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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 101 134 181 it is the complementary color RGB 154 121 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 101 134 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 101 134 181 shade: RGB 106 134 176, RGB 123 152 195, RGB 140 170 214, RGB 157 188 233 and RGB 174 206 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 101 134 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 101 134 181 shade: RGB 101 134 181, RGB 84 116 162, RGB 67 98 143, RGB 50 80 124 and RGB 33 62 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 101 134 181 shade: RGB 100 133 180, RGB 100 112 180, RGB 110 100 180, RGB 132 100 180 and RGB 154 100 180

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 101 134 181 shade: RGB 100 133 180, RGB 100 112 180 and RGB 100 100 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 101 134 181 shade matches the following richer shades: RGB 100 133 180, RGB 82 130 199, RGB 63 127 218, RGB 44 123 236 and RGB 26 120 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 101 134 181 shade: RGB 100 133 180, RGB 119 136 162, RGB 137 140 143, RGB 156 143 125 and RGB 174 146 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 101 134 181 shade: RGB 100 176 180, RGB 100 155 180, RGB 100 134 180, RGB 100 112 180 and RGB 109 100 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 101 134 181 shade: RGB 64 93 134, RGB 78 112 161, RGB 100 133 180, RGB 128 155 194 and RGB 156 177 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 101 134 181 shade: RGB 101 134 181, RGB 163 100 180 and RGB 166 180 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 101 134 181 shade: RGB 101 134 181, RGB 180 100 134 and RGB 134 180 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 101 134 181 shade: RGB 101 134 181, RGB 163 100 180, RGB 180 147 100 and RGB 117 180 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 101 134 181 shade: RGB 101 134 181, RGB 180 100 174, RGB 180 147 100 and RGB 100 180 107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 26 / 0 / 29

HEX #6586B5

RGB 101 134 181

HSL 215.25, 0.35%, 0.55%

LAB 55.23, 1.05, -28.35

 

Complementary color

CMYK 0 / 21 / 52 / 40

HEX #9A794A

RGB 154 121 74

HSL 35.25, 0.35%, 0.45%

LAB 52.99, 6.8, 30.52

 

CMYK 40 / 24 / 0 / 31

HEX #6A86B0

RGB 106 134 176

HSL 216, 0.31%, 0.55%

LAB 55.33, 0.96, -25.32

 

CMYK 37 / 22 / 0 / 24

HEX #7B98C3

RGB 123 152 195

HSL 215.83, 0.38%, 0.62%

LAB 62.17, 0.6, -25.45

 

CMYK 35 / 21 / 0 / 16

HEX #8CAAD6

RGB 140 170 214

HSL 215.68, 0.47%, 0.69%

LAB 68.88, 0.29, -25.62

 

CMYK 33 / 19 / 0 / 9

HEX #9DBCE9

RGB 157 188 233

HSL 215.53, 0.63%, 0.76%

LAB 75.46, 0.02, -25.81

 

CMYK 31 / 18 / 0 / 1

HEX #AECEFC

RGB 174 206 252

HSL 215.38, 0.93%, 0.84%

LAB 81.93, -0.23, -26.01

 

CMYK 44 / 26 / 0 / 29

HEX #6586B5

RGB 101 134 181

HSL 215.25, 0.35%, 0.55%

LAB 55.23, 1.05, -28.35

 

CMYK 48 / 28 / 0 / 36

HEX #5474A2

RGB 84 116 162

HSL 215.38, 0.32%, 0.48%

LAB 48.24, 1.59, -28.3

 

CMYK 53 / 31 / 0 / 44

HEX #43628F

RGB 67 98 143

HSL 215.53, 0.36%, 0.41%

LAB 41.08, 2.29, -28.28

 

CMYK 60 / 35 / 0 / 51

HEX #32507C

RGB 50 80 124

HSL 215.68, 0.43%, 0.34%

LAB 33.71, 3.21, -28.31

 

CMYK 69 / 41 / 0 / 59

HEX #213E69

RGB 33 62 105

HSL 215.83, 0.52%, 0.27%

LAB 26.12, 4.52, -28.39

 

