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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 103 162 129 it is the complementary color RGB 152 93 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 103 162 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 103 162 129 shade: RGB 108 162 124, RGB 125 180 143, RGB 142 198 162, RGB 159 216 181 and RGB 176 234 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 103 162 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 103 162 129 shade: RGB 103 162 129, RGB 86 144 110, RGB 69 126 91, RGB 52 108 72 and RGB 35 90 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 103 162 129 shade: RGB 103 162 129, RGB 103 162 113, RGB 109 162 103, RGB 125 162 103 and RGB 141 162 103

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 103 162 129 shade: RGB 103 162 129, RGB 103 162 145, RGB 103 162 161, RGB 103 147 162 and RGB 103 131 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 103 162 129 shade matches the following richer shades: RGB 103 162 129, RGB 83 182 127, RGB 64 202 124, RGB 44 221 122 and RGB 24 241 120

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 103 162 129 shade: RGB 103 162 129, RGB 123 142 131, RGB 143 122 134, RGB 163 103 136 and RGB 182 83 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 103 162 129 shade: RGB 109 162 103, RGB 103 162 113, RGB 103 162 129, RGB 103 162 144 and RGB 103 162 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 103 162 129 shade: RGB 69 113 89, RGB 85 139 109, RGB 103 162 129, RGB 129 178 150 and RGB 154 193 172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 103 162 129 shade: RGB 103 162 129, RGB 103 125 162 and RGB 162 105 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 103 162 129 shade: RGB 103 162 129, RGB 129 103 162 and RGB 162 129 103

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 103 162 129 shade: RGB 103 162 129, RGB 103 125 162, RGB 162 103 137 and RGB 162 140 103

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 103 162 129 shade: RGB 103 162 129, RGB 103 107 162, RGB 162 103 137 and RGB 162 158 103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 20 / 36

HEX #67A281

RGB 103 162 129

HSL 146.44, 0.24%, 0.52%

LAB 61.92, -26.67, 11.17

 

Complementary color

CMYK 0 / 39 / 17 / 40

HEX #985D7E

RGB 152 93 126

HSL 326.44, 0.24%, 0.48%

LAB 46.99, 28.98, -8.3

 

CMYK 33 / 0 / 23 / 36

HEX #6CA27C

RGB 108 162 124

HSL 137.78, 0.23%, 0.53%

LAB 62.07, -26.1, 14.2

 

CMYK 31 / 0 / 21 / 29

HEX #7DB48F

RGB 125 180 143

HSL 139.64, 0.27%, 0.6%

LAB 68.74, -25.83, 13.21

 

CMYK 28 / 0 / 18 / 22

HEX #8EC6A2

RGB 142 198 162

HSL 141.43, 0.33%, 0.67%

LAB 75.29, -25.58, 12.28

 

CMYK 26 / 0 / 16 / 15

HEX #9FD8B5

RGB 159 216 181

HSL 143.16, 0.42%, 0.74%

LAB 81.74, -25.36, 11.41

 

CMYK 25 / 0 / 15 / 8

HEX #B0EAC8

RGB 176 234 200

HSL 144.83, 0.58%, 0.8%

LAB 88.09, -25.16, 10.59

 

CMYK 36 / 0 / 20 / 36

HEX #67A281

RGB 103 162 129

HSL 146.44, 0.24%, 0.52%

LAB 61.92, -26.67, 11.17

 

CMYK 40 / 0 / 24 / 44

HEX #56906E

RGB 86 144 110

HSL 144.83, 0.25%, 0.45%

LAB 55.12, -26.94, 12.21

 

CMYK 45 / 0 / 28 / 51

HEX #457E5B

RGB 69 126 91

HSL 143.16, 0.29%, 0.38%

LAB 48.19, -27.21, 13.35

 

CMYK 52 / 0 / 33 / 58

HEX #346C48

RGB 52 108 72

HSL 141.43, 0.35%, 0.31%

LAB 41.09, -27.44, 14.62

 

CMYK 61 / 0 / 41 / 65

HEX #235A35

RGB 35 90 53

HSL 139.64, 0.44%, 0.25%

LAB 33.83, -27.54, 16.08

 

CMYK 36 / 0 / 20 / 36

HEX #67A281

RGB 103 162 129

HSL 146.44, 0.24%, 0.52%

LAB 61.92, -26.67, 11.17

 

