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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 102 196 103 it is the complementary color RGB 153 59 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 102 196 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 102 196 103 shade: RGB 107 196 98, RGB 124 214 117, RGB 141 232 136, RGB 158 250 155 and RGB 175 255 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 102 196 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 102 196 103 shade: RGB 102 196 103, RGB 85 178 84, RGB 68 160 65, RGB 51 142 46 and RGB 34 124 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 102 196 103 shade: RGB 101 195 102, RGB 125 195 101, RGB 151 195 101, RGB 176 195 101 and RGB 195 189 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 102 196 103 shade: RGB 101 195 102, RGB 101 195 127, RGB 101 195 153, RGB 101 195 178 and RGB 101 187 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 102 196 103 shade matches the following richer shades: RGB 101 195 102, RGB 83 212 85, RGB 66 230 68 and RGB 49 247 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 102 196 103 shade: RGB 101 195 102, RGB 118 178 119, RGB 135 160 136, RGB 153 143 153 and RGB 170 126 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 102 196 103 shade: RGB 151 195 101, RGB 126 195 101, RGB 101 195 101, RGB 101 195 126 and RGB 101 195 151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 102 196 103 shade: RGB 60 154 61, RGB 71 183 72, RGB 101 195 102, RGB 130 207 131 and RGB 160 218 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 102 196 103 shade: RGB 102 196 103, RGB 101 176 195 and RGB 195 101 138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 102 196 103 shade: RGB 102 196 103, RGB 101 101 195 and RGB 195 101 101

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 102 196 103 shade: RGB 102 196 103, RGB 101 176 195, RGB 195 101 195 and RGB 195 120 101

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 102 196 103 shade: RGB 102 196 103, RGB 101 148 195, RGB 195 101 195 and RGB 195 148 101

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 47 / 23

HEX #66C467

RGB 102 196 103

HSL 120.64, 0.44%, 0.58%

LAB 71.75, -46.85, 38.12

 

Complementary color

CMYK 0 / 61 / 1 / 40

HEX #993B98

RGB 153 59 152

HSL 300.64, 0.44%, 0.42%

LAB 41.48, 51.45, -32.44

 

CMYK 45 / 0 / 50 / 23

HEX #6BC462

RGB 107 196 98

HSL 114.49, 0.45%, 0.58%

LAB 71.88, -46.09, 40.81

 

CMYK 42 / 0 / 45 / 16

HEX #7CD675

RGB 124 214 117

HSL 115.67, 0.54%, 0.65%

LAB 78.26, -46, 39.55

 

CMYK 39 / 0 / 41 / 9

HEX #8DE888

RGB 141 232 136

HSL 116.88, 0.68%, 0.72%

LAB 84.56, -45.84, 38.32

 

CMYK 37 / 0 / 38 / 2

HEX #9EFA9B

RGB 158 250 155

HSL 118.11, 0.9%, 0.79%

LAB 90.78, -45.64, 37.14

 

CMYK 31 / 0 / 32 / 0

HEX #AFFFAE

RGB 175 255 174

HSL 119.26, 1%, 0.84%

LAB 93.32, -39.71, 31.17

 

CMYK 48 / 0 / 47 / 23

HEX #66C467

RGB 102 196 103

HSL 120.64, 0.44%, 0.58%

LAB 71.75, -46.85, 38.12

 

CMYK 52 / 0 / 53 / 30

HEX #55B254

RGB 85 178 84

HSL 119.36, 0.38%, 0.51%

LAB 65.29, -46.83, 39.43

 

CMYK 58 / 0 / 59 / 37

HEX #44A041

RGB 68 160 65

HSL 118.11, 0.42%, 0.44%

LAB 58.74, -46.62, 40.71

 

CMYK 64 / 0 / 68 / 44

HEX #338E2E

RGB 51 142 46

HSL 116.88, 0.51%, 0.37%

LAB 52.12, -46.08, 41.82

 

CMYK 73 / 0 / 78 / 51

HEX #227C1B

RGB 34 124 27

HSL 115.67, 0.64%, 0.3%

LAB 45.41, -44.97, 42.43

 

CMYK 48 / 0 / 48 / 24

HEX #65C366

RGB 101 195 102

HSL 120.64, 0.44%, 0.58%

LAB 71.39, -46.86, 38.16

 