CMYK 44 / 26 / 0 / 29

HEX #6485B4

RGB 100 133 180

HSL 215.25, 0.35%, 0.55%

LAB 54.84, 1.08, -28.38

 

CMYK 44 / 38 / 0 / 29

HEX #6470B4

RGB 100 112 180

HSL 231, 0.35%, 0.55%

LAB 49, 13.66, -37.52

 

CMYK 39 / 44 / 0 / 29

HEX #6E64B4

RGB 110 100 180

HSL 247.5, 0.35%, 0.55%

LAB 46.61, 23.63, -41.25

 

CMYK 27 / 44 / 0 / 29

HEX #8464B4

RGB 132 100 180

HSL 264, 0.35%, 0.55%

LAB 48.65, 29.75, -37.88

 

CMYK 14 / 44 / 0 / 29

HEX #9A64B4

RGB 154 100 180

HSL 280.5, 0.35%, 0.55%

LAB 51.01, 36.23, -34.01

 

CMYK 44 / 26 / 0 / 29

HEX #6485B4

RGB 100 133 180

HSL 215.25, 0.35%, 0.55%

LAB 54.84, 1.08, -28.38

 

CMYK 44 / 38 / 0 / 29

HEX #6470B4

RGB 100 112 180

HSL 231, 0.35%, 0.55%

LAB 49, 13.66, -37.52

 

CMYK 44 / 44 / 0 / 29

HEX #6464B4

RGB 100 100 180

HSL 240, 0.35%, 0.55%

LAB 45.8, 21.04, -42.59

 

CMYK 44 / 26 / 0 / 29

HEX #6485B4

RGB 100 133 180

HSL 215.25, 0.35%, 0.55%

LAB 54.84, 1.08, -28.38

 

CMYK 59 / 35 / 0 / 22

HEX #5282C7

RGB 82 130 199

HSL 215.38, 0.51%, 0.55%

LAB 53.9, 4.62, -40.77

 

CMYK 71 / 42 / 0 / 15

HEX #3F7FDA

RGB 63 127 218

HSL 215.23, 0.68%, 0.55%

LAB 53.27, 9.76, -52.57

 

CMYK 81 / 48 / 0 / 7

HEX #2C7BEC

RGB 44 123 236

HSL 215.31, 0.83%, 0.55%

LAB 52.68, 16.71, -63.64

 

CMYK 90 / 53 / 0 / 0

HEX #1A78FF

RGB 26 120 255

HSL 215.37, 1%, 0.55%

LAB 52.81, 24.59, -74.01

 

CMYK 44 / 26 / 0 / 29

HEX #6485B4

RGB 100 133 180

HSL 215.25, 0.35%, 0.55%

LAB 54.84, 1.08, -28.38

 

CMYK 27 / 16 / 0 / 36

HEX #7788A2

RGB 119 136 162

HSL 216.28, 0.19%, 0.55%

LAB 56.23, -0.04, -15.83

 

CMYK 4 / 2 / 0 / 44

HEX #898C8F

RGB 137 140 143

HSL 210, 0.03%, 0.55%

LAB 58.09, -0.49, -1.99

 

CMYK 0 / 8 / 20 / 39

HEX #9C8F7D

RGB 156 143 125

HSL 34.84, 0.14%, 0.55%

LAB 60.06, 1.77, 11.33

 

CMYK 0 / 16 / 39 / 32

HEX #AE926A

RGB 174 146 106

HSL 35.29, 0.3%, 0.55%

LAB 62.17, 4.78, 25.12

 

CMYK 44 / 2 / 0 / 29

HEX #64B0B4

RGB 100 176 180

HSL 183, 0.35%, 0.55%

LAB 67.32, -22.45, -9.41

 

CMYK 44 / 14 / 0 / 29

HEX #649BB4

RGB 100 155 180

HSL 198.75, 0.35%, 0.55%

LAB 61.17, -11.37, -18.66

 

CMYK 44 / 26 / 0 / 29

HEX #6486B4

RGB 100 134 180

HSL 214.5, 0.35%, 0.55%

LAB 55.13, 0.49, -27.94

 

CMYK 44 / 38 / 0 / 29

HEX #6470B4

RGB 100 112 180

HSL 231, 0.35%, 0.55%

LAB 49, 13.66, -37.52

 

