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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 101 31 239 it is the complementary color RGB 154 224 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 101 31 239. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 101 31 239 shade: RGB 106 31 234, RGB 123 49 253, RGB 140 67 255, RGB 157 85 255 and RGB 174 103 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 101 31 239. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 101 31 239 shade: RGB 101 31 239, RGB 84 13 220, RGB 67 0 201, RGB 50 0 182 and RGB 33 0 163

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 101 31 239 shade: RGB 101 30 239, RGB 157 30 239, RGB 213 30 239, RGB 239 30 209 and RGB 239 30 152

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 101 31 239 shade: RGB 101 30 239, RGB 44 30 239 and RGB 30 30 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 101 31 239 shade matches the following richer shades: RGB 101 30 239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 101 31 239 shade: RGB 101 30 239, RGB 107 50 220, RGB 113 69 200, RGB 120 89 181 and RGB 126 108 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 101 31 239 shade: RGB 30 72 239, RGB 44 30 239, RGB 100 30 239, RGB 156 30 239 and RGB 211 30 239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 101 31 239 shade: RGB 67 12 175, RGB 81 14 214, RGB 101 30 239, RGB 127 69 242 and RGB 154 108 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 101 31 239 shade: RGB 101 31 239, RGB 239 30 128 and RGB 44 239 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 101 31 239 shade: RGB 101 31 239, RGB 239 100 30 and RGB 30 239 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 101 31 239 shade: RGB 101 31 239, RGB 239 30 128, RGB 169 239 30 and RGB 30 239 142

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 101 31 239 shade: RGB 101 31 239, RGB 239 30 65, RGB 169 239 30 and RGB 30 239 204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 87 / 0 / 6

HEX #651FEF

RGB 101 31 239

HSL 260.19, 0.87%, 0.53%

LAB 37.8, 72.44, -89.53

 

Complementary color

CMYK 31 / 0 / 93 / 12

HEX #9AE010

RGB 154 224 16

HSL 80.19, 0.87%, 0.47%

LAB 81.96, -47.3, 78.65

 

CMYK 55 / 87 / 0 / 8

HEX #6A1FEA

RGB 106 31 234

HSL 262.17, 0.83%, 0.52%

LAB 37.81, 71.67, -86.66

 

CMYK 51 / 81 / 0 / 1

HEX #7B31FD

RGB 123 49 253

HSL 261.76, 0.98%, 0.59%

LAB 43.51, 72.18, -87.92

 

CMYK 45 / 74 / 0 / 0

HEX #8C43FF

RGB 140 67 255

HSL 263.3, 1%, 0.63%

LAB 48.02, 67.75, -81.55

 

CMYK 38 / 67 / 0 / 0

HEX #9D55FF

RGB 157 85 255

HSL 265.41, 1%, 0.67%

LAB 52.82, 62.42, -73.64

 

CMYK 32 / 60 / 0 / 0

HEX #AE67FF

RGB 174 103 255

HSL 268.03, 1%, 0.7%

LAB 57.96, 57.01, -65.24

 

CMYK 58 / 87 / 0 / 6

HEX #651FEF

RGB 101 31 239

HSL 260.19, 0.87%, 0.53%

LAB 37.8, 72.44, -89.53

 

CMYK 62 / 94 / 0 / 14

HEX #540DDC

RGB 84 13 220

HSL 260.58, 0.89%, 0.46%

LAB 32.57, 70.8, -87.42

 

CMYK 67 / 100 / 0 / 21

HEX #4300C9

RGB 67 0 201

HSL 260, 1%, 0.39%

LAB 27.87, 67.56, -84.24

 

CMYK 73 / 100 / 0 / 29

HEX #3200B6

RGB 50 0 182

HSL 256.48, 1%, 0.36%

LAB 23.85, 62.35, -79.73

 

CMYK 80 / 100 / 0 / 36

HEX #2100A3

RGB 33 0 163

HSL 252.15, 1%, 0.32%

LAB 19.91, 57.13, -74.88

 