CMYK 36 / 0 / 48 / 24

HEX #7DC365

RGB 125 195 101

HSL 104.68, 0.44%, 0.58%

LAB 72.45, -39.6, 40.21

 

CMYK 23 / 0 / 48 / 24

HEX #97C365

RGB 151 195 101

HSL 88.09, 0.44%, 0.58%

LAB 73.9, -30.4, 42.32

 

CMYK 10 / 0 / 48 / 24

HEX #B0C365

RGB 176 195 101

HSL 72.13, 0.44%, 0.58%

LAB 75.58, -20.75, 44.75

 

CMYK 0 / 3 / 48 / 24

HEX #C3BD65

RGB 195 189 101

HSL 56.17, 0.44%, 0.58%

LAB 75.41, -10.03, 44.89

 

CMYK 48 / 0 / 48 / 24

HEX #65C366

RGB 101 195 102

HSL 120.64, 0.44%, 0.58%

LAB 71.39, -46.86, 38.16

 

CMYK 48 / 0 / 35 / 24

HEX #65C37F

RGB 101 195 127

HSL 136.6, 0.44%, 0.58%

LAB 71.78, -42.86, 25.8

 

CMYK 48 / 0 / 22 / 24

HEX #65C399

RGB 101 195 153

HSL 153.19, 0.44%, 0.58%

LAB 72.29, -37.77, 12.62

 

CMYK 48 / 0 / 9 / 24

HEX #65C3B2

RGB 101 195 178

HSL 169.15, 0.44%, 0.58%

LAB 72.9, -32.06, -0.07

 

CMYK 48 / 4 / 0 / 24

HEX #65BBC3

RGB 101 187 195

HSL 185.11, 0.44%, 0.58%

LAB 71.04, -23.8, -12.1

 

CMYK 48 / 0 / 48 / 24

HEX #65C366

RGB 101 195 102

HSL 120.64, 0.44%, 0.58%

LAB 71.39, -46.86, 38.16

 

CMYK 61 / 0 / 60 / 17

HEX #53D455

RGB 83 212 85

HSL 120.93, 0.6%, 0.58%

LAB 75.81, -60.1, 51.35

 

CMYK 71 / 0 / 70 / 10

HEX #42E644

RGB 66 230 68

HSL 120.73, 0.77%, 0.58%

LAB 80.83, -71.05, 63.59

 

CMYK 80 / 0 / 79 / 3

HEX #31F733

RGB 49 247 51

HSL 120.61, 0.93%, 0.58%

LAB 85.71, -79.61, 73.72

 

CMYK 48 / 0 / 48 / 24

HEX #65C366

RGB 101 195 102

HSL 120.64, 0.44%, 0.58%

LAB 71.39, -46.86, 38.16

 

CMYK 34 / 0 / 33 / 30

HEX #76B277

RGB 118 178 119

HSL 121, 0.28%, 0.58%

LAB 67.3, -31.48, 24.17

 

CMYK 16 / 0 / 15 / 37

HEX #87A088

RGB 135 160 136

HSL 122.4, 0.12%, 0.58%

LAB 63.4, -13.53, 9.63

 

CMYK 0 / 7 / 0 / 40

HEX #998F99

RGB 153 143 153

HSL 300, 0.05%, 0.58%

LAB 60.53, 5.6, -3.96

 

CMYK 0 / 26 / 0 / 33

HEX #AA7EAA

RGB 170 126 170

HSL 300, 0.21%, 0.58%

LAB 58.39, 24.63, -16.72

 

CMYK 23 / 0 / 48 / 24

HEX #97C365

RGB 151 195 101

HSL 88.09, 0.44%, 0.58%

LAB 73.9, -30.4, 42.32

 

CMYK 35 / 0 / 48 / 24

HEX #7EC365

RGB 126 195 101

HSL 104.04, 0.44%, 0.58%

LAB 72.5, -39.27, 40.28

 

CMYK 48 / 0 / 48 / 24

HEX #65C365

RGB 101 195 101

HSL 120, 0.44%, 0.58%

LAB 71.38, -47, 38.64

 

