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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 101 61 197 it is the complementary color RGB 154 194 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 101 61 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 101 61 197 shade: RGB 106 61 192, RGB 123 79 211, RGB 140 97 230, RGB 157 115 249 and RGB 174 133 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 101 61 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 101 61 197 shade: RGB 101 61 197, RGB 84 43 178, RGB 67 25 159, RGB 50 7 140 and RGB 33 0 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 101 61 197 shade: RGB 102 63 198, RGB 139 63 198, RGB 175 63 198, RGB 198 63 184 and RGB 198 63 147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 101 61 197 shade: RGB 102 63 198, RGB 66 63 198 and RGB 63 63 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 101 61 197 shade matches the following richer shades: RGB 102 63 198, RGB 94 42 218 and RGB 86 22 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 101 61 197 shade: RGB 102 63 198, RGB 111 83 177, RGB 119 103 157, RGB 127 123 137 and RGB 136 143 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 101 61 197 shade: RGB 63 96 198, RGB 65 63 198, RGB 101 63 198, RGB 137 63 198 and RGB 173 63 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 101 61 197 shade: RGB 69 41 137, RGB 85 50 169, RGB 102 63 198, RGB 127 94 207 and RGB 153 126 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 101 61 197 shade: RGB 101 61 197, RGB 198 63 132 and RGB 78 198 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 101 61 197 shade: RGB 101 61 197, RGB 198 101 63 and RGB 63 198 101

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 101 61 197 shade: RGB 101 61 197, RGB 198 63 132, RGB 159 198 63 and RGB 63 198 128

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 101 61 197 shade: RGB 101 61 197, RGB 198 63 92, RGB 159 198 63 and RGB 63 198 168

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 69 / 0 / 23

HEX #653DC5

RGB 101 61 197

HSL 257.65, 0.54%, 0.51%

LAB 38.08, 49.22, -64.94

 

Complementary color

CMYK 21 / 0 / 70 / 24

HEX #9AC23A

RGB 154 194 58

HSL 77.65, 0.54%, 0.49%

LAB 73.39, -32.52, 60.76

 

CMYK 45 / 68 / 0 / 25

HEX #6A3DC0

RGB 106 61 192

HSL 260.61, 0.52%, 0.5%

LAB 38.21, 48.74, -61.79

 

CMYK 42 / 63 / 0 / 17

HEX #7B4FD3

RGB 123 79 211

HSL 260, 0.6%, 0.57%

LAB 44.95, 47.6, -61.77

 

CMYK 39 / 58 / 0 / 10

HEX #8C61E6

RGB 140 97 230

HSL 259.4, 0.73%, 0.64%

LAB 51.65, 46.43, -61.65

 

CMYK 37 / 54 / 0 / 2

HEX #9D73F9

RGB 157 115 249

HSL 258.81, 0.92%, 0.71%

LAB 58.29, 45.3, -61.49

 

CMYK 32 / 48 / 0 / 0

HEX #AE85FF

RGB 174 133 255

HSL 260.16, 1%, 0.76%

LAB 64.16, 40.98, -55.34

 

CMYK 49 / 69 / 0 / 23

HEX #653DC5

RGB 101 61 197

HSL 257.65, 0.54%, 0.51%

LAB 38.08, 49.22, -64.94

 

CMYK 53 / 76 / 0 / 30

HEX #542BB2

RGB 84 43 178

HSL 258.22, 0.61%, 0.43%

LAB 31.41, 50.3, -64.74

 

CMYK 58 / 84 / 0 / 38

HEX #43199F

RGB 67 25 159

HSL 258.81, 0.73%, 0.36%

LAB 24.93, 50.82, -64.02

 

CMYK 64 / 95 / 0 / 45

HEX #32078C

RGB 50 7 140

HSL 259.4, 0.9%, 0.29%

LAB 18.9, 50.02, -62.32

 

CMYK 73 / 100 / 0 / 53

HEX #210079

RGB 33 0 121

HSL 256.36, 1%, 0.24%

LAB 13.85, 46.39, -58.71

 

