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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 102 103 204 it is the complementary color RGB 153 152 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 102 103 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 102 103 204 shade: RGB 107 103 199, RGB 124 121 218, RGB 141 139 237, RGB 158 157 255 and RGB 175 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 102 103 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 102 103 204 shade: RGB 102 103 204, RGB 85 85 185, RGB 68 67 166, RGB 51 49 147 and RGB 34 31 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 102 103 204 shade: RGB 102 103 204, RGB 129 102 204, RGB 156 102 204, RGB 184 102 204 and RGB 204 102 197

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 102 103 204 shade: RGB 102 103 204 and RGB 102 102 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 102 103 204 shade matches the following richer shades: RGB 102 103 204, RGB 85 87 221, RGB 69 71 237 and RGB 52 54 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 102 103 204 shade: RGB 102 103 204, RGB 119 119 187, RGB 135 135 171, RGB 152 152 154 and RGB 168 168 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 102 103 204 shade: RGB 102 158 204, RGB 102 131 204, RGB 102 104 204, RGB 128 102 204 and RGB 155 102 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 102 103 204 shade: RGB 56 57 168, RGB 71 72 194, RGB 102 103 204, RGB 133 134 214 and RGB 164 164 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 102 103 204 shade: RGB 102 103 204, RGB 204 102 185 and RGB 145 204 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 102 103 204 shade: RGB 102 103 204, RGB 204 102 104 and RGB 104 204 102

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 102 103 204 shade: RGB 102 103 204, RGB 204 102 185, RGB 204 202 102 and RGB 102 204 121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 102 103 204 shade: RGB 102 103 204, RGB 204 102 155, RGB 204 202 102 and RGB 102 204 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 50 / 0 / 20

HEX #6667CC

RGB 102 103 204

HSL 239.41, 0.5%, 0.6%

LAB 48.11, 27.01, -52.76

 

Complementary color

CMYK 0 / 1 / 67 / 40

HEX #999833

RGB 153 152 51

HSL 59.41, 0.5%, 0.4%

LAB 61.19, -12.53, 51.09

 

CMYK 46 / 48 / 0 / 22

HEX #6B67C7

RGB 107 103 199

HSL 242.5, 0.46%, 0.59%

LAB 48.2, 26.62, -49.73

 

CMYK 43 / 44 / 0 / 15

HEX #7C79DA

RGB 124 121 218

HSL 241.86, 0.57%, 0.66%

LAB 55.09, 25.47, -49.47

 

CMYK 41 / 41 / 0 / 7

HEX #8D8BED

RGB 141 139 237

HSL 241.22, 0.73%, 0.74%

LAB 61.86, 24.48, -49.25

 

CMYK 38 / 38 / 0 / 0

HEX #9E9DFF

RGB 158 157 255

HSL 240.61, 1%, 0.81%

LAB 68.46, 23.33, -48.6

 

CMYK 31 / 31 / 0 / 0

HEX #AFAFFF

RGB 175 175 255

HSL 240, 1%, 0.84%

LAB 74.19, 17.73, -39.55

 

CMYK 50 / 50 / 0 / 20

HEX #6667CC

RGB 102 103 204

HSL 239.41, 0.5%, 0.6%

LAB 48.11, 27.01, -52.76

 

CMYK 54 / 54 / 0 / 27

HEX #5555B9

RGB 85 85 185

HSL 240, 0.42%, 0.53%

LAB 41.11, 28.49, -53.09

 

CMYK 59 / 60 / 0 / 35

HEX #4443A6

RGB 68 67 166

HSL 240.61, 0.42%, 0.46%

LAB 33.98, 30.26, -53.43

 

CMYK 65 / 67 / 0 / 42

HEX #333193

RGB 51 49 147

HSL 241.22, 0.5%, 0.38%

LAB 26.75, 32.34, -53.71

 

CMYK 73 / 76 / 0 / 50

HEX #221F80

RGB 34 31 128

HSL 241.86, 0.61%, 0.31%

LAB 19.55, 34.68, -53.73

 

