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Color name
RGB 102 128 199

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 102 128 199 it is the complementary color RGB 153 127 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 102 128 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 102 128 199 shade: RGB 107 128 194, RGB 124 146 213, RGB 141 164 232, RGB 158 182 251 and RGB 175 200 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 102 128 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 102 128 199 shade: RGB 102 128 199, RGB 85 110 180, RGB 68 92 161, RGB 51 74 142 and RGB 34 56 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 102 128 199 shade: RGB 102 128 199, RGB 103 102 199, RGB 128 102 199, RGB 154 102 199 and RGB 180 102 199

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 102 128 199 shade: RGB 102 128 199 and RGB 102 102 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 102 128 199 shade matches the following richer shades: RGB 102 128 199, RGB 85 120 215, RGB 69 112 232 and RGB 52 105 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 102 128 199 shade: RGB 102 128 199, RGB 119 136 182, RGB 136 144 165, RGB 153 152 148 and RGB 170 160 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 102 128 199 shade: RGB 102 181 199, RGB 102 155 199, RGB 102 130 199, RGB 102 104 199 and RGB 126 102 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 102 128 199 shade: RGB 59 86 159, RGB 72 103 187, RGB 102 128 199, RGB 132 153 210 and RGB 163 178 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 102 128 199 shade: RGB 102 128 199, RGB 191 102 199 and RGB 168 199 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 102 128 199 shade: RGB 102 128 199, RGB 199 102 130 and RGB 130 199 102

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 102 128 199 shade: RGB 102 128 199, RGB 191 102 199, RGB 199 171 102 and RGB 110 199 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 102 128 199 shade: RGB 102 128 199, RGB 199 102 178, RGB 199 171 102 and RGB 102 199 123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 36 / 0 / 22

HEX #6680C7

RGB 102 128 199

HSL 223.92, 0.46%, 0.59%

LAB 54.43, 10.25, -39.86

 

Complementary color

CMYK 0 / 17 / 63 / 40

HEX #997F38

RGB 153 127 56

HSL 43.92, 0.46%, 0.41%

LAB 54.28, 1.45, 41.42

 

CMYK 45 / 34 / 0 / 24

HEX #6B80C2

RGB 107 128 194

HSL 225.52, 0.42%, 0.59%

LAB 54.51, 9.98, -36.87

 

CMYK 42 / 31 / 0 / 16

HEX #7C92D5

RGB 124 146 213

HSL 225.17, 0.51%, 0.66%

LAB 61.35, 9.29, -36.8

 

CMYK 39 / 29 / 0 / 9

HEX #8DA4E8

RGB 141 164 232

HSL 224.84, 0.66%, 0.73%

LAB 68.05, 8.71, -36.78

 

CMYK 37 / 27 / 0 / 2

HEX #9EB6FB

RGB 158 182 251

HSL 224.52, 0.92%, 0.8%

LAB 74.63, 8.2, -36.8

 

CMYK 31 / 22 / 0 / 0

HEX #AFC8FF

RGB 175 200 255

HSL 221.25, 1%, 0.84%

LAB 80.54, 4, -29.73

 

CMYK 49 / 36 / 0 / 22

HEX #6680C7

RGB 102 128 199

HSL 223.92, 0.46%, 0.59%

LAB 54.43, 10.25, -39.86

 

CMYK 53 / 39 / 0 / 29

HEX #556EB4

RGB 85 110 180

HSL 224.21, 0.39%, 0.52%

LAB 47.47, 11.21, -40.01

 

CMYK 58 / 43 / 0 / 37

HEX #445CA1

RGB 68 92 161

HSL 224.52, 0.41%, 0.45%

LAB 40.34, 12.4, -40.21

 

CMYK 64 / 48 / 0 / 44

HEX #334A8E

RGB 51 74 142

HSL 224.84, 0.47%, 0.38%

LAB 33.04, 13.94, -40.47

 

CMYK 72 / 54 / 0 / 52

HEX #22387B

RGB 34 56 123

HSL 225.17, 0.57%, 0.31%

LAB 25.56, 15.99, -40.75

 

