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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 101 107 131 it is the complementary color RGB 154 148 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 101 107 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 101 107 131 shade: RGB 106 107 126, RGB 123 125 145, RGB 140 143 164, RGB 157 161 183 and RGB 174 179 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 101 107 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 101 107 131 shade: RGB 101 107 131, RGB 84 89 112, RGB 67 71 93, RGB 50 53 74 and RGB 33 35 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 101 107 131 shade: RGB 100 106 130, RGB 102 100 130, RGB 110 100 130, RGB 118 100 130 and RGB 126 100 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 101 107 131 shade: RGB 100 106 130 and RGB 100 100 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 101 107 131 shade matches the following richer shades: RGB 100 106 130, RGB 81 95 148, RGB 63 84 167, RGB 44 72 185 and RGB 26 61 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 101 107 131 shade: RGB 100 106 130, RGB 118 117 111, RGB 137 128 93, RGB 156 139 74 and RGB 174 150 55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 101 107 131 shade: RGB 100 122 130, RGB 100 114 130, RGB 100 106 130, RGB 102 100 130 and RGB 110 100 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 101 107 131 shade: RGB 64 68 83, RGB 82 87 106, RGB 100 106 130, RGB 120 126 151 and RGB 143 148 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 101 107 131 shade: RGB 101 107 131, RGB 130 100 130 and RGB 118 130 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 101 107 131 shade: RGB 101 107 131, RGB 130 100 106 and RGB 106 130 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 101 107 131 shade: RGB 101 107 131, RGB 130 100 130, RGB 130 124 100 and RGB 100 130 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 101 107 131 shade: RGB 101 107 131, RGB 130 100 121, RGB 130 124 100 and RGB 100 130 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 18 / 0 / 49

HEX #656B83

RGB 101 107 131

HSL 228, 0.13%, 0.45%

LAB 45.53, 3.32, -14.02

 

Complementary color

CMYK 0 / 4 / 19 / 40

HEX #9A947C

RGB 154 148 124

HSL 48, 0.13%, 0.55%

LAB 61.22, -1.95, 13.5

 

CMYK 16 / 15 / 0 / 51

HEX #6A6B7E

RGB 106 107 126

HSL 237, 0.09%, 0.45%

LAB 45.75, 3.83, -10.64

 

CMYK 15 / 14 / 0 / 43

HEX #7B7D91

RGB 123 125 145

HSL 234.55, 0.09%, 0.53%

LAB 52.86, 3.57, -11.03

 

CMYK 15 / 13 / 0 / 36

HEX #8C8FA4

RGB 140 143 164

HSL 232.5, 0.12%, 0.6%

LAB 59.8, 3.33, -11.43

 

CMYK 14 / 12 / 0 / 28

HEX #9DA1B7

RGB 157 161 183

HSL 230.77, 0.15%, 0.67%

LAB 66.58, 3.11, -11.83

 

CMYK 14 / 11 / 0 / 21

HEX #AEB3CA

RGB 174 179 202

HSL 229.29, 0.21%, 0.74%

LAB 73.22, 2.9, -12.23

 

CMYK 23 / 18 / 0 / 49

HEX #656B83

RGB 101 107 131

HSL 228, 0.13%, 0.45%

LAB 45.53, 3.32, -14.02

 

CMYK 25 / 21 / 0 / 56

HEX #545970

RGB 84 89 112

HSL 229.29, 0.14%, 0.38%

LAB 38.2, 3.63, -13.75

 

CMYK 28 / 24 / 0 / 64

HEX #43475D

RGB 67 71 93

HSL 230.77, 0.16%, 0.31%

LAB 30.62, 3.99, -13.51

 

CMYK 32 / 28 / 0 / 71

HEX #32354A

RGB 50 53 74

HSL 232.5, 0.19%, 0.24%

LAB 22.72, 4.44, -13.34

 

CMYK 40 / 36 / 0 / 78

HEX #212337

RGB 33 35 55

HSL 234.55, 0.25%, 0.17%

LAB 14.41, 5.05, -13.28

 