CMYK 50 / 50 / 0 / 20

HEX #6667CC

RGB 102 103 204

HSL 239.41, 0.5%, 0.6%

LAB 48.11, 27.01, -52.76

 

CMYK 37 / 50 / 0 / 20

HEX #8166CC

RGB 129 102 204

HSL 255.88, 0.5%, 0.6%

LAB 50.13, 34.04, -49.4

 

CMYK 24 / 50 / 0 / 20

HEX #9C66CC

RGB 156 102 204

HSL 271.76, 0.5%, 0.6%

LAB 52.87, 41.13, -44.87

 

CMYK 10 / 50 / 0 / 20

HEX #B866CC

RGB 184 102 204

HSL 288.24, 0.5%, 0.6%

LAB 56.14, 48.85, -39.5

 

CMYK 0 / 50 / 3 / 20

HEX #CC66C5

RGB 204 102 197

HSL 304.12, 0.5%, 0.6%

LAB 58.39, 53.22, -31.81

 

CMYK 50 / 50 / 0 / 20

HEX #6667CC

RGB 102 103 204

HSL 239.41, 0.5%, 0.6%

LAB 48.11, 27.01, -52.76

 

CMYK 50 / 50 / 0 / 20

HEX #6666CC

RGB 102 102 204

HSL 240, 0.5%, 0.6%

LAB 47.86, 27.62, -53.16

 

CMYK 50 / 50 / 0 / 20

HEX #6667CC

RGB 102 103 204

HSL 239.41, 0.5%, 0.6%

LAB 48.11, 27.01, -52.76

 

CMYK 62 / 61 / 0 / 13

HEX #5557DD

RGB 85 87 221

HSL 239.12, 0.67%, 0.6%

LAB 44.19, 38.98, -68.87

 

CMYK 71 / 70 / 0 / 7

HEX #4547ED

RGB 69 71 237

HSL 239.29, 0.82%, 0.6%

LAB 41.03, 51.52, -83.15

 

CMYK 80 / 79 / 0 / 0

HEX #3436FE

RGB 52 54 254

HSL 239.41, 0.99%, 0.6%

LAB 38.77, 64.39, -96.49

 

CMYK 50 / 50 / 0 / 20

HEX #6667CC

RGB 102 103 204

HSL 239.41, 0.5%, 0.6%

LAB 48.11, 27.01, -52.76

 

CMYK 36 / 36 / 0 / 27

HEX #7777BB

RGB 119 119 187

HSL 240, 0.33%, 0.6%

LAB 52.62, 16.57, -35.77

 

CMYK 21 / 21 / 0 / 33

HEX #8787AB

RGB 135 135 171

HSL 240, 0.18%, 0.6%

LAB 57.48, 7.87, -18.97

 

CMYK 1 / 1 / 0 / 40

HEX #98989A

RGB 152 152 154

HSL 240, 0.01%, 0.6%

LAB 62.9, 0.39, -1.06

 

CMYK 0 / 0 / 18 / 34

HEX #A8A88A

RGB 168 168 138

HSL 60, 0.15%, 0.6%

LAB 68.14, -5.19, 15.54

 

CMYK 50 / 23 / 0 / 20

HEX #669ECC

RGB 102 158 204

HSL 207.06, 0.5%, 0.6%

LAB 63.04, -5.63, -29.25

 

CMYK 50 / 36 / 0 / 20

HEX #6683CC

RGB 102 131 204

HSL 222.94, 0.5%, 0.6%

LAB 55.5, 10, -41.02

 

CMYK 50 / 49 / 0 / 20

HEX #6668CC

RGB 102 104 204

HSL 238.82, 0.5%, 0.6%

LAB 48.37, 26.4, -52.35

 

CMYK 37 / 50 / 0 / 20

HEX #8066CC

RGB 128 102 204

HSL 255.29, 0.5%, 0.6%

LAB 50.04, 33.78, -49.55

 