CMYK 39 / 44 / 0 / 29

HEX #6D64B4

RGB 109 100 180

HSL 246.75, 0.35%, 0.55%

LAB 46.53, 23.37, -41.39

 

CMYK 52 / 31 / 0 / 47

HEX #405D86

RGB 64 93 134

HSL 215.14, 0.35%, 0.39%

LAB 38.97, 1.7, -26.15

 

CMYK 52 / 30 / 0 / 37

HEX #4E70A1

RGB 78 112 161

HSL 215.42, 0.35%, 0.47%

LAB 46.69, 2.2, -30.16

 

CMYK 44 / 26 / 0 / 29

HEX #6485B4

RGB 100 133 180

HSL 215.25, 0.35%, 0.55%

LAB 54.84, 1.08, -28.38

 

CMYK 34 / 20 / 0 / 24

HEX #809BC2

RGB 128 155 194

HSL 215.45, 0.35%, 0.63%

LAB 63.28, 0.06, -23.17

 

CMYK 25 / 14 / 0 / 19

HEX #9CB1CF

RGB 156 177 207

HSL 215.29, 0.35%, 0.71%

LAB 71.57, -0.59, -17.59

 

CMYK 44 / 26 / 0 / 29

HEX #6586B5

RGB 101 134 181

HSL 215.25, 0.35%, 0.55%

LAB 55.23, 1.05, -28.35

 

CMYK 9 / 44 / 0 / 29

HEX #A364B4

RGB 163 100 180

HSL 287.25, 0.35%, 0.55%

LAB 52.06, 38.94, -32.3

 

CMYK 8 / 0 / 44 / 29

HEX #A6B464

RGB 166 180 100

HSL 70.5, 0.35%, 0.55%

LAB 70.64, -17.32, 39.03

 

CMYK 44 / 26 / 0 / 29

HEX #6586B5

RGB 101 134 181

HSL 215.25, 0.35%, 0.55%

LAB 55.23, 1.05, -28.35

 

CMYK 0 / 44 / 26 / 29

HEX #B46486

RGB 180 100 134

HSL 334.5, 0.35%, 0.55%

LAB 52.44, 36.43, -4.56

 

CMYK 26 / 0 / 44 / 29

HEX #86B464

RGB 134 180 100

HSL 94.5, 0.35%, 0.55%

LAB 68.48, -29.67, 35.87

 

CMYK 44 / 26 / 0 / 29

HEX #6586B5

RGB 101 134 181

HSL 215.25, 0.35%, 0.55%

LAB 55.23, 1.05, -28.35

 

CMYK 9 / 44 / 0 / 29

HEX #A364B4

RGB 163 100 180

HSL 287.25, 0.35%, 0.55%

LAB 52.06, 38.94, -32.3

 

CMYK 0 / 18 / 44 / 29

HEX #B49364

RGB 180 147 100

HSL 35.25, 0.35%, 0.55%

LAB 62.92, 6.05, 29.5

 

CMYK 35 / 0 / 44 / 29

HEX #75B464

RGB 117 180 100

HSL 107.25, 0.35%, 0.55%

LAB 67.53, -35.66, 34.47

 

CMYK 44 / 26 / 0 / 29

HEX #6586B5

RGB 101 134 181

HSL 215.25, 0.35%, 0.55%

LAB 55.23, 1.05, -28.35

 

CMYK 0 / 44 / 3 / 29

HEX #B464AE

RGB 180 100 174

HSL 304.5, 0.35%, 0.55%

LAB 53.89, 42.98, -25.81

 

CMYK 0 / 18 / 44 / 29

HEX #B49364

RGB 180 147 100

HSL 35.25, 0.35%, 0.55%

LAB 62.92, 6.05, 29.5

 

CMYK 44 / 0 / 41 / 29

HEX #64B46B

RGB 100 180 107

HSL 125.25, 0.35%, 0.55%

LAB 66.83, -40.01, 29.77

 

Description

Color code: RGB 101 134 181 | qconv.com Color code: RGB 101 134 181 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 134 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 134 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 26 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 26% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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