CMYK 48 / 68 / 0 / 22

HEX #663FC6

RGB 102 63 198

HSL 257.33, 0.54%, 0.51%

LAB 38.65, 48.61, -64.6

 

CMYK 30 / 68 / 0 / 22

HEX #8B3FC6

RGB 139 63 198

HSL 273.78, 0.54%, 0.51%

LAB 42.95, 55.77, -57.43

 

CMYK 12 / 68 / 0 / 22

HEX #AF3FC6

RGB 175 63 198

HSL 289.78, 0.54%, 0.51%

LAB 47.94, 63.5, -49.13

 

CMYK 0 / 68 / 7 / 22

HEX #C63FB8

RGB 198 63 184

HSL 306.22, 0.54%, 0.51%

LAB 50.71, 66.4, -36.39

 

CMYK 0 / 68 / 26 / 22

HEX #C63F93

RGB 198 63 147

HSL 322.67, 0.54%, 0.51%

LAB 49.09, 61.13, -17.07

 

CMYK 48 / 68 / 0 / 22

HEX #663FC6

RGB 102 63 198

HSL 257.33, 0.54%, 0.51%

LAB 38.65, 48.61, -64.6

 

CMYK 67 / 68 / 0 / 22

HEX #423FC6

RGB 66 63 198

HSL 241.33, 0.54%, 0.51%

LAB 35.58, 43.1, -69.75

 

CMYK 68 / 68 / 0 / 22

HEX #3F3FC6

RGB 63 63 198

HSL 240, 0.54%, 0.51%

LAB 35.38, 42.73, -70.08

 

CMYK 48 / 68 / 0 / 22

HEX #663FC6

RGB 102 63 198

HSL 257.33, 0.54%, 0.51%

LAB 38.65, 48.61, -64.6

 

CMYK 57 / 81 / 0 / 15

HEX #5E2ADA

RGB 94 42 218

HSL 257.73, 0.7%, 0.51%

LAB 36.17, 62.78, -80.27

 

CMYK 64 / 91 / 0 / 7

HEX #5616EE

RGB 86 22 238

HSL 257.78, 0.86%, 0.51%

LAB 35.45, 73.42, -92.92

 

CMYK 48 / 68 / 0 / 22

HEX #663FC6

RGB 102 63 198

HSL 257.33, 0.54%, 0.51%

LAB 38.65, 48.61, -64.6

 

CMYK 37 / 53 / 0 / 31

HEX #6F53B1

RGB 111 83 177

HSL 257.87, 0.38%, 0.51%

LAB 42.37, 33.31, -46.24

 

CMYK 24 / 34 / 0 / 38

HEX #77679D

RGB 119 103 157

HSL 257.78, 0.22%, 0.51%

LAB 47.05, 18.23, -27.01

 

CMYK 7 / 10 / 0 / 46

HEX #7F7B89

RGB 127 123 137

HSL 257.14, 0.06%, 0.51%

LAB 52.38, 4.38, -7.05

 

CMYK 5 / 0 / 18 / 44

HEX #888F75

RGB 136 143 117

HSL 76.15, 0.1%, 0.51%

LAB 58.19, -7.37, 13

 

CMYK 68 / 52 / 0 / 22

HEX #3F60C6

RGB 63 96 198

HSL 225.33, 0.54%, 0.51%

LAB 43.51, 22.01, -56.84

 

CMYK 67 / 68 / 0 / 22

HEX #413FC6

RGB 65 63 198

HSL 240.89, 0.54%, 0.51%

LAB 35.51, 42.97, -69.86

 

CMYK 49 / 68 / 0 / 22

HEX #653FC6

RGB 101 63 198

HSL 256.89, 0.54%, 0.51%

LAB 38.55, 48.44, -64.77

 

CMYK 31 / 68 / 0 / 22

HEX #893FC6

RGB 137 63 198

HSL 272.89, 0.54%, 0.51%

LAB 42.69, 55.36, -57.85

 