CMYK 48 / 0 / 35 / 24

HEX #65C37E

RGB 101 195 126

HSL 135.96, 0.44%, 0.58%

LAB 71.76, -43.04, 26.3

 

CMYK 48 / 0 / 23 / 24

HEX #65C397

RGB 101 195 151

HSL 151.91, 0.44%, 0.58%

LAB 72.25, -38.19, 13.64

 

CMYK 61 / 0 / 60 / 40

HEX #3C9A3D

RGB 60 154 61

HSL 120.64, 0.44%, 0.42%

LAB 56.49, -46.79, 39.94

 

CMYK 61 / 0 / 61 / 28

HEX #47B748

RGB 71 183 72

HSL 120.54, 0.44%, 0.5%

LAB 66.27, -53.78, 46.15

 

CMYK 48 / 0 / 48 / 24

HEX #65C366

RGB 101 195 102

HSL 120.64, 0.44%, 0.58%

LAB 71.39, -46.86, 38.16

 

CMYK 37 / 0 / 37 / 19

HEX #82CF83

RGB 130 207 131

HSL 120.78, 0.45%, 0.66%

LAB 76.69, -39.03, 30.47

 

CMYK 27 / 0 / 26 / 15

HEX #A0DAA1

RGB 160 218 161

HSL 121.03, 0.44%, 0.74%

LAB 81.94, -29.59, 22.23

 

CMYK 48 / 0 / 47 / 23

HEX #66C467

RGB 102 196 103

HSL 120.64, 0.44%, 0.58%

LAB 71.75, -46.85, 38.12

 

CMYK 48 / 10 / 0 / 24

HEX #65B0C3

RGB 101 176 195

HSL 192.13, 0.44%, 0.58%

LAB 67.84, -18.17, -16.91

 

CMYK 0 / 48 / 29 / 24

HEX #C3658A

RGB 195 101 138

HSL 336.38, 0.44%, 0.58%

LAB 54.81, 41.71, -3.2

 

CMYK 48 / 0 / 47 / 23

HEX #66C467

RGB 102 196 103

HSL 120.64, 0.44%, 0.58%

LAB 71.75, -46.85, 38.12

 

CMYK 48 / 48 / 0 / 24

HEX #6565C3

RGB 101 101 195

HSL 240, 0.44%, 0.58%

LAB 46.99, 25.23, -49.38

 

CMYK 0 / 48 / 48 / 24

HEX #C36565

RGB 195 101 101

HSL 0, 0.44%, 0.58%

LAB 53.87, 37.41, 17.23

 

CMYK 48 / 0 / 47 / 23

HEX #66C467

RGB 102 196 103

HSL 120.64, 0.44%, 0.58%

LAB 71.75, -46.85, 38.12

 

CMYK 48 / 10 / 0 / 24

HEX #65B0C3

RGB 101 176 195

HSL 192.13, 0.44%, 0.58%

LAB 67.84, -18.17, -16.91

 

CMYK 0 / 48 / 0 / 24

HEX #C365C3

RGB 195 101 195

HSL 300, 0.44%, 0.58%

LAB 56.93, 50.77, -33.03

 

CMYK 0 / 38 / 48 / 24

HEX #C37865

RGB 195 120 101

HSL 12.13, 0.44%, 0.58%

LAB 58.01, 27.25, 22.82

 

CMYK 48 / 0 / 47 / 23

HEX #66C467

RGB 102 196 103

HSL 120.64, 0.44%, 0.58%

LAB 71.75, -46.85, 38.12

 

CMYK 48 / 24 / 0 / 24

HEX #6594C3

RGB 101 148 195

HSL 210, 0.44%, 0.58%

LAB 59.79, -2.89, -29.24

 

CMYK 0 / 48 / 0 / 24

HEX #C365C3

RGB 195 101 195

HSL 300, 0.44%, 0.58%

LAB 56.93, 50.77, -33.03

 

CMYK 0 / 24 / 48 / 24

HEX #C39465

RGB 195 148 101

HSL 30, 0.44%, 0.58%

LAB 64.74, 11.87, 31.61

 

Description

Color code: RGB 102 196 103 | qconv.com Color code: RGB 102 196 103 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 196 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 196 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 47 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 47% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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