CMYK 36 / 0 / 30 / 36

HEX #67A271

RGB 103 162 113

HSL 130.17, 0.24%, 0.52%

LAB 61.58, -29.78, 19.57

 

CMYK 33 / 0 / 36 / 36

HEX #6DA267

RGB 109 162 103

HSL 113.9, 0.24%, 0.52%

LAB 61.72, -29.5, 25.27

 

CMYK 23 / 0 / 36 / 36

HEX #7DA267

RGB 125 162 103

HSL 97.63, 0.24%, 0.52%

LAB 62.66, -23.78, 26.68

 

CMYK 13 / 0 / 36 / 36

HEX #8DA267

RGB 141 162 103

HSL 81.36, 0.24%, 0.52%

LAB 63.74, -17.67, 28.3

 

CMYK 36 / 0 / 20 / 36

HEX #67A281

RGB 103 162 129

HSL 146.44, 0.24%, 0.52%

LAB 61.92, -26.67, 11.17

 

CMYK 36 / 0 / 10 / 36

HEX #67A291

RGB 103 162 145

HSL 162.71, 0.24%, 0.52%

LAB 62.31, -23.18, 2.77

 

CMYK 36 / 0 / 1 / 36

HEX #67A2A1

RGB 103 162 161

HSL 178.98, 0.24%, 0.52%

LAB 62.76, -19.34, -5.57

 

CMYK 36 / 9 / 0 / 36

HEX #6793A2

RGB 103 147 162

HSL 195.25, 0.24%, 0.52%

LAB 58.38, -11.06, -12.68

 

CMYK 36 / 19 / 0 / 36

HEX #6783A2

RGB 103 131 162

HSL 211.53, 0.24%, 0.52%

LAB 53.73, -2.04, -19.72

 

CMYK 36 / 0 / 20 / 36

HEX #67A281

RGB 103 162 129

HSL 146.44, 0.24%, 0.52%

LAB 61.92, -26.67, 11.17

 

CMYK 54 / 0 / 30 / 29

HEX #53B67F

RGB 83 182 127

HSL 146.67, 0.4%, 0.52%

LAB 67.15, -41.81, 19.41

 

CMYK 68 / 0 / 39 / 21

HEX #40CA7C

RGB 64 202 124

HSL 146.09, 0.57%, 0.52%

LAB 72.75, -54.38, 28.47

 

CMYK 80 / 0 / 45 / 13

HEX #2CDD7A

RGB 44 221 122

HSL 146.44, 0.72%, 0.52%

LAB 78.26, -64.32, 36.61

 

CMYK 90 / 0 / 50 / 5

HEX #18F178

RGB 24 241 120

HSL 146.54, 0.89%, 0.52%

LAB 84.21, -72.78, 45.05

 

CMYK 36 / 0 / 20 / 36

HEX #67A281

RGB 103 162 129

HSL 146.44, 0.24%, 0.52%

LAB 61.92, -26.67, 11.17

 

CMYK 13 / 0 / 8 / 44

HEX #7B8E83

RGB 123 142 131

HSL 145.26, 0.08%, 0.52%

LAB 57.27, -9.09, 3.56

 

CMYK 0 / 15 / 6 / 44

HEX #8F7A86

RGB 143 122 134

HSL 325.71, 0.09%, 0.52%

LAB 53.47, 10.27, -3.52

 

CMYK 0 / 37 / 17 / 36

HEX #A36788

RGB 163 103 136

HSL 327, 0.25%, 0.52%

LAB 51, 29, -8.13

 

CMYK 0 / 54 / 24 / 29

HEX #B6538B

RGB 182 83 139

HSL 326.06, 0.4%, 0.52%

LAB 49.49, 46.58, -11.91

 

CMYK 33 / 0 / 36 / 36

HEX #6DA267

RGB 109 162 103

HSL 113.9, 0.24%, 0.52%

LAB 61.72, -29.5, 25.27

 

CMYK 36 / 0 / 30 / 36

HEX #67A271

RGB 103 162 113

HSL 130.17, 0.24%, 0.52%

LAB 61.58, -29.78, 19.57

 

CMYK 36 / 0 / 20 / 36

HEX #67A281

RGB 103 162 129

HSL 146.44, 0.24%, 0.52%

LAB 61.92, -26.67, 11.17

 