CMYK 58 / 87 / 0 / 6

HEX #651EEF

RGB 101 30 239

HSL 260.38, 0.87%, 0.53%

LAB 37.71, 72.72, -89.69

 

CMYK 34 / 87 / 0 / 6

HEX #9D1EEF

RGB 157 30 239

HSL 276.46, 0.87%, 0.53%

LAB 44.7, 78.6, -77.93

 

CMYK 11 / 87 / 0 / 6

HEX #D51EEF

RGB 213 30 239

HSL 292.54, 0.87%, 0.53%

LAB 53.28, 86.64, -63.6

 

CMYK 0 / 87 / 13 / 6

HEX #EF1ED1

RGB 239 30 209

HSL 308.61, 0.87%, 0.53%

LAB 55.97, 86.76, -42.06

 

CMYK 0 / 87 / 36 / 6

HEX #EF1E98

RGB 239 30 152

HSL 324.98, 0.87%, 0.53%

LAB 53.54, 80.26, -12.61

 

CMYK 58 / 87 / 0 / 6

HEX #651EEF

RGB 101 30 239

HSL 260.38, 0.87%, 0.53%

LAB 37.71, 72.72, -89.69

 

CMYK 82 / 87 / 0 / 6

HEX #2C1EEF

RGB 44 30 239

HSL 244.02, 0.87%, 0.53%

LAB 33.34, 69.49, -97.07

 

CMYK 87 / 87 / 0 / 6

HEX #1E1EEF

RGB 30 30 239

HSL 240, 0.87%, 0.53%

LAB 32.78, 69.11, -98.02

 

CMYK 58 / 87 / 0 / 6

HEX #651EEF

RGB 101 30 239

HSL 260.38, 0.87%, 0.53%

LAB 37.71, 72.72, -89.69

 

CMYK 58 / 87 / 0 / 6

HEX #651EEF

RGB 101 30 239

HSL 260.38, 0.87%, 0.53%

LAB 37.71, 72.72, -89.69

 

CMYK 51 / 77 / 0 / 14

HEX #6B32DC

RGB 107 50 220

HSL 260.12, 0.71%, 0.53%

LAB 38.85, 61.56, -76.95

 

CMYK 44 / 66 / 0 / 22

HEX #7145C8

RGB 113 69 200

HSL 260.15, 0.54%, 0.53%

LAB 41.12, 48.02, -61.7

 

CMYK 34 / 51 / 0 / 29

HEX #7859B5

RGB 120 89 181

HSL 260.22, 0.38%, 0.53%

LAB 44.91, 33.17, -44.49

 

CMYK 22 / 33 / 0 / 37

HEX #7E6CA1

RGB 126 108 161

HSL 260.38, 0.22%, 0.53%

LAB 49.17, 18.45, -26.02

 

CMYK 87 / 70 / 0 / 6

HEX #1E48EF

RGB 30 72 239

HSL 227.94, 0.87%, 0.53%

LAB 39.82, 48.81, -86.34

 

CMYK 82 / 87 / 0 / 6

HEX #2C1EEF

RGB 44 30 239

HSL 244.02, 0.87%, 0.53%

LAB 33.34, 69.49, -97.07

 

CMYK 58 / 87 / 0 / 6

HEX #641EEF

RGB 100 30 239

HSL 260.1, 0.87%, 0.53%

LAB 37.61, 72.63, -89.86

 

CMYK 35 / 87 / 0 / 6

HEX #9C1EEF

RGB 156 30 239

HSL 276.17, 0.87%, 0.53%

LAB 44.56, 78.47, -78.17

 

CMYK 12 / 87 / 0 / 6

HEX #D31EEF

RGB 211 30 239

HSL 291.96, 0.87%, 0.53%

LAB 52.96, 86.32, -64.14

 

