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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 102 1 186 it is the complementary color RGB 153 254 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 102 1 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 102 1 186: RGB 107 1 181, RGB 124 19 200, RGB 141 37 219, RGB 158 55 238 and RGB 175 73 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 102 1 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 102 1 186: RGB 102 1 186, RGB 85 0 167, RGB 68 0 148, RGB 51 0 129 and RGB 34 0 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 99 / 0 / 27

HEX #6601BA

RGB 102 1 186

HSL 272.76, 0.99%, 0.37%

LAB 30.38, 66.35, -71.11

 

Complementary color

CMYK 40 / 0 / 73 / 0

HEX #99FE45

RGB 153 254 69

HSL 92.76, 0.99%, 0.63%

LAB 90.82, -57.74, 74.23

 

CMYK 41 / 99 / 0 / 29

HEX #6B01B5

RGB 107 1 181

HSL 275.33, 0.99%, 0.36%

LAB 30.6, 65.77, -67.75

 

CMYK 38 / 91 / 0 / 22

HEX #7C13C8

RGB 124 19 200

HSL 274.81, 0.83%, 0.43%

LAB 35.83, 68.79, -70.27

 

CMYK 36 / 83 / 0 / 14

HEX #8D25DB

RGB 141 37 219

HSL 274.29, 0.72%, 0.5%

LAB 41.38, 70.61, -72.09

 

CMYK 34 / 77 / 0 / 7

HEX #9E37EE

RGB 158 55 238

HSL 273.77, 0.84%, 0.57%

LAB 47.2, 71.38, -73.27

 

CMYK 31 / 71 / 0 / 0

HEX #AF49FF

RGB 175 73 255

HSL 273.63, 1%, 0.64%

LAB 53.06, 71.04, -73.16

 

CMYK 45 / 99 / 0 / 27

HEX #6601BA

RGB 102 1 186

HSL 272.76, 0.99%, 0.37%

LAB 30.38, 66.35, -71.11

 

CMYK 49 / 100 / 0 / 35

HEX #5500A7

RGB 85 0 167

HSL 270.54, 1%, 0.33%

LAB 25.93, 60.87, -67.16

 

CMYK 54 / 100 / 0 / 42

HEX #440094

RGB 68 0 148

HSL 267.57, 1%, 0.29%

LAB 21.46, 55.17, -62.99

 

CMYK 60 / 100 / 0 / 49

HEX #330081

RGB 51 0 129

HSL 263.72, 1%, 0.25%

LAB 16.94, 49.39, -58.64

 

CMYK 69 / 100 / 0 / 57

HEX #22006E

RGB 34 0 110

HSL 258.55, 1%, 0.22%

LAB 12.39, 43.57, -54

 

CMYK 45 / 99 / 0 / 27

HEX #6601BA

RGB 102 1 186

HSL 272.76, 0.99%, 0.37%

LAB 30.38, 66.35, -71.11

 

CMYK 30 / 100 / 0 / 27

HEX #8300BB

RGB 131 0 187

HSL 282.03, 1%, 0.37%

LAB 34.83, 69.78, -64.23

 

CMYK 13 / 100 / 0 / 27

HEX #A200BB

RGB 162 0 187

HSL 291.98, 1%, 0.37%

LAB 40.03, 73.95, -55.54

 

CMYK 0 / 100 / 3 / 27

HEX #BB00B5

RGB 187 0 181

HSL 301.93, 1%, 0.37%

LAB 44.09, 76.95, -45.24

 

CMYK 0 / 100 / 20 / 27

HEX #BB0096

RGB 187 0 150

HSL 311.87, 1%, 0.37%

LAB 42.41, 72.8, -29.36

 

CMYK 45 / 99 / 0 / 27

HEX #6601BA

RGB 102 1 186

HSL 272.76, 0.99%, 0.37%

LAB 30.38, 66.35, -71.11

 

CMYK 45 / 100 / 0 / 7

HEX #8201ED

RGB 130 1 237

HSL 272.8, 0.99%, 0.47%

LAB 39.38, 79.51, -85.68

 

CMYK 45 / 100 / 0 / 87

HEX #120021

RGB 18 0 33

HSL 272.73, 1%, 0.06%

LAB 2.15, 12.18, -16.19

 

CMYK 45 / 100 / 0 / 67

HEX #2E0054

RGB 46 0 84

HSL 272.86, 1%, 0.16%

LAB 10.71, 37.93, -39.35

 

CMYK 45 / 99 / 0 / 47

HEX #4A0187

RGB 74 1 135

HSL 272.69, 0.99%, 0.27%

LAB 20.93, 52.46, -55.72

 

CMYK 45 / 99 / 0 / 27

HEX #6601BA

RGB 102 1 186

HSL 272.76, 0.99%, 0.37%

LAB 30.38, 66.35, -71.11

 

CMYK 0 / 100 / 73 / 27

HEX #BB0032

RGB 187 0 50

HSL 343.96, 1%, 0.37%

LAB 39.23, 64.53, 28.79

 

CMYK 100 / 0 / 87 / 27

HEX #00BB19

RGB 0 187 25

HSL 128.02, 1%, 0.37%

LAB 66.22, -67.56, 62.23

 

CMYK 45 / 99 / 0 / 27

HEX #6601BA

RGB 102 1 186

HSL 272.76, 0.99%, 0.37%

LAB 30.38, 66.35, -71.11

 

CMYK 0 / 47 / 100 / 27

HEX #BB6400

RGB 187 100 0

HSL 32.09, 1%, 0.37%

LAB 51.47, 29.75, 59.65

 

CMYK 100 / 0 / 47 / 27

HEX #00BB64

RGB 0 187 100

HSL 152.09, 1%, 0.37%

LAB 66.87, -59.46, 33.04

 

CMYK 45 / 99 / 0 / 27

HEX #6601BA

RGB 102 1 186

HSL 272.76, 0.99%, 0.37%

LAB 30.38, 66.35, -71.11

 

CMYK 0 / 100 / 73 / 27

HEX #BB0032

RGB 187 0 50

HSL 343.96, 1%, 0.37%

LAB 39.23, 64.53, 28.79

 

CMYK 53 / 0 / 100 / 27

HEX #58BB00

RGB 88 187 0

HSL 91.76, 1%, 0.37%

LAB 67.74, -54.89, 67.8

 

CMYK 100 / 0 / 27 / 27

HEX #00BB89

RGB 0 187 137

HSL 163.96, 1%, 0.37%

LAB 67.54, -51.75, 14.32

 

CMYK 45 / 99 / 0 / 27

HEX #6601BA

RGB 102 1 186

HSL 272.76, 0.99%, 0.37%

LAB 30.38, 66.35, -71.11

 

CMYK 0 / 96 / 100 / 27

HEX #BB0700

RGB 187 7 0

HSL 2.25, 1%, 0.37%

LAB 39.1, 62.69, 53.33

 

CMYK 53 / 0 / 100 / 27

HEX #58BB00

RGB 88 187 0

HSL 91.76, 1%, 0.37%

LAB 67.74, -54.89, 67.8

 

CMYK 100 / 3 / 0 / 27

HEX #00B5BB

RGB 0 181 187

HSL 181.93, 1%, 0.37%

LAB 67, -35.32, -13.96

 

Description

Color code: RGB 102 1 186 | qconv.com Color code: RGB 102 1 186 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 1 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 1 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 99 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 99% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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