CMYK 23 / 18 / 0 / 49

HEX #646A82

RGB 100 106 130

HSL 228, 0.13%, 0.45%

LAB 45.12, 3.33, -14.04

 

CMYK 22 / 23 / 0 / 49

HEX #666482

RGB 102 100 130

HSL 244, 0.13%, 0.45%

LAB 43.58, 7.65, -16.37

 

CMYK 15 / 23 / 0 / 49

HEX #6E6482

RGB 110 100 130

HSL 260, 0.13%, 0.45%

LAB 44.29, 10.42, -15.23

 

CMYK 9 / 23 / 0 / 49

HEX #766482

RGB 118 100 130

HSL 276, 0.13%, 0.45%

LAB 45.05, 13.26, -14

 

CMYK 3 / 23 / 0 / 49

HEX #7E6482

RGB 126 100 130

HSL 292, 0.13%, 0.45%

LAB 45.85, 16.15, -12.71

 

CMYK 23 / 18 / 0 / 49

HEX #646A82

RGB 100 106 130

HSL 228, 0.13%, 0.45%

LAB 45.12, 3.33, -14.04

 

CMYK 23 / 23 / 0 / 49

HEX #646482

RGB 100 100 130

HSL 240, 0.13%, 0.45%

LAB 43.41, 6.97, -16.65

 

CMYK 23 / 18 / 0 / 49

HEX #646A82

RGB 100 106 130

HSL 228, 0.13%, 0.45%

LAB 45.12, 3.33, -14.04

 

CMYK 45 / 36 / 0 / 42

HEX #515F94

RGB 81 95 148

HSL 227.46, 0.29%, 0.45%

LAB 41.33, 9.38, -30.82

 

CMYK 62 / 50 / 0 / 35

HEX #3F54A7

RGB 63 84 167

HSL 227.88, 0.45%, 0.45%

LAB 38.18, 18.67, -47.26

 

CMYK 76 / 61 / 0 / 27

HEX #2C48B9

RGB 44 72 185

HSL 228.09, 0.62%, 0.45%

LAB 35.35, 30.3, -62.55

 

CMYK 87 / 70 / 0 / 20

HEX #1A3DCC

RGB 26 61 204

HSL 228.2, 0.77%, 0.45%

LAB 33.81, 42.88, -76.22

 

CMYK 23 / 18 / 0 / 49

HEX #646A82

RGB 100 106 130

HSL 228, 0.13%, 0.45%

LAB 45.12, 3.33, -14.04

 

CMYK 0 / 1 / 6 / 54

HEX #76756F

RGB 118 117 111

HSL 51.43, 0.03%, 0.45%

LAB 49.16, -0.79, 3.44

 

CMYK 0 / 7 / 32 / 46

HEX #89805D

RGB 137 128 93

HSL 47.73, 0.19%, 0.45%

LAB 53.54, -2.3, 20.27

 

CMYK 0 / 11 / 53 / 39

HEX #9C8B4A

RGB 156 139 74

HSL 47.56, 0.36%, 0.45%

LAB 58.06, -2.42, 36.78

 

CMYK 0 / 14 / 68 / 32

HEX #AE9637

RGB 174 150 55

HSL 47.9, 0.52%, 0.45%

LAB 62.58, -1.91, 51.43

 

CMYK 23 / 6 / 0 / 49

HEX #647A82

RGB 100 122 130

HSL 196, 0.13%, 0.45%

LAB 49.79, -6.09, -7.02

 

CMYK 23 / 12 / 0 / 49

HEX #647282

RGB 100 114 130

HSL 212, 0.13%, 0.45%

LAB 47.44, -1.43, -10.54

 

CMYK 23 / 18 / 0 / 49

HEX #646A82

RGB 100 106 130

HSL 228, 0.13%, 0.45%

LAB 45.12, 3.33, -14.04

 

CMYK 22 / 23 / 0 / 49

HEX #666482

RGB 102 100 130

HSL 244, 0.13%, 0.45%

LAB 43.58, 7.65, -16.37

 