CMYK 62 / 93 / 0 / 31

HEX #430CAF

RGB 67 12 175

HSL 260.25, 0.87%, 0.37%

LAB 25.42, 58.96, -72.9

 

CMYK 62 / 93 / 0 / 16

HEX #510ED6

RGB 81 14 214

HSL 260.1, 0.88%, 0.45%

LAB 31.62, 69.01, -85.54

 

CMYK 58 / 87 / 0 / 6

HEX #651EEF

RGB 101 30 239

HSL 260.38, 0.87%, 0.53%

LAB 37.71, 72.72, -89.69

 

CMYK 48 / 71 / 0 / 5

HEX #7F45F2

RGB 127 69 242

HSL 260.12, 0.87%, 0.61%

LAB 45.88, 61.59, -77.84

 

CMYK 37 / 56 / 0 / 4

HEX #9A6CF4

RGB 154 108 244

HSL 260.29, 0.86%, 0.69%

LAB 56.21, 47.17, -62.07

 

CMYK 58 / 87 / 0 / 6

HEX #651FEF

RGB 101 31 239

HSL 260.19, 0.87%, 0.53%

LAB 37.8, 72.44, -89.53

 

CMYK 0 / 87 / 46 / 6

HEX #EF1E80

RGB 239 30 128

HSL 331.87, 0.87%, 0.53%

LAB 52.77, 78.13, 0.61

 

CMYK 82 / 0 / 87 / 6

HEX #2CEF1E

RGB 44 239 30

HSL 115.98, 0.87%, 0.53%

LAB 83.11, -78.84, 76.14

 

CMYK 58 / 87 / 0 / 6

HEX #651FEF

RGB 101 31 239

HSL 260.19, 0.87%, 0.53%

LAB 37.8, 72.44, -89.53

 

CMYK 0 / 58 / 87 / 6

HEX #EF641E

RGB 239 100 30

HSL 20.1, 0.87%, 0.53%

LAB 59.49, 50.52, 61.42

 

CMYK 87 / 0 / 58 / 6

HEX #1EEF64

RGB 30 239 100

HSL 140.1, 0.87%, 0.53%

LAB 83.41, -74.57, 53.27

 

CMYK 58 / 87 / 0 / 6

HEX #651FEF

RGB 101 31 239

HSL 260.19, 0.87%, 0.53%

LAB 37.8, 72.44, -89.53

 

CMYK 0 / 87 / 46 / 6

HEX #EF1E80

RGB 239 30 128

HSL 331.87, 0.87%, 0.53%

LAB 52.77, 78.13, 0.61

 

CMYK 29 / 0 / 87 / 6

HEX #A9EF1E

RGB 169 239 30

HSL 80.1, 0.87%, 0.53%

LAB 87.13, -47.82, 81.15

 

CMYK 87 / 0 / 41 / 6

HEX #1EEF8E

RGB 30 239 142

HSL 152.15, 0.87%, 0.53%

LAB 83.95, -68.09, 33.99

 

CMYK 58 / 87 / 0 / 6

HEX #651FEF

RGB 101 31 239

HSL 260.19, 0.87%, 0.53%

LAB 37.8, 72.44, -89.53

 

CMYK 0 / 87 / 73 / 6

HEX #EF1E41

RGB 239 30 65

HSL 349.95, 0.87%, 0.53%

LAB 51.45, 74.39, 36.77

 

CMYK 29 / 0 / 87 / 6

HEX #A9EF1E

RGB 169 239 30

HSL 80.1, 0.87%, 0.53%

LAB 87.13, -47.82, 81.15

 

CMYK 87 / 0 / 15 / 6

HEX #1EEFCC

RGB 30 239 204

HSL 169.95, 0.87%, 0.53%

LAB 85.18, -54.39, 3.75

 

Description

Color code: RGB 101 31 239 | qconv.com Color code: RGB 101 31 239 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 31 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 31 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 87 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 87% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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