CMYK 49 / 36 / 0 / 22

HEX #6680C7

RGB 102 128 199

HSL 223.92, 0.46%, 0.59%

LAB 54.43, 10.25, -39.86

 

CMYK 48 / 49 / 0 / 22

HEX #6766C7

RGB 103 102 199

HSL 240.62, 0.46%, 0.59%

LAB 47.64, 26.31, -50.65

 

CMYK 36 / 49 / 0 / 22

HEX #8066C7

RGB 128 102 199

HSL 256.08, 0.46%, 0.59%

LAB 49.76, 32.43, -47.14

 

CMYK 23 / 49 / 0 / 22

HEX #9A66C7

RGB 154 102 199

HSL 272.16, 0.46%, 0.59%

LAB 52.39, 39.42, -42.79

 

CMYK 10 / 49 / 0 / 22

HEX #B466C7

RGB 180 102 199

HSL 288.25, 0.46%, 0.59%

LAB 55.41, 46.72, -37.83

 

CMYK 49 / 36 / 0 / 22

HEX #6680C7

RGB 102 128 199

HSL 223.92, 0.46%, 0.59%

LAB 54.43, 10.25, -39.86

 

CMYK 49 / 49 / 0 / 22

HEX #6666C7

RGB 102 102 199

HSL 240, 0.46%, 0.59%

LAB 47.56, 26.08, -50.77

 

CMYK 49 / 36 / 0 / 22

HEX #6680C7

RGB 102 128 199

HSL 223.92, 0.46%, 0.59%

LAB 54.43, 10.25, -39.86

 

CMYK 60 / 44 / 0 / 16

HEX #5578D7

RGB 85 120 215

HSL 223.85, 0.62%, 0.59%

LAB 52.14, 16.63, -52.63

 

CMYK 70 / 52 / 0 / 9

HEX #4570E8

RGB 69 112 232

HSL 224.17, 0.78%, 0.59%

LAB 50.31, 24.91, -65.2

 

CMYK 79 / 58 / 0 / 2

HEX #3469F9

RGB 52 105 249

HSL 223.86, 0.94%, 0.59%

LAB 49.1, 33.53, -76.7

 

CMYK 49 / 36 / 0 / 22

HEX #6680C7

RGB 102 128 199

HSL 223.92, 0.46%, 0.59%

LAB 54.43, 10.25, -39.86

 

CMYK 35 / 25 / 0 / 29

HEX #7788B6

RGB 119 136 182

HSL 223.81, 0.3%, 0.59%

LAB 56.99, 5.15, -26.12

 

CMYK 18 / 13 / 0 / 35

HEX #8890A5

RGB 136 144 165

HSL 223.45, 0.14%, 0.59%

LAB 59.8, 1.64, -12.03

 

CMYK 0 / 1 / 3 / 40

HEX #999894

RGB 153 152 148

HSL 48, 0.02%, 0.59%

LAB 62.82, -0.39, 2.22

 

CMYK 0 / 6 / 23 / 33

HEX #AAA083

RGB 170 160 131

HSL 44.62, 0.19%, 0.59%

LAB 66, -1.17, 16.45

 

CMYK 49 / 9 / 0 / 22

HEX #66B5C7

RGB 102 181 199

HSL 191.13, 0.46%, 0.59%

LAB 69.47, -19.43, -16.66

 

CMYK 49 / 22 / 0 / 22

HEX #669BC7

RGB 102 155 199

HSL 207.22, 0.46%, 0.59%

LAB 61.99, -5.43, -28.08

 

CMYK 49 / 35 / 0 / 22

HEX #6682C7

RGB 102 130 199

HSL 222.68, 0.46%, 0.59%

LAB 54.98, 9.06, -38.99

 

CMYK 49 / 48 / 0 / 22

HEX #6668C7

RGB 102 104 199

HSL 238.76, 0.46%, 0.59%

LAB 48.07, 24.85, -49.96

 