CMYK 36 / 0 / 11 / 36

HEX #67A290

RGB 103 162 144

HSL 161.69, 0.24%, 0.52%

LAB 62.29, -23.41, 3.29

 

CMYK 36 / 0 / 1 / 36

HEX #67A2A0

RGB 103 162 160

HSL 177.97, 0.24%, 0.52%

LAB 62.73, -19.59, -5.05

 

CMYK 39 / 0 / 21 / 56

HEX #457159

RGB 69 113 89

HSL 147.27, 0.24%, 0.36%

LAB 43.94, -21.05, 8.59

 

CMYK 39 / 0 / 22 / 45

HEX #558B6D

RGB 85 139 109

HSL 146.67, 0.24%, 0.44%

LAB 53.49, -24.97, 10.48

 

CMYK 36 / 0 / 20 / 36

HEX #67A281

RGB 103 162 129

HSL 146.44, 0.24%, 0.52%

LAB 61.92, -26.67, 11.17

 

CMYK 28 / 0 / 16 / 30

HEX #81B296

RGB 129 178 150

HSL 145.71, 0.24%, 0.6%

LAB 68.54, -22.17, 9.12

 

CMYK 20 / 0 / 11 / 24

HEX #9AC1AC

RGB 154 193 172

HSL 147.69, 0.24%, 0.68%

LAB 74.82, -17.25, 6.3

 

CMYK 36 / 0 / 20 / 36

HEX #67A281

RGB 103 162 129

HSL 146.44, 0.24%, 0.52%

LAB 61.92, -26.67, 11.17

 

CMYK 36 / 23 / 0 / 36

HEX #677DA2

RGB 103 125 162

HSL 217.63, 0.24%, 0.52%

LAB 52.02, 1.46, -22.36

 

CMYK 0 / 35 / 36 / 36

HEX #A26967

RGB 162 105 103

HSL 2.03, 0.24%, 0.52%

LAB 50.41, 22.6, 10.58

 

CMYK 36 / 0 / 20 / 36

HEX #67A281

RGB 103 162 129

HSL 146.44, 0.24%, 0.52%

LAB 61.92, -26.67, 11.17

 

CMYK 20 / 36 / 0 / 36

HEX #8167A2

RGB 129 103 162

HSL 266.44, 0.24%, 0.52%

LAB 48.23, 22.63, -28.04

 

CMYK 0 / 20 / 36 / 36

HEX #A28167

RGB 162 129 103

HSL 26.44, 0.24%, 0.52%

LAB 56.45, 8.93, 18.92

 

CMYK 36 / 0 / 20 / 36

HEX #67A281

RGB 103 162 129

HSL 146.44, 0.24%, 0.52%

LAB 61.92, -26.67, 11.17

 

CMYK 36 / 23 / 0 / 36

HEX #677DA2

RGB 103 125 162

HSL 217.63, 0.24%, 0.52%

LAB 52.02, 1.46, -22.36

 

CMYK 0 / 36 / 15 / 36

HEX #A26789

RGB 162 103 137

HSL 325.42, 0.24%, 0.52%

LAB 50.91, 28.8, -8.87

 

CMYK 0 / 14 / 36 / 36

HEX #A28C67

RGB 162 140 103

HSL 37.63, 0.24%, 0.52%

LAB 59.36, 2.75, 22.84

 

CMYK 36 / 0 / 20 / 36

HEX #67A281

RGB 103 162 129

HSL 146.44, 0.24%, 0.52%

LAB 61.92, -26.67, 11.17

 

CMYK 36 / 34 / 0 / 36

HEX #676BA2

RGB 103 107 162

HSL 235.93, 0.24%, 0.52%

LAB 46.98, 12.27, -30.16

 

CMYK 0 / 36 / 15 / 36

HEX #A26789

RGB 162 103 137

HSL 325.42, 0.24%, 0.52%

LAB 50.91, 28.8, -8.87

 

CMYK 0 / 2 / 36 / 36

HEX #A29E67

RGB 162 158 103

HSL 55.93, 0.24%, 0.52%

LAB 64.25, -7.1, 29.29

 

Description

Color code: RGB 103 162 129 | qconv.com Color code: RGB 103 162 129 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 162 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 162 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 20 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 20% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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