CMYK 13 / 68 / 0 / 22

HEX #AD3FC6

RGB 173 63 198

HSL 288.89, 0.54%, 0.51%

LAB 47.64, 63.06, -49.62

 

CMYK 50 / 70 / 0 / 46

HEX #452989

RGB 69 41 137

HSL 257.5, 0.54%, 0.35%

LAB 25.74, 37.04, -49.12

 

CMYK 50 / 70 / 0 / 34

HEX #5532A9

RGB 85 50 169

HSL 257.65, 0.54%, 0.43%

LAB 31.98, 44.35, -58.41

 

CMYK 48 / 68 / 0 / 22

HEX #663FC6

RGB 102 63 198

HSL 257.33, 0.54%, 0.51%

LAB 38.65, 48.61, -64.6

 

CMYK 39 / 55 / 0 / 19

HEX #7F5ECF

RGB 127 94 207

HSL 257.52, 0.54%, 0.59%

LAB 48.29, 39, -54.08

 

CMYK 29 / 42 / 0 / 15

HEX #997ED9

RGB 153 126 217

HSL 257.8, 0.54%, 0.67%

LAB 58.7, 29.88, -43.04

 

CMYK 49 / 69 / 0 / 23

HEX #653DC5

RGB 101 61 197

HSL 257.65, 0.54%, 0.51%

LAB 38.08, 49.22, -64.94

 

CMYK 0 / 68 / 33 / 22

HEX #C63F84

RGB 198 63 132

HSL 329.33, 0.54%, 0.51%

LAB 48.54, 59.29, -8.88

 

CMYK 61 / 0 / 68 / 22

HEX #4EC63F

RGB 78 198 63

HSL 113.33, 0.54%, 0.51%

LAB 71.12, -58.48, 55.39

 

CMYK 49 / 69 / 0 / 23

HEX #653DC5

RGB 101 61 197

HSL 257.65, 0.54%, 0.51%

LAB 38.08, 49.22, -64.94

 

CMYK 0 / 49 / 68 / 22

HEX #C6653F

RGB 198 101 63

HSL 16.89, 0.54%, 0.51%

LAB 53.68, 35.65, 38.64

 

CMYK 68 / 0 / 49 / 22

HEX #3FC665

RGB 63 198 101

HSL 136.89, 0.54%, 0.51%

LAB 71.14, -56.97, 38.09

 

CMYK 49 / 69 / 0 / 23

HEX #653DC5

RGB 101 61 197

HSL 257.65, 0.54%, 0.51%

LAB 38.08, 49.22, -64.94

 

CMYK 0 / 68 / 33 / 22

HEX #C63F84

RGB 198 63 132

HSL 329.33, 0.54%, 0.51%

LAB 48.54, 59.29, -8.88

 

CMYK 20 / 0 / 68 / 22

HEX #9FC63F

RGB 159 198 63

HSL 77.33, 0.54%, 0.51%

LAB 74.9, -32.1, 60.5

 

CMYK 68 / 0 / 35 / 22

HEX #3FC680

RGB 63 198 128

HSL 148.89, 0.54%, 0.51%

LAB 71.56, -52.24, 24.78

 

CMYK 49 / 69 / 0 / 23

HEX #653DC5

RGB 101 61 197

HSL 257.65, 0.54%, 0.51%

LAB 38.08, 49.22, -64.94

 

CMYK 0 / 68 / 54 / 22

HEX #C63F5C

RGB 198 63 92

HSL 347.11, 0.54%, 0.51%

LAB 47.41, 55.36, 13.82

 

CMYK 20 / 0 / 68 / 22

HEX #9FC63F

RGB 159 198 63

HSL 77.33, 0.54%, 0.51%

LAB 74.9, -32.1, 60.5

 

CMYK 68 / 0 / 15 / 22

HEX #3FC6A8

RGB 63 198 168

HSL 166.67, 0.54%, 0.51%

LAB 72.41, -43.27, 4.52

 

Description

Color code: RGB 101 61 197 | qconv.com Color code: RGB 101 61 197 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 61 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 61 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 69 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 69% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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