CMYK 37 / 49 / 0 / 22

HEX #7E66C7

RGB 126 102 199

HSL 254.85, 0.46%, 0.59%

LAB 49.57, 31.92, -47.45

 

CMYK 63 / 46 / 0 / 38

HEX #3B569F

RGB 59 86 159

HSL 223.8, 0.46%, 0.43%

LAB 38, 13.74, -42.78

 

CMYK 61 / 45 / 0 / 27

HEX #4867BB

RGB 72 103 187

HSL 223.83, 0.46%, 0.51%

LAB 45.17, 15.2, -47.77

 

CMYK 49 / 36 / 0 / 22

HEX #6680C7

RGB 102 128 199

HSL 223.92, 0.46%, 0.59%

LAB 54.43, 10.25, -39.86

 

CMYK 37 / 27 / 0 / 18

HEX #8499D2

RGB 132 153 210

HSL 223.85, 0.46%, 0.67%

LAB 63.62, 6.57, -31.55

 

CMYK 26 / 19 / 0 / 13

HEX #A3B2DD

RGB 163 178 221

HSL 224.48, 0.46%, 0.75%

LAB 72.79, 4.29, -23.34

 

CMYK 49 / 36 / 0 / 22

HEX #6680C7

RGB 102 128 199

HSL 223.92, 0.46%, 0.59%

LAB 54.43, 10.25, -39.86

 

CMYK 4 / 49 / 0 / 22

HEX #BF66C7

RGB 191 102 199

HSL 295.05, 0.46%, 0.59%

LAB 56.78, 49.86, -35.58

 

CMYK 16 / 0 / 49 / 22

HEX #A8C766

RGB 168 199 102

HSL 79.18, 0.46%, 0.59%

LAB 76.15, -25.75, 44.83

 

CMYK 49 / 36 / 0 / 22

HEX #6680C7

RGB 102 128 199

HSL 223.92, 0.46%, 0.59%

LAB 54.43, 10.25, -39.86

 

CMYK 0 / 49 / 35 / 22

HEX #C76682

RGB 199 102 130

HSL 342.68, 0.46%, 0.59%

LAB 55.34, 41.56, 2.34

 

CMYK 35 / 0 / 49 / 22

HEX #82C766

RGB 130 199 102

HSL 102.68, 0.46%, 0.59%

LAB 73.9, -39.57, 41.57

 

CMYK 49 / 36 / 0 / 22

HEX #6680C7

RGB 102 128 199

HSL 223.92, 0.46%, 0.59%

LAB 54.43, 10.25, -39.86

 

CMYK 4 / 49 / 0 / 22

HEX #BF66C7

RGB 191 102 199

HSL 295.05, 0.46%, 0.59%

LAB 56.78, 49.86, -35.58

 

CMYK 0 / 14 / 49 / 22

HEX #C7AB66

RGB 199 171 102

HSL 42.68, 0.46%, 0.59%

LAB 71.03, 1.18, 39.1

 

CMYK 45 / 0 / 49 / 22

HEX #6EC766

RGB 110 199 102

HSL 115.05, 0.46%, 0.59%

LAB 72.97, -45.92, 40.21

 

CMYK 49 / 36 / 0 / 22

HEX #6680C7

RGB 102 128 199

HSL 223.92, 0.46%, 0.59%

LAB 54.43, 10.25, -39.86

 

CMYK 0 / 49 / 11 / 22

HEX #C766B2

RGB 199 102 178

HSL 312.99, 0.46%, 0.59%

LAB 56.94, 48.51, -23.22

 

CMYK 0 / 14 / 49 / 22

HEX #C7AB66

RGB 199 171 102

HSL 42.68, 0.46%, 0.59%

LAB 71.03, 1.18, 39.1

 

CMYK 49 / 0 / 38 / 22

HEX #66C77B

RGB 102 199 123

HSL 132.99, 0.46%, 0.59%

LAB 72.96, -45, 29.47

 

Description

Color code: RGB 102 128 199 | qconv.com Color code: RGB 102 128 199 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 128 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 128 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 36 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 36% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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