL 13, 0.94%, 0.13%

LAB 11.76, 22.16, 17.3

 

CMYK 0 / 76 / 96 / 60

HEX #661804

RGB 102 24 4

HSL 12.24, 0.92%, 0.21%

LAB 21.9, 33.82, 30.88

 

CMYK 0 / 76 / 96 / 45

HEX #8D2206

RGB 141 34 6

HSL 12.44, 0.92%, 0.29%

LAB 31.39, 43.66, 41.57

 

CMYK 0 / 76 / 96 / 29

HEX #B52B08

RGB 181 43 8

HSL 12.14, 0.92%, 0.37%

LAB 40.52, 53.58, 50.48

 

CMYK 0 / 76 / 95 / 60

HEX #671905

RGB 103 25 5

HSL 12.24, 0.91%, 0.21%

LAB 22.27, 33.8, 30.92

 

CMYK 38 / 0 / 96 / 60

HEX #3F6604

RGB 63 102 4

HSL 83.88, 0.92%, 0.21%

LAB 38.84, -28.59, 43.66

 

CMYK 96 / 76 / 0 / 60

HEX #041866

RGB 4 24 102

HSL 227.76, 0.92%, 0.21%

LAB 13.46, 26.97, -47.03

 

CMYK 0 / 76 / 95 / 60

HEX #671905

RGB 103 25 5

HSL 12.24, 0.91%, 0.21%

LAB 22.27, 33.8, 30.92

 

CMYK 96 / 0 / 76 / 60

HEX #046618

RGB 4 102 24

HSL 132.24, 0.92%, 0.21%

LAB 37.1, -41.97, 35.06

 

CMYK 76 / 96 / 0 / 60

HEX #180466

RGB 24 4 102

HSL 252.24, 0.92%, 0.21%

LAB 10.85, 39.02, -51.32

 

CMYK 0 / 76 / 95 / 60

HEX #671905

RGB 103 25 5

HSL 12.24, 0.91%, 0.21%

LAB 22.27, 33.8, 30.92

 

CMYK 38 / 0 / 96 / 60

HEX #3F6604

RGB 63 102 4

HSL 83.88, 0.92%, 0.21%

LAB 38.84, -28.59, 43.66

 

CMYK 96 / 20 / 0 / 60

HEX #045266

RGB 4 82 102

HSL 192.24, 0.92%, 0.21%

LAB 31.85, -13.27, -17.56

 

CMYK 58 / 96 / 0 / 60

HEX #2B0466

RGB 43 4 102

HSL 263.88, 0.92%, 0.21%

LAB 12.98, 40.43, -47.72

 

CMYK 0 / 76 / 95 / 60

HEX #671905

RGB 103 25 5

HSL 12.24, 0.91%, 0.21%

LAB 22.27, 33.8, 30.92

 

CMYK 67 / 0 / 96 / 60

HEX #226604

RGB 34 102 4

HSL 101.63, 0.92%, 0.21%

LAB 37.57, -38.32, 42.09

 

CMYK 96 / 20 / 0 / 60

HEX #045266

RGB 4 82 102

HSL 192.24, 0.92%, 0.21%

LAB 31.85, -13.27, -17.56

 

CMYK 28 / 96 / 0 / 60

HEX #490466

RGB 73 4 102

HSL 282.24, 0.92%, 0.21%

LAB 17.75, 44.21, -39.72

 

Description

Color code: RGB 103 25 5 | qconv.com Color code: RGB 103 25 5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 25 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 25 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 95 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 95% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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