CMYK 15 / 23 / 0 / 49

HEX #6E6482

RGB 110 100 130

HSL 260, 0.13%, 0.45%

LAB 44.29, 10.42, -15.23

 

CMYK 23 / 18 / 0 / 67

HEX #404453

RGB 64 68 83

HSL 227.37, 0.13%, 0.29%

LAB 29.03, 2.12, -9.52

 

CMYK 23 / 18 / 0 / 58

HEX #52576A

RGB 82 87 106

HSL 227.5, 0.13%, 0.37%

LAB 37.21, 2.61, -11.55

 

CMYK 23 / 18 / 0 / 49

HEX #646A82

RGB 100 106 130

HSL 228, 0.13%, 0.45%

LAB 45.12, 3.33, -14.04

 

CMYK 21 / 17 / 0 / 41

HEX #787E97

RGB 120 126 151

HSL 228.39, 0.13%, 0.53%

LAB 53.11, 3.37, -14.18

 

CMYK 15 / 12 / 0 / 34

HEX #8F94A9

RGB 143 148 169

HSL 228.46, 0.13%, 0.61%

LAB 61.55, 2.63, -11.61

 

CMYK 23 / 18 / 0 / 49

HEX #656B83

RGB 101 107 131

HSL 228, 0.13%, 0.45%

LAB 45.53, 3.32, -14.02

 

CMYK 0 / 23 / 0 / 49

HEX #826482

RGB 130 100 130

HSL 300, 0.13%, 0.45%

LAB 46.27, 17.6, -12.03

 

CMYK 9 / 0 / 23 / 49

HEX #768264

RGB 118 130 100

HSL 84, 0.13%, 0.45%

LAB 52.66, -10.13, 14.8

 

CMYK 23 / 18 / 0 / 49

HEX #656B83

RGB 101 107 131

HSL 228, 0.13%, 0.45%

LAB 45.53, 3.32, -14.02

 

CMYK 0 / 23 / 18 / 49

HEX #82646A

RGB 130 100 106

HSL 348, 0.13%, 0.45%

LAB 45.5, 13.08, 1.27

 

CMYK 18 / 0 / 23 / 49

HEX #6A8264

RGB 106 130 100

HSL 108, 0.13%, 0.45%

LAB 51.78, -14.78, 13.45

 

CMYK 23 / 18 / 0 / 49

HEX #656B83

RGB 101 107 131

HSL 228, 0.13%, 0.45%

LAB 45.53, 3.32, -14.02

 

CMYK 0 / 23 / 0 / 49

HEX #826482

RGB 130 100 130

HSL 300, 0.13%, 0.45%

LAB 46.27, 17.6, -12.03

 

CMYK 0 / 5 / 23 / 49

HEX #827C64

RGB 130 124 100

HSL 48, 0.13%, 0.45%

LAB 51.93, -1.92, 13.95

 

CMYK 23 / 0 / 23 / 49

HEX #648264

RGB 100 130 100

HSL 120, 0.13%, 0.45%

LAB 51.38, -17.02, 12.83

 

CMYK 23 / 18 / 0 / 49

HEX #656B83

RGB 101 107 131

HSL 228, 0.13%, 0.45%

LAB 45.53, 3.32, -14.02

 

CMYK 0 / 23 / 7 / 49

HEX #826479

RGB 130 100 121

HSL 318, 0.13%, 0.45%

LAB 45.96, 15.81, -7.09

 

CMYK 0 / 5 / 23 / 49

HEX #827C64

RGB 130 124 100

HSL 48, 0.13%, 0.45%

LAB 51.93, -1.92, 13.95

 

CMYK 23 / 0 / 16 / 49

HEX #64826D

RGB 100 130 109

HSL 138, 0.13%, 0.45%

LAB 51.59, -15.25, 7.91

 

Description

Color code: RGB 101 107 131 | qconv.com Color code: RGB 101 107 131 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 101 red, 107 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
101 107 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 18 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 18% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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