CMYK 24 / 50 / 0 / 20

HEX #9B66CC

RGB 155 102 204

HSL 271.18, 0.5%, 0.6%

LAB 52.76, 40.86, -45.05

 

CMYK 67 / 66 / 0 / 34

HEX #3839A8

RGB 56 57 168

HSL 239.46, 0.5%, 0.44%

LAB 30.86, 35.31, -59.74

 

CMYK 63 / 63 / 0 / 24

HEX #4748C2

RGB 71 72 194

HSL 239.51, 0.5%, 0.52%

LAB 37.61, 37.04, -64.08

 

CMYK 50 / 50 / 0 / 20

HEX #6667CC

RGB 102 103 204

HSL 239.41, 0.5%, 0.6%

LAB 48.11, 27.01, -52.76

 

CMYK 38 / 37 / 0 / 16

HEX #8586D6

RGB 133 134 214

HSL 239.26, 0.5%, 0.68%

LAB 58.87, 18.96, -41.2

 

CMYK 27 / 27 / 0 / 12

HEX #A4A4E1

RGB 164 164 225

HSL 240, 0.5%, 0.76%

LAB 69.38, 13.34, -30.75

 

CMYK 50 / 50 / 0 / 20

HEX #6667CC

RGB 102 103 204

HSL 239.41, 0.5%, 0.6%

LAB 48.11, 27.01, -52.76

 

CMYK 0 / 50 / 9 / 20

HEX #CC66B9

RGB 204 102 185

HSL 311.18, 0.5%, 0.6%

LAB 57.89, 51.18, -25.73

 

CMYK 29 / 0 / 50 / 20

HEX #91CC66

RGB 145 204 102

HSL 94.71, 0.5%, 0.6%

LAB 76.17, -36.64, 44.52

 

CMYK 50 / 50 / 0 / 20

HEX #6667CC

RGB 102 103 204

HSL 239.41, 0.5%, 0.6%

LAB 48.11, 27.01, -52.76

 

CMYK 0 / 50 / 49 / 20

HEX #CC6668

RGB 204 102 104

HSL 358.82, 0.5%, 0.6%

LAB 55.42, 40.54, 17.8

 

CMYK 49 / 0 / 50 / 20

HEX #68CC66

RGB 104 204 102

HSL 118.82, 0.5%, 0.6%

LAB 74.25, -49.7, 41.73

 

CMYK 50 / 50 / 0 / 20

HEX #6667CC

RGB 102 103 204

HSL 239.41, 0.5%, 0.6%

LAB 48.11, 27.01, -52.76

 

CMYK 0 / 50 / 9 / 20

HEX #CC66B9

RGB 204 102 185

HSL 311.18, 0.5%, 0.6%

LAB 57.89, 51.18, -25.73

 

CMYK 0 / 1 / 50 / 20

HEX #CCCA66

RGB 204 202 102

HSL 58.82, 0.5%, 0.6%

LAB 79.64, -12.89, 49.64

 

CMYK 50 / 0 / 41 / 20

HEX #66CC79

RGB 102 204 121

HSL 131.18, 0.5%, 0.6%

LAB 74.44, -47.42, 32.44

 

CMYK 50 / 50 / 0 / 20

HEX #6667CC

RGB 102 103 204

HSL 239.41, 0.5%, 0.6%

LAB 48.11, 27.01, -52.76

 

CMYK 0 / 50 / 24 / 20

HEX #CC669B

RGB 204 102 155

HSL 328.82, 0.5%, 0.6%

LAB 56.79, 46.57, -10.06

 

CMYK 0 / 1 / 50 / 20

HEX #CCCA66

RGB 204 202 102

HSL 58.82, 0.5%, 0.6%

LAB 79.64, -12.89, 49.64

 

CMYK 50 / 0 / 26 / 20

HEX #66CC97

RGB 102 204 151

HSL 148.82, 0.5%, 0.6%

LAB 74.98, -41.95, 17.46

 

Description

Color code: RGB 102 103 204 | qconv.com Color code: RGB 102 103 204 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 103 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 103 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 